Sh-Boom
Stan Freberg Lyrics
Life could be a dream
Life could be a dream
Boom ba-doh, ba-doo ba-doodle-ay (sh-boom)
Life could be a dream
If I could take you up in paradise up above (sh-boom)
If you would tell me I'm the only one that you love
Life could be a dream sweetheart
(Hello hello again, sh-boom and hopin' we'll meet again)
Boom ba-doh, ba-doo ba-doodle-ay (sh-boom)
Oh, life could be a dream (sh-boom)
If only all my precious plans would come true (sh-boom)
If you would let me spend my whole life lovin' you
Life could be a dream sweetheart
Every time I look at you
Something is on my mind (dat-dat-dat-dat-dat-duh)
If you do what I want you to
Baby, we'd be so fine
Oh, life could be a dream (sh-boom)
If I could take you up in paradise up above (sh-boom)
If you would tell me I'm the only one that you love
Life could be a dream sweetheart
(Hello hello again, sh-boom and hopin' we'll meet again) boom sh-boom
Hey nonny ding dong, alang alang alang (sh-boom)
Ba-doh, ba-doo ba-doodle-ay
Life could be a dream
Life could be a dream, sweetheart
(Dee-oody-ooh, sh-boom, sh-boom)
(Dee-oody-ooh, sh-boom, sh-boom)
(Dee-oody-ooh, sh-boom, sh-boom)
(Dee-oody-ooh, sh-boom, sh-boom)
(Dee-oody-ooh, sh-boom, sh-boom)
(Dee-oody-ooh, sh-boom, sh-boom)
(Dee-oody-ooh, sh-boom, sh-boom)
Life could be a dream, sh-boom
If I could take you up in paradise up above
Sh-boom if you would tell me I'm the only one that you love
Life could be a dream sweetheart
(Hello hello again, sh-boom and hopin' we'll meet again) boom sh-boom
Hey nonny ding dong, alang alang alang (sh-boom)
Ba-doh, ba-doo ba-doodle-ay
Life could be a dream
Life could be a dream
Dee-oody-ooh, sh-boom, sh-boom
Lyrics © Warner/Chappell Music, Inc.
Written by: JAMES C KEYES, CARL FEASTER, FLOYD MC RAE, CLAUDE FEASTER, JAMES W. EDWARDS
Lyrics Licensed & Provided by LyricFind
To comment on specific lyrics, highlight them
Stanley Victor Freberg (born August 7, 1926 in Los Angeles-April 7, 2015) was a voice actor, comedian, and advertising creative.
In 1950, he scored a huge success with his first recording for Capitol Records, John and Marsha, a soap-opera parody that consisted of the title characters (both played by Freberg) repeating each other's names. In a follow-up he used pedal steel guitarist Speedy West to parody the 1953 country hit A Dear John Letter as A Dear John and Marsha Letter. Read Full BioStanley Victor Freberg (born August 7, 1926 in Los Angeles-April 7, 2015) was a voice actor, comedian, and advertising creative.
In 1950, he scored a huge success with his first recording for Capitol Records, John and Marsha, a soap-opera parody that consisted of the title characters (both played by Freberg) repeating each other's names. In a follow-up he used pedal steel guitarist Speedy West to parody the 1953 country hit A Dear John Letter as A Dear John and Marsha Letter.
Throughout the 1950s he made a name for himself writing and performing both original songs (Tele-Vee-Shun) and parodies of popular tunes (The Yellow Rose of Texas, Day-O, Heartbreak Hotel). With fellow voice actors Daws Butler and June Foray he produced a medieval parody of Dragnet called St. George and the Dragon-Net. The latter recording was a #1 hit for four weeks in late 1953.
