Rollins was born in New York City to parents from the United States Virgin Islands. The youngest of three siblings, he grew up in central Harlem and on Sugar Hill, receiving his first alto saxophone at the age of seven or eight. He attended Edward W. Stitt Junior High School and graduated from Benjamin Franklin High School in East Harlem. Rollins started as a pianist, changed to alto saxophone, and finally switched to tenor in 1946. During his high school years, he played in a band with other future jazz legends Jackie McLean, Kenny Drew, and Art Taylor.
As a saxophonist he had initially been attracted to the jump and R&B sounds of performers like Louis Jordan, but soon became drawn into the mainstream tenor saxophone tradition. The German critic Joachim Berendt described this tradition as sitting between the two poles of the strong sonority of Coleman Hawkins and the light flexible phrasing of Lester Young, which did so much to inspire the fleet improvisation of bebop in the 1950s. Other tenor saxophone influences include Ben Webster and Don Byas. By his mid-teens, Rollins became heavily influenced by alto saxophonist Charlie Parker. During his high school years, he was mentored by the pianist and composer Thelonious Monk, often rehearsing at Monk's apartment.
Rollins has played, at various times, a Selmer Mark VI tenor saxophone and a Buescher Aristocrat. During the 1970s he recorded on soprano saxophone for the album Easy Living. His preferred mouthpieces are made by Otto Link and Berg Larsen. He uses Frederick Hemke medium reeds.
Moritat
Sonny Rollins Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
And it shows them pearly white
Just a jackknife has old MacHeath, babe
And he keeps it, ah, out of sight
Ya know when that shark bites with his teeth, babe
Scarlet billows start to spread
Fancy gloves, oh, wears old MacHeath, babe
So there's never, never a trace of red
Now on the sidewalk, huh, huh, whoo sunny morning, un huh
Lies a body just oozin' life, eek
And someone's sneakin' 'round the corner
Could that someone be Mack the Knife?
There's a tugboat, huh, huh, down by the river dontcha know
Where a cement bag's just a'drooppin' on down
Oh, that cement is just, it's there for the weight, dear
Five'll get ya ten old Macky's back in town
Now d'ja hear 'bout Louie Miller? He disappeared, babe
After drawin' out all his hard-earned cash
And now MacHeath spends just like a sailor
Could it be our boy's done somethin' rash?
Now Jenny Diver, ho, ho, yeah, Sukey Tawdry
Ooh, Miss Lotte Lenya and old Lucy Brown
Oh, the line forms on the right, babe
Now that Macky's back in town
Sonny Rollins's song Moritat, also known as "Mack the Knife," is a jazz standard that tells the story of a notorious criminal, Mack the Knife. The lyrics describe how dangerous he is, comparing him to a shark with teeth so white and sharp that when he bites, the result is like a red tide. Despite his criminal activities, MacHeath is a smooth operator, using his "fancy gloves" to hide all evidence of his crimes.
As the song progresses, there are hints of MacHeath's return to town. The body lying on the sidewalk and the sneaky person lurking around the corner could be the work of the notorious criminal. The mention of the cement bag dropping in the river suggests that MacHeath is back in town and dropping his weight, meaning he is back to his old ways. The disappearance of Louie Miller further implies that MacHeath is up to no good.
The final verse of the song emphasizes the importance of MacHeath's influence, with the line forming on the right when he is back in town. The song ends with the suggestion that MacHeath could have done something "rash," leaving listeners to draw their conclusions about his actions.
Overall, "Mack the Knife" is a brilliantly crafted song that uses vivid imagery to tell a story of a notorious criminal and his activities. The song captures the essence of jazz, with its clever storytelling, instrumental breaks, and improvisation.
Line by Line Meaning
Oh, the shark, babe, has such teeth, dear
The criminal world is dangerous and unpredictable, much like a shark with its sharp and shiny teeth.
And it shows them pearly white
The danger and violence of the criminal world are often hidden and disguised, much like how a shark's teeth look innocent and white.
Just a jackknife has old MacHeath, babe
Even a small weapon like a jackknife can be deadly in the hands of a dangerous criminal like MacHeath.
