Small Black started with a name and worked backwards: a housemate of singer/multi-instrumentalist Josh Kolenik came up with the moniker on a cold Portland, Oregon night. The name stuck when he returned to Long Island, New York and began collaborating with Ryan Heyner, an area musician and former member of the hardcore band Silent Majority who shared friends with Kolenik. The pair holed up in the attic of the beach house and surfboard shop Kolenik's uncle owned to record songs with vintage keyboards and samplers, spending late 2008 and early 2009 recording as Uncle Matt made surfboards underneath them.
Though Kolenik had played in several bands before Small Black, the mix of shoegaze and synth pop he and Heyner hit upon felt special, and the group's lineup was complete once bassist/guitarist Juan Pieczanski and Jeff Curtin from Kolenik's previous band, Slowlands, joined to bolster production and fill out their live act. Small Black released their self-titled five-song EP on their own CassClub label in October 2009, and released the U.K. single "Despicable Dogs" as well as a video for that song featuring Uncle Matt soon after. Following their performances at that year’s CMJ Music Marathon, Small Black signed to Jagjaguwar Records, which reissued the band’s debut EP with two bonus tracks in 2010. That year, they also released a split single with the like-minded Washed Out, with whom they also toured. New Chain, the band's first full-length, boasted a slightly more polished sound that reflected their consistent touring as well as their interest in hip-hop and arrived in October 2010. In late 2011, the band offered the Moon Killer mixtape as a free download from their website. The collection of new material was built on samples ranging from Pere Ubu to Nicki Minaj and featured multiple drop-ins from Das Racist MC Heems as well as remixes from Star Slinger and Phonetag.
After spending much of 2012 on the road, Small Black returned with May 2013's Limits of Desire, a more sophisticated-sounding set influenced by Talk Talk and the Blue Nile. They covered the latter band's classic "Downtown Lights" on the following year's Real People EP, which had a more dancefloor-oriented style and featured vocals from Frankie Rose. Small Black's passion for sophisti-pop grew on October 2015's Best Blues. Recorded by the band in their Brooklyn home studio and mixed by Nicholas Vernhes at the Rare Book Room Studio, the album included contributions from trumpeter Darby Cicci of the Antlers and vocalist Kaede Ford. Soon after Best Blues' release, Kolenik's Uncle Matt passed away, and the memory of him inspired many of the songs on Small Black's fourth album. Arriving on 100% Electronica in April 2021, the reflective Cheap Dreams found the band returning from their hiatus with an extra dose of goth to their synth pop reveries. In 2023, Small Black looked back with a pair of archival releases. They commemorated the tenth anniversary of Limits of Desire with a deluxe edition of the album, and also issued a deluxe version of their debut EP that included previously unreleased songs from their early beach house sessions.
Biography by Heather Phares for ALLMUSIC
Photojournalist
Small Black Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
The woman who lingered around
In the photo
The daughter of Diane
Would never ever be bound
To the basic
To rise up again
Rise up again
I saw it
Rise up again
Rise up again
Like a ghost
Here with me
You will stop
I'm not ready to know who she was was ooo oooh
Stop I'm not ready to know who she was was ooo oooh
There is a difference between
What you want them to know
And what they have to know
There in the mirror
Reality never was found
From the waist up
To rise up again
Rise up again
Like a ghost
It started to
Rise up again
Rise up again
Like a ghost
Here with me
You will stop
I'm not ready to know who she was was ooo oooh
Stop I'm not ready to know who she was was ooo oooh
Stop I'm not ready to know who she was ooo oooh
Stop I'm not ready to know who she was was ooo oooh
The lyrics to Small Black's song "Photojournalist" speak to the search for identity and the complexity of one's personal history. The song begins with a reflection on a photograph, specifically a woman who once lingered in the picture. The woman in question is the daughter of Diane, and the lyrics suggest that she refused to be bound to the basic or expected in her life. She is described as rising up again like a ghost, which could suggest that her presence lingers even after she is gone. The singer expresses a desire to understand the mystery of her identity, but also seems hesitant to delve too deeply into her past. There is a sense that there is more to the story than what is known, but the singer feels unprepared to uncover the truth.
As the song progresses, the lyrics explore the idea that there is a difference between what one wants others to know about them and what is true. The mirror is described as a place where reality is not found, suggesting that even the reflection in the mirror can be misleading. The imagery of rising up like a ghost is also repeated, suggesting that the search for identity is a haunting and elusive process.
Overall, "Photojournalist" is a meditation on the search for identity and the way that our personal histories can remain mysterious even to ourselves. The lyrics suggest that there is always more to the story than what we know, and that the truth of our past can be both unsettling and captivating.
Line by Line Meaning
What had become of
The first line of the song sets a mysterious tone that suggests something important or significant has been lost, buried, or forgotten.
