BIRD IS THE WORD
Ski Mask the Slump God Lyrics

Huh, yuh, yuh, huh
The artist begins the song with an obscure sound seeming to insinuate his readiness to bring forth something new.

I think outside the box
The artist is unconventional and thinks beyond normal limits.

I'm flippin' the bird, the bird is the word
The artist gives a gesture of defiance, confronting anyone who tries to suppress him. The bird holds the message or word he wants to give to his opponents.

Flippin' the bird, the bird is the word
Repeating the gesture of defiance and the message it holds.

(Water) I think outside the
The artist continues in the same vein of thought as previous lines.

Ayy, ayy ayy ayy ayy
The artist intensifies the song with an utterance of excitement and enthusiasm.

Yuh yuh yuh yuh yuh yuh
The artist continues to bring high-sounding vocals to the song.

Let me give it to 'em
The artist expresses readiness to deliver his skill to his audience.

Yuh yuh yuh yuh yuh yuh, ayy
The artist intensifies the beat of the song, increasing the enthusiasm of the song.

Wet (you ready?), Fugi (you ready?)
The artist acknowledges his production team and the need for them to be ready for the performance.

Okay, okay, ayy
The artist intensifies the beat, and he's ready to perform.

I'm flippin' that bird, the police are nerds
The artist reiterates his gesture of defiance while introducing a specific target of his message - the police. He already knows his message, and the police would be too dull to understand it.

Flippin' the bird, the police are nerds
Repeating the gesture of defiance and the target of his message.

I'm flippin' the bird, I'm flippin' the bird
The artist repeats the gesture of defiance, emphasizing its importance to him.

I think outside, I think outside
The artist repeats his belief in being unconventional, always thinking beyond normal limits.

You sweet like cannoli or maybe Fruit Roll-Up
The artist uses a simile to describe his subject's sweetness, which may be likened to Italian cannoli or Fruit Roll-Up snacks.

My pockets allergic, that why they is swollen
The artist's pockets are full to the brim; however, he uses this peculiar way to describe the state of his pockets' fullness.

'Cause money's tucked in 'em
The artist reveals the reason behind the swelling of his pockets - money. He has a lot of money in his pockets.

I just might go bowling
The artist is contemplating going bowling, a leisurely activity.

My dick get a ollie when she ride like trolley
The artist brags about the efficacy of his genital organ when his partner is on top of him, motivated by the action of a trolley, which moves quickly.

And all that she off is water mixed with molly
The artist claims that his partner is only offering him water mixed with molly, a drug.

I just want a cracker like parrot named Polly
The artist humorously alludes to wanting a common treat like a parrot (Polly) to have.

My flow crazy like a Crock-Pot
The artist makes a comparison between his music and the heating efficiency of a Crock-Pot, which is capable of creating a lot of heat and pressure.

Bands is uneven like rock tops
The artist acknowledges his wealth, comparing it to the uneven tops of rocks.

Frequently want suck my cock, top
The artist claims that many people are looking to have sexual intimacy with him.

I'm gonna water her crops
The artist is going to fulfill the desires of a lady who has been craving sexual intimacy with him.

You can catch me flippin' the bird off to my grandpa
The artist emphasizes the importance of his gesture of defiance, claiming he can show it even to his family members - his grandpa, in particular.

My pockets look like it got cancer
The artist uses a peculiar way to describe the state of his pockets' fullness - implying that they're abnormal or unhealthy-looking as might be the case of pockets with cancer.

Gears of War I got a Retro Lancer
The artist makes an allusion to a feature in a video game series, Gears of War. The Retro Lancer is a weapon used in the game, which the artist possesses.

Took the bayonet, hit him, he turned dancer
The artist describes hitting someone so hard with the Retro Lancer's bayonet that the victim becomes animated, dancing.

Callin' yo bitch my dear like her name Prancer
The artist refers to another person's girlfriend and jokingly claims to be calling her a name similar to one of Santa's reindeers, Prancer.

And I know every damn time she gon' answer
The artist boasts of having such control over his subject that, regardless of what she's doing, she'd always respond to him.

Answer, answer, answer
Repeating the idea of having complete control over the subject.

You is inside your box, you is inside your box
The artist calls attention to others' limited thinking, suggesting they are confined to normal perspectives and can't think beyond limits.

(Fuck, my head hurts)
The artist expresses discomfort or pain.

Flippin' the bird, I think outside the box
The artist reaffirms his belief in being unconventional and the importance of his gesture of defiance.

(Fuck the bullshit, fuck the police, fuck, fuck 12)
The artist expresses his frustration with systems that suppress his creativity - police, for instance.

I think outs-, side, side, I think outs-, side, side
Reiterating his belief and emphasizing his ability to think beyond limits.

I think out-, did you know? Hahaha, ayy!
The artist emphasizes the importance of thinking beyond limits, with a chuckle at the end.

There is a snake, It's on my clothes
The artist describes the presence of a snake that's on his clothes, which could signify someone or something trying to hinder his creativity or success.

Know that it Gucci, no ice cream cone
The artist clarifies that the clothes on him are Gucci brand, not mere ice cream cones.

Like she ET, make her phone home
The artist alludes to the 1982 movie, E.T. The Extra Terrestrial, where E.T. wants to phone home. He compares it to his partner requesting to return home.

Her mouth like some tentacles
The artist uses a simile to describe his partner's mouth, implying it feels like tentacles.

So she cupping all up on my genitals
The artist speaks of the sexual intimacy he's having with his partner, claiming she's holding his genitals.

'Cause your aesthetic rate go like testicles
The artist alludes to his subject's attractiveness, comparing it to the aesthetic appreciation of testicles.

Must've just got high off the pill that they sell at EDM rave festivals
The artist suggests someone who's high on drugs is more likely to appreciate things like testicles' aesthetics.

My flow hit hard like they just took edibles
The artist equates the intensity of his music's flow to the heightened effect someone experiences after consuming edibles.

I done stepped up, I had to flex
The artist brags about the progress he's made, needing to show off his efforts (flexing).

How can you tell? Could be my new bitch or my ex
The artist implies he's got a new woman, and it might be difficult to tell it's not his ex.

Don't skate my line 'cause I know that I'm next
The artist urges people not to move ahead of him in any field of endeavor because he's confident he'll come immediately after them.

I'm at your bitch, you a T-Rex
The artist speaks of the control he's got over his subject, and by comparison, the subject seems powerless (T-Rex).

I'm a Jamaican, I know that you vex
The artist identifies himself as Jamaican and anticipates that others might be jealous or resentful of him.

When in your bitch, raincoat on chest
The artist speaks of what happens when he's with his partner, describing the level of her arousal and the amount of fluid she releases.

That's how much she get wet, ayy
Reiterating the previous explanation, the artist emphasizes the extent of sexual satisfaction his partner receives.

Ayy, flippin' the bird, the bird is the word
The artist ends the song highlighting his gesture of defiance and the importance it holds to him.