The two are easy to distinguish. Williamson I played the harmonica acoustically and was essentially a pre-War artist. Williamson II was entirely an electrified harpist, in the style of Little Walter, reflecting the advent of the jukebox and electrified instruments following World War II.
(Compare the albums Sonny Boy Williamson I ~~ Sonny Boy Williamson II)
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Sonny Boy Williamson I (30 March 1914 - 1 June 1948)
also known as John Lee Curtis Williamson, was an American blues harmonica player, born in Jackson, Tennessee, whose first record Good Morning little School Girl was a hit in 1937. He was widely popular throughout the whole southeast of the U.S., and was practically synonymous with the blues harmonica for the next decade, making his a commonly used stage name by the time he was murdered in 1948. He is buried at the Old Blairs Chapel Church, south west of Jackson, Tennessee.
more on wikipedia
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Sonny Boy Williamson II (11 March 1908 - 25 May 1965) also known as Willie Williamson, Willie Miller, Little Boy Blue, The Goat and Footsie.
Aleck "Rice" Miller was an American blues harmonica player, singer and songwriter.
Born as Aleck Ford to Millie Ford on the Sara Jones Plantation in Tallahatchie County, Mississippi, his date and year of birth are a matter of uncertainty. He claimed to have been born on December 5, 1899, but one researcher, David Evans, claims to have found census record evidence that he was born around 1912. His gravestone lists his date of birth as March 11, 1908.
He lived and worked with his sharecropper stepfather, Jim Miller, whose last name he soon adopted, and mother, Millie Ford, until the early 1930s. Beginning in the 1930s, he traveled around Mississippi and Arkansas and encountered Big Joe Williams, Elmore James and Robert Lockwood, Jr., also known as Robert Junior Lockwood, who would play guitar on his later Checker Records sides. He was also associated with Robert Johnson during this period. Miller developed his style and raffish stage persona during these years. Willie Dixon recalled seeing Lockwood and Miller playing for tips in Greenville, Mississippi in the 1930s. He entertained audiences with novelties such inserting one end of the harmonica into his mouth and playing with no hands.
In 1941 Miller was hired to play the King Biscuit Time show, advertising the King Biscuit brand of baking flour on radio station KFFA in Helena, Arkansas with Lockwood. It was at this point that the radio program's sponsor, Max Moore, began billing Miller as Sonny Boy Williamson, apparently in an attempt to capitalize on the fame of the well known Chicago-based harmonica player and singer John Lee Williamson (Sonny Boy Williamson I). Although John Lee Williamson was a major blues star who had already released dozens of successful and widely influential records under the name "Sonny Boy Williamson" from 1937 onward, Aleck Miller would later claim to have been the first to use the name, and some blues scholars believe that Miller's assertion he was born in 1899 was a ruse to convince audiences he was old enough to have used the name before John Lee Williamson, who was born in 1914 (this is made somewhat less likely, however, by the fact that Miller was certainly older than Williamson even if one does not accept the 1899 birthdate.) Whatever the methodology, Miller became commonly known as "Sonny Boy Williamson", and Lockwood and the rest of his band were billed as the King Biscuit Boys.
In 1949 he relocated to West Memphis, Arkansas and lived with his sister and her husband, Howlin' Wolf (later, for Checker Records, he did a parody of Howlin' Wolf entitled "Like Wolf"). Sonny Boy started his own KWEM radio show from 1948 to 1950 selling the elixir Hadacol.
Sonny Boy also brought his King Biscuit musician friends to West Memphis: Elmore James, Houston Stackhouse, Arthur "Big Boy" Crudup, Robert Nighthawk and others, to perform on KWEM Radio.
In the 1940s Williamson married Mattie Gordon, who remained his wife until his death.
Williamson's first recording session took place in 1951 for Lillian McMurry of Jackson, Mississippi's Trumpet Records (three years after the death of John Lee Williamson, which for the first time allowed some legitimacy to Miller's carefully worded claim to being "the one and only Sonny Boy Williamson"). McMurry later erected Williamson's headstone, near Tutwiler, Mississippi, in 1977.
When Trumpet went bankrupt in 1955, Sonny Boy's recording contract was yielded to its creditors, who sold it to Chess Records in Chicago, Illinois. Sonny Boy had begun developing a following in Chicago beginning in 1953, when he appeared there as a member of Elmore James's band. It was during his Chess years that he enjoyed his greatest success and acclaim, recording about 70 songs for Chess subsidiary Checker Records from 1955 to 1964.
In the early 1960s he toured Europe several times during the height of the British blues craze, recording with The Yardbirds and The Animals, and appearing on several TV broadcasts throughout Europe. According to the Led Zeppelin biography 'Hammer of the Gods', while in England Sonny Boy set his hotel room on fire while trying to cook a rabbit in a coffee percolator. Robert Palmer's "Deep Blues" mentions that during this tour he allegedly stabbed a man during a street fight and left the country abruptly.
