Shirley Valerie Horn (May 1, 1934 – October 20, 2005) was an American jazz … Read Full Bio ↴Shirley Valerie Horn (May 1, 1934 – October 20, 2005) was an American jazz singer and pianist. She collaborated with many jazz greats including Miles Davis, Dizzy Gillespie, Toots Thielemans, Ron Carter, Carmen McRae, Wynton Marsalis and others. She was most noted for her ability to accompany herself with nearly incomparable independence and ability on the piano while singing, something described by arranger Johnny Mandel as "like having two heads", and for her rich, lush voice, a smoky contralto, which was described by noted producer and arranger Quincy Jones as "like clothing, as she seduces you with her voice". Although she could swing as strongly as any straight-ahead jazz artist, Horn's reputation rode on her exquisite ballad work.

Shirley Horn was born and raised in Washington, D.C.. Encouraged by her grandmother, an amateur organist, Horn began piano lessons at the age of four. Aged 12, she studied piano and composition at Howard University, later graduating from there in classical music. Horn was offered a place at the Juilliard School, but her family could not afford to send her there. Horn formed her first jazz piano trio when she was 20. Horn's early piano influences were Erroll Garner, Oscar Peterson and Ahmad Jamal, and moving away from her classical background, Horn later said that "Oscar Peterson became my Rachmaninov, and Ahmad Jamal became my Debussy." She then became enamored with the famous U Street jazz area of Washington (largely destroyed in the 1968 riots), sneaking into jazz clubs before she was of legal age.

Horn first achieved fame in 1960, through her association with Miles Davis. Davis' praise had particular resonance in two respects: because he was so highly respected as a musician, and because he rarely offered public praise for fellow musicians at that time. Horn had, though, recorded several songs with violinist Stuff Smith in 1959 both as a pianist and a singer. After her discovery by Davis, she recorded albums on different small labels in the early 1960s, eventually landing contracts with larger labels Mercury Records and Impulse Records. She was popular with jazz critics, but did not achieve significant popular success.

Quincy Jones attempted to make Horn into a pure vocalist in several recording sessions, something he later hinted may have been a mistake. Horn was also disturbed by the changes in popular music in the 1960s following the arrival of The Beatles. Largely rejecting efforts to remake her into a popular singer, she stated: "I will not stoop to conquer."[4] From the late-1960s, she concentrated on raising her daughter Rainy with her husband, Shepherd Deering (whom she had married in 1955), and largely limited her performances to her native Washington, D.C.

Miles Davis made a rare appearance as a sideman on Horn's 1991 album You Won't Forget Me. Although she preferred to perform in small settings, such as her trio, she also recorded with orchestras, as on the 1992 album Here's to Life, the title song (lyrics by Phyllis Molinary, music by Artie Butler) of which became her signature song. A video documentary of Horn's life and music was released at the same time as "Here's To Life" and shared its title. At the time, arranger Johnny Mandel commented that Horn's piano skill was comparable to that of the noted jazz great Bill Evans. A follow-up was made in 2001, named You're My Thrill.

Horn worked with the same rhythm section for 25 years: Charles Ables (bass) and Steve Williams (drums). Don Heckman wrote in the Los Angeles Times (February 2, 1995) about "the importance of bassist Charles Ables and drummer Steve Williams to Horn's sound. Working with boundless subtlety, following her every spontaneous twist and turn, they were the ideal accompanists for a performer who clearly will tolerate nothing less than perfection".

Her albums Here's to Life, Light Out of Darkness (A Tribute to Ray Charles) and I Love You, Paris all reached number one on the Billboard jazz charts.

Due to health problems in the early 2000s, Horn had to cut back on her performances. After 2002, a foot amputation (from complications of diabetes) led her to leave the piano playing to pianist George Mesterhazy. In late 2004, Horn felt able to play piano again, and recorded a live album for Verve, at Manhattan's Au Bar with trumpet player Roy Hargrove, which did not satisfy her.[citation needed] It remains unreleased except for tracks on But Beautiful - The Best of Shirley Horn.

A breast cancer survivor, she had been battling diabetes when she died of complications from the condition, aged 71. She is interred at Ft. Lincoln Cemetery in Washington, D.C.

Horn was nominated for nine Grammy Awards during her career, winning the Grammy Award for Best Jazz Vocal Performance at the 41st Grammy Awards for I Remember Miles, a tribute to her friend and mentor (the album's cover featuring a Miles Davis drawing of them both).

She was officially recognized by the 109th US Congress for "her many achievements and contributions to the world of jazz and American culture", and performed at The White House for several U.S. presidents. Horn was awarded an honorary Doctor of Music degree from the Berklee College of Music in 2002.

She was awarded the National Endowment for the Arts Jazz Masters Award in 2005 (the highest honors that the United States bestows upon jazz musicians).

I Got Lost In His Arms
Shirley Horn Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Don't ask me just how it happened
I wish I knew
I can't believe that it's happened
And still it's true

I got lost in his arms and I had to stay
It was dark in his arms and I lost my way

From the dark came a voice
And it seemed to say
There you go
There you go

How I felt as I fell I just can't recall
But his arms held me fast and it broke the fall

And I said to my heart
As it foolishly kept jumping all around
I got lost but look what I found

(There you go, there you go)

How I felt as I fell I just can't recall
But his arms held me fast and it broke the fall

And I said to my heart

As it foolishly kept jumping all around
I got lost but look what I found

Overall Meaning

The song “I Got Lost In His Arms” by Shirley Horn is a ballad about falling in love. The lyrics convey the confusion that the singer feels when she unexpectedly falls for someone. The first few lines, “Don't ask me just how it happened, I wish I knew, I can't believe that it's happened, and still it's true,” set the tone for the rest of the song, highlighting the surprise and disbelief that the singer experiences. She is stunned by the fact that she has fallen for someone and cannot explain how it happened.

The title of the song is a metaphor that describes the singer’s emotional state. She has lost herself in the arms of her love interest and is happily lost. The lyrics, “I got lost in his arms and I had to stay, it was dark in his arms and I lost my way,” illustrate the singer’s confusion and disorientation when she first falls for him. It is as though she has been swept away and has no control over her emotions.

The song is a beautiful testament to the power of love and how it can leave us feeling lost but ultimately lead us to something wonderful. The singer acknowledges that she may have gotten lost, but she is grateful for what she has found. The lyrics, “And I said to my heart as it foolishly kept jumping all around, I got lost but look what I found,” suggest that the singer has come to terms with her unexpected emotions and is excited about the possibilities that lie ahead.

Line by Line Meaning

Don't ask me just how it happened
I can't explain how it happened

I wish I knew
I don't know myself

I can't believe that it's happened
I still can't believe it happened

And still it's true
But it is true anyways

I got lost in his arms and I had to stay
I was completely absorbed in his embrace and couldn't leave

It was dark in his arms and I lost my way
His embrace was so intense that I was completely disoriented

From the dark came a voice
Someone spoke while I was lost in his embrace

And it seemed to say
This is what I recall the voice saying

There you go
You're going in the right direction

How I felt as I fell I just can't recall
I don't remember how I felt falling into his embrace

But his arms held me fast and it broke the fall
His embrace stopped me from falling