And he keeps it, ah, out of sight
MacHeath knows the importance of keeping his weapon hidden from police and other enemies.
Ya know when that shark bites with his teeth, babe
When a criminal strikes, they can cause chaos and destruction.
Scarlet billows start to spread
The aftermath of a violent crime can be messy and bloody.
Fancy gloves, oh, wears old MacHeath, babe
MacHeath understands the importance of looking stylish and elegant, even while committing crimes.
So there's never, never a trace of red
MacHeath takes care to avoid leaving any evidence, such as blood stains, behind at a crime scene.
Now on the sidewalk, huh, huh, whoo sunny morning, un huh
The contrast of a bright, sunny morning with the darkness of a violent crime is jarring.
Lies a body just oozin' life, eek
The gruesome reality of a murder is highlighted by the vivid description of a body oozing blood and life.
And someone's sneakin' 'round the corner
The unknown, anonymous nature of criminal activity is emphasized by the mysterious figure sneaking around a corner.
Could that someone be Mack the Knife?
The suspicion that MacHeath is behind the violence adds to his dangerous reputation.
There's a tugboat, huh, huh, down by the river dontcha know
The setting of the criminal activity is often near water, a metaphor for the unpredictable nature of crime.
Where a cement bag's just a'drooppin' on down
Even innocuous objects like a cement bag can be used for criminal purposes, such as weighting down a dead body in the river.
Oh, that cement is just, it's there for the weight, dear
The criminal mind is always thinking ahead, using everyday objects for sinister purposes.
Five'll get ya ten old Macky's back in town
The return of MacHeath means that crime and danger have returned to the town as well.
Now d'ja hear 'bout Louie Miller? He disappeared, babe
The disappearance of Louie Miller is a reminder of the violent and unpredictable nature of the criminal world.
After drawin' out all his hard-earned cash
Louie's death may have been the result of a robbery or other criminal activity to obtain his money.
And now MacHeath spends just like a sailor
MacHeath's sudden wealth may be due to criminal activity, and his carefree spending highlights the dangerous lifestyle of a criminal.
Could it be our boy's done somethin' rash?
The reckless behavior of a criminal like MacHeath can lead to impulsive decisions and dangerous consequences.
Now Jenny Diver, ho, ho, yeah, Sukey Tawdry
The names of other female criminals suggest that MacHeath is not alone in his dangerous lifestyle.
Ooh, Miss Lotte Lenya and old Lucy Brown
Even women can be dangerous in the criminal world, and these names may be pseudonyms or aliases used by female criminals.
Oh, the line forms on the right, babe
The popularity and notoriety of MacHeath draws a crowd, fascinated by the danger and excitement of the criminal world.
Now that Macky's back in town
The return of MacHeath means that danger and violence have once again come to the town.
Lyrics © BMG Rights Management, Sony/ATV Music Publishing LLC
Written by: Kurt Weill, Bertolt Brecht, Marc Blitzstein
Lyrics Licensed & Provided by LyricFind
@SoaringTrumpet
Just beautiful, swingin laid back on such a good melody. One of my favorite of Sonny's!
@RM-gm7lu
Well said, so tasty man..
@postatility9703
Having read the recent,and truly remarkable biography of Sonny,"Saxophone Colossus" by Aiden Levy,it is clear that Sonny has always been a perfectionist on his horn.And yet I think he sounded as distinctive and powerful during this period as any other of his career.
@jamespjohnson
He stays within the middle and lower register as always. You can hear St Thomas bubbling up every so often. His family hailed from the Caribbean seemingly. A Master of his craft!!
Thanks for sharing!
@60otaku4
You're welcome, James-san!!
Otaku4 (^_^)/
@eddiemckinney2529
Got to see Sonny live in Boston at an outdoors free concert. He was in his 70s. He still gave a great show. One of the remaining legendary giants in jazz.
@jefvandenbergh3244
Ik zal Sonny Rolings nooit zien optreden ik ben al blij dat ik hem kan blazen.
@hank1519
His music is so easy to love!
@thez9406
timeless
@raulserantes7569
I love sax sound and this saxophonist is really colossus GRAND