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Function Love
Six Lens Productions Lyrics


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Most interesting comments from YouTube:

@aCuria.

I actually disagree, and I have been shooting for over 20 years.

When I switched to digital from film, I actually started with the setup indicated in the video. first the OG EF mount 28-75/2.8, and when I realized 2.8 was not great in low light I got the 35/1.4

Ultimately the problem with this is that you have 2 lenses, but are still very limited in what you can shoot. 28mm is not wide enough, and 75mm isnt long enough much of the time.

You then have to buy 2 more lenses to fix this - 16-35, 35, 28-75, 70-200, and at this point the 28-75 becomes redundent because you can just carry the 16-35 and 70-200. Many event photographers did this back then on two bodies, but you can just use one body too.

In my view start with a 35/1.4, not the 1.8. Then eventually decide on adding either a wide angle zoom, a medium telephoto, or both for a 2-3 lens kit



@Dj0sten

I shoot on 2 Panasonic MFT bodies and I completely agree with your recommendations for standard focal lengths. My lineup consists of:

Olympus 12-40mm f/2.8 (24-80mm FF equivalent)
Sigma 16mm f/1.4 (32mm FF)
Sigma 56mm f/1.4 (112mm FF)
Lumix 35-100mm f/2.8 (70-200mm FF)

I really only ever use the first two for any kind of handheld or event shootings, though the last 2 can come in handy a lot when I'm shooting interviews. The Olympus is on my main video body 95% of the time and it really only falls apart in super low light, but such is the life of MFT shooting.

Something I would recommend as well to anyone reading is to try to have at least one lens with a real manual focus clutch on it. So many of these videos talk about whatever lens is cheapest but they're very often focus by wire, which is horrible for video. Like you can make it work enough for events and less scripted work but if you're doing any kind of narrative work, I would implore you to have real manual focus.



@RicardoZuniga

I first started getting bunch of primes and over the years I learned that I should get gear that was flexible. Doing more with less is much better.. now on my camera bag i only carry 3 lenses:

Tamron 17-28mm f2.8 (gimbal lens)
Tamron 28-75mm f2.8
Sony 85mm f1.8 (for that creamy bokeh shots and tight compression)

Thats all I need. Got some macro tubes as well that I use with the 85 or the tamron 28-75 when I need those type of shots.

Best thing about this trio is they all share a 67' filter size! Same VND and diffusion filter without the need to change step up rings 😁



@nicolasheinemusic

Guess u're right. However I love to have them on my cupboard lol.

I actually use my Sigma 28-70 2.8 and my Samyang 35 1.8 or my Sony 55 1.8 for photos.

For filming, I use my Sony 14mm 1.8GM, Sony 20mm 1.8G and my Sigma 16-28 2.8 most.

Those are the 6 lenses I actually use... But I own 6 more I use close to never.
- Tamron 70-300 Telezoom
- Samyang 24mm 1.8
- Samyang 75mm 1.8
- Sigma macro 105mm 2.8
- Samyang fisheye 12mm 2.8
- Voigtländer 35mm vintage lense just to look cool.



All comments from YouTube:

@robertadams3666

After 11 years of filming and photography I totally agree with this video.

@stavrozinio

same. being on crop since begining, 9mm, 18-105mm, and 56mm is holy trinity for me, and I could live without 56. most of my lenses are staying home collecting dust.

@raymondchan837

Same here after 10 years filming 🙌

@truepaulesko

I´ve been working as a photographer for 18 years and I find ,24-70 or 28-75 for that matter, useless. That´s why these kind of videos are not very usefull. Each person has to find his own method of working and the lenses that fits better for that way of work. Otherwise all pictures will look the same. IMO much more usefull 16-35 + 50 + 85 for example, or 16-35 + 50 + 70-200 depending on the environment.

@aCuria.

I actually disagree, and I have been shooting for over 20 years.

When I switched to digital from film, I actually started with the setup indicated in the video. first the OG EF mount 28-75/2.8, and when I realized 2.8 was not great in low light I got the 35/1.4

Ultimately the problem with this is that you have 2 lenses, but are still very limited in what you can shoot. 28mm is not wide enough, and 75mm isnt long enough much of the time.

You then have to buy 2 more lenses to fix this - 16-35, 35, 28-75, 70-200, and at this point the 28-75 becomes redundent because you can just carry the 16-35 and 70-200. Many event photographers did this back then on two bodies, but you can just use one body too.

In my view start with a 35/1.4, not the 1.8. Then eventually decide on adding either a wide angle zoom, a medium telephoto, or both for a 2-3 lens kit

@lewiss66

@@truepaulesko Would you consider the tamron 20-40mm instead of the 16-35mm sony for its versatility?

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@hoanghiep6542

falling in love with the fact that u are explicit and honest with us about commercial information in your videos. also, this video in my opinion is suitable and general enough for beginners, and works as a benchmark for lens choosing process.

@nikkop

Couldn't agree more! The first and last time I was travelling in Japan, I literally only had these two exact same lenses with me, and they were completely enough for most of my use case! 🙌🏻

@smallscalecinema

Couldn't agree more. I've moved from multiple bags/cases to a large backpack to a small sling on most shoots (not including any lighting/tripod/rigging) A nicely priced 28-70 2.8 and a nifty 50 are my go to's but I could easily see swapping that for a 35. Great stuff!

@chillbro2275

Literally a weight off your shoulders. I had no idea about lenses and just invested in the 24 - 70.

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