Soda Stereo was a rock power trio formed in Buenos Aires, Argentina in 1982… Read Full Bio ↴Soda Stereo was a rock power trio formed in Buenos Aires, Argentina in 1982. Consisting of guitarist and vocalist Gustavo Cerati, bassist Zeta Bosio and drummer Charly Alberti, the band established what would become the template for many other popular Spanish-speaking pop and rock music groups: Clever, often mysterious lyrics, pleasing musical arrangements and an elaborate and glamorous aesthetic image.
Though nominally thought of as a new wave or alternative rock group, they also experimented with several different styles throughout their career, including ska, post-punk, power pop, shoegazing, neo-psychedelia, dream pop and electronic rock. The band's sound was heavily influenced at the beginning of their career by British and American new wave and post-punk groups, including The Police, XTC, Talking Heads and Squeeze.
In 1997, after a farewell tour through various countries and finally Argentina, the band disbanded. Personal and creative differences brought them to this decision. On September 20, 1997, Soda Stereo played their last show, in front of 75,000 people at the Estadio Monumental (or River Plate Stadium) in Buenos Aires.
A final comeback tour in late 2007, the "Me Verás Volver" tour, was scheduled and gave their fanbase one final opportunity to see them perform live. The large audiences that attended confirmed once again Soda Stereo's capacity to sell tickets record numbers throughout Latin America and the US.
With the release of albums such as "Signos", "Doble Vida", "Canción Animal" and "Dynamo", Soda Stereo became one of the most critically acclaimed Argentinean rock bands, being the first one to tour through all of Latin America, and achieving a degree of success that no other local rock band had accomplished before.
Bio:
In 1982, Cerati, Bosio and Alberti recorded some demos and started to play regularly in a Buenos Aires bar called "Zero". After performing several shows, a CBS producer decided to give the band a chance. In 1984, their eponymous debut album, Soda Stereo was released. Produced by Federico Moura, lead singer of the band Virus, it proved successful. In October, 1984 the band played at the Buenos Aires Rock & Pop Festival with INXS, Nina Hagen and Charly García.
Their second album, Nada Personal was released in 1985 and re-affirmed the popularity of the band. Instant classics such as "Nada Personal" and "Cuando Pase el Temblor" made the album a big seller and increased the band's notoriety, especially in neighbouring country, Chile. The video for the single "Cuando Pase el Temblor" was nominated in as best rock video on the 12th Edition of the Video and TV World Festival.
Released in 1986, their third LP Signos represented the international breakthrough from Argentina to the rest of Latin America: This was the first Argentinean rock album to be re-released post vinyl, on compact disc, -however, Soda's first original release in CD was 1988's "Doble Vida". "Signos" made the band tour from 1986 to 1987 and contained songs as "Persiana Americana", the self-tiled "Signos" and "Prófugos". The album was number one in several countries and gave the band the chance to conquer much wider audiences. "Sodamanía", closely resembling Beatlemania, was now widespread.
Soda Stereo embarked in an extensive tour through Latin America to promote the album: They gave an unprecedented 22 concerts in 17 different cities. A live album called Ruido Blanco was recorded and contained most of the songs played on the "Signos" Tour.
After over a year without recording new material, the band travelled to New York City to start work on Doble Vida which was released in 1988. The album, produced by David Bowie's guitarist Carlos Alomar, was recorded and mixed in a state of the arts console and was Soda's most ambitious project so far. The first three songs on the album were released as singles, "Picnic en el 4ºB", "En la Ciudad de la Furia" and "Lo que Sangra (La Cúpula)" which became massive hits. The EP Languis followed. Released a year later, it contaided mixes from Doble Vida and one new track, "Mundo de Quimeras".
It was their seventh album, Canción Animal, released in 1990 the one that represented the band's creative and commercial peak. The songs are amongst the band's strongest and most popular to date. It was recorded in Miami and Buenos Aires. "Canción Animal" contained the instant classic "de Música Ligera", the single "Un Millón de Años Luz", the intimate short piece "Té Para Tres" and the anthemic tracks "(En) El Séptimo Día" and "Hombre Al Agua". Overall, the album is considered by some critics as the most consistent work by the band, along with "Signos". On December 14, 1991 they performed the majority of the album on the 9 de Julio Avenue in Buenos Aires at a free concert. An unprecedented 250,000 people were in attendance.
