For the first three decades of his career, he was billed using a gallicised spelling of his last name, Grappelly, reverting to "Grappelli" in 1969. The latter, Italian, spelling is now used almost universally when referring to the violinist – even on reissues of his early work.
Grappelli was born in France at Paris' Hôpital Lariboisière, and was christened with the name Stéfano. His Italian father, marquess Ernesto Grappelli, was born in Alatri, Lazio, and his French mother, Anna Emilie Hanoque, was from St-Omer. Ernesto was a scholar who taught Italian, sold translations, and wrote articles for local journals. Stéfano's mother died when he was four, leaving his father to care for him. Though he was living in France when World War I broke out, Ernesto was still an Italian citizen, and was drafted to fight in 1914. Ernesto had written an article about dancer Isadora Duncan during his time as a journalist, and turned to her when he needed someone to care for his son. Stéfano enrolled in Duncan's dance school at the age of six, and it was here that he learned to love French Impressionist music. With the war encroaching, Duncan was forced to flee the country and turn over her château to be used as a military hospital. Ernesto, having nowhere else to turn to, entrusted Stéfano to a Catholic orphanage. Grappelli is quoted “I look back at it as an abominable memory…The Place was supposed to be under the eye of the government, but the government looked elsewhere. We slept on the floor, and often were without food. There were many times when I had to fight for a crust of bread,” and claimed that he once tried eating flies as a means of easing his hunger. Stéfano stayed at the orphanage until his father returned from the war in 1918 and brought him to live in an apartment in Barbès. Ernesto was sickened by all things Italian after serving his time in the military, so, on July 28, 1919, he brought Stéfano to city hall, pulled two witnesses off the street, and had his son nationalized as a Frenchman. Stéfano was changed to Stéphane.
Stéphane began playing the violin at age 12 after his father pawned his suit to buy him a three-quarter size violin. Ernesto sent his son to proper violin lessons, but Stéphane preferred to learn on his own. Grappelli said that "“My first lessons were in the streets, watching how other violinists played…The first violinist that I saw play was at the Barbès métro station, sheltered under the overhead metro tracks. When I asked how one should play, he exploded in laugher. I left, completely humiliated with my violin under my arm.” After learning independently for a brief period of time, Ernesto enrolled Stéphane at the Conservatoire de Paris on December 31, 1920 where he would learn music theory, ear-training, and solfeggio; Stéphane graduated in 1923 with a second-tier medal. Ernesto announced that he would be remarrying a woman by the name of Anna Fuchs and moving to Strasbourg during Stéphane's final year of schooling. Though he was invited to come with them, Stéphane chose to stay behind as he despised his father's new bride.
At the age of 15, Grappelli began busking full-time to support himself financially. Grappelli's playing caught the attention of an elderly violinist who invited him to accompany silent films in the pit orchestra at the Théâtre Gaument. Stéphane played here for six hours every day over the course of a two-year period. During orchestra breaks, Grappelli would visit a local brasserie, Le Boudon, where he would listen to songs from an American proto-jukebox. It was here that Grappelli was first introduced to jazz music. Stéphane was playing in the orchestra at the Ambassador in 1928 when Paul Whiteman headlined with Joe Venuti. Jazz violinists were rare, and, though Venuti played mainly commercial jazz themes and seldom improvised, Grappelli was intrigued by his bowing when he played Louis Armstrong's "Dinah." This led Stéphane to begin developing his own jazz-influenced play style.
Grappelli was living with a classically trained violinist named Michel Warlop, and, while Warlop admired Stéphane's jazzy playing, Grappelli envied Warlop's income. After experimenting with piano, he gave up violin, choosing simplicity, new sound, and paid gigs over familiarity. Stéphane began playing piano in a big band led by a musician who went by the name of Grégor. After a night of drinking in 1929, Grégor learned that Grappelli had originally played violin. Grégor borrowed a violin and had Stéphane improvise over "Dinah." Grégor was delighted by Grappelli's jazz playing, and insisted that he begin playing violin once more.
