John Ostby, lead vocals, keyboards
Eric Fa… Read Full Bio ↴SPYMOB
John Ostby, lead vocals, keyboards
Eric Fawcett, drums, vocals
Brent Paschke, guitar, vocals
Christian Twigg, bass
How do you describe a year in which your band toured the world, played on a gold-selling record, performed on "The Late Show with David Letterman," scored radio and MTV airplay, garnered critical acclaim, shared stages with everyone from David Bowie to Jay-Z and recorded its debut album?
"I call that a really good year," says vocalist John Ostby, whose group Spymob hit it big in 2002 as the backing band for Neptunes side project N.E.R.D. For the average artist, such achievements usually mark the summation of an entire career -- if they're lucky. Spymob, however, is just getting started.
Their eagerly awaited debut album Sitting Around Keeping Score glows with the absorbed influences of Todd Rundgren, Steely Dan, Jellyfish and Split Enz. It's also the first rock album released on Star Trak, the new Arista subsidiary founded by the Neptunes.
About the Neptunes/N.E.R.D. collaboration, Ostby says, "It changed our world. One day we were playing hole-in-the-wall gigs in our hometown of Minneapolis and the next we're touring Europe and performing on BBC's 'Top of the Pops.' It's the kind of stuff you dream about from the day you learn to play, but not something you can plan."
Pharrell Williams, however, had it all mapped out. The visionary Neptunes producer foresaw endless possibilities after hearing Spymob's much-buzzed-about demo. "They reminded me of the music I grew up with," he says. "Their songs sounded like Steely Dan crossed with the Meters and Prince and it just blew me away." Williams sang Spymob's praises to his attorney, who, unbeknownst to him, already represented the band. Meetings ensued, ideas were exchanged and excitement built as Williams told Spymob drummer Eric Fawcett, "I'm gonna blow Spymob up. Everyone is gonna know who you are."
After asking Ostby to lend backing vocals to the Neptunes-produced Kelis track "Mr. UFO Man," talk of a more serious collaboration began. It all came together in June of 2001, when Williams and partner Chad Hugo decided to re-cut N.E.R.D.'s debut In Search Of... using live instrumentation. The two-man hit factory, whose multi-platinum producing credits include Nelly, Mary J. Blige, Kid Rock and dozens more, had their pick of star power and A-list session players. They chose Spymob. "Those guys were integral to the making of the album," says Williams.
Rolling Stone agreed, praising In Search Of... by writing, "Credit has got to go to (Spymob bassist) Christian Twigg and Eric Fawcett for supplying Search with dexterous, downright joyful bass and drums." Entertainment Weekly applauded the Neptunes' decision as well, writing, "...the gamble paid off. In Search Of... has a crackling vigor missing from the first stab, and its melange of genres makes for music unlike anything else around."
Anything up until now, that is. Spymob raises the ante with Sitting Around Keeping Score, a boundary-busting album that swings and sways with seductive flair. Nine of Sitting Around Keeping Score's 12 cuts were produced by Stephen Lironi (Black Grape, Hanson), while Minneapolis-based Alex Oana produced the title track and "Walking Under Green Leaves." Appropriately, the band produced and recorded the spare and compelling "I Still Live at Home" at their home studio.
When someone suggested that the Neptunes re-mix one of the album's tracks, Williams laughed. "Chad and I are usually brought in to fix all kinds of things on records," he said. "We didn't want to touch this one at all." Adds Hugo, "Pharrell and I were inspired to form the Neptunes because of our love for old soul, jazz and rock records. I get that same feeling of excitement and energy when I listen to Spymob."
"Their attitude toward music is refreshing," says Ostby. "There are plenty of producers out there who just want to put their stamp on records, but Pharrell and Chad are mature enough to know that if it ain't broke, don't fix it."
Though Spymob's sound evokes classic rock and soul-music icons, they keep their grooves current by incorporating loops and samples into songs built on vintage instruments. Says Fawcett, "John has an old Rhodes piano, our guitarist Brent uses a vintage Fender Strat, our bassist Twigg plays a Fender Precision Bass and I play old Ludwig drums. Those vintage instruments have a warm sound, which makes the songs sound really rich."
At the heart of the band's sound is Ostby, whose supple voice, unique phrasings and reflective meditations lend depth and color. In his lyrics, he reveals a singular perspective full of irony, optimism and reverie. In "It Gets Me Going," Ostby turns the seemingly mundane life of a family dog into a deliciously ironic tale set to a rollicking pop song colored by buoyant piano lines, bold Hammond riffs, soulful guitar fills and subtle electronic nuances. The perked-up "Thinking of Someone Else" begins with a broken toe before its protagonist wanders into a dreamy remembrance of childhood and his mother's nurturing. In "2040," Ostby imagines domesticity in a not-so-surreal future. Belying its effervescence, "National Holidays" is a poignant and heartbreaking look at a divorced couple's custody of their only daughter. The sleek "German Test Drive" transports listeners from their late-model Corollas and Civics to the cockpit of a sports car on the Autobahn. He also imagines the life of a NFL legend in the final track, "Joe Namath." "Our job is to take John's quirky witticisms and observations about the world and wrap them in music you can move your ass to," says Fawcett.
