Mikael Sundtsröm (aka S.T. Mikael) was born in Södertälje, Sweden March the… Read Full Bio ↴Mikael Sundtsröm (aka S.T. Mikael) was born in Södertälje, Sweden March the 27th, 1963. His father was a jazz swinging plumber and his mother was an innocent forest girl. He was a lonely, introspective boy who developed a bizarre imagination and an obsession for everything odd, mysterious and supernatural in life. His head was filled with images from Sci/Fi-Fantasy and Horror movies and books, but he also built his own dream worlds with creatures, characters, phantoms and prehistoric images in his drawings, comics and short stories. At 15 he picked up his mothers old guitar and started improvising and recording music. At the age of 19 - in 1982, he tried to find members for a group, but it took him until 1985 when he joined a garage-combo called ”Dickie Dickhead and the Outcast” as a lead guitarist. Although it brought many laughs and good fun into his heart and the fact that they developed from ”the worst and unintentionally most absurd band in town” to a serious and expressive experimental rock band, he left after two struggling years to form his own group. The trio ”The Twilight Souls” , was where he could sing and play his own compositions. He tried to fuse heavy rock and soul music with psychedelic influences which can be heard on the title track of his ”Unknown”-album. During this time he searched for the psychedelic experience and took his first dose of LSD. Because of exhaustion and inability to secure any gigs the band broke up in 1988. After this he gave up the rock´n roll band dream, understanding that there wasn’t anyone in town that had the same psychedelic ambitions as he had. With no expectations for the future he continued working with his ideas and primitive home recordings.
In 1989 he moved to Stockholm where he met Stefan Kéry, a psychedelic connoisseur, and gave him a cassette with some of his many recordings. To Mikaels great surprise he found that the tape was received with great enthusiasm and an album was soon made out of that very tape. The album was titled ”Visions Of A Trespasser” and was released early 1990 in an edition of 150 copies only. The album cover featured a colorful, organic vortex with images of beings of the galaxy in it painted by Mikael. Each and every record had differently hand painted labels. The album was mainly distributed among friends. It showed his very personal style of music covering all kinds of musical directions, all laced with the psychedelic sound. Among these ”not-meant-to-be-heard-by-others”-recordings you will find unbelievable sound’s from tea-balls, spoons and boilers. Except for the 3 studio tracks which was recorded together with a friend, he played everything himself - singing through his guitar-amp and using a pitched guitar for a bass.
In March 1991 he released his follow-up, ”The Unknown” , an odd home cassette- collection with new old haunting songs. The album was distributed the same way as the first one.
After forming Xotic Mind Productions Stefan Kéry let him go into a 8-channal studio and Mikael built up a whole new album all by himself (the only way he knew to work) step-by-step, beginning with the drums and nothing else but except a good memory! The result: ”Claustromania” (meaning: manic obsession for locking oneself in, which derives from the introspective state of mind he always go into while creating!) . The music is filled with pulsating, organic expressions, always emotionally gripping with his soulful voice. The album has a circular concept: The songs about other worlds, man against infinity and the human mind, soul and spirit are linked together with small musical inventions building a story that never ends, ending the way it started, starting the way it ended. The composition also reflects his past life of loneliness and emptiness that now has been replaced by a new existence of love, happiness and possibilities. Mikael says “Claustromania” also is an homage to LSD which helped him make the transformation possible.
st mikael
His creative years had only begun. In 1994 Mikael wrote a book with novellas in the horror-fantasy tradition crammed with drawings done during the last 15 years and drawn, copied and shaped 4 volumes of comic-fanzines - all still available in Swedish only! He acted in a 16mm film and in his own 3 fantasy video films as well as taking acting- and dancing- lessons! During the years he has been invited to participate on other Xotic Mind projects, like playing sitar on Adam Axelzons well-received ”Eura” album and with sitar and Tablas on the ”Gnostic Mass”-LP by The Entheogens, an improvisation-group he joined together with Adam Axelzon, Måns ”Word of Life”Månson and Stefan Kéry, among others.
In January 1994, people Xotic Mind released S.T. Mikaels new album ”Psychocosmic Songs” which was even better received than any of his previous LPs. The LP was recorded in a modern, high-tech studio. This time the tracks was a mixture of acoustic and electric singer-songs painted with sitar and tabla jams, heavy fuzz guitar sessions and airy, pulsating sounds done in the same step- by-step method like Claustromania! Although it is serious and soulful in tone, ST Mikael himself says he misses the playfulness and vitality which is more prominent in his home recordings.
In the spring of 1994 ST Mikael was living in a rented house with a beautiful garden of fruits, berries and flowers. For the first time he found an immediate presence of self confidence and also a more emotional and limitless way to express himself. In changing direction from somewhat stylish compositions to more improvised-on-the-spot creations he found that the happiness of a live-performance could be caught on a Pot-induced multi tracked solo recording.
During 1994 he made a huge collection of organic home recordings, far away from any inexperienced studio-technician, planning to release some of the material as a new album. With the addition of the extended studio track ”Summer In My Life” , which was recorded by an experienced crew and with additional musicians like Adam Axelzon. Xotic Mind released it in 1996 as a double-album - titled Soul Flower. As always - with a homemade painting on the cover. It can be seen as a rock opera without a plot, an invitation to a small living room full of impressions of many far away places.
During the years that passed since that album, St Mikael seemed to become more secretive and reclusive, but was still making homemade music. Some of this music, still stretching out in many different musical directions, has been done freely and spontaneously in an extremely relaxed and happy environment, and has been compiled into the home-made double CD, "Mind Evolution", which is not really an official album. Since the turn of the century, Mikael has renewed his lifestyle, has found love in Cheska, an American woman, and has travelled around in Europe, and recently in the USA.
source: http://www.subliminalsounds.se/DOK/stmikael.html
In 1989 he moved to Stockholm where he met Stefan Kéry, a psychedelic connoisseur, and gave him a cassette with some of his many recordings. To Mikaels great surprise he found that the tape was received with great enthusiasm and an album was soon made out of that very tape. The album was titled ”Visions Of A Trespasser” and was released early 1990 in an edition of 150 copies only. The album cover featured a colorful, organic vortex with images of beings of the galaxy in it painted by Mikael. Each and every record had differently hand painted labels. The album was mainly distributed among friends. It showed his very personal style of music covering all kinds of musical directions, all laced with the psychedelic sound. Among these ”not-meant-to-be-heard-by-others”-recordings you will find unbelievable sound’s from tea-balls, spoons and boilers. Except for the 3 studio tracks which was recorded together with a friend, he played everything himself - singing through his guitar-amp and using a pitched guitar for a bass.
In March 1991 he released his follow-up, ”The Unknown” , an odd home cassette- collection with new old haunting songs. The album was distributed the same way as the first one.
After forming Xotic Mind Productions Stefan Kéry let him go into a 8-channal studio and Mikael built up a whole new album all by himself (the only way he knew to work) step-by-step, beginning with the drums and nothing else but except a good memory! The result: ”Claustromania” (meaning: manic obsession for locking oneself in, which derives from the introspective state of mind he always go into while creating!) . The music is filled with pulsating, organic expressions, always emotionally gripping with his soulful voice. The album has a circular concept: The songs about other worlds, man against infinity and the human mind, soul and spirit are linked together with small musical inventions building a story that never ends, ending the way it started, starting the way it ended. The composition also reflects his past life of loneliness and emptiness that now has been replaced by a new existence of love, happiness and possibilities. Mikael says “Claustromania” also is an homage to LSD which helped him make the transformation possible.
st mikael
His creative years had only begun. In 1994 Mikael wrote a book with novellas in the horror-fantasy tradition crammed with drawings done during the last 15 years and drawn, copied and shaped 4 volumes of comic-fanzines - all still available in Swedish only! He acted in a 16mm film and in his own 3 fantasy video films as well as taking acting- and dancing- lessons! During the years he has been invited to participate on other Xotic Mind projects, like playing sitar on Adam Axelzons well-received ”Eura” album and with sitar and Tablas on the ”Gnostic Mass”-LP by The Entheogens, an improvisation-group he joined together with Adam Axelzon, Måns ”Word of Life”Månson and Stefan Kéry, among others.
In January 1994, people Xotic Mind released S.T. Mikaels new album ”Psychocosmic Songs” which was even better received than any of his previous LPs. The LP was recorded in a modern, high-tech studio. This time the tracks was a mixture of acoustic and electric singer-songs painted with sitar and tabla jams, heavy fuzz guitar sessions and airy, pulsating sounds done in the same step- by-step method like Claustromania! Although it is serious and soulful in tone, ST Mikael himself says he misses the playfulness and vitality which is more prominent in his home recordings.
In the spring of 1994 ST Mikael was living in a rented house with a beautiful garden of fruits, berries and flowers. For the first time he found an immediate presence of self confidence and also a more emotional and limitless way to express himself. In changing direction from somewhat stylish compositions to more improvised-on-the-spot creations he found that the happiness of a live-performance could be caught on a Pot-induced multi tracked solo recording.
During 1994 he made a huge collection of organic home recordings, far away from any inexperienced studio-technician, planning to release some of the material as a new album. With the addition of the extended studio track ”Summer In My Life” , which was recorded by an experienced crew and with additional musicians like Adam Axelzon. Xotic Mind released it in 1996 as a double-album - titled Soul Flower. As always - with a homemade painting on the cover. It can be seen as a rock opera without a plot, an invitation to a small living room full of impressions of many far away places.
During the years that passed since that album, St Mikael seemed to become more secretive and reclusive, but was still making homemade music. Some of this music, still stretching out in many different musical directions, has been done freely and spontaneously in an extremely relaxed and happy environment, and has been compiled into the home-made double CD, "Mind Evolution", which is not really an official album. Since the turn of the century, Mikael has renewed his lifestyle, has found love in Cheska, an American woman, and has travelled around in Europe, and recently in the USA.
source: http://www.subliminalsounds.se/DOK/stmikael.html
Where Can I Go Why Can't I See?
St. Mikael Lyrics
We have lyrics for these tracks by St. Mikael:
A New Era Wake up! my mate We can see new The past life slammed…
Back Home I'm looking for a way back home But my heart keeps…
Before Your Eyes Intro Oh yeah! (3) Pre -chorus I see beauty in your eyes An…
Bom Bom Mahadev A noite escura cai, novo dia amanhece Levanto cedo da minha…
I Just Wanted To Say Alex ROD - EU SÓ QUERIA ENTENDER | Mais 171…
In The Forest Down in yon forest there stands a hall: …
In To Your Mind I see straight to you Like a mean through the moonbeam I…
Intro Yo, hey Nelly what's up dog? It's Cedric the entertainer…
My Dream You asked me where can love be found You don't have…
Song for You A friend just sent me the beat Addicted to winning don't…
Summer In My Life I have never walked on water Felt the waves beneath my…
The Night Stars Patience Call them by the cauldron light Witches burnin' wit…
The Sailor Who is my love The open sea Where is my home It's on…
The Unknown поляна кишит от перегноя, одни пережитки перестроя, (тусовок…
The Voice Angel voices ever singing Round Thy throne of light Angel ha…
Universe Voices under the bed Or are they in His head Cursing Him…
Worlds Within Worlds It's a new world It's a new you It's a new me It's…
You Are A Light Uh Yeah I didn't invite you this time max Yeah YO R U DUMB H…
The lyrics are frequently found in the comments by searching or by filtering for lyric videos
More Genres
No Artists Found
More Artists
Load All
No Albums Found
More Albums
Load All
No Tracks Found
Genre not found
Artist not found
Album not found
Search results not found
Song not found
@andreacastani1740
No more lying friends
Wanting tragic ends
Though they do pretend
They won't go when I go
All those bleeding hearts
With sorrows to impart
Were right here from the start
And they won't go when I go
And I'll go where I've longed
To go so long
Away from tears
Gone from painful cries
Away from saddened eyes
Along with him I'll bide
Because they won't go when I go
Big men feeling small
Weak ones standing tall
I will watch them fall
They won't go when I go
And I'll go where I've longed
To go so long
Away from tears
Unclean minds mislead the pure
The innocent will leave for sure
For them there is a resting place
People sinning just for fun
They will never see the sun
For they can never show their faces
There ain't no room for the hopeless sinner
Who will take more than he will give
He ain't hardly gonna give
The greed of man will be
Far away from me
And my soul will be free
They won't go when I go
Since my soul conceived
All that I believe
The kingdom I will see
'Cause they won't go when I go
When I go
Where I'll go
No one can keep me
From my destiny
@Daisy-sc6tm
Back in 1991 I was 18 years old. I was in a very low place and trying to get clean. My counselor gave me this tape. I had never been a fan of George Michael but she said just listen to something other than what you normally listen to. (which was at the time a lot of metal) This song I believe was on the b side. I had heard Stevie Wonder sing this song because my mom was big into motown. I never gave it much thought but I heard this version and His voice spoke to me. I listened to this song on repeat for weeks. Worked through some really shitty stuff and came out on the other side feeling like I could beat it. I have not touched cocaine since then and this song still gives me chills like it's god speaking to me and giving me courage to get through another day.
@stuartsutcliffe9809
god bless and never give up xx by the way george is my favourie singer of all time
@siwal69
Well done friend
That is a powerful testimony
@tinatiffany8305
One of my biggest regrets in life was not to see George Michael live.
@TinusAirius
Spot on. I saw him twice and from all the countless concerts I went to they stand out amongst the very best. Best sounding voice I ever heard. Almost unreal. Check his 'Live In London' dvd, because it really conveys the feeling very well. He was a mesmerizing multi-talented genius.
@glenshea1967
Tina tiffany.my regret too not going to see him in concert.
@glenshea1967
Tina tiffany.my regret too not going to see him in concert.
@brendabarber7459
Saw him in concert a year before his untimely passing. This is still my favorite song of his. Can't believe his cover was more powerful than the great Stevie Wonder's version. R.I.P. George.
@piskaj2
One of my best times ever, being blessed to see him perform live 🙌
@texasbrian
Aside from the unreal, untouchable vocals, there are two other examples of George's incredible talent and genius here: (1) Lead vocals were recorded live in one take, and (2) George did all the background vocals, forcing himself to alter his natural rhythms, pacing and phrasing so it would sound like a real choir. GENIUS.