In 1930, Grégor ran into financial trouble and was involved in a deadly automobile accident that forced him to flee to South America to avoid arrest. Grégor's band reunified as a true jazz ensemble under the leadership of pianist Alain Romans and saxophonist Ekyan. It was while playing with this band that Stéphane first met Django Reinhardt in 1931. Django told Grappelli that he was looking for a violinist such as himself to play with, and invited him to play at the caravan he was living in. Though the two played for hours that afternoon, their commitments to their respective bands prevented them from pursuing a career together. Three years later, in 1934, the two encountered each other at Claridge's, and it was then that their partnership truly began. Pierre Nourry, the secretary of the Hot Club de France invited Reinhardt and Grappelli to form the Quintette du Hot Club de France with Joseph Reinhardt and Roger Chaput joining Django on guitar, and Louis Vola on bass.
In 1937, the American jazz singer Adelaide Hall opened a nightclub in Montmartre along with her husband Bert Hicks and called it 'La Grosse Pomme.' She entertained there nightly and hired the Quintette as one of the house bands at the club. Also in the neighborhood was the artistic salon of R-26, at which Grappelli and Reinhardt performed regularly. For the first three decades of his musical career, Grappelli was billed as Stéphane Grappelly. Grappelli's own explanation for the changed spelling was that he was tired of people mispronouncing his last name as "Grappell-eye". His early fame came playing with the Quintette du Hot Club de France with Django Reinhardt, which disbanded in 1939 at the outbreak of World War II. In 1940, a little-known jazz pianist by the name of George Shearing made his debut as a sideman in Grappelli's band. Shearing went on to enjoy a long career.
In 1949, Reinhardt and Grappelli reunited for a brief tour of Italy, during which time they made a series of recordings with an Italian rhythm group. The two recorded roughly 50 tracks together during this time, and about half of them would be later compiled for the album Djangology.
Grappelli appeared on hundreds of recordings including sessions with Duke Ellington, jazz pianists Oscar Peterson, Michel Petrucciani and Claude Bolling, jazz violinist Jean-Luc Ponty, jazz violinist Stuff Smith, Indian classical violinist L. Subramaniam, vibraphonist Gary Burton, pop singer Paul Simon, mandolin player David Grisman, classical violinist Yehudi Menuhin, orchestral conductor André Previn, guitar player Bucky Pizzarelli, guitar player Joe Pass, cello player Yo Yo Ma, harmonica and jazz guitar player Toots Thielemans, jazz guitarist Henri Crolla, bassist Jon Burr and fiddler Mark O'Connor. He also collaborated extensively with the British guitarist and graphic designer Diz Disley, recording 13 record albums with him and his trio (which included Denny Wright in its early years), and with now renowned British guitarist Martin Taylor. His Parisian trio of many years included guitarist Marc Fosset and bassist Patrice Carratini.
During the 1960s he played for cocktail hour at the Paris Hilton.
Grappelli recorded a solo for the title track of Pink Floyd's 1975 album Wish You Were Here. This was made almost inaudible in the mix, and so the violinist was not credited, according to Roger Waters, as it would be "a bit of an insult". A remastered version, with Grappelli's contribution fully audible, can be found on the 2011 Experience & Immersion versions of Wish You Were Here.
Grappelli made a cameo appearance in the 1978 film King of the Gypsies, along with noted mandolinist David Grisman. Three years later they performed together in concert, which was recorded live and released to critical acclaim.
In the 1980s he gave several concerts with the young British cellist Julian Lloyd Webber.
In 1997, Grappelli received the Grammy Lifetime Achievement Award. He is an inductee of the Down Beat Jazz Hall of Fame.
He died in Paris after undergoing a hernia operation. He is buried in the city's famous Père Lachaise Cemetery.
Dinah
Stéphane Grappelli Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Gave me Dinah
I'm the proudest one
Beneath the Dixie sun
News is spreadin
'Bout our weddin'
I hear church bells ringin'
Dinah
Is there anyone finer
In the state of Carolina?
If there is and you know her
Show her!
Dinah
With her Dixie eyes blazin'
How I love to sit and gaze in
To the eyes of Dinah Lee!
Yet, every night
My, how I shake with fright
Because my Dinah might
Change her mind about me!
But if Dinah
Ever wandered to China
I would hop an ocean liner
Just to be with Dinah Lee!
Dinah
Is there anyone finer
In the state of Carolina?
If there is and you know her
Show her!