The woman who lingered around
The woman may have had a significant presence in the singer's life at one point, or perhaps she was a stranger who captured the singer's attention.
In the photo
The woman is known only through a photograph, emphasizing the theme of loss and the fleeting nature of memory.
The daughter of Diane
This line suggests a familial connection between the artist and the woman, adding more depth to the mystery and loss.
Would never ever be bound
The woman represents a free spirit, someone who refused to be constrained or held back by conventional expectations.
To the basic
The singer contrasts the woman's free spirit with the constraints and limitations of society's norms and expectations.
To rise up again
The repetition of this phrase suggests a desire for renewal, rebirth, or a fresh start.
Like a ghost
This simile emphasizes how the woman's presence feels intangible and haunting, like a memory that can't be fully grasped.
I saw it
This line adds to the sense of a hidden or obscured truth that is gradually being revealed.
Here with me
This line suggests that the woman's ghostly presence is most strongly felt by the artist, who may be struggling to come to terms with the loss.
You will stop
This command suggests that the singer is actively pushing away or trying to dismiss the woman's presence.
I'm not ready to know who she was was ooo oooh
This repetition of the same line underscores the artist's hesitance to confront the truth behind the woman's presence, suggesting a fear of loss or perhaps a reluctance to fully engage with the past.
There is a difference between
The shift in perspective here suggests that the singer is now speaking more generically or philosophically about the nature of truth and reality.
What you want them to know
This line references the idea that people can choose to present a certain image of themselves to the world, selectively curating their own identities.
And what they have to know
This line underscores the idea that there may be a discrepancy between the image people project and the reality of who they are.
There in the mirror
This line suggests that the artist is examining their own image, perhaps reflecting on their own identity or relationship to the past.
Reality never was found
This line suggests that the truth may be elusive or difficult to grasp, and that our memories may be colored by our own biases and perceptions.
From the waist up
This specific detail suggests that the woman may be partially obscured, emphasizing the sense of mystery and incompleteness surrounding her.
To rise up again
The repetition of this phrase reiterates the desire for renewal or a fresh start, suggesting a theme of transformation and growth.
Like a ghost
This simile returns us to the idea of the woman's presence as evanescent and haunting, highlighting the ethereal and intangible nature of memory.
It started to
The use of the impersonal pronoun underscores the sense of inevitability or fate as the woman's presence grows stronger.
Stop I'm not ready to know who she was ooo oooh
The repetition of this line signifies the artist's reluctance to face the truth or engage fully with the past, underscoring the theme of loss and the fragility of memory.
Lyrics © SC PUBLISHING DBA SECRETLY CANADIAN PUB.
Written by: Joshua Hayden Kolenik, Juan Pieczanski, Ryan Frank Heyner
Lyrics Licensed & Provided by LyricFind
That Kid
I'm doing myself a favor:
What had become of
The woman who lingered around
In the photo
The daughter of Diane
Would never ever be bound
To the basic
To rise up again
Rise up again
Like a ghost
I saw it
Rise up again
Rise up again
Like a ghost
Here with me
You will stop
I'm not ready to know who she was was ooo oooh
Stop I'm not ready to know who she was was ooo oooh
There is a difference between
What you want them to know
And what they have to know
There in the mirror
Reality never was found
From the waist up
To rise up again
Rise up again
Like a ghost
It started to
Rise up again
Rise up again
Like a ghost
Here with me
You will stop
I'm not ready to know who she was was ooo oooh
Stop I'm not ready to know who she was was ooo oooh
Stop I'm not ready to know who she was ooo oooh
Stop I'm not ready to know who she was was ooo oooh
That Kid
I'm doing myself a favor:
What had become of
The woman who lingered around
In the photo
The daughter of Diane
Would never ever be bound
To the basic
To rise up again
Rise up again
Like a ghost
I saw it
Rise up again
Rise up again
Like a ghost
Here with me
You will stop
I'm not ready to know who she was was ooo oooh
Stop I'm not ready to know who she was was ooo oooh
There is a difference between
What you want them to know
And what they have to know
There in the mirror
Reality never was found
From the waist up
To rise up again
Rise up again
Like a ghost
It started to
Rise up again
Rise up again
Like a ghost
Here with me
You will stop
I'm not ready to know who she was was ooo oooh
Stop I'm not ready to know who she was was ooo oooh
Stop I'm not ready to know who she was ooo oooh
Stop I'm not ready to know who she was was ooo oooh
Diego
Legend
Jonathon Aitken
amazing band. every song, every video is perfect
King Rat
this is my childhood
perfectperfecto
chill bro its only 4 years old
King Rat
i count my 12 year old self as childhood
King Rat
i know right
Hooded Violin
Woah you are lucky to be so deep into music at such a young age. I am seventeen and I just barely got introduced to the Dream Pop scene
WiseWords
Beautiful
SNOUT RADIO
Smells heavenly.