According to Songfacts, after City Spud was released in 2009, he reunited with Nelly and the St. Lunatics to record their second album entitled City Free.
Let Me In Now
St. Lunatics Lyrics
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Oh, baby girl like to shake a lot more, drop it like over herr baby girl, uh
(Chorus - Nelly)
Let me in now, there it go
I love it when you make your knees touch your elbows, boom boom
Let me in now, there it go
I love it when you make your knees touch your elbows, boom boom
I love it when you make your knees touch your elbows, boom boom
Let me in now, there it go
I love it when you make your knees touch your elbows, boom boom
(Ali)
Let me in ma', so I can hit it
Make you want to leave wit' it, take you home and sleep wit' it
Tell your friends that we did it in the back of the Coupe
With your back on the sunroof holla'in out "whoop-de-whoop"
You be like "girl, he put in work, hit it all night
He rocked my world, came out that skirt, soon as I hit that door
He thorough, while you twerk, so much Mo' and Cris' I urled all on my skirt
We still kicked it," (let me in know)
You ain't heard, that playa bad
St. Louis nigga to the end, with a fo'-fo' mag
And 'til them 'tic niggas kick in, let a fire bag
The party just would not begin, 'til you shake that ass, now shake that ass
I'm like, uh, "whoa hossie" and that ass ain't playin
I'm a teach it to go varsity in a passin Ram
Marry me and, divorce me and get my cash advance
Your best bet's to deep throat me as fast as you can, I'm like
(Chorus)
(Murphy Lee)
Ay yo, I'm Murphy Lee the ashtray, I touch butts all day
Treat me like a toilet, you can sit on me
And let your knees touch your nostrils
Show me that big ol' brown booty hole, let me record it like a studio
You can go and get your crew, girl, like Freddy
Huh, you Raw like Eddie, call me Murphy if you ready
Ready for whatever, Strictly Business like Halle Berry
When I'm with you like Tony Terry, say my name more times than Bloody Mary
Kinda scary gettin more head for stones than cemeteries
?? ??? done ran through more halls than Barry
At school, in the Hall gettin busy like Arsenio
I'm a rat trap like club Casino
(Keyjuan)
Ay yo, it's on fo' sho', low-cut Capris so her thongs could sho'
She probably got a man, but I've been wrong befo'
All I know is that she make her knees touch her elbows just to get in a show
I'm startin to think, this how it's supposed to go
Get blowed before we go where we supposed to go
Workin since ninety-fo', I'm supposed to blow
Blow on the dice, before I roll a ten-to-fo'
Rollin Mo-Mos, Optimos, they burn slow
Rollin fo'-do's, sippin Mo' with fo' hoes
I'm a two-triple-0, you-City, gigalo
Duece Duece Bigalow, love a man, Joe Blow
And you should pay me, I'm Super like Nintendo
Make your hands touch the flo', your knees don't bend tho'
In the Benzo, tinted windows, if the bounce is right, the ounce is right
Meet me at my house tonight
(Chorus)
(Nelly)
Now baby girl got a rump on 'er, fo'-do' and a trunk on 'er
Low miles, no dents, title readin "one owner"
Some are want to-be baller, baby daddies that don't want 'er
He ain't trippin 'til he see another nigga get on her
But she a good girl, actin bad when she need be
I wish you would girl, hit me so often she beep me
On some "Nelly, come meet me, it's the first lady
My president is out the country I need the VP"
I'm in the White House, butt-naked and iced out
Turn the lights out, and I'm turnin your wife out
Same chick you jumped the broom with, throwin the rice out
Same cat shoppin with rats, throwin the mice out
I like 'em clumsy mo', just let everything hit the flo'
Not once, not twice, three times, but fo'
Each time, makin her knees touchin her elbows
I said, each time, lookin at me, yellin she want mo'
I'm like, ohh!
(Chorus)
(Nelly - talking)
Baby girl like to shake a lot, huh, baby girl like to shake a lot
Huh, baby girl like to, uh, uh, uh, uh
Do your thizzle Moet, hah, hah, and do your thizzle Moet
Hah, hah, shake it like that for, hah, yeah
Three-one-four fo' sho', S-T-L and I connect the do'
The lyrics to St. Lunatics' song "Let Me In Now" are explicit in their sexual nature and depict the group members' lust for women with "big ol' brown booty holes," who can make their "knees touch their elbows." The chorus repeats the request to be let in and highlights the group members' appreciation for women's physical attributes. Ali's verse describes his desire for a sexual encounter with a woman in the back of his car, boasting about his sexual prowess and alcohol consumption. Murphy Lee's verse objectifies women, comparing himself to an ashtray that "touches butts all day" and asking women to expose their "big ol' brown booty hole[s]." Keyjuan's verse assumes a woman's eagerness to have sex with him based on her ability to make her "knees touch her elbows," depicting her as a sexual object. Nelly's verse vividly describes his sexual encounter with a woman in the White House and emphasizes his desire for women who are "clumsy mo'" and will "let everything hit the flo'."
Line by Line Meaning
(Nelly - talking)
Nelly speaks about a girl who likes to dance provocatively and wants her to showcase her moves.
(Chorus - Nelly)
The singer is requesting the girl to let him in and is enjoying her dance moves, specifically the flexibility of her knees and elbows.
(Ali)
Ali sings about wanting to take the girl home and describes their sexual encounter. He also brags about his prowess and urges the girl to let him in.
You ain't heard, that playa bad
Ali claims to be a skilled lover.
St. Louis nigga to the end, with a fo'-fo' mag
Ali boasts of his loyalty to his hometown and carries a gun for protection.
The party just would not begin, 'til you shake that ass, now shake that ass
Ali acknowledges that the girl's provocative dancing is an essential part of making an enjoyable party.
(Murphy Lee)
Murphy Lee brags about his sexual escapades and encourages the girl to perform sexual acts on him.
(Keyjuan)
Keyjuan talks about his attraction to a girl and his desire to sleep with her. He also talks about his success in the music industry and his love for partying.
(Nelly)
Nelly describes a girl with an attractive body and brags about his sexual exploits with her. He also talks about how he is with her while her husband is not in town.
Three-one-four fo' sho', S-T-L and I connect the do'
Nelly gives a shoutout to his hometown of St. Louis and acknowledges the connection he has with its people.
Lyrics © Universal Music Publishing Group
Written by: ALI K. JONES, CORNELL HAYNES, JASON EPPERSON, ROBERT KY JUAN CLEVELAND, TOHRI MURPHY LEE HARPER
Lyrics Licensed & Provided by LyricFind