Gas in My Car
Skankin`Pickle Lyrics


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[Verse]
I put some gas in my car and I'm ready to go go go.
We'll blow this town for a while, doesn't matter where we go.
You think we might get away with it, I think we might get away with it but how?
Oh, I've got to know how.

[Bridge]
Monday morning they'll be asking questions,
Monday morning we'll have to answer questions,
so let's get our story straight,
let's tie up all these loose ends.

[Chorus]
I'll give you an alibi, I, I'll give you an alibi, too.
We'll live together forever in our own place.
We'll live together like we always wanted to do.

[Verse]
Radio's playing and we all know the words to the song.
There's a man in the trunk and I don't think he's singing along.
You think. . .

[Bridge]
[Chorus]
[Verse]
I see the red lights on top of that black and white car.
Don't look suspicious cause I think we've got'em fooled so far.
You think. . .

[Bridge]
[Chorus]

[Outro]
I put some gas in my car. [4x]

Overall Meaning

The lyrics of Skankin' Pickle's "Gas in My Car" create a vivid tapestry of a whimsical yet dark adventure, beginning with the excitement of hitting the road and escaping the mundane. The opening lines set the tone for a spontaneous getaway, fueled by the simple act of filling the gas tank. The singer expresses a readiness to leave their current town behind, emphasizing a desire for freedom and adventure without a specific destination in mind. This notion of liberation from the monotony of everyday life resonates with many who yearn to break free from societal constraints, but it also introduces a sense of recklessness, hinting at underlying consequences of their actions. The repeated questioning about how they might get away with this escape suggests a blend of exhilaration and anxiety, as they grapple with the potential repercussions of their decisions.


As the song progresses into the bridge, a more sinister reality emerges with the reference to a looming uncertainty embodied by the “Monday morning” questions. This shift not only hints at prior wrongdoing but also invokes a sense of dread and consequence. It presents a stark contrast to the carefree, impulsive mood established earlier. The lines about needing to “get our story straight” and “tie up all these loose ends” reflect the anxiety that comes with deception, emphasizing the burdens of maintaining a façade amidst looming scrutiny. This theme of accountability serves as a reminder that every act of rebellion or escapism is often shadowed by reality’s demand for answers. It sparks a sense of tension, as the singers must navigate their liberation while grappling with the weight of potential fallout from their choices.


The chorus introduces a more affectionate dynamic, where the two figures in the song find solace in each other and contemplate a future together built on shared experiences and secrets. The mention of providing each other with an “alibi” suggests a strong bond forged in the context of their escapades, but it also underscores a mutual understanding of the deceit involved in their current situation. The imagery of living forever in “our own place” encapsulates not just a dream of stability but also the desire for a world where they can exist free from scrutiny. This yearning reflects a deeper emotional connection, revealing that beneath the thrill of their escapade lies a genuine desire for companionship, intimacy, and escape beyond the physical journey they are undertaking.


In the final stanzas, tensions rise with the imagery of law enforcement, represented by the red lights of a police car. The line about not looking suspicious highlights the stress of maintaining their façade while acknowledging the precariousness of their situation. The carefree attitude established earlier now combats the real fear of being caught, suggesting a duality in their experience: the exhilaration of freedom versus the anxiety of capture. The repetition of the line “I put some gas in my car” throughout the outro echoes a cyclical nature to their narrative, reinforcing the permanence of their choices and the concept of freedom as both an exhilarating pursuit and a guilt-ridden risk. This clever juxtaposition of rebellious undertones with the celebratory homage to youthful adventure encapsulates the complexity of living in the moment while also confronting the inevitable consequences of one's actions.


Line by Line Meaning

I put some gas in my car and I'm ready to go go go.
I've filled up my vehicle with fuel and I am fully prepared to embark on an adventure.


We'll blow this town for a while, doesn't matter where we go.
We plan to leave our current location behind temporarily, with no specific destination in mind.


You think we might get away with it, I think we might get away with it but how?
You believe we have a chance to evade detection, and I share that belief, yet I am curious about the method of our escape.


Oh, I've got to know how.
I urgently need to understand the strategy that will allow us to succeed in our plan.


Monday morning they'll be asking questions,
As the workweek begins, authorities are likely to inquire about our actions.


Monday morning we'll have to answer questions,
We will find ourselves in a position of having to respond to these inquiries when the new week starts.


so let's get our story straight,
We should coordinate and ensure our narratives are consistent before we're questioned.


let's tie up all these loose ends.
We need to resolve any uncertain details or discrepancies in our plan.


I'll give you an alibi, I, I'll give you an alibi, too.
I will provide you with a fabricated explanation for our whereabouts, and I expect you to do the same for me.


We'll live together forever in our own place.
We envision a future where we can reside together indefinitely in a location of our choosing.


We'll live together like we always wanted to do.
We aspire to share a life in close companionship, just as we've dreamt of doing.


Radio's playing and we all know the words to the song.
The music is on, and everyone in the car is familiar with the lyrics and singing along.


There's a man in the trunk and I don't think he's singing along.
There is someone hidden in the trunk of the car, and he is unlikely to participate in our carefree moment.


You think. . .
You hold a certain thought or assumption, but it remains unspoken, which suggests uncertainty.


I see the red lights on top of that black and white car.
I notice the flashing lights of a police car, which could signal trouble for us.


Don't look suspicious cause I think we've got'em fooled so far.
We should act normal and not raise any alarms, as it seems we have successfully avoided suspicion until now.


You think. . .
You have a thought or concern that is not explicitly stated, hinting at shared anxiety about our situation.


I put some gas in my car.
I’ve refueled my vehicle, indicating readiness to make an escape or start a journey.




Lyrics © O/B/O APRA AMCOS

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