Solitude Aeturnus was a seminal American epic doom metal band, formed in 19… Read Full Bio ↴Solitude Aeturnus was a seminal American epic doom metal band, formed in 1987. Their sound is heavily influenced by Swedish legends Candlemass as well as more eclectic sources, such as prog innovators Fates Warning. They have released six albums and appeared on nine compilations since 1991. Their vocalist Rob Lowe had joined forces with Candlemass, replacing Messiah Marcolin, but continued with Solitude Aeturnus as well. Former bassist Lyle Steadham was a guitarist and lead vocalist for the horrorpunk / psychobilly band Ghoultown.

As of June 2012, Rob Lowe is no longer a member of Candlemas.

Formed in the spring of 1987, the lineup began as John Perez; quit his former seminal thrash metal band Rotting Corpse in early 1987. Perez, already a veteran of the metal scene, had begun to tire of the limitations of thrash and sought a new sound. Already a long time follower of the early 1980s classic doom groups like Witchfinder General, St. Vitus, Black Hole, Nemesis and the like, Perez decided to adopt a doom metal sound. Perez assembled a group of musicians over the next year namely; Brad Kane - Drums (another member of the early 1980s thrash scene), Kris Gebhardt - vocals (previously with over the top Satanic death metal band Death Tripper), Tom Martinez - guitar and Chris Hardin - bass. After writing songs and rehearsing up until December 1987, the band entered the studio in Jan 1988 to record their legendary 5-song demo entitled “Justice for all.” It should be noted that this title and demo preceded the Metallica album of the same name by some 7 months. Also of interest is that the band's name at this time was Solitude. It would not be until two years later that the band would be forced to change the name to Solitude Aeturnus.

After the release of the demo, various gigs around the local area followed. The response was lukewarm at best since no one around the area knew what to think of the band. In late '88 changes started to occur within the band and without going into too many details the members of the band all changed finally settling on a lineup that consisted of Perez - guitars, Edgar Rivera - guitars, Robert Lowe - vocals, Lyle Steadham - bass and John "Wolf" Covington on drums. This lineup would last for the next 7 years taking the band all the way to 1996. Of special interest is that Lyle Steadham actually joined the band on drums while Chris Hardin was still on bass. This particular line-up recorded the second official demo of the band containing two classic tracks, "Mirror of Sorrow" and "Opaque Divinity.” Lyle would shortly move over to bass duties as Hardin left the band and Covington joined.

This two-song tape caught the attention of the independent label King Classic. The band entered the prestigious Dallas Sound Lab in January 1990 to record their classic debut album, "Into the Depths of Sorrow.” After a disastrous first mix, the band went back to Sound Logic Studios (where the two demos were done) for a remix. It was a nightmare to try to fix but the band managed to capture a great, albeit raw sound nonetheless. The whole album was recorded for a paltry sum of $3000 and done in 7 days including the remix. Shortly after the album was delivered, the album suffered a delay due to King Classic not having the money to put it out. After some shopping around the album eventually caught the attention of Roadrunner Records and a licensed deal followed by Solitude Aeturnus signing directly to Roadrunner followed, after numerous other delays, the album finally saw the light of day in July 1991 a full year and a half after the album was recorded. No tours followed although by this time the band had already written enough songs for a second album. In March 1992, the band entered Sound Logic recording studios to begin the sessions for the second album, "Beyond the Crimson Horizon"

The budget for "Beyond" was much greater and as a result, the sound was improved, the album was released in July 1992 and eventually a US tour was set up in late November with Paul Di'Anno's Killers. The tour lasted six weeks and was a great success for the band. Shortly after in February 1993 the band was dropped from Roadrunner. This came as a sigh of relief for the band as the proper support from Roadrunner never came their way. It would not be until December that the band would finally sign a new recording contract with up and coming label, Pavement Records.

