Philip Charles Lithman (June 17, 1949 - July 1, 1987), who performed under … Read Full Bio ↴Philip Charles Lithman (June 17, 1949 - July 1, 1987), who performed under the stage name Snakefinger, was an English musician, singer and songwriter. A multi-instrumentalist, he was best known for his guitar work and his collaborations with The Residents.
Lithman was born in London, England, and came from the British Blues scene. He moved to San Francisco in 1971 and became associated with the avant-garde group The Residents. It is said he was given the name 'Snakefinger' by The Residents themselves when they saw his proficiency with the guitar during their first live performance together. Another explanation for the name comes from a story concerning a party in San Francisco, at The Residents' collective, wherein all in attendance watched Lithman's fingers dart snake-like at the neck of his violin.
In 1972 Lithman returned to England and formed the pub rock band Chilli Willi & The Red Hot Peppers with Martin Stone, a fellow ex-member of Junior's Blues Band. As a duo, they released the album "Kings of the Robot Rhythm". In 1974, as a full band and popular live act in Britain, they released "Bongos Over Balham".
Chilly Willy lasted until 1975, their last record not selling well, and by 1976 Lithman was back in the United States, this time in Los Angeles, California, seeking a recording contract, shopping his rock-style demos.
After a few years, Lithman moved back to San Francisco, reconnected with The Residents, and performed and recorded with them. Lithman's solo records, recorded under the name Snakefinger, were released by The Residents' record label Ralph Records.
His first album on Ralph was "Chewing Hides the Sound" in 1979, featuring original material co-written with The Residents as well as esoteric covers like Kraftwerk's "The Model". The songs showcased Lithman's distinctive slide guitar playing and often surreal imagery. This album was followed by "Greener Postures" in 1980, which included his first solo compositions as Snakefinger.
While on tour in Australia in 1980, Lithman had a heart attack that left him hospitalized for six months.
In 1982 Lithman formed his backing band The Vestal Virgins with former Captain Beefheart sideman Eric Drew Feldman. Snakefinger and The Vestal Virgins released "Manual of Errors" on Ralph in 1982. This was followed by the blues cover album "Snakefinger's History Of The Blues- Live In Europe" in 1984 and a new collection of largely original material in 1986 called "Night of Desirable Objects".
Lithman performed with The Residents on their 13th Anniversary Tour in 1986. On July 1st, 1987, Snakefinger and his band, The Vestal Virgins, were in Linz, Austria, on the European Night tour. During a performance at the Posthof Club Lithman suffered a fatal heart attack. On that same day his single, "There's No Justice in Life", was released.
Snakefinger was buried in England. The Residents participated in a wake for him, known as The Snakey Wake, in San Francisco.
Snakefinger is sorely missed by all.
Lithman was born in London, England, and came from the British Blues scene. He moved to San Francisco in 1971 and became associated with the avant-garde group The Residents. It is said he was given the name 'Snakefinger' by The Residents themselves when they saw his proficiency with the guitar during their first live performance together. Another explanation for the name comes from a story concerning a party in San Francisco, at The Residents' collective, wherein all in attendance watched Lithman's fingers dart snake-like at the neck of his violin.
In 1972 Lithman returned to England and formed the pub rock band Chilli Willi & The Red Hot Peppers with Martin Stone, a fellow ex-member of Junior's Blues Band. As a duo, they released the album "Kings of the Robot Rhythm". In 1974, as a full band and popular live act in Britain, they released "Bongos Over Balham".
Chilly Willy lasted until 1975, their last record not selling well, and by 1976 Lithman was back in the United States, this time in Los Angeles, California, seeking a recording contract, shopping his rock-style demos.
After a few years, Lithman moved back to San Francisco, reconnected with The Residents, and performed and recorded with them. Lithman's solo records, recorded under the name Snakefinger, were released by The Residents' record label Ralph Records.
His first album on Ralph was "Chewing Hides the Sound" in 1979, featuring original material co-written with The Residents as well as esoteric covers like Kraftwerk's "The Model". The songs showcased Lithman's distinctive slide guitar playing and often surreal imagery. This album was followed by "Greener Postures" in 1980, which included his first solo compositions as Snakefinger.
While on tour in Australia in 1980, Lithman had a heart attack that left him hospitalized for six months.
In 1982 Lithman formed his backing band The Vestal Virgins with former Captain Beefheart sideman Eric Drew Feldman. Snakefinger and The Vestal Virgins released "Manual of Errors" on Ralph in 1982. This was followed by the blues cover album "Snakefinger's History Of The Blues- Live In Europe" in 1984 and a new collection of largely original material in 1986 called "Night of Desirable Objects".
Lithman performed with The Residents on their 13th Anniversary Tour in 1986. On July 1st, 1987, Snakefinger and his band, The Vestal Virgins, were in Linz, Austria, on the European Night tour. During a performance at the Posthof Club Lithman suffered a fatal heart attack. On that same day his single, "There's No Justice in Life", was released.
Snakefinger was buried in England. The Residents participated in a wake for him, known as The Snakey Wake, in San Francisco.
Snakefinger is sorely missed by all.
Magic and Ecstasy
Snakefinger Lyrics
We have lyrics for these tracks by Snakefinger:
Children Of The Sea Residents: Hey! Hey Snakefinger! Snakefinger: What? RZ: He…
Golden Goat No way up and no way down No room in the…
I Come From an Island I come from an island (listen) I come from an I…
Save Me From Dali The light bulb went out Late last night And left me wanting …
The Man in the Dark Sedan I'm the man in the dark sedan and I have…
The Picture Makers Residents: Hey! Hey Snakefinger! Snakefinger: What? RZ: He…
The Picture Makers vs. Children of the Sea Residents: Hey! Hey Snakefinger! Snakefinger: What? RZ: He…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
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Tony Kluck
Merry Christmas everyone. I think this track suits 2020 perfectly.
Brandon Hendrix
Pretty cool. Funny how Ralph Records had this and Mx80's Halloween cover. Avant-garde rock bands doing horror music covers. I dig it!
Rockula Bacchus
R.I.P. Ennio Morricone.
akabak
SUPER TRACK!!!
わててわしし
i never heard such mixing balance and enigmatic drum tone.
i think fill-in should be done with tomtom, but snare was...?
and where's bass drum and bass part ...?
but this song is done in good mixing to me.
tomtom is so clear, may be rhythm machine button...?
so enigmatic!
chrispravda
i m not disapointed because i m a huge fan of Kas product and i know that rock n roll is an eternal restart or co start and they oporate at the same aera but it's disturbing
chrispravda
more pertinent.... here come the bums / no shame (kas product)
chrispravda
@maxell rock'n'roll hy, same comments as below, Kas Product... ?!
chrispravda
hy, in my opinion, KAS PRODUCT, a french "avant garde combo was so influenced by tracks 2,3,4,6,7,8,10 and 12 on this LP. Types of machines used at this time may explain the similarity ( you may have answers to your sound question) but Structures and arrangements remind me so mutch "so young but so cold" of Kas p for exemple and others tracks too, so, this morning, listen to it, it's so clear and evident... a door is open.... After listen to it, i m interest in your opinion, Cordially.
maxell rock'n'roll
I always focus on those drums, sounds like they are being filtered some way.