Spymob's story begins nine months after Fawcett and Ostby's graduation from Minnesota's St. Olaf College, where the two roomed and played in a band together. Ostby was contemplating a career in film scoring in Los Angeles, while Fawcett had been accepted into a PhD program in the history of science at the University of Wisconsin.
"I didn't think I was going to form another band," Ostby says. "But that's where my heart was." He called Fawcett, played him some recently written songs, and the two agreed to return to Minneapolis and form a new band. "We were on a Blues Brothers mission from God," laughs Fawcett.
Once home, they met up with Brent Paschke, the guitarist who would help bring their developing sound to fruition. Ostby says, "I was coming from a background of pop music centered on the piano-stuff like the Beatles and Burt Bacharach, and also soul stuff like Stevie Wonder, Gamble and Huff and the Philly sound. Brent came in with a rock and funk feel, sort of like (Red Hot Chili Peppers axeman) John Frusciante. I think the fusion of piano-pop with the more aggressive, unorthodox guitar was key to forming our sound." A longtime friend and former classmate of Paschke's, bassist Christian Twigg, cements the group's lineup with his driving bottom-end groove.
What's the secret to the band's across-the-board appeal?
Says Fawcett, "We're willing to go to weird places musically to find inspiration, that's who we are.
German Test Drive
Spymob Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
And I'm test driving cars on mountain roads
Take the curve slow, check my digital watch, gotta keep track of the time
'Cause I've got plans to take my lady out, tonight
Fasten seatbelts Fold around
Defrost windows right away
And I feel like I'm strapped into a cockpit
Grip the wheel tight, my speed is up and a light shower starts coming down
And water's bringing oils up, up to the surface of the road
Fasten seatbelts Fold around
Defrost windows right away
Fasten seatbelts Fold around
Defrost windows right away
Only supposed to have the car out for an hour
When Autumn Rains come and the ground rarely feels completely dry
And I'm test driving cars on mountain roads
Fasten seatbelts Fold around
Defrost windows right away
Fasten seatbelts Fold around
Defrost windows right away
The song "German Test Drive" by Spymob is a vivid and poetic account of a car test drive. The opening lines of the song set the scene in autumn, when rains are frequent and the ground rarely feels completely dry. Against this backdrop, the singer is test driving cars on mountain roads, seemingly as part of his job. He takes the curves slow, checks his digital watch, and grips the wheel tight. As he speeds up and a light shower starts coming down, he feels like he's strapped into a cockpit. The rain brings oils up to the surface of the road, making for a challenging and potentially dangerous drive.
The song's chorus consists of the repeated instructions to "fasten seatbelts" and "fold around" while also "defrost[ing] windows right away." These instructions capture the tension and urgency of the test drive, suggesting that safety is a top priority. The singer is also conscious of the time and has plans to take his lady out that night, adding a romantic dimension to the song.
Overall, "German Test Drive" is a beautifully crafted ode to the experience of test driving a car, capturing both the technical aspects and the sensory experience of driving. The song is notable for its attention to detail and for the way in which it explores the thrill and risk of driving on challenging mountain roads.
Line by Line Meaning
When Autumn Rains come and the ground rarely feels completely dry
During the fall season, it often rains and the land isn't always completely dry.
And I'm test driving cars on mountain roads
I am currently driving cars on winding mountain roads.
Take the curve slow, check my digital watch, gotta keep track of the time
I need to slow down when taking sharp curves and keep an eye on the time by checking my watch because I have plans to take my significant other out later.
'Cause I've got plans to take my lady out, tonight
I have plans to take my romantic partner out later in the evening.
Fasten seatbelts Fold around
I need to make sure to buckle up and secure everything in the car.
Defrost windows right away
I must immediately defrost the windows to ensure proper visibility while driving.
Running my hand over the passenger seat, fingertips tracing the seams
I am running my hand over the passenger seat and tracing the seams with my fingertips.
And I feel like I'm strapped into a cockpit
I feel as if I am securely fastened into the driver's seat, as if I were in an airplane cockpit.
Grip the wheel tight, my speed is up and a light shower starts coming down
I'm holding the steering wheel tightly as I pick up speed, and light rain begins to fall.
And water's bringing oils up, up to the surface of the road
The rain is causing oil to rise to the surface of the road.
Only supposed to have the car out for an hour
I am only supposed to be test driving the car for one hour.
Lyrics © Sony/ATV Music Publishing LLC
Written by: BRENT PASCHKE, BRIAN ROESSLER, ERIC FAWCETT, JOHN OSTBY
Lyrics Licensed & Provided by LyricFind
Bochanable
I voted this as one of the early "iTunes Single of the Week" before the program developed into the vehicle it became. I had hoped it would turn a lot of people on to the sheer magic of Spymob. I think that were either 35,000 or 65,000 downloads. I cannot remember. We sold a few tracks but not nearly as much as we would have if it were a year later when iTunes began to take hold.
S R
I downloaded it thanks to it being named as Single of the Week. It's one of my favourites of all time. Thanks for letting me discover it.
TheBoxedIdiot
As my Ford Mustang Sped down the Soaked Cliffside road i thought about my girl at home, i knew i would have to be home soon. Didnt know i wouldnt get there at all...
Blizzard
Hmm... Very nice Perspective Boxed :U
TheBoxedIdiot
Awshum