This success brought them to perform 14 continuous sold-out shows at Buenos Aires's Gran Rex Theater. From these shows emerged the Live/Mixes EP Rex Mix.
In late 1992, Soda Stereo released Dynamo. This album although now regarded as a highlight in the history of Argentinean rock, was initially Soda's most underrated, and with the passing of time has achieved increased and significant recognition. It was Soda's most ambitious and experimental work so far, and was recorded entirely at the band's now self owned studio "Supersónico" in Buenos Aires. The album delved in electronic, shoegazy and dance-ethereal sophisticated compositions. The band presented the highly experimental record in its entirety in a local talk-show, "Fax". This was the first stereophonic TV transmission in Argentina. The band toured Europe and did TV Shows and concerts in Spain and later again in South America. Shortly after the tour, bassist Zeta Bosio suffered the loss of his son in a car accident. This unfortunate incident forced the band to stop touring and promoting the album and sent the trio into a hiatus, during which singer Gustavo Cerati started his solo career and released his debut solo album Amor Amarillo. To add to the confusion, Dynamo was not being promoted by CBS well, and the band decided to change labels, moving to BMG. This clearly affected the sales of Dynamo, as there was no sufficient promotion held by any of the parts involved.
The band's last studio album, Sueño Stereo was recorded in London and Buenos Aires and was released in 1995. Three singles became significant hits: "Ella Usó mi Cabeza como un Revolver", "Paseando por Roma" and "Zoom", which samples the guitar lick in "Back In The New York Groove". "Sueño Stereo" reached platinum disc only 15 days after its release. MTV Unplugged's Comfort y Música Para Volar was released in 1996, and contained not only unplugged and plugged songs, but some out-takes from Sueño Stereo as well.
On May 1st, 1997, personal problems between the members and different artistic criteria led the band to announce its end and started the final tour on July 1997. Their last concert given on September 20th at the River Plate Stadium was recorded and released in two CD's: "El Último Concierto - A & B".
Comeback
During 2007, after 10 years of the original split, rumours stated that Soda Stereo would tour South America before the end of the year. A reunion tour was finally announced on June 9, 2007 as the "Me Verás Volver" Tour ("You'll See Me Return", referring to lyrics on Doble Vida's "En la Ciudad de la Furia"). The tour started at the River Plate stadium on October 19, 2007, where they played "El Último Concierto" in 1997. It ended in the same venue on December 21, 2007.
Initially, the band announced two concerts at River, but 90.000 tickets were sold in only 24 hours. The band added one more show to the schedule, and after three days, the tickets for the first three shows were also sold out, forcing the band to add two more shows in Argentina to complete the local tour. The surprising amount of fans attending the five shows (more than 300,000) made Soda Stereo's return one of the most watched public events in Argentina. The situation would be mirrored in all Latin America as well.
As of 20 October 2007, 22 shows were confirmed, including one show in Santiago - Chile, another in Bogotá - Colombia, and later others in Ecuador, Venezuela, Perú and Panamá. Also three shows were confirmed in the United States: One in the Home Depot Center in Los Angeles, CA, and two in the American Airlines Arena in Miami, FL. Later, more shows were added in Mexico and Argentina.
Soda Stereo became then the only band to have performed more than five times to a sellout crowd at Buenos Aires's Estadio Monumental de River, in a single tour.
"Gira Me Verás Volver" -the supporting 2CD album, featured live performances of the songs in all the different countries of Latin America where the tour went, and the U.S. Together with the new comeback tour, a compilation album was released, entitled Me Verás Volver (Hits & +). Exclusive content was available for download via the band's official website using a special code featured on the CD booklet.
After the end of the tour, the band members continued with their individual careers.
