The band initially came together with three of the four Dub War veterans with Jeff Rose and Martin Ford returning alongside Webbe, along with new bassist Daniel Pugsley. The group released their debut LP Babylon in July 2002, with sporadic success in parts of Europe and the U.S. metal underground. However after suffering years of indifference and waning support from Earache Records with Dub War and now seeing the same lack of label support from RCA for Skindred, Rose and Ford amicably left the band in November of 2002, but would continue to offer their support.
Soon Webbe had hooked up with guitarist Mikey Dee, and drummer Dirty Arya and continued on, but it wasn't until a year or so later and Lava Records' involvement that the album really took off. Skindred re-released Babylon in August 2004. Lava's version featured different cover art, and included newly recorded material in addition to the original, Howard Benson-helmed songs. Skindred then headed out on a series of tours with acts like Sevendust, Nonpoint, and Papa Roach, and never looked back.
Discography
Albums
2002 - Babylon
2007 - Roots Rock Riot
2009 - Shark Bites And Dog Fights
2011 - Union Black
2014 - Kill The Power
2015 - Volume
2018 - Big Tings
Singles
2005 - Nobody
2006 - Pressure
2007 - RatRace
2008 - Trouble
2009 - Electric Avenue
2009 - Stand For Something
2011 - Warning (featuring Jacoby Shaddix of Papa Roach)
2011 - Cut Dem
2012 - Game Over
2013 - Ninja
Bruises
Skindred Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
But then I heard them words
"I never trusted you lot
And why don't you go back to Africa?"
From you hear that sound theirs a vibe none stop
Round one I'll, tie you up in knots
You caught me with a right, is that all you got?
Let's make are way to the Parking lot
Winner loser mind confuser step in this ring
And you know you get bruises
People should know better It's not hard or It's not clever
Dem ah walk with a drunkyard's crew an dem ah look violence
Thought intoxication dem won't Fe start a confrontation?
But they ain't got got the sense or co-ordination
Who you looking at? For pray clowns be stalking
All liquid up, pay no mind just keep walking
Wrong move there in your face for a fight to
Explode with a right uppercut dynamite
He's had enough He ain't getting up
He's had enough He ain't geeting up
Winner loser mind confuses Jump in this ring
and you know you get bruises
The lyrics of Skindred's song "Bruises" address the issue of racism and prejudice, particularly towards black people. The singer expresses his desire to entertain people with his music, but his efforts are thwarted by racist remarks that he hears. The line "I never trusted you lot and why don't you go back to Africa?" is an example of the hostility and lack of trust that black people often experience, especially in predominantly white societies. Despite this, the singer remains confident and confronts his detractors, confident in his ability to defend himself ("Round one I'll, tie you up in knots / You caught me with a right, is that all you got?").
The song then proceeds to describe a scenario where a fight breaks out due to the actions of drunk and violent individuals. These individuals appear to be looking for a fight ("Who you looking at? For pray clowns be stalking / All liquid up, pay no mind just keep walking"), and their inebriation has impaired their judgment and coordination. The fight eventually results in one of the combatants being knocked out and unable to get up.
The overall message of "Bruises" is a call for people to reject racism and violence, and to respect and appreciate diversity. Through its powerful lyrics and energetic music, the song implores people to come together to create a more tolerant and peaceful society.
Line by Line Meaning
All I want to do is make the people rock
The primary goal is to provide a source of entertainment and enjoyment for the people by rocking the stage.
But then I heard them words
Suddenly, there was a change of tone or context due to the things heard from someone.
"I never trusted you lot
A statement from someone that clearly indicates a lack of trust towards the singer and those associated with them.
And why don't you go back to Africa?"
A racist and derogatory comment implying the artist or associated parties belong elsewhere and do not belong where they are currently.
From you hear that sound theirs a vibe none stop
The sound is so captivating, and the vibe is so continuous that one cannot help but get immersed in the moment.
Round one I'll, tie you up in knots
In a metaphorical sense, the singer will incapacitate or render the opponent useless in the first round of any confrontation.
You caught me with a right, is that all you got?
A challenge that implies that the opponent's move was weak and unimpressive, and the singer expects a tougher challenge ahead.
Let's make are way to the Parking lot
The artist suggests leaving the current location to avoid any further confrontation or violence.
Coz I know one of us have got to drop
The artist believes that a fight between parties is inevitable and that one of the parties will be defeated.
Winner loser mind confuser step in this ring
Entering the ring of confrontation is an unpredictable act, and one can quickly become disorientated or confused about their position.
And you know you get bruises
Bruising from a confrontation is typical and expected, and everyone must be aware of it.
People should know better It's not hard or It's not clever
People ought to act more rationally, and violence is not a smart or wise move.
Dem ah walk with a drunkyard's crew an dem ah look violence
Some people associate with an aggressive drunk crowd, and they exude hostility or aggressiveness.
Thought intoxication dem won't Fe start a confrontation?
The assumption is that alcohol intoxication would prevent the possibility of starting a feud or confrontation, but it is not always the case.
But they ain't got got the sense or co-ordination
Their lack of coordination and intelligence make them more prone to unpredictable and unsavory actions.
Who you looking at? For pray clowns be stalking
An inquiry into why someone is staring or giving a certain look, as if to indicate that one's presence is being threatened.
All liquid up, pay no mind just keep walking
Ignore the presence of drunken individuals and avoid any unnecessary confrontation regardless of the situation.
Wrong move there in your face for a fight to
A wrong decision that provokes anger or frustration and leads to a confrontation.
Explode with a right uppercut dynamite
A forceful and explosive punch that aims to inflict damage upon the opponent.
He's had enough He ain't getting up
One of the parties involved in the confrontation is exhausted and cannot continue.
Winner loser mind confuses Jump in this ring
Entering the ring of confrontation is an unpredictable act, and one can quickly become disorientated or confused about their position.
and you know you get bruises
Bruising from a confrontation is typical and expected, and everyone must be aware of it.
Lyrics © BMG Rights Management
Written by: Benji Webbe, Daniel Pugsley, Jeffrey Rose, Martyn Ford
Lyrics Licensed & Provided by LyricFind
Demitri EgGe Mackoy
on Nobody
i like the music