Small Black started with a name and worked backwards: a housemate of singer/multi-instrumentalist Josh Kolenik came up with the moniker on a cold Portland, Oregon night. The name stuck when he returned to Long Island, New York and began collaborating with Ryan Heyner, an area musician and former member of the hardcore band Silent Majority who shared friends with Kolenik. The pair holed up in the attic of the beach house and surfboard shop Kolenik's uncle owned to record songs with vintage keyboards and samplers, spending late 2008 and early 2009 recording as Uncle Matt made surfboards underneath them.
Though Kolenik had played in several bands before Small Black, the mix of shoegaze and synth pop he and Heyner hit upon felt special, and the group's lineup was complete once bassist/guitarist Juan Pieczanski and Jeff Curtin from Kolenik's previous band, Slowlands, joined to bolster production and fill out their live act. Small Black released their self-titled five-song EP on their own CassClub label in October 2009, and released the U.K. single "Despicable Dogs" as well as a video for that song featuring Uncle Matt soon after. Following their performances at that year’s CMJ Music Marathon, Small Black signed to Jagjaguwar Records, which reissued the band’s debut EP with two bonus tracks in 2010. That year, they also released a split single with the like-minded Washed Out, with whom they also toured. New Chain, the band's first full-length, boasted a slightly more polished sound that reflected their consistent touring as well as their interest in hip-hop and arrived in October 2010. In late 2011, the band offered the Moon Killer mixtape as a free download from their website. The collection of new material was built on samples ranging from Pere Ubu to Nicki Minaj and featured multiple drop-ins from Das Racist MC Heems as well as remixes from Star Slinger and Phonetag.
After spending much of 2012 on the road, Small Black returned with May 2013's Limits of Desire, a more sophisticated-sounding set influenced by Talk Talk and the Blue Nile. They covered the latter band's classic "Downtown Lights" on the following year's Real People EP, which had a more dancefloor-oriented style and featured vocals from Frankie Rose. Small Black's passion for sophisti-pop grew on October 2015's Best Blues. Recorded by the band in their Brooklyn home studio and mixed by Nicholas Vernhes at the Rare Book Room Studio, the album included contributions from trumpeter Darby Cicci of the Antlers and vocalist Kaede Ford. Soon after Best Blues' release, Kolenik's Uncle Matt passed away, and the memory of him inspired many of the songs on Small Black's fourth album. Arriving on 100% Electronica in April 2021, the reflective Cheap Dreams found the band returning from their hiatus with an extra dose of goth to their synth pop reveries. In 2023, Small Black looked back with a pair of archival releases. They commemorated the tenth anniversary of Limits of Desire with a deluxe edition of the album, and also issued a deluxe version of their debut EP that included previously unreleased songs from their early beach house sessions.
Biography by Heather Phares for ALLMUSIC
Service Merchandise
Small Black Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
was over now
Nobody works here anymore
I'm just hanging around
You said I was useless
but could half ass the job
You said I'm the human torch
Did I pass you in the
parking lot?
Was that you out in the
parking lot?
snuck the scotch you liked
for Labor Day
had to walk to work
folks took the Dodge away
Maybe next summer
we head down the shore?
We could do donuts
get stoned
lose your car
We could meet up in
the parking lot
Was that you there in
the parking lot?
October days
October nights
in the meantime
human torch
on my dashboard
swinging in the mirror
In "Service Merchandise," Small Black encapsulates a sense of nostalgia and disillusionment through poignant imagery and evocative scenarios. The opening lines reflecting the realization that summer has concluded set a melancholic tone, suggesting a liminal moment of transition that is both physical and metaphorical. The singer's realization that “nobody works here anymore” implies not just the ending of a season but also possibly the end of simpler, carefree days and relationships, as if an entire chapter of their life has closed without resolution. The phrase "hanging around" implies a sort of aimlessness, a feeling of being lost amidst changes that are out of their control. It evokes a sense of yearning for connection and purpose in a waning season, which brings to the forefront themes of isolation and nostalgia.