Official Discography:
Soda Stereo / 1984
Nada Personal / 1985
Signos / 1986
Ruido Blanco (Recorded Live) / 1987
Doble Vida / 1988
Languis (EP) / 1989
Canción Animal / 1990
Rex Mix (Live EP) / 1991
Dynamo / 1992
Zona de Promesas (Remixes 1984-1993) / 1993
Sueño Stereo / 1995
Comfort y Música Para Volar (MTV Unplugged) /1996
El Último Concierto - A / 1997
El Último Concierto - B / 1997
Gira Me Verás Volver / 2007
Guest Musicians w/ Soda Stereo on records and tours include:
Daniel Melero: Keyboards
Richard Coleman: Guitars
Fabian Von Quintiero: Keyboards
Daniel Sais: Keyboards
Tweety González: Keyboards
Gonzalo Palacios: Sax
Marcelo Sánchez: Sax
Andrea Álvarez: Percussion
Celsa Mel Gowland: Backing Vocals
Flavio Etcheto: Keyboards
Leo García: Keyboards, Guitar
Leandro Fresco: Keyboards
Axel Krigier: Flute, Guitar
Alejandro Terán: Violin
Official Website:
www.sodastereo.com
Though nominally thought of as a new wave or alternative rock group, they also experimented with several different styles throughout their career, including ska, post-punk, power pop, shoegazing, neo-psychedelia, dream pop and electronic rock. The band's sound was heavily influenced at the beginning of their career by British and American new wave and post-punk groups, including The Police, XTC, Talking Heads and Squeeze.
In 1997, after a farewell tour through various countries and finally Argentina, the band disbanded. Personal and creative differences brought them to this decision. On September 20, 1997, Soda Stereo played their last show, in front of 75,000 people at the Estadio Monumental (or River Plate Stadium) in Buenos Aires.
A final comeback tour in late 2007, the "Me Verás Volver" tour, was scheduled and gave their fanbase one final opportunity to see them perform live. The large audiences that attended confirmed once again Soda Stereo's capacity to sell tickets record numbers throughout Latin America and the US.
With the release of albums such as "Signos", "Doble Vida", "Canción Animal" and "Dynamo", Soda Stereo became one of the most critically acclaimed Argentinean rock bands, being the first one to tour through all of Latin America, and achieving a degree of success that no other local rock band had accomplished before.
Bio:
In 1982, Cerati, Bosio and Alberti recorded some demos and started to play regularly in a Buenos Aires bar called "Zero". After performing several shows, a CBS producer decided to give the band a chance. In 1984, their eponymous debut album, Soda Stereo was released. Produced by Federico Moura, lead singer of the band Virus, it proved successful. In October, 1984 the band played at the Buenos Aires Rock & Pop Festival with INXS, Nina Hagen and Charly García.
Their second album, Nada Personal was released in 1985 and re-affirmed the popularity of the band. Instant classics such as "Nada Personal" and "Cuando Pase el Temblor" made the album a big seller and increased the band's notoriety, especially in neighbouring country, Chile. The video for the single "Cuando Pase el Temblor" was nominated in as best rock video on the 12th Edition of the Video and TV World Festival.
Released in 1986, their third LP Signos represented the international breakthrough from Argentina to the rest of Latin America: This was the first Argentinean rock album to be re-released post vinyl, on compact disc, -however, Soda's first original release in CD was 1988's "Doble Vida". "Signos" made the band tour from 1986 to 1987 and contained songs as "Persiana Americana", the self-tiled "Signos" and "Prófugos". The album was number one in several countries and gave the band the chance to conquer much wider audiences. "Sodamanía", closely resembling Beatlemania, was now widespread.
Soda Stereo embarked in an extensive tour through Latin America to promote the album: They gave an unprecedented 22 concerts in 17 different cities. A live album called Ruido Blanco was recorded and contained most of the songs played on the "Signos" Tour.
After over a year without recording new material, the band travelled to New York City to start work on Doble Vida which was released in 1988. The album, produced by David Bowie's guitarist Carlos Alomar, was recorded and mixed in a state of the arts console and was Soda's most ambitious project so far. The first three songs on the album were released as singles, "Picnic en el 4ºB", "En la Ciudad de la Furia" and "Lo que Sangra (La Cúpula)" which became massive hits. The EP Languis followed. Released a year later, it contaided mixes from Doble Vida and one new track, "Mundo de Quimeras".
It was their seventh album, Canción Animal, released in 1990 the one that represented the band's creative and commercial peak. The songs are amongst the band's strongest and most popular to date. It was recorded in Miami and Buenos Aires. "Canción Animal" contained the instant classic "de Música Ligera", the single "Un Millón de Años Luz", the intimate short piece "Té Para Tres" and the anthemic tracks "(En) El Séptimo Día" and "Hombre Al Agua". Overall, the album is considered by some critics as the most consistent work by the band, along with "Signos". On December 14, 1991 they performed the majority of the album on the 9 de Julio Avenue in Buenos Aires at a free concert. An unprecedented 250,000 people were in attendance.
