"We're a touring act, and we've been on the road pretty much non-stop over the last decade," explains Doughty, offering that the more recent creation of the band's own local recording studio and rehearsal clubhouse (within the warehouse district of Mission Valley just inland of Ocean Beach) certainly aided and influenced their last release Top of the World, and has inspired their latest sessions, which the band anticipates could stretch into a few different recording projects.
"Over the last 3 years we started our own studio and within the last 9 months, anticipating the window for new album sessions, the band has invested into innovations and equipment upgrades for the studio in a quest to capture and progress our signature sound forward. Having our own studio really enables us to make records at our own pace and to make the right records, hopefully (with a grin) at various stages of our career,” Doughty continues. “What's nice about having our own environment to record in and analyze the music is it really lets you keep an organic feel. For us, I feel like it's a step into the next level, as far as understanding the process of recording, understanding the process of songwriting. We took everything that we've learned over the years and really put it into this place and into our music.” The property also houses the creative loft space that has become the official offices of the band’s own label Stoopid Records, which issued the band’s second album in 1999 Acoustic Roots, and has continued to be their preferred method of distributing the band’s recorded material.
Another key ingredient to what makes Slightly Stoopid extraordinarily special is the inclusion of several musical guests, both live and in the studio. "It really keeps that 'family atmosphere' for us,” says Doughty. “I think it really shows in the music — we live for the spirit of collaboration and on Top of The World we had G. Love, Angelo Moore from Fishbone, Don Carlos, Barrington Levy, Ian Neville from Dumpstaphunk, Tory Ruffin from Morris Day and the Time and Fishbone, and singer/songwriter Angela Hunte. Angelo Moore to me is one of the greatest front-men to ever step foot on a stage. As a fan and out of respect, I try to do something with Angelo every time we have a record, really. If you listen to his lyrics, his vocal performance—I don't know who could keep up with Angelo on stage. Don Carlos from Black Uhuru is one of the legendary reggae singers of all time and we've had the pleasure of working with him the last few years. We've been friends with G. Love for over 15 years, and we've been able to work together quite a few different times in the studio. It seems like second nature. Whenever you're recording with G., it's almost like you're really just hanging out with your bro and you happen to hit record. We've done so many shows together and so many studio sessions, it becomes second nature.“
Violence
Slightly Stoopid Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Violence
Violence
It's pure mood
Violence
Violence
Violence
It's pure mood
Fuck the police
Fuck the government
Fuck the system
Love your mother
Fuck the police
Fuck the government
Fuck the system
Love your mother
The lyrics to Slightly Stoopid's "Violence" seem straightforward at first glance, with repeated mentions of "violence" being a "pure mood." However, the latter half of the lyrics seem to contradict this sentiment as the singer states, "love your mother" and "fuck the system." This could be interpreted as a call to arms against oppressive systems and a desire for people to prioritize familial love and compassion over violence. The repetition of "fuck the police," "fuck the government," and "fuck the system" also reinforces this idea of rebellion against institutions that may promote violence or inequality.
It's worth noting that Slightly Stoopid is known for their diverse musical style, incorporating elements of reggae, punk, and hip-hop into their music. This can be heard in "Violence," where the heavy use of guitar and drums give the song a distinct punk vibe, while the lyrics and vocal delivery are reminiscent of hip-hop.
Line by Line Meaning
Violence
The title of the song, repeated for emphasis.
Violence
Repeating the title, building on the importance of the theme.
Violence
Continuing reinforcement of the song's theme, invoking feelings of aggression and anger.
It's pure mood
Violence is a state of mind, it's not tied to a specific moment or situation.
Violence
Further emphasis on the central theme.
Violence
Repeated again, continuing to drive the point home.
Violence
The song's final use of the title, culminating its emotional impact.
Fuck the police
A statement of distrust and disrespect towards law enforcement.
Fuck the government
A declaration of disapproval and animosity towards governing institutions.
Fuck the system
An expression of frustration and resentment towards existing societal structures.
Love your mother
Amid all the violent and negative energy, a message of love and appreciation for maternal figures.
Fuck the police
Repetition of previous statement, driving home the sentiment.
Fuck the government
Repeated again, validating the song's defiance of authority.
Fuck the system
Echoing previous line, conveying a sense of hopelessness and disillusionment with current societal constructs.
Love your mother
Final statement, ending the song on a note of love and positivity amid the violence and aggression.
Contributed by Nathan F. Suggest a correction in the comments below.
Macy Nelson
on 2 AM
Is this song about the 27 club?