The two are easy to distinguish. Williamson I played the harmonica acoustically and was essentially a pre-War artist. Williamson II was entirely an electrified harpist, in the style of Little Walter, reflecting the advent of the jukebox and electrified instruments following World War II.
(Compare the albums Sonny Boy Williamson I ~~ Sonny Boy Williamson II)
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Sonny Boy Williamson I (30 March 1914 - 1 June 1948)
also known as John Lee Curtis Williamson, was an American blues harmonica player, born in Jackson, Tennessee, whose first record Good Morning little School Girl was a hit in 1937. He was widely popular throughout the whole southeast of the U.S., and was practically synonymous with the blues harmonica for the next decade, making his a commonly used stage name by the time he was murdered in 1948. He is buried at the Old Blairs Chapel Church, south west of Jackson, Tennessee.
more on wikipedia
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Sonny Boy Williamson II (11 March 1908 - 25 May 1965) also known as Willie Williamson, Willie Miller, Little Boy Blue, The Goat and Footsie.
Aleck "Rice" Miller was an American blues harmonica player, singer and songwriter.
Born as Aleck Ford to Millie Ford on the Sara Jones Plantation in Tallahatchie County, Mississippi, his date and year of birth are a matter of uncertainty. He claimed to have been born on December 5, 1899, but one researcher, David Evans, claims to have found census record evidence that he was born around 1912. His gravestone lists his date of birth as March 11, 1908.
He lived and worked with his sharecropper stepfather, Jim Miller, whose last name he soon adopted, and mother, Millie Ford, until the early 1930s. Beginning in the 1930s, he traveled around Mississippi and Arkansas and encountered Big Joe Williams, Elmore James and Robert Lockwood, Jr., also known as Robert Junior Lockwood, who would play guitar on his later Checker Records sides. He was also associated with Robert Johnson during this period. Miller developed his style and raffish stage persona during these years. Willie Dixon recalled seeing Lockwood and Miller playing for tips in Greenville, Mississippi in the 1930s. He entertained audiences with novelties such inserting one end of the harmonica into his mouth and playing with no hands.
In 1941 Miller was hired to play the King Biscuit Time show, advertising the King Biscuit brand of baking flour on radio station KFFA in Helena, Arkansas with Lockwood. It was at this point that the radio program's sponsor, Max Moore, began billing Miller as Sonny Boy Williamson, apparently in an attempt to capitalize on the fame of the well known Chicago-based harmonica player and singer John Lee Williamson (Sonny Boy Williamson I). Although John Lee Williamson was a major blues star who had already released dozens of successful and widely influential records under the name "Sonny Boy Williamson" from 1937 onward, Aleck Miller would later claim to have been the first to use the name, and some blues scholars believe that Miller's assertion he was born in 1899 was a ruse to convince audiences he was old enough to have used the name before John Lee Williamson, who was born in 1914 (this is made somewhat less likely, however, by the fact that Miller was certainly older than Williamson even if one does not accept the 1899 birthdate.) Whatever the methodology, Miller became commonly known as "Sonny Boy Williamson", and Lockwood and the rest of his band were billed as the King Biscuit Boys.
In 1949 he relocated to West Memphis, Arkansas and lived with his sister and her husband, Howlin' Wolf (later, for Checker Records, he did a parody of Howlin' Wolf entitled "Like Wolf"). Sonny Boy started his own KWEM radio show from 1948 to 1950 selling the elixir Hadacol.
Sonny Boy also brought his King Biscuit musician friends to West Memphis: Elmore James, Houston Stackhouse, Arthur "Big Boy" Crudup, Robert Nighthawk and others, to perform on KWEM Radio.
In the 1940s Williamson married Mattie Gordon, who remained his wife until his death.
Williamson's first recording session took place in 1951 for Lillian McMurry of Jackson, Mississippi's Trumpet Records (three years after the death of John Lee Williamson, which for the first time allowed some legitimacy to Miller's carefully worded claim to being "the one and only Sonny Boy Williamson"). McMurry later erected Williamson's headstone, near Tutwiler, Mississippi, in 1977.
When Trumpet went bankrupt in 1955, Sonny Boy's recording contract was yielded to its creditors, who sold it to Chess Records in Chicago, Illinois. Sonny Boy had begun developing a following in Chicago beginning in 1953, when he appeared there as a member of Elmore James's band. It was during his Chess years that he enjoyed his greatest success and acclaim, recording about 70 songs for Chess subsidiary Checker Records from 1955 to 1964.
In the early 1960s he toured Europe several times during the height of the British blues craze, recording with The Yardbirds and The Animals, and appearing on several TV broadcasts throughout Europe. According to the Led Zeppelin biography 'Hammer of the Gods', while in England Sonny Boy set his hotel room on fire while trying to cook a rabbit in a coffee percolator. Robert Palmer's "Deep Blues" mentions that during this tour he allegedly stabbed a man during a street fight and left the country abruptly.
Sonny Boy took a liking to the European fans, and while there had a custom-made, two-tone suit tailored personally for him, along with a bowler hat, matching umbrella, and an attaché case for his harmonicas. He appears credited as "Big Skol" on Roland Kirk's live album 'Kirk in Copenhagen' (1963). One of his final recordings from England, in 1964, featured him singing "I'm Trying To Make London My Home" with Hubert Sumlin providing the guitar. Due to his many years of relating convoluted, highly fictionalized accounts of his life to friends and family, upon his return to the Delta, some expressed disbelief upon hearing of Sonny Boy's touring across the Atlantic, visiting Europe, seeing the Eiffel Tower, Big Ben, and other landmarks, and recording there.
Upon his return to the U.S., he resumed playing the King Biscuit Time show on KFFA, and performed around Helena, Arkansas. As fellow musicians Houston Stackhouse and Peck Curtis waited at the KFFA studios for Williamson on May 25, 1965, the 12:15 broadcast time was closing in and Sonny Boy was nowhere in sight. Peck left the radio station and headed out to locate Williamson, and discovered his body in bed at the rooming house where he'd been staying, dead of an apparent heart attack suffered in his sleep the night before.
Williamson is buried on New Africa Rd. just outside Tutwiler, Mississippi at the site of the former Whitman Chapel cemetery.
more on wikipedia
Good Morning Little Schoolgirl
Sonny Boy Williamson Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
can I go home, can I go home with you?
Tell your mother and your father,
I'm a little school boy too
Woke up this mornin',
woke up this mornin',
I didn't know what to,
I didn't have no blues,
baby, bit I couldn't be satisfied
I'm gettin' me an airplane,
I'm gettin' me an airplane,
get in my airplane
Gon' fly all oh-oh, gon' fly all over this land
I'm gonna find my little school girl,
find her in the world somewhere
Good mornin' 'lil school girl,
good mornin' 'lil school girl
Can I go home with, can I go home with,
can I go home with you?
Tell your mother and your father,
Johnny little school boy too
Come be my baby, come be my baby,
I buy you a diamond, I buy you a diamond ring
You don't be my little baby,
I ain't gonna buy you a doggone ring
The song "Good Morning Little Schoolgirl" by Sonny Boy Williamson is a blues track released in 1937. The lyrics describe a man who wakes up and feels lost, seeking comfort from a young schoolgirl. He wants to go home with her and tells her to inform her mother and father that he too is a schoolboy. He expresses his dissatisfaction with life despite not having any specific reason to be sad.
Later in the song, he states that he will get on an airplane and fly all over the world to find his little schoolgirl. He suggests that he can buy her a diamond ring if she agrees to be his "baby," but warns that he won't do so if she rejects him. In context, the song may be interpreted as a man trying to seek comfort in a younger girl as a way of escaping from his problems.
Line by Line Meaning
Good mornin' 'lil school girl,
Greetings to you, young school girl
can I go home, can I go home with you?
May I accompany you to your place of residence?
Tell your mother and your father,
Kindly inform your parents
I'm a little school boy too
I am also a young student
Woke up this mornin', woke up this mornin',
I arose from slumber this morning
I didn't know what to, I didn't know what to do
I was unsure of what actions to take
I didn't have no blues,
I was not experiencing any feelings of sadness
baby, bit I couldn't be satisfied
However, I still felt unfulfilled
I'm gettin' me an airplane,
I am in the process of obtaining an aircraft
get in my airplane
And I will board my airplane
Gon' fly all oh-oh, gon' fly all over this land
I shall fly to various locations throughout this land
I'm gonna find my little school girl,
My ultimate goal is to locate my young student companion
find her in the world somewhere
Wherever she may be situated in the world
Good mornin' 'lil school girl,
Once again, greetings to you, young school girl
Can I go home with, can I go home with,
May I have the opportunity to accompany you to your place of residence?
Tell your mother and your father,
Please inform your parents
Johnny little school boy too
Remind them that I am also a young student
Come be my baby, come be my baby,
Come be my significant other, come be my love
I buy you a diamond, I buy you a diamond ring
As an expression of my affection, I will purchase a diamond ring for you
You don't be my little baby,
If you do not reciprocate my feelings of love
I ain't gonna buy you a doggone ring
Then I will not invest in the purchase of a ring for you
Lyrics © BMG Rights Management, Warner Chappell Music, Inc.
Written by: Sonny Boy Williamson
Lyrics Licensed & Provided by LyricFind
@carlossousa200
WIKIPEDIA:
DEATH AND LEGACY
Williamson's final recording session took place in Chicago in December 1947, in which he accompanied Big Joe Williams. On June 1, 1948, Williamson was killed in a robbery on Chicago's South Side as he walked home from a performance at the Plantation Club, at 31st St. and Giles Avenue, a tavern just a block and a half from his home, at 3226 S. Giles. Williamson's final words are reported to have been "Lord have mercy".
Williamson is buried at the former site of the Blairs Chapel Church, southwest of Jackson, Tennessee. In 1991, a red granite marker was purchased by fans and family to mark the site of his burial. A Tennessee historical marker, also placed in 1991, indicates the place of his birth and describes his influence on blues music. The historical marker is located south of Jackson on Tennessee State Highway 18, at the corner of Caldwell Road.
NAME ISSUES
His legacy has been somewhat overshadowed in the postwar blues era by the popularity of the musician who appropriated his name, Rice Miller, who after Williamson's death went on to record many popular blues songs for Chicago's Checker Records and others and toured Europe several times during the blues revival in the 1960s. The recordings made by Williamson between 1937 and his death in 1948 and those made later by Rice Miller were all originally issued under the name Sonny Boy Williamson. It is believed that Miller adopted the name to deceive audiences (and his first record label) into thinking that he was the "original" Sonny Boy.[3] In order to differentiate between the two musicians, many later scholars and biographers have referred to John Lee Williamson (1914–1948) as Sonny Boy Williamson I and Miller (c. 1912–1965) as Sonny Boy Williamson II.
To add to the confusion, around 1940 the jazz pianist and singer Enoch Williams recorded for Decca under the name Sonny Boy Williams and in 1947 as Sunny Boy in the Sunny Boy Trio.
@Sabbatius527
Rice Miller aka Sonny Boy Williamson II must be laughing in his grave watching this dedication video to John Lee "Sonny Boy" Williamson with his picture first appearing in the video! Great song! Big Joe Williams & Robert Nighthawk on guitars in this recording which appeared in 1937.
@ladyleesutter
Sure didn't help me in my search for the original Sonny Boy Williamson, since all I had to go by were their faces (and the fact the First died young.) The First very handsome, the 2nd gnarly nose and no front teef., uh, teeth. Ok on with the search.
@toxicmabletree
love this song more than anything else in this world.... I sure hope that i can listen to this when i die.... Fantastik
@chucky1316
love your style man , I am from the south and your blues song's move's the soul keep on playing man. GOD bless, SEE YOU AT THE CABIN
@MrCocaboy1
ALWAYS LOVED THIS LEGEND!
@WinIronRose
Wonderful recording...took me back. Thank you for posting this. Cheers
@lheuredeschiens9842
Super musique, avec trois fois rien ! Guitare, harmo, voix... rien à ajouter !
@jamesmcallister5494
,,Ten years after,, covered this song too,, amazing version.
@patsaklaras
in deed
@FririkurEllefsen
Fantastic blues. Never was much into sony boy williamson, but I love this. Is he the one playing guitar too? The guitar part is very ragtime inspiring.