The second stanza amplifies this feeling of helplessness, where the singer grapples with feelings of inadequacy. The phrase "you said I was useless" conveys a poignant personal rejection, and yet the singer's acknowledgment of their half-hearted efforts suggests an internal conflict between self-perception and societal expectations. The metaphor of being the "human torch" serves to illustrate the singer’s burning frustration with their own stagnation—suggesting both a spark of life and an acknowledgment of wasting time (“burning up the clock”). This duality underscores the complexity of their situation, oscillating between a desire to excel and a resignation to mediocrity, further entrenching the themes of identity and purpose in the lyrics.
As the narrative unfolds, the repetition of the parking lot as a setting becomes significant, representing the intersection of past and present. The singer is caught in a reflective moment, questioning their encounters and reconnecting with someone who might share their sentiments. This repetition creates a cyclical feel, emphasizing the mundanity of everyday life that is nevertheless filled with moments of connection and reflection. The feeling of uncertainty surrounding the phrase “Was that you out in the parking lot?” suggests longing for familiarity in a world that seems unrecognizable, reinforcing the feeling of stagnation that permeates the song. It hints at community, lost connections, and the fleeting recognition of shared experiences, as well as the desire to rekindle them.
In the final stanza, the imagery becomes more vivid and laced with longing as it hints at the potential for future escapades, like heading "down the shore" and indulging in reckless behavior. Enthusiastic plans of making donuts, getting stoned, and losing one’s car portray the carefree essence of youth, in stark contrast to the earlier feelings of uselessness. The playful diction juxtaposed with the weight of previous sentiments illustrates a struggle between desire—and the bittersweet acceptance of life's current reality. The juxtaposition of October nights alongside the human torch imagery suggests a blend of warmth and fleetingness, as the singer contemplates the ephemeral nature of life experiences. This blend of light-heartedness and reflection serves as a potent reminder of the complexity of human emotions—anchoring nostalgia and yearning while recognizing the changes that inevitably shape our lives.
Line by Line Meaning
Just noticed that summer
I realized that the warm, carefree days of summer have come to an end.
was over now
The season has shifted, bringing with it a sense of change and closing.
Nobody works here anymore
There's a feeling of emptiness since all the familiar faces have left.
I'm just hanging around
I'm aimlessly passing time, feeling lost in a place that used to have life.
You said I was useless
You criticized me harshly, deeming me of little value.
but could half ass the job
Despite your low opinion of my abilities, you acknowledged that I could still get by with minimal effort.
You said I'm the human torch
You referred to me as someone who is constantly active or maybe overwhelming.
burning up the clock
I am wasting time in a frenetic way while not being productive.
Did I pass you in the
I’m unsure if I saw you recently while moving through mundane spaces.
parking lot?
A common, everyday place where we might unexpectedly encounter each other.
Was that you out in the
I’m questioning whether I recognized your presence in a familiar yet overlooked setting.
parking lot?
Reiterating the uncertainty of seeing you in a mundane and unremarkable place.
snuck the scotch you liked
I secretly brought along your favorite drink to share in a celebratory manner.
for Labor Day
In honor of a holiday meant for relaxation and celebration of work.
had to walk to work
I faced the burden of commuting on foot, adding to the day's challenges.
folks took the Dodge away
The familiar comfort of my vehicle was removed, leaving me feeling stranded.
Maybe next summer
I’m hopeful for a better time and change that could emerge in the upcoming season.
we head down the shore?
I long for a getaway where we can escape to a beach and reconnect.
We could do donuts
We could engage in carefree, reckless fun, reliving youthful joy.
get stoned
We might indulge in substances to enhance our experiences.
lose your car
Reflecting on a moment where we might abandon responsibilities and live freely.
We could meet up in
The idea of reconnecting brings hope amidst the routine.
the parking lot
An everyday locale where our lives might intersect once again.
Was that you there in
Another instance of questioning if that fleeting sight was truly you.
the parking lot?
Reiterating the possibility of your presence in mundane places together.
October days
The autumn season continues to bring change and reflection.
October nights
As darkness falls, there’s an introspection and sense of nostalgia.
in the meantime
While awaiting something better, life continues its course.
human torch
Referencing that constant state of anxiety or energy that defines my present.
on my dashboard
This inner turmoil is always in sight, ever-present in my life.
swinging in the mirror
The reflection of my chaotic existence is constantly moving, reminding me of its intensity.
Lyrics © O/B/O APRA AMCOS
Lyrics Licensed & Provided by LyricFind