Solitude Aeturnus was a seminal American epic doom metal band, formed in 19… Read Full Bio ↴Solitude Aeturnus was a seminal American epic doom metal band, formed in 1987. Their sound is heavily influenced by Swedish legends Candlemass as well as more eclectic sources, such as prog innovators Fates Warning. They have released six albums and appeared on nine compilations since 1991. Their vocalist Rob Lowe had joined forces with Candlemass, replacing Messiah Marcolin, but continued with Solitude Aeturnus as well. Former bassist Lyle Steadham was a guitarist and lead vocalist for the horrorpunk / psychobilly band Ghoultown.

As of June 2012, Rob Lowe is no longer a member of Candlemas.

Formed in the spring of 1987, the lineup began as John Perez; quit his former seminal thrash metal band Rotting Corpse in early 1987. Perez, already a veteran of the metal scene, had begun to tire of the limitations of thrash and sought a new sound. Already a long time follower of the early 1980s classic doom groups like Witchfinder General, St. Vitus, Black Hole, Nemesis and the like, Perez decided to adopt a doom metal sound. Perez assembled a group of musicians over the next year namely; Brad Kane - Drums (another member of the early 1980s thrash scene), Kris Gebhardt - vocals (previously with over the top Satanic death metal band Death Tripper), Tom Martinez - guitar and Chris Hardin - bass. After writing songs and rehearsing up until December 1987, the band entered the studio in Jan 1988 to record their legendary 5-song demo entitled “Justice for all.” It should be noted that this title and demo preceded the Metallica album of the same name by some 7 months. Also of interest is that the band's name at this time was Solitude. It would not be until two years later that the band would be forced to change the name to Solitude Aeturnus.

After the release of the demo, various gigs around the local area followed. The response was lukewarm at best since no one around the area knew what to think of the band. In late '88 changes started to occur within the band and without going into too many details the members of the band all changed finally settling on a lineup that consisted of Perez - guitars, Edgar Rivera - guitars, Robert Lowe - vocals, Lyle Steadham - bass and John "Wolf" Covington on drums. This lineup would last for the next 7 years taking the band all the way to 1996. Of special interest is that Lyle Steadham actually joined the band on drums while Chris Hardin was still on bass. This particular line-up recorded the second official demo of the band containing two classic tracks, "Mirror of Sorrow" and "Opaque Divinity.” Lyle would shortly move over to bass duties as Hardin left the band and Covington joined.

This two-song tape caught the attention of the independent label King Classic. The band entered the prestigious Dallas Sound Lab in January 1990 to record their classic debut album, "Into the Depths of Sorrow.” After a disastrous first mix, the band went back to Sound Logic Studios (where the two demos were done) for a remix. It was a nightmare to try to fix but the band managed to capture a great, albeit raw sound nonetheless. The whole album was recorded for a paltry sum of $3000 and done in 7 days including the remix. Shortly after the album was delivered, the album suffered a delay due to King Classic not having the money to put it out. After some shopping around the album eventually caught the attention of Roadrunner Records and a licensed deal followed by Solitude Aeturnus signing directly to Roadrunner followed, after numerous other delays, the album finally saw the light of day in July 1991 a full year and a half after the album was recorded. No tours followed although by this time the band had already written enough songs for a second album. In March 1992, the band entered Sound Logic recording studios to begin the sessions for the second album, "Beyond the Crimson Horizon"

The budget for "Beyond" was much greater and as a result, the sound was improved, the album was released in July 1992 and eventually a US tour was set up in late November with Paul Di'Anno's Killers. The tour lasted six weeks and was a great success for the band. Shortly after in February 1993 the band was dropped from Roadrunner. This came as a sigh of relief for the band as the proper support from Roadrunner never came their way. It would not be until December that the band would finally sign a new recording contract with up and coming label, Pavement Records.

The band decided to get away from their familiar surroundings and took off for England to record their third album, Through the Darkest Hour. Recorded in late March 1994 at Rhythm Studios, this was to be among the band's best work to date, showing a simpler and heavier direction. The production was also at its best and the band was moving their way up the metal ladder.

"Darkest Hour" received critical acclaim all across the globe upon its release in August 1994. After a few months of negotiating, the band went on the road with metal legends Mercyful Fate for an extensive US tour. The tour lasted six weeks and shortly after the band embarked on their first tour of Europe with fellow doom band Revelation. After this tour, the band went through a long break that would last until the April of 1996 when recording for the next album commenced. During this time, Perez started his own Brainticket Records label as well as recording a solo album under the name of The Liquid Sound Company. The next album, "Downfall" was recorded in Dallas TX and despite receiving praise once again for their efforts, the band was extremely dissatisfied with the product. The songs were top notch but the production quality of the album was poor. After years of hard knocks and never-ending struggles, the band underwent their first (and only) major lineup change.