This success brought them to perform 14 continuous sold-out shows at Buenos Aires's Gran Rex Theater. From these shows emerged the Live/Mixes EP Rex Mix.
In late 1992, Soda Stereo released Dynamo. This album although now regarded as a highlight in the history of Argentinean rock, was initially Soda's most underrated, and with the passing of time has achieved increased and significant recognition. It was Soda's most ambitious and experimental work so far, and was recorded entirely at the band's now self owned studio "Supersónico" in Buenos Aires. The album delved in electronic, shoegazy and dance-ethereal sophisticated compositions. The band presented the highly experimental record in its entirety in a local talk-show, "Fax". This was the first stereophonic TV transmission in Argentina. The band toured Europe and did TV Shows and concerts in Spain and later again in South America. Shortly after the tour, bassist Zeta Bosio suffered the loss of his son in a car accident. This unfortunate incident forced the band to stop touring and promoting the album and sent the trio into a hiatus, during which singer Gustavo Cerati started his solo career and released his debut solo album Amor Amarillo. To add to the confusion, Dynamo was not being promoted by CBS well, and the band decided to change labels, moving to BMG. This clearly affected the sales of Dynamo, as there was no sufficient promotion held by any of the parts involved.
The band's last studio album, Sueño Stereo was recorded in London and Buenos Aires and was released in 1995. Three singles became significant hits: "Ella Usó mi Cabeza como un Revolver", "Paseando por Roma" and "Zoom", which samples the guitar lick in "Back In The New York Groove". "Sueño Stereo" reached platinum disc only 15 days after its release. MTV Unplugged's Comfort y Música Para Volar was released in 1996, and contained not only unplugged and plugged songs, but some out-takes from Sueño Stereo as well.
On May 1st, 1997, personal problems between the members and different artistic criteria led the band to announce its end and started the final tour on July 1997. Their last concert given on September 20th at the River Plate Stadium was recorded and released in two CD's: "El Último Concierto - A & B".
Comeback
During 2007, after 10 years of the original split, rumours stated that Soda Stereo would tour South America before the end of the year. A reunion tour was finally announced on June 9, 2007 as the "Me Verás Volver" Tour ("You'll See Me Return", referring to lyrics on Doble Vida's "En la Ciudad de la Furia"). The tour started at the River Plate stadium on October 19, 2007, where they played "El Último Concierto" in 1997. It ended in the same venue on December 21, 2007.
Initially, the band announced two concerts at River, but 90.000 tickets were sold in only 24 hours. The band added one more show to the schedule, and after three days, the tickets for the first three shows were also sold out, forcing the band to add two more shows in Argentina to complete the local tour. The surprising amount of fans attending the five shows (more than 300,000) made Soda Stereo's return one of the most watched public events in Argentina. The situation would be mirrored in all Latin America as well.
As of 20 October 2007, 22 shows were confirmed, including one show in Santiago - Chile, another in Bogotá - Colombia, and later others in Ecuador, Venezuela, Perú and Panamá. Also three shows were confirmed in the United States: One in the Home Depot Center in Los Angeles, CA, and two in the American Airlines Arena in Miami, FL. Later, more shows were added in Mexico and Argentina.
Soda Stereo became then the only band to have performed more than five times to a sellout crowd at Buenos Aires's Estadio Monumental de River, in a single tour.
"Gira Me Verás Volver" -the supporting 2CD album, featured live performances of the songs in all the different countries of Latin America where the tour went, and the U.S. Together with the new comeback tour, a compilation album was released, entitled Me Verás Volver (Hits & +). Exclusive content was available for download via the band's official website using a special code featured on the CD booklet.
After the end of the tour, the band members continued with their individual careers.
