The two are easy to distinguish. Williamson I played the harmonica acoustically and was essentially a pre-War artist. Williamson II was entirely an electrified harpist, in the style of Little Walter, reflecting the advent of the jukebox and electrified instruments following World War II.
(Compare the albums Sonny Boy Williamson I ~~ Sonny Boy Williamson II)
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Sonny Boy Williamson I (30 March 1914 - 1 June 1948)
also known as John Lee Curtis Williamson, was an American blues harmonica player, born in Jackson, Tennessee, whose first record Good Morning little School Girl was a hit in 1937. He was widely popular throughout the whole southeast of the U.S., and was practically synonymous with the blues harmonica for the next decade, making his a commonly used stage name by the time he was murdered in 1948. He is buried at the Old Blairs Chapel Church, south west of Jackson, Tennessee.
more on wikipedia
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Sonny Boy Williamson II (11 March 1908 - 25 May 1965) also known as Willie Williamson, Willie Miller, Little Boy Blue, The Goat and Footsie.
Aleck "Rice" Miller was an American blues harmonica player, singer and songwriter.
Born as Aleck Ford to Millie Ford on the Sara Jones Plantation in Tallahatchie County, Mississippi, his date and year of birth are a matter of uncertainty. He claimed to have been born on December 5, 1899, but one researcher, David Evans, claims to have found census record evidence that he was born around 1912. His gravestone lists his date of birth as March 11, 1908.
He lived and worked with his sharecropper stepfather, Jim Miller, whose last name he soon adopted, and mother, Millie Ford, until the early 1930s. Beginning in the 1930s, he traveled around Mississippi and Arkansas and encountered Big Joe Williams, Elmore James and Robert Lockwood, Jr., also known as Robert Junior Lockwood, who would play guitar on his later Checker Records sides. He was also associated with Robert Johnson during this period. Miller developed his style and raffish stage persona during these years. Willie Dixon recalled seeing Lockwood and Miller playing for tips in Greenville, Mississippi in the 1930s. He entertained audiences with novelties such inserting one end of the harmonica into his mouth and playing with no hands.
In 1941 Miller was hired to play the King Biscuit Time show, advertising the King Biscuit brand of baking flour on radio station KFFA in Helena, Arkansas with Lockwood. It was at this point that the radio program's sponsor, Max Moore, began billing Miller as Sonny Boy Williamson, apparently in an attempt to capitalize on the fame of the well known Chicago-based harmonica player and singer John Lee Williamson (Sonny Boy Williamson I). Although John Lee Williamson was a major blues star who had already released dozens of successful and widely influential records under the name "Sonny Boy Williamson" from 1937 onward, Aleck Miller would later claim to have been the first to use the name, and some blues scholars believe that Miller's assertion he was born in 1899 was a ruse to convince audiences he was old enough to have used the name before John Lee Williamson, who was born in 1914 (this is made somewhat less likely, however, by the fact that Miller was certainly older than Williamson even if one does not accept the 1899 birthdate.) Whatever the methodology, Miller became commonly known as "Sonny Boy Williamson", and Lockwood and the rest of his band were billed as the King Biscuit Boys.
In 1949 he relocated to West Memphis, Arkansas and lived with his sister and her husband, Howlin' Wolf (later, for Checker Records, he did a parody of Howlin' Wolf entitled "Like Wolf"). Sonny Boy started his own KWEM radio show from 1948 to 1950 selling the elixir Hadacol.
Sonny Boy also brought his King Biscuit musician friends to West Memphis: Elmore James, Houston Stackhouse, Arthur "Big Boy" Crudup, Robert Nighthawk and others, to perform on KWEM Radio.
In the 1940s Williamson married Mattie Gordon, who remained his wife until his death.
Williamson's first recording session took place in 1951 for Lillian McMurry of Jackson, Mississippi's Trumpet Records (three years after the death of John Lee Williamson, which for the first time allowed some legitimacy to Miller's carefully worded claim to being "the one and only Sonny Boy Williamson"). McMurry later erected Williamson's headstone, near Tutwiler, Mississippi, in 1977.
When Trumpet went bankrupt in 1955, Sonny Boy's recording contract was yielded to its creditors, who sold it to Chess Records in Chicago, Illinois. Sonny Boy had begun developing a following in Chicago beginning in 1953, when he appeared there as a member of Elmore James's band. It was during his Chess years that he enjoyed his greatest success and acclaim, recording about 70 songs for Chess subsidiary Checker Records from 1955 to 1964.
In the early 1960s he toured Europe several times during the height of the British blues craze, recording with The Yardbirds and The Animals, and appearing on several TV broadcasts throughout Europe. According to the Led Zeppelin biography 'Hammer of the Gods', while in England Sonny Boy set his hotel room on fire while trying to cook a rabbit in a coffee percolator. Robert Palmer's "Deep Blues" mentions that during this tour he allegedly stabbed a man during a street fight and left the country abruptly.