Lyle Steadham left the band shortly after the recording of Downfall. Primary because he was tired of the group's sound and eventually formed the punk band the Kill keeps. The band continued on enlisting the services of Teri Pritchard in as temporary bassist. This line-up toured Europe in April 1996 with Swedish power metal band Morgana Lafey. Another unintentional break followed and a split from Pavement Records eventually occurred. During this time new bass player, Steve Mosley was added to the band. A long time friend and fan of the band, Steve was the perfect replacement for Lyle. The band then signed on to German label Massacre Records in December 1997 and recorded what was to become their masterpiece, "Adagio.” This time going back to Rhythm Studios in England the album was recorded in March 1998 and released in June of the same year. The band toured Europe in September 1998 with Savior Machine in support of the record. Adagio finally saw a U.S. release in January 1999 through Olympic Records. Being distributed through PolyGram, the Olympic deal gave the band even greater exposure in the native country.

Embrace
Solitude Aeturnus Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Pieces shattered and separate
Deep in detestation
Numbing imagery
Slithering, seething of my spiritless soul

Desperation, oh it permeates my consciousness
Talons of hysteria embrace my delirium

Embrace the brilliance, embrace the absurdity
Embrace the demons of your delusion
Embrace the brilliance, embrace the absurdity
Embrace the demons in your soul

Sweet agony racks my, oh my tortured cage
Feeding the insanity of my conception
Murky waters flood decaying, decaying passages
Lacerating the recesses of my lucidity

Embrace the brilliance, embrace the absurdity
Embrace the demons of your delusion
Embrace the brilliance, embrace the absurdity
Embrace the demons in your soul
The demons in your mind....

Mangled, clawing through the destruction
Total destitution choking every passage
Crushed and consumed oblivion descends
Sweet insanity calls my name

Embrace the brilliance, embrace the absurdity
Embrace the demons of your delusion
Embrace the brilliance, embrace the absurdity

Embrace the demons in your soul
The demons in your mind...

Overall Meaning

The lyrics to "Embrace" by Solitude Aeturnus depict the inner turmoil and desperation of the singer. The opening lines, "Pieces shattered and separate, Deep in detestation" alludes to the idea of the singer's shattered psyche, fragmented and divided by their own self-loathing. The imagery used in the lyrics is dark, as the singer describes their spiritless soul and the slithering, seething of it.

The chorus of the song, "Embrace the brilliance, embrace the absurdity, Embrace the demons of your delusion" seems to encourage the singer to accept the darkness within them, and to embrace it, rather than fighting against it. The lyrics suggest that the demons within one's soul can be harnessed and used to create something brilliant and unique, even in the midst of chaos and despair.

Overall, the song evokes a sense of hopelessness and desperation, but also encourages the listener to accept and embrace the darkness within themselves in order to find some sort of peace or understanding.

Line by Line Meaning

Pieces shattered and separate
The singer's mind is fragmented and divided

Deep in detestation
The singer is filled with intense dislike or hatred

Numbing imagery
The singer is experiencing mental imagery that is causing them to become emotionally numb

Slithering, seething of my spiritless soul
The artist's soul feels like it is writhing and boiling inside of them, devoid of any spirit or life

Desperation, oh it permeates my consciousness
The artist is acutely aware of how desperate they feel

Talons of hysteria embrace my delirium
The singer feels like they are being gripped by a powerful, uncontrollable hysteria or madness

Embrace the brilliance, embrace the absurdity
The singer is urging themselves to embrace the extreme and unconventional aspects of their thoughts and feelings

Embrace the demons of your delusion
The artist is advocating for embracing the negative and destructive thoughts and feelings that are a part of their delusions

Embrace the demons in your soul
The artist is urging themselves to accept and acknowledge the dark aspects of their own being

Sweet agony racks my, oh my tortured cage
The artist is experiencing an intense and almost pleasurable pain that is confined within them like a cage

Feeding the insanity of my conception
The singer's pain or torment is contributing to their own madness or irrationality

Murky waters flood decaying, decaying passages
The artist's mind is being inundated with dark and unsettling thoughts that are undermining their own sanity

Lacerating the recesses of my lucidity
The singer's own thoughts are damaging their ability to think clearly or rationally

The demons in your mind....
The singer is acknowledging that their psychological struggles are a product of their own mind

Mangled, clawing through the destruction
The singer is fighting through the chaos and damage within their own psyche

Total destitution choking every passage
The artist is experiencing a complete absence of hope or vitality, which is impeding their ability to navigate their own thoughts and emotions

Crushed and consumed oblivion descends
The artist feels like their own psyche is being swallowed up by darkness or nothingness

The demons in your mind...
The singer repeats the refrain to hammer home the message that their own psychological struggles are a product of their own mind

Contributed by Harper P. Suggest a correction in the comments below.

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