Official Discography:
Soda Stereo / 1984
Nada Personal / 1985
Signos / 1986
Ruido Blanco (Recorded Live) / 1987
Doble Vida / 1988
Languis (EP) / 1989
Canción Animal / 1990
Rex Mix (Live EP) / 1991
Dynamo / 1992
Zona de Promesas (Remixes 1984-1993) / 1993
Sueño Stereo / 1995
Comfort y Música Para Volar (MTV Unplugged) /1996
El Último Concierto - A / 1997
El Último Concierto - B / 1997
Gira Me Verás Volver / 2007
Guest Musicians w/ Soda Stereo on records and tours include:
Daniel Melero: Keyboards
Richard Coleman: Guitars
Fabian Von Quintiero: Keyboards
Daniel Sais: Keyboards
Tweety González: Keyboards
Gonzalo Palacios: Sax
Marcelo Sánchez: Sax
Andrea Álvarez: Percussion
Celsa Mel Gowland: Backing Vocals
Flavio Etcheto: Keyboards
Leo García: Keyboards, Guitar
Leandro Fresco: Keyboards
Axel Krigier: Flute, Guitar
Alejandro Terán: Violin
Official Website:
www.sodastereo.com
El temblor
Soda Stereo Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Yo, caminaré entre las piedras
Hasta sentir el temblor, en mis piernas
A veces tengo temor, lo sé
A veces vergüenza
Oh oh oh
Estoy sentado en un cráter desierto
Sigo aguardando el temblor, en mi cuerpo
Nadie me vio partir, lo sé
Nadie me espera
Oh oh oh oh
Hay una grieta en mi corazón
Un planeta con desilusión
Sé que te encontraré en esas ruinas
Ya no tendremos que hablar y hablar
Del temblor
Te besaré en el temblor (lo sé)
Será un buen momento
Oh oh
Hay una grieta en mi corazón
Un planeta con desilusión, con desilusión
Woh oh oh, oh oh oh oh
Woh oh oh oh, el temblor
Despiértame cuando pase el temblor
Despiértame, despiértame, oh
Despiértame, oh nuh
Despiértame eeh, ouh
Cuando pase el temblor
Hasta sentir el temblor, en mis piernas
A veces tengo temor, lo sé
A veces vergüenza
Oh oh oh
Estoy sentado en un cráter desierto
Sigo aguardando el temblor, en mi cuerpo
Nadie me espera
Oh oh oh oh
Hay una grieta en mi corazón
Un planeta con desilusión
Sé que te encontraré en esas ruinas
Ya no tendremos que hablar y hablar
Del temblor
Te besaré en el temblor (lo sé)
Será un buen momento
Oh oh
Hay una grieta en mi corazón
Un planeta con desilusión, con desilusión
Woh oh oh, oh oh oh oh
Woh oh oh oh, el temblor
Despiértame cuando pase el temblor
Despiértame, despiértame, oh
Despiértame, oh nuh
Despiértame eeh, ouh
Cuando pase el temblor
The lyrics to Cuando Pase El Temblor, by Soda Stereo, depict a man who is waiting for an earthquake to come. He is sitting in a deserted crater, anticipating the tremor to shake through his body. He admits to feeling fear and shame at times, revealing his vulnerability. He has left unnoticed by anyone and nobody is expecting him back. The earthquake represents a change that he awaits and hopes for. He speaks of a crack in his heart and a planet filled with disappointment, indicating a past that may have been shattered, damaged or not lived up to expectations.
He speaks directly to someone he hopes to find in the ruins of the aftermath of the earthquake. This person seems to represent hope and new beginnings. They will not need to speak about the earthquake because they will experience it together. He plans to kiss this person during the earthquake, indicating that their connection will be strengthened during this pivotal moment in their lives. He repeats that the earthquake will be a good moment, perhaps indicating that it will bring clarity or resolution to his past.
The song ends with a promise to wake him up when the earthquake passes, indicating that he is ready to start anew and embrace change.