Sonny Boy took a liking to the European fans, and while there had a custom-made, two-tone suit tailored personally for him, along with a bowler hat, matching umbrella, and an attaché case for his harmonicas. He appears credited as "Big Skol" on Roland Kirk's live album 'Kirk in Copenhagen' (1963). One of his final recordings from England, in 1964, featured him singing "I'm Trying To Make London My Home" with Hubert Sumlin providing the guitar. Due to his many years of relating convoluted, highly fictionalized accounts of his life to friends and family, upon his return to the Delta, some expressed disbelief upon hearing of Sonny Boy's touring across the Atlantic, visiting Europe, seeing the Eiffel Tower, Big Ben, and other landmarks, and recording there.
Upon his return to the U.S., he resumed playing the King Biscuit Time show on KFFA, and performed around Helena, Arkansas. As fellow musicians Houston Stackhouse and Peck Curtis waited at the KFFA studios for Williamson on May 25, 1965, the 12:15 broadcast time was closing in and Sonny Boy was nowhere in sight. Peck left the radio station and headed out to locate Williamson, and discovered his body in bed at the rooming house where he'd been staying, dead of an apparent heart attack suffered in his sleep the night before.
Williamson is buried on New Africa Rd. just outside Tutwiler, Mississippi at the site of the former Whitman Chapel cemetery.
more on wikipedia
I Don't Know
Sonny Boy Williamson Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I heard someone say Sonny Boy
Ad I know that was my name
Who call you ?
I don`t know, I don`t know
But i`m trying to get in touch my baby
To find out why she disapoint me so
And I met the train, She wasn`t on either one
And I wanna know who was there to blame
I don`t know, I don`t know
But I`m still tryint to get in touch whit my baby to find out
Why she disapoint me so
I received a special deliver` I received a telegram
Then she called me long distance, she wanna know
Just where I am For what?
I don`t know, Man, I just don`t know
But I`m still tryin` to get in touch with my baby
To find out why she disapoint me so.
That`s right, that`s right...
The song "I Don't Know" by Sonny Boy Williamson tells the story of a man who is trying to reach his lover after being disappointed by her actions. He has received phone calls, telegrams, and even went to the bus and train stations to look for her, but she was not there. The lyrics express the frustration and confusion that the singer feels as he tries to understand why his lover has let him down.
The repetition of the line "I don't know" throughout the song emphasizes the confusion and lack of clarity that the singer experiences in regards to his lover's actions. The fact that he is receiving phone calls and telegrams from her but still can't understand why she disappointed him adds to the sense of frustration.
The chorus, "I'm still trying to get in touch with my baby / to find out why she disappointed me so," conveys a sense of urgency and determination on the part of the singer. Despite not knowing who is calling him or why his lover disappointed him, he continues to try and reach her to get answers.
Overall, "I Don't Know" is a poignant depiction of the confusion and frustration of lost love and the quest for understanding.
Line by Line Meaning
At eleven forty five the phone begain the ring
The phone started ringing at eleven forty-five.
I heard someone say Sonny Boy
Someone called out 'Sonny Boy.'
Ad I know that was my name
I recognized that they were calling me by my name.
Who call you ?
I asked who was calling me.
I don`t know, I don`t know
The caller's identity is unknown to me.
But i`m trying to get in touch my baby
I'm attempting to reach my significant other.
To find out why she disapoint me so
I want to know why she has let me down.
You know I met the grey hound bus
I looked for her on the Greyhound bus.
And I met the train, She wasn`t on either one
I also looked for her on the train, but she wasn't there.
And I wanna know who was there to blame
I want to find out who is responsible for this situation.
I don`t know, I don`t know
I still don't know the answer.
But I`m still tryint to get in touch whit my baby to find out
I'm still trying to contact my significant other to get answers.
Why she disapoint me so
I want to know why she has disappointed me.
I received a special deliver` I received a telegram
I got a special delivery which was a telegram.
Then she called me long distance, she wanna know
She called me from afar and wanted to know something.
Just where I am For what?
She wanted to know my location and for what reason.
I don`t know, Man, I just don`t know
I don't have the answer, man, I really don't know.
But I`m still tryin` to get in touch with my baby
Despite not having an answer, I'm still trying to contact my significant other.
To find out why she disapoint me so.
I want to know why she has let me down.
That`s right, that`s right...
That's correct, that's correct.
Contributed by Alexandra M. Suggest a correction in the comments below.
chrisjaybecker
This song is one of the best examples of Third Position (Dorian) harmonica... Sonny Boy is playing a C harp in D.
_jamiroquai_
What a cheerful and funky buzz !! Thank the lord for this.
真紀
ロバートJr.ロックウッドのギターが何気にすごい✨🤎
Nell Cribbs
Bigmama's Song! Lol
Kennethj Johnson
Badmanken