K.I.S.S.I.N.G.
Siedah Garrett Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Oh, baby, baby
Don't you know I live for your touch
Oh, baby, baby
Only you can give me what I want (just what I want)
Yes
Oh, baby, baby
Why don't we just test the waters
Put your lips next to mine then we'll take a step above
[Chorus]
Begins with love
That's where it's going
I want you, you want me,
This kind of thing can lead
To the birds and the bees
High in the breeze
Boys and girls
Names on trees
All starts with the K I S S, K I S S I N G
Oh, why don't we get together
Don't you know all we ever need
One thing leads straight to another
First things first, second we'll see
[Repeat Chorus]
I like it, you know
K I S S I N G
Oh, baby, baby
Why don't we just test the waters
Oh, baby, baby
Put your lips next to mine then we'll take a step above
And we'll work it overtime
[Repeat Chorus x2]
The lyrics to Siedah Garrett's song K.I.S.S.I.N.G express a desire for physical intimacy between two people. The singer is desperate for the touch of her lover and urges him to test the waters and take the next step in their relationship. She feels that only he can give her what she wants and that they should indulge in some passionate kissing to take their relationship forward.
The chorus of the song emphasizes the start of a romantic relationship and the potential it has to lead to a deep and lasting love. The birds and the bees reference symbolize physical passion and the high in the breeze references the carefree feeling that comes with young love. The singer also references boys and girls carving their names on trees, a classic symbol of young love.
Line by Line Meaning
Oh la la
Expressing excitement, anticipation, or interest.
Oh, baby, baby
Don't you know I live for your touch
Showing a desire and craving for the physical touch and attention of the person addressed.
Oh, baby, baby
Only you can give me what I want (just what I want)
Yes
Emphasizing the exclusivity of the desired relationship; only the person addressed can satisfy their wants and needs.
Oh, baby, baby
Why don't we just test the waters
Oh, baby, baby
Put your lips next to mine then we'll take a step above
Suggesting the idea of starting a relationship by exploring romantic affection in a playful and innocent way, gradually moving towards deeper intimacy.
[Chorus]
Begins with love
That's where it's going
I want you, you want me,
This kind of thing can lead
To the birds and the bees
High in the breeze
Boys and girls
Names on trees
All starts with the K I S S, K I S S I N G
Describing the natural course of a romantic relationship that starts with mutual attraction, leading to physical intimacy, and eventually blooming into love.
Oh, why don't we get together
Don't you know all we ever need
One thing leads straight to another
First things first, second we'll see
Encouraging the idea of taking another step forward in the relationship, highlighting the inevitability of physical intimacy while suggesting they can explore their connection step-by-step.
[Repeat Chorus]
Repeating the central message of the song, emphasizing the importance of kissing as the starting point for a romantic relationship.
I like it, you know
K I S S I N G
Expressing enjoyment and pleasure in the romantic interaction, while reminding the other person of the crucial significance of kissing in the relationship.
Oh, baby, baby
Why don't we just test the waters
Oh, baby, baby
Put your lips next to mine then we'll take a step above
And we'll work it overtime
Revisiting the playful and innocent tone of the earlier lines, suggesting that the bonding process of their relationship may take some effort, hence the reference to working overtime.
[Repeat Chorus x2]
Repeating the chorus twice to reiterate the central message, and highlight the inevitability of the romantic connection they share.
Contributed by Brody W. Suggest a correction in the comments below.
Mantroglodyte
Wow! I just discovered this and thought 'man this artist is really biting Michael Jackson's style'. Little did I know she is largely the talent behind that distinctive sound. Classic example of of the real genius being the guy behind the guy. What an underrated artist!!!
Ed Reid
Well she did duet with Michael, and was certainly be influenced by him..
the truth
@Larry Earl He very well might be but in this situation he 100% is not.
Larry Earl
@the truth Micheal was a biter...
the truth
Stop your saying that to be dismissive towards Michael & his accomplishments. She wrote one song for him. An incredible, class A, exceptional composition but still just one & that was it. Where as Michael wrote era defining classics all by himself MULTIPLE TIMES! So you were correct about this song being good because of the artist behind the artist influencing what you see & hear here. Only it was Michael who was the one behind it. You already knew this but I like to make sure you can’t act like you don’t know. Also I do like her but it’s not a surprise as to why you are only hearing this now. It’s not really a good/hit song. She tried to do a Michael styled song but it just didn’t come together. It’s a standard radio song that is indistinguishable from anything out @that time. She very talented but the truth is the truth….no pun intended
Mr. Bergeron
I loved her voice, She sounds like a mixture of Angela Winbush and Karen White. Love that raspy voice.
Old Man Flying
Siedah is the total package; vocalist, producer, song writer, and ... well, she is sexy as hell! I had a big crush on her back in the day with this video and with the Brand New Heavies. Makes me want to travel back to the 80's and hit the dance clubs!
annmarie clarke
You left out her ability to dance, she was a Soul train dancer and folks with 2 left feet wouldnt be welcomed.
Michael Anthony
So underrated as a singer....Love Siedah
YoTunny
Can't get enough of the way Siedah moves her body while performing. She puts that work in y'all!