Line by Line Meaning
Yo, caminaré entre las piedras
I will walk among the rocks
Hasta sentir el temblor, en mis piernas
Until I feel the shaking in my legs
A veces tengo temor, lo sé
Sometimes I feel afraid, I know
A veces vergüenza
Sometimes shame
Estoy sentado en un cráter desierto
I am sitting in a deserted crater
Sigo aguardando el temblor, en mi cuerpo
I am still awaiting the earthquake in my body
Nadie me vio partir, lo sé
Nobody saw me leave, I know
Nadie me espera
Nobody is waiting for me
Hay una grieta en mi corazón
There is a crack in my heart
Un planeta con desilusión
A planet of disillusionment
Sé que te encontraré en esas ruinas
I know I will find you in those ruins
Ya no tendremos que hablar y hablar
We won't have to talk and talk anymore
Del temblor
About the earthquake
Te besaré en el temblor (lo sé)
I will kiss you during the earthquake (I know)
Será un buen momento
It will be a good moment
Woh oh oh, oh oh oh oh
Woh oh oh, oh oh oh oh
Woh oh oh oh, el temblor
Woh oh oh oh, the earthquake
Despiértame cuando pase el temblor
Wake me up when the earthquake is over
Despiértame, despiértame, oh
Wake me up, wake me up, oh
Despiértame, oh nuh
Wake me up, oh no
Despiértame eeh, ouh
Wake me up, eeh, ouh
Cuando pase el temblor
When the earthquake is over
Lyrics © Peermusic Publishing
Written by: Gustavo Adrian Cerati
Lyrics Licensed & Provided by LyricFind
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@anamariapadillalopez2955
Yo caminaré entre las piedras
Hasta sentir el temblor
En mis piernas
A veces tengo temor, lo sé
A veces, vergüenza, oh-oh
Estoy sentado en un cráter desierto
Sigo aguardando el temblor
En mi cuerpo
Nadie me vio partir, lo sé
Nadie me espera, uoh-oh
Hay una grieta, en mi corazón
Un planeta con desilusión
Sé que te encontraré en esas ruinas
Ya no tendremos que hablar (Y hablar)
Del temblor
Te besaré en el templo, lo sé
Será un buen momento, oh-oh
Hay una grieta en mi corazón
Un planeta con desilusión
Oh, oh, oh, oh, oh-oh-oh
Oh, oh, oh, oh, oh
El temblor
Cuando pase el temblor
(Despiértame) Cuando pase el temblor
(Despiértame) Cuando pase el temblor
(Despiértame) Oh, uh
Oh, uh
Oh, uh-uh
Oh, uh
Oh, uh-uh
(Despiértame) Cuando pase el temblor
@felipequezada9489
SODA ESTÉREO es una de las bandas que no pasan de moda
Tenía un amigo que tenía el disco EL ÚLTIMO CONCIERTO,siempre me decía :cuando me muera te lo voy a dejar de recuerdo 😢
En 2020 murió a causa de un accidente yo estaba en MEXICO rumbo a USA
Aun no e podido pedírselo a su esposa …
Y cada vez que escucho a estas canciones lloro de recordarlo
DESCANZA EN PAZ
SAÚL CONSTANZA
😢😢😢😢😢
@anancy_
Pasarán años, y me arrepentiré de no haber nacido antes.
Y aun así...
¿Que otra cosa puedo hacer?
Seguiré pensando que son los sonidos, son las letras y mensajes no literales, mensajes a través de analogías.
Será un proceso y cuando pase el temblor estaré pensando que hay algo oculto en cada sensación.
Charly, Zeta, Gus...
GRACIAS TOTALES seres maravillosos. ❤
@LeyendaMisterioTV
Un Clásico, ¿Aún sonando en este 2024, seré el único? dejo este comentario por si alguien le de un "me gusta", y me llegue una notificación para que me recuerde que tengo que escuchar nuevamente esta canción.👍
@kilombo6442
Usted si que es una leyenda amigo, a seguir escuchando este temon en lo que pasa el temblor.
@ImperatorSisternun
Yo pensé que era la única escuchando esto en pleno 2024
@luispedroluxfuentes2687
Akí Reportandome
@Davidchoque4155
Pensé que era el único que esta escuchando eta canción en 2024
@user-ld5ts3xu8v
❤❤@@kilombo6442
@benjaminmartinez1338
Cuando empezo la pandemia mi viejo me dijo "nos vemos cuando pase el temblor" fallecio poco tiempo despues, paso el temblor pero el nunca paso. Descansa en paz viejo un saludo al mas alla.
@roroaf
El temblor aún no pasa siguen los malos en el mundo ya viene el máximo cambio de esta vida a eso de refiere Cerati a quepase la maldad del mundo ya viene ese cambio.
@adriangarciamartinez5413
@@roroaf y de que manera se manifestara ese cambio? (Dale like a mi comentario para saber si respondiste)
@roroaf
@@adriangarciamartinez5413 con la gente actúando positivamente y no negativa