Freberg's brilliant, authentic-sounding musical parodies were a byproduct of his collaborations with Billy May and his Capitol Records producer Ken Nelson. His brilliant 1957 spoof of TV "champagne music" master Lawrence Welk, Wun'erful, Wun'erful was a true collaboration with May, a veteran big band musician and jazz arranger (known for his work with Frank Sinatra among others) who loathed Welk's corny style. To replicate that sound, May and some of Hollywood's finest studio musicians and vocalists worked to virtually clone Welk's sound. Billy Liebert, a first-rate accordionist copied Welk's own accordion playing. The humor was lost on Welk; Freberg later recalled the bandleader denying he ever used the term "Wunnerful! Wunnerful!" (later the title of Welk's autobiography).
Another hit song to get the Freberg treatment was the weepy Cry, which Freberg rendered as Try ("You too can be unhappy... if you try!") Ray was furious, until he realized the success of Freberg's parody was helping sales and airplay of his own record; Ray and Freberg actually became close friends.
Freberg continued to skewer the advertising industry after the demise of his radio show, producing Green Chri$tma$ in 1958 (again with Butler), a scathing indictment of the overcommercialization of the holiday. Freberg, the son of a church minister and very religious himself, made sure to point out on that novelty record "Whose birthday we're celebrating." Despite his Jewish-sounding last name, Freberg is actually a Baptist of Swedish heritage.
"Green Chri$tma$" also foreshadowed his musical review on LP Stan Freberg Presents: The United States Of America, Volume 1: The Early Years (1961) in that both combined dialog and song in a musical-like style. Stan Freberg Presents: The United States of America, Volume 2: The Middle Years was planned for a release during America's Bicentennial in 1976 but did not emerge until 1996.
In 1950, he scored a huge success with his first recording for Capitol Records, John and Marsha, a soap-opera parody that consisted of the title characters (both played by Freberg) repeating each other's names. In a follow-up he used pedal steel guitarist Speedy West to parody the 1953 country hit A Dear John Letter as A Dear John and Marsha Letter. Read Full BioStanley Victor Freberg (born August 7, 1926 in Los Angeles-April 7, 2015) was a voice actor, comedian, and advertising creative.
In 1950, he scored a huge success with his first recording for Capitol Records, John and Marsha, a soap-opera parody that consisted of the title characters (both played by Freberg) repeating each other's names. In a follow-up he used pedal steel guitarist Speedy West to parody the 1953 country hit A Dear John Letter as A Dear John and Marsha Letter.
Throughout the 1950s he made a name for himself writing and performing both original songs (Tele-Vee-Shun) and parodies of popular tunes (The Yellow Rose of Texas, Day-O, Heartbreak Hotel). With fellow voice actors Daws Butler and June Foray he produced a medieval parody of Dragnet called St. George and the Dragon-Net. The latter recording was a #1 hit for four weeks in late 1953.
Freberg's brilliant, authentic-sounding musical parodies were a byproduct of his collaborations with Billy May and his Capitol Records producer Ken Nelson. His brilliant 1957 spoof of TV "champagne music" master Lawrence Welk, Wun'erful, Wun'erful was a true collaboration with May, a veteran big band musician and jazz arranger (known for his work with Frank Sinatra among others) who loathed Welk's corny style. To replicate that sound, May and some of Hollywood's finest studio musicians and vocalists worked to virtually clone Welk's sound. Billy Liebert, a first-rate accordionist copied Welk's own accordion playing. The humor was lost on Welk; Freberg later recalled the bandleader denying he ever used the term "Wunnerful! Wunnerful!" (later the title of Welk's autobiography).
Another hit song to get the Freberg treatment was the weepy Cry, which Freberg rendered as Try ("You too can be unhappy... if you try!") Ray was furious, until he realized the success of Freberg's parody was helping sales and airplay of his own record; Ray and Freberg actually became close friends.
Freberg continued to skewer the advertising industry after the demise of his radio show, producing Green Chri$tma$ in 1958 (again with Butler), a scathing indictment of the overcommercialization of the holiday. Freberg, the son of a church minister and very religious himself, made sure to point out on that novelty record "Whose birthday we're celebrating." Despite his Jewish-sounding last name, Freberg is actually a Baptist of Swedish heