Snoop's debut album, Doggystyle, produced by Dr. Dre and released in 1993 by Death Row Records, debuted at number one on both the Billboard 200 and Billboard Top R&B/Hip-Hop Albums charts. Selling almost a million copies in the first week of its release, Doggystyle became certified 4× platinum in 1994 and spawned several hit singles, including "What's My Name?" and "Gin & Juice". In 1994 Snoop released a soundtrack on Death Row Records for the short film Murder Was the Case, starring himself. His second album, Tha Doggfather (1996), also debuted at number one on both charts, with "Snoop's Upside Ya Head" as the lead single. The album was certified double platinum in 1997.
After leaving Death Row Records, Snoop signed with No Limit Records, where he recorded his next three albums, Da Game Is to Be Sold, Not to Be Told (1998), No Limit Top Dogg (1999), and Tha Last Meal (2000). Snoop then signed with Priority/Capitol/EMI Records in 2002, where he released Paid tha Cost to Be da Boss. He then signed with Geffen Records in 2004 for his next three albums, R&G (Rhythm & Gangsta): The Masterpiece, Tha Blue Carpet Treatment, and Ego Trippin'. Malice 'n Wonderland (2009), and Doggumentary (2011) were released on Priority. Snoop Dogg has starred in motion pictures and hosted several television shows, including Doggy Fizzle Televizzle, Snoop Dogg's Father Hood, and Dogg After Dark. He also coaches a youth football league and a high school football team. In September 2009 Snoop was hired by EMI as the chairman of reactivated Priority Records.
In 2012, after a trip to Jamaica, Snoop announced a conversion to Rastafarianism and a new alias, Snoop Lion. As Snoop Lion he released a reggae album, Reincarnated, and a documentary film of the same name, about his Jamaican experience, in early 2013. His 13th studio album, Bush, was released in May 2015 and marked a return of the Snoop Dogg name. His 14th solo studio album, Coolaid, was released in July 2016. Snoop has 17 Grammy nominations without a win.
In 2018, he released his first gospel album, Bible of Love.
Kool Moe Dee ranks Snoop at No. 33 in his book There's a God on the Mic, and says he has "an ultra-smooth, laidback delivery" and "flavor-filled melodic rhyming". Peter Shapiro describes Snoop's delivery as a "molasses drawl" and AllMusic notes his "drawled, laconic rhyming" style. Kool Moe Dee refers to Snoop's use of vocabulary, saying he "keeps it real simple...he simplifies it and he's effective in his simplicity".
Snoop is known to freestyle some of his lyrics on the spot for some songs – in the book How to Rap, Lady of Rage says, "Snoop Dogg, when I worked with him earlier in his career, that's how created his stuff... he would freestyle, he wasn't a writer then, he was a freestyler," and The D.O.C. states, "Snoop's [rap] was a one take willy, but his shit was all freestyle. He hadn't written nothing down. He just came in and started busting. The song was "Tha Shiznit"—that was all freestyle. He started busting and when we got to the break, Dre cut the machine off, did the chorus and told Snoop to come back in. He did that throughout the record. That's when Snoop was in the zone then."
Peter Shapiro says that Snoop debuted on "Deep Cover" with a "shockingly original flow – which sounded like a Slick Rick born in South Carolina instead of South London" and adds that he "showed where his style came from by covering Slick Rick's 'La Di Da Di'". Referring to Snoop's flow, Kool Moe Dee calls him "one of the smoothest, funkiest flow-ers in the game". How to Rap also notes that Snoop is known to use syncopation in his flow to give it a laidback quality, as well as 'linking with rhythm' in his compound rhymes, using alliteration, and employing a "sparse" flow with good use of pauses.
Snoop re-popularized the use of -izzle speak, particularly in the pop and hip-hop music industry.
Snoop Dogg is a lifelong fan of professional wrestling. On March 30, 2008, Snoop Dogg appeared at WrestleMania XXIV as a Master of Ceremonies for a tag team match between Maria and Ashley Massaro as they took on Beth Phoenix and Melina. On a March 23, 2015 episode of Raw, Snoop Dogg appeared in a segment with Hulk Hogan and Curtis Axel. At WrestleMania 32, he accompanied his cousin Sasha Banks to the ring for her match, rapping over her theme music. He was also inducted into the WWE Hall of Fame in 2016.
Broadus made a special guest appearance in All Elite Wrestling on the January 6, 2021, episode of AEW Dynamite, titled New Year's Smash. During this appearance, Snoop appeared in the corner of Cody Rhodes during Rhodes's match with Matt Sydal. He later gave Serpentico a Frog Splash, with Rhodes then delivering a three-count.
Snoop Dogg would join The Miz to host both nights of WrestleMania 39. During Night 1, he accompanied Rey Mysterio in a lowrider during his entrance, paying tribute to the late Eddie Guerrero. On Night 2, he introduced Shane McMahon to face The Miz in another spontaneous match. McMahon would sustain a quad injury during the match prompting Snoop Dogg to improvise and finish the match himself, ultimately defeating Miz. Snoop Dogg's improvisational acts were lauded by wrestlers and executives, including WWE chief content officer Triple H.
Nuthin' But a "G" Thang
Snoop Dogg Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Snoop Doggy Dogg and Dr. Dre is at the do'
Ready to make an entrance, so back on up
('Cause you know about to rip shit up)
Gimme the microphone first, so I can bust like a bubble
Compton and Long Beach together, now you know you in trouble
Ain't nothin' but a "G" thang, baby!
Two loc'ed out niggas so we're crazy!
Unfadeable, so please don't try to fade this (Hell yeah)
But uh, back to the lecture at hand
Perfection is perfected, so I'ma let 'em understand
From a young G's perspective
And before me dig out a bitch I have ta' find a contraceptive
You never know she could be earnin' her man
And learnin' her man, and at the same time burnin' her man
Now you know I ain't with that shit, Lieutenant
Ain't no pussy good enough to get burnt while I'm up in it
(Yeah) And that's realer than Real-Deal Holyfield
And now you hooka's and ho's know how I feel
Well if it's good enough to get broke off a proper chunk
I'll take a small piece of some of that funky stuff
It's like this and like that and like this and uh
It's like that and like this and like that and uh
It's like this and like that and like this and uh
Dre, creep to the mic like a phantom
Well I'm peepin', and I'm creepin', and I'm creep-in
But I damn near got caught, 'cause my beeper kept beepin'
Now it's time for me to make my impression felt
So sit back, relax, and strap on your seatbelt
You never been on a ride like this before
With a producer who can rap and control the maestro
At the same time with the dope rhyme that I kick
You know, and I know, I flow some ol' funky shit
To add to my collection, the selection
Symbolizes dope, take a toke, but don't choke
If you do, you'll have no clue
On what me and my homey Snoop Dogg came to do
It's like this and like that and like this and uh
It's like that and like this and like that and uh
It's like this
And who gives a fuck about hoes?
So just chill, til the next episode
Fallin' back on that ass, with a hellified gangsta lean
Gettin' funky on the mic like a ol' batcha' collard greens
It's the capital S, oh yes I'm fresh, N double-O P
D O double-G Y, D O double-G, ya see
Showin' much flex when it's time to wreck a mic
Pimpin' hoes and clockin' a grip like my name was Dolomite
Yeah, and it don't quit
I think they in the mood for some motherfuckin' G shit
(Hell yeah) So Dre, (What up Dog?)
Gotta give 'em what they want (What's that, G?)
We gotta break 'em off somethin' (Hell yeah)
And it's gotta be bumpin' (City of Compton!)
It's where it takes place, so when asked, yo' attention
Mobbin' like a motherfucker, but I ain't lynchin'
Droppin' the funky shit that's makin' the sucker niggas mumble
When I'm on the mic, it's like a cookie, they all crumble
Try to get close, and your ass'll get smacked
My motherfuckin' homie Doggy Dogg has got my back
Never let me slip, 'cause if I slip, then I'm slippin'
But if I got my Nina, then you know I'm straight trippin'
And I'ma continue to put the rap down, put the mack down
And if yo bitches talk shit, I'll have to put the smack down
Yeah, and you don't stop
I told you I'm just like a clock when I tick and I tock
But I'm never off, always on, to the break of dawn
C-O-M-P-T-O-N, and the city they call Long Beach
Puttin' the shit together
Like my nigga D.O.C., "No One Can Do It Better"
Like this, that and this and uh
It's like that and like this and like that and uh
It's like this
And who gives a fuck about hoes?
So just chill, 'til the next episode
The lyrics to Snoop Dogg's "Nuthin' but a 'G' Thang" are about Snoop Dogg and Dr. Dre asserting their dominance as gangster rap icons from Compton and Long Beach, respectively. They open the song with a count, and then Snoop takes the microphone first to rap about how he and Dre are "crazy loc'ed out niggas" from Death Row Records. The chorus repeats the phrase "Ain't nothin' but a 'G' thang, baby" with a funky rhythm section and horn stabs. Dr. Dre takes over the second verse, rapping about his ability to produce beats and flow rhymes at the same time. He references his own name in the line "Symbolizes dope" and warns listeners not to choke while taking a toke.
The song is structured like a freestyle, with Snoop and Dre trading verses and ad-libs, and coming together for the chorus. They both reference sexual encounters, with Snoop being more explicit in his verse about using protection and not wanting to be burned by a woman. Dre references "pimpin' hoes" and depicts himself as a sort of conductor of a funky train, telling listeners to strap in and enjoy the ride. The song also includes the line "Who gives a fuck about hoes?" in the chorus, which has been criticized for its misogyny.
Line by Line Meaning
One, two, three and to the fo'
Counting down before the song starts
Snoop Doggy Dogg and Dr. Dre is at the do'
Snoop Dogg and Dr. Dre have arrived at the party, ready to perform
Ready to make an entrance, so back on up
They are about to start performing, asking the audience to move back
('Cause you know about to rip shit up)
They are going to give an amazing performance and make the crowd go crazy
Gimme the microphone first, so I can bust like a bubble
Snoop Dogg wants to start rapping first and get the crowd excited from the start
Compton and Long Beach together, now you know you in trouble
Compton and Long Beach are known for gang activity, so when they come together in a collaboration, people know something big is happening
Ain't nothin' but a 'G' thang, baby!
The song is all about the 'G' lifestyle, referring to the gang life
Two loc'ed out niggas so we're crazy!
They are crazy because they grew up in a dangerous lifestyle filled with gang activity
Death Row is the label that pays me!
Death Row Records is the record label that Snoop Dogg is signed with and they are paying him to make music
Unfadeable, so please don't try to fade this (Hell yeah)
Snoop Dogg is confident in his skills and doesn't want anyone to doubt him
But uh, back to the lecture at hand
They are getting back to the topic of gang life and what it's like to live in that environment
Perfection is perfected, so I'ma let 'em understand
The gang life is perfect for them and they are going to let the audience understand why
From a young G's perspective
They are giving a perspective on gang life from a young age
And before me dig out a bitch I have ta' find a contraceptive
Before sleeping with a woman, Snoop Dogg wants to make sure they use protection to prevent pregnancy
You never know she could be earnin' her man
It's possible that the woman is cheating on her significant other to be with Snoop Dogg and he doesn't want any trouble
And learnin' her man, and at the same time burnin' her man
The woman might be trying to make her significant other jealous and cause problems in their relationship
Now you know I ain't with that shit, Lieutenant
Snoop Dogg doesn't want to be involved in any drama or trouble with anyone's significant other
Ain't no pussy good enough to get burnt while I'm up in it
He won't sleep with anyone without protection because he doesn't want to risk getting a sexually transmitted infection
(Yeah) And that's realer than Real-Deal Holyfield
He means this statement is true and genuine, like the famous boxer Holyfield
And now you hooka's and ho's know how I feel
He's addressing any women who might be trying to start a problem and letting them know his stance on the situation
Well if it's good enough to get broke off a proper chunk
If a woman is worth it, he'll be willing to give her a lot of attention and effort
I'll take a small piece of some of that funky stuff
He wants to enjoy some of the good things in life, like good music, weed, and maybe even a woman
It's like this and like that and like this and uh
They are describing the flow and beat of the song, which is fast-paced and exciting
Dre, creep to the mic like a phantom
Dr. Dre is about to take over the mic and start his verse on the song
Well I'm peepin', and I'm creepin', and I'm creep-in
Dr. Dre is watching everything that is happening around him very carefully and ready to make his impression
But I damn near got caught, 'cause my beeper kept beepin'
He almost got in trouble for something because his beeper went off, indicating someone was trying to contact him
Now it's time for me to make my impression felt
Dr. Dre wants to leave a lasting impression on the audience with his verse
So sit back, relax, and strap on your seatbelt
The audience should get comfortable because this is going to be an amazing performance
You never been on a ride like this before
This music and performance is going to be completely new and exciting for the audience
With a producer who can rap and control the maestro
Dr. Dre is a producer and rapper who is skilled in controlling the music and lyrics
At the same time with the dope rhyme that I kick
He is confident in his rapping skills and believes he has a great verse to show off
You know, and I know, I flow some ol' funky shit
He knows that his music is unique and has a funky style to it
To add to my collection, the selection
This new song and verse will be added to Dr. Dre's collection of music
Symbolizes dope, take a toke, but don't choke
The music is synonymous with being high on drugs, but he's warning people to not go too far with it
If you do, you'll have no clue
People who get too high on drugs might lose sense of their surroundings and not have any idea what's happening
On what me and my homey Snoop Dogg came to do
He's reminding the audience that he and Snoop Dogg are here to perform and make a great song
And who gives a fuck about hoes?
He's asking a rhetorical question - he doesn't care about women who are trying to cause trouble for him
So just chill, til the next episode
They are reminding the audience to relax and wait for the next song or episode in this story
Fallin' back on that ass, with a hellified gangsta lean
This is a metaphor for falling back and relaxing, but still maintaining that gangsta image
Gettin' funky on the mic like a ol' batcha' collard greens
They are rapping in a funky style that is reminiscent of southern collard greens - soulful, flavorful, and exciting
It's the capital S, oh yes I'm fresh, N double-O P
Snoop Dogg is introducing himself with his name and title as a gangsta rapper
D O double-G Y, D O double-G, ya see
He's spelling out his name as 'Doggy', which is a reference to his nickname as a youth
Showin' much flex when it's time to wreck a mic
Snoop Dogg is confident in his rapping skills and is able to dominate the microphone
Pimpin' hoes and clockin' a grip like my name was Dolomite
He's bragging about making money and trying to pick up women like a pimp would, referencing a popular 70s movie character named Dolomite
Yeah, and it don't quit
He's saying that his flow is so good, it's unstoppable
I think they in the mood for some motherfuckin' G shit
The audience is probably craving more gangsta-style music
(Hell yeah) So Dre, (What up Dog?)
Dr. Dre is asking Snoop Dogg what they should do to give the audience what they want
Gotta give 'em what they want (What's that, G?)
They need to keep performing gangsta-style music because that's what people want to hear
We gotta break 'em off somethin' (Hell yeah)
They need to make a big statement or show off their skills with this next verse
And it's gotta be bumpin' (City of Compton!)
The song needs to be high-energy and feature the city of Compton in a big way
It's where it takes place, so when asked, yo' attention
The music is happening in the city of Compton, so he wants the audience to pay extra attention to this verse
Mobbin' like a motherfucker, but I ain't lynchin'
He feels like a boss, leading his group of gang members, without resorting to violence like lynching
Droppin' the funky shit that's makin' the sucker niggas mumble
He's dropping some amazing music that is making the audience go crazy and cheer
When I'm on the mic, it's like a cookie, they all crumble
His rapping skills are so good, that when he starts performing, the audience can't help but get excited
Try to get close, and your ass'll get smacked
He's warning the audience to not get too close or he'll get physical with them
My motherfuckin' homie Doggy Dogg has got my back
Snoop Dogg is his friend and will stick up for him and help him out if he gets in trouble
Never let me slip, 'cause if I slip, then I'm slippin'
Snoop Dogg is always there to support him and will never let him fall or make mistakes
But if I got my Nina, then you know I'm straight trippin'
He's saying that if he has his gun, he feels confident and will act tougher than he needs to be
And I'ma continue to put the rap down, put the mack down
He's going to continue making amazing rap songs and trying to pick up women like a pimp
And if yo bitches talk shit, I'll have to put the smack down
If women try to start trouble or talk badly about him, he'll have to get physical with them and put them in their place
Yeah, and you don't stop
He's saying that the music and the mentality doesn't have an end point, it will keep going forever
I told you I'm just like a clock when I tick and I tock
He's comparing himself to a clock that keeps ticking and never stops
But I'm never off, always on, to the break of dawn
He's always working and making music, even through the night and early morning
C-O-M-P-T-O-N, and the city they call Long Beach
He's spelling out the name of his city (Compton) and mentioning the neighboring city they feel some connection to, Long Beach
Puttin' the shit together
They are creating something new and exciting with their music
Like my nigga D.O.C., 'No One Can Do It Better'
He's giving a shoutout to his friend, rapper D.O.C., who he believes is one of the best in the game and can't be beat
Like this, that and this and uh
This line is repeated from earlier in the song, reminding the audience of the upbeat and funky rhythm of the music
So just chill, 'til the next episode
This line is also repeated from earlier in the song, telling the audience to relax and wait for the next part of the story or song to come
Lyrics © Universal Music Publishing Group
Written by: Calvin Broadus, Frederick Knight, Leon Haywood
Lyrics Licensed & Provided by LyricFind
Jessica Bryant
on Everyday Is Like Christmas to Me
yo what up