The band decided to get away from their familiar surroundings and took off for England to record their third album, Through the Darkest Hour. Recorded in late March 1994 at Rhythm Studios, this was to be among the band's best work to date, showing a simpler and heavier direction. The production was also at its best and the band was moving their way up the metal ladder.

"Darkest Hour" received critical acclaim all across the globe upon its release in August 1994. After a few months of negotiating, the band went on the road with metal legends Mercyful Fate for an extensive US tour. The tour lasted six weeks and shortly after the band embarked on their first tour of Europe with fellow doom band Revelation. After this tour, the band went through a long break that would last until the April of 1996 when recording for the next album commenced. During this time, Perez started his own Brainticket Records label as well as recording a solo album under the name of The Liquid Sound Company. The next album, "Downfall" was recorded in Dallas TX and despite receiving praise once again for their efforts, the band was extremely dissatisfied with the product. The songs were top notch but the production quality of the album was poor. After years of hard knocks and never-ending struggles, the band underwent their first (and only) major lineup change.

Lyle Steadham left the band shortly after the recording of Downfall. Primary because he was tired of the group's sound and eventually formed the punk band the Kill keeps. The band continued on enlisting the services of Teri Pritchard in as temporary bassist. This line-up toured Europe in April 1996 with Swedish power metal band Morgana Lafey. Another unintentional break followed and a split from Pavement Records eventually occurred. During this time new bass player, Steve Mosley was added to the band. A long time friend and fan of the band, Steve was the perfect replacement for Lyle. The band then signed on to German label Massacre Records in December 1997 and recorded what was to become their masterpiece, "Adagio.” This time going back to Rhythm Studios in England the album was recorded in March 1998 and released in June of the same year. The band toured Europe in September 1998 with Savior Machine in support of the record. Adagio finally saw a U.S. release in January 1999 through Olympic Records. Being distributed through PolyGram, the Olympic deal gave the band even greater exposure in the native country.

Elysium
Solitude Aeturnus Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

"Slipping forward
With a propensity for madness
Tethered but taut
Reality at the tip of four fingers
Or is it insanity?
Yesterday was my tomorrow
But today is my problem
Do I know what I know?

Do I think what I think?
It has never left my side
Nor ever left me alone

But always eludes me
My elysium..."

Overall Meaning

In Solitude Aeturnus's song 'Elysium', the lyrics describe the singer's struggle with madness and reality. The lyrics begin with the singer slipping forward, indicating their descent into madness. They are tethered but taut, suggesting that they are being pulled in different directions by their mind and reality. The next line, "Reality at the tip of four fingers", gives the impression that the character is so close to grasping reality but is unable to do so due to their mental state. The following line questions whether the singer is experiencing insanity or a warped sense of reality.

The lyrics go on to describe the singer's sense of time being twisted, with yesterday being tomorrow and today being the problem. The final lines of the chorus question whether the character truly knows what they know and thinks what they think. The singer's elysium, or ultimate paradise, is always present but always out of reach, eluding them.

Overall, the lyrics to 'Elysium' use vivid imagery to portray the singer's struggle with madness and reality. It's a haunting depiction of mental illness that is relatable for many.

Line by Line Meaning

Slipping forward
Continuing to move forward, progressing through life

With a propensity for madness
Having a tendency towards insanity or irrational behavior

Tethered but taut
Connected to reality, but feeling constrained or restricted

Reality at the tip of four fingers
Awareness of reality within reach, but not fully grasped or understood

Or is it insanity?
Questioning whether perception of reality is accurate or distorted

Yesterday was my tomorrow
Feeling stuck in time or unable to move forward

But today is my problem
Being burdened by present challenges or issues

Do I know what I know?
Questioning one's own knowledge or understanding

Do I think what I think?
Questioning the reliability of one's own thoughts and beliefs

It has never left my side
Continued presence of a persistent challenge or struggle

Nor ever left me alone
Feeling constantly burdened and unsupported