Dinah
With her Dixie eyes blazin'
How I love to sit and gaze in
To the eyes of Dinah Lee!
Yet, every night
My, how I shake with fright
Because my Dinah might
Change her mind about me!
But if Dinah
Ever wandered to China
I would hop an ocean!
Just to be with Dinah Lee!
In Stéphane Grappelli's song "Dinah," the singer expresses his love for his fiancé, whom he affectionately refers to as "Dinah." He declares his pride in being her partner and how happy he is to be with her under the Dixie sun. The news of their upcoming wedding has spread, and he hears church bells ringing. Despite his happiness and certainty in his love for Dinah, the singer expresses his anxiousness at the thought of losing her. He describes the bliss of gazing into her Dixie eyes but also acknowledges the fear of Dinah changing her mind about him. He concludes with a declaration of his commitment to Dinah, even if it means traveling across oceans to be with her.
The lyrics to "Dinah" are a classic example of a love song from the early 20th century. The song reflects the cultural attitudes of the era, where men would proudly boast of their significant others and celebrate their love through song. The lyrics showcase the singer's pride in being from Dixie, known for its warm climate and rich culture. The mention of the wedding ceremony and church bells highlights the importance of religious institutions and traditional values in society during that period.
Line by Line Meaning
Carolina
The place where Grappelli met his love, Dinah
Gave me Dinah
Dinah is a gift, a precious treasure that Grappelli cherishes
I'm the proudest one
Grappelli feels honored to have Dinah in his life and considers himself lucky
Beneath the Dixie sun
Grappelli lives in the southern part of the United States where the sun shines brightly
News is spreadin'
People are talking about their upcoming wedding
'Bout our weddin'
People are gossiping about the wedding of Grappelli and Dinah
I hear church bells ringin'
The sound of the church bells brings joy to Grappelli's heart
Here's the song my heart keeps singin'
Grappelli's heart is filled with love and joy, and this song expresses his feelings
Dinah
The name of Grappelli's love
Is there anyone finer
Grappelli thinks that Dinah is the most beautiful and perfect person he has ever met
In the state of Carolina?
Grappelli is asking if there is anyone in the whole state of Carolina who is finer than Dinah
If there is and you know her
If there is someone finer than Dinah in Carolina, Grappelli wants to meet her
Show her!
Grappelli wants to see if there is someone who can outshine Dinah
With her Dixie eyes blazin'
Dinah has beautiful, bright eyes that shine like the sun
How I love to sit and gaze in
Grappelli loves to look into Dinah's eyes and get lost in them
To the eyes of Dinah Lee!
Dinah's eyes are captivating and irresistible
Yet, every night
Despite his love for her, Grappelli is anxious and worried
My, how I shake with fright
Grappelli is afraid that Dinah might change her mind about him
Because my Dinah might
Grappelli is worried that Dinah might stop loving him
Change her mind about me!
Grappelli is afraid that Dinah will realize that he is not good enough for her
But if Dinah
Despite his fears, Grappelli's love for Dinah is unwavering
Ever wandered to China
Even if Dinah were to go to a faraway land like China
I would hop an ocean liner
Grappelli would travel across the ocean to be with her
Just to be with Dinah Lee!
Grappelli's love for Dinah knows no bounds
Lyrics © BMG Rights Management, Warner Chappell Music, Inc.
Written by: Harry Akst, Samuel M. Lewis, Joseph Young
Lyrics Licensed & Provided by LyricFind
@bolijack
So sweet and swingy
@bobboscarato1313
Thanks Heinz Becker for loading these recordings.
@simontaylor2319
The second violinist at the beginning is South
@sneddley
Yes, and Grappelli plays in the key of "G" while South plays in "A Flat". I would think A Flat is more difficult to improvise in.
@bibi1944
the question left or right?
@fredlyr1
depends
@anthonyhilton6049
Have you ever worked in a Circus?
@fredlyr1
yes
@aaronreba
no
@ropatidee5427
in 1953 clown emmitt kelly 'roasted'
a peanut on my head at ringling brothers barnum and bailey circus. my dad and i were sitting in the tent bleachers. great memory.
i'm a big fan of eddie south who according to kreisler etc said he could have fronted a great symphony if he had been white. grappelli learned a lot from him in the 20s.