Sonny Boy took a liking to the European fans, and while there had a custom-made, two-tone suit tailored personally for him, along with a bowler hat, matching umbrella, and an attaché case for his harmonicas. He appears credited as "Big Skol" on Roland Kirk's live album 'Kirk in Copenhagen' (1963). One of his final recordings from England, in 1964, featured him singing "I'm Trying To Make London My Home" with Hubert Sumlin providing the guitar. Due to his many years of relating convoluted, highly fictionalized accounts of his life to friends and family, upon his return to the Delta, some expressed disbelief upon hearing of Sonny Boy's touring across the Atlantic, visiting Europe, seeing the Eiffel Tower, Big Ben, and other landmarks, and recording there.
Upon his return to the U.S., he resumed playing the King Biscuit Time show on KFFA, and performed around Helena, Arkansas. As fellow musicians Houston Stackhouse and Peck Curtis waited at the KFFA studios for Williamson on May 25, 1965, the 12:15 broadcast time was closing in and Sonny Boy was nowhere in sight. Peck left the radio station and headed out to locate Williamson, and discovered his body in bed at the rooming house where he'd been staying, dead of an apparent heart attack suffered in his sleep the night before.
Williamson is buried on New Africa Rd. just outside Tutwiler, Mississippi at the site of the former Whitman Chapel cemetery.
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Whiskey Headed Blues
Sonny Boy Williamson Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Now an you stay drunk all the time
Now you's a whiskey headed woman
Now an you stay drunk all the time
Now if you don't stop drinkin'
Now I believe you goin' to lose yo mind
Well now ev'ry time I see
(Yeah!)
Standin' out the back do'
Askin' fer another half-a-pint
'Cause you's a whiskey headed woman
Now an you stay drunk all the time
Now if you don't stop drinkin'
(What?)
I believe you goin' to go stone blind
Well now an I tooks you outta the street, baby
When you didn't have no place to stay
You ain't actin' nothin' but a fool
Doggin' me 'round this-a-way
'Cause you's a whiskey headed woman
Now an you stay drunk all the time
Now if you don't stop drinkin'
I believe you goin' to lose yo mind
(harmonica & instrumental)
Well now, ev'rytime I meet you, baby
You walkin' up an down the street
(Yeah!)
Grinnin', laughin' an talkin'
With most ev'ry man you meet
'Cause you's a whiskey headed woman
Now an you stay drunk all the time
Now an if you don't stop drinkin'
I believe you goin' to lose yo mind.
The song Whiskey Headed Blues by Sonny Boy Williamson I is a blues song that talks about a woman who has a drinking problem. The title phrase “whiskey headed” refers to someone who is drunk all the time, unable to think straight, and has become addicted to alcohol. The song suggests that the woman is headed for trouble if she doesn't stop drinking. The lyrics bring out the frustration and pain of the singer as he witnesses the woman's self-destructive behavior.
As the song goes on, the singer recounts how he met the woman, took her off the street, and gave her a place to stay. He expresses the disappointment he feels as she continues to spiral out of control despite his efforts. He sees her hanging out in whiskey joints, standing outside demanding for more alcohol even though she can barely stand. He warns her that if she doesn't change, she'll lose her mind and may even go blind. The harmonica and instrumental parts add to the melancholic tone of the song.
Line by Line Meaning
Now you's a whiskey headed woman
You have an addiction to whiskey which is apparent to everyone around you.
Now an you stay drunk all the time
You have a habit of drinking constantly and being intoxicated most of the time.
Now if you don't stop drinkin'
If you continue your behavior of excessive drinking,
Now I believe you goin' to lose yo mind
It is likely that you will suffer mental health problems as a result of your drinking.
Well now ev'ry time I see
Every time I encounter you,
You's at some whiskey joint
You are found at a bar or club that has whiskey available.
(Yeah!)
Exclamation of agreement or emphasis.
Standin' out the back do'
You are lingering near the exit of the establishment.
Askin' fer another half-a-pint
You are requesting another small serving of whiskey.
'Cause you's a whiskey headed woman
Your behavior indicates that you are addicted to whiskey.
(What?)
Expression of confusion or disbelief.
I believe you goin' to go stone blind
Your excessive drinking could lead to significant vision impairment.
Well now an I tooks you outta the street, baby
I rescued you from a desperate situation when you had nowhere to stay.
When you didn't have no place to stay
You were homeless and without shelter when I first encountered you.
You ain't actin' nothin' but a fool
Your actions are unreasonable and foolish.
Doggin' me 'round this-a-way
You are mistreating me and causing me distress in this manner.
Well now, ev'rytime I meet you, baby
Whenever I encounter you, my dear,
You walkin' up an down the street
You are wandering around outside aimlessly.
Grinnin', laughin' an talkin'
You are engaging in conversation and laughter with various men you encounter.
With most ev'ry man you meet
You exhibit flirtatious behavior towards nearly every man you encounter.
Lyrics © BMG Rights Management
Written by: James Williamson
Lyrics Licensed & Provided by LyricFind
Marcus Fidel
Yank rachell was a genius and an elderly statesman of the blues.
Carolyn Boyd
Sonny boy cooks.
louckvom1
The Best
Victor J
what key of harmonica he was playing please? thanks
Winslow Yerxa
A diatonic harmonica in D. However, he's playing the D harmonica in the key of A.
busessuck1
Sonny boy was another person prone to identity mix up... it's a youtube tradition to mention that in the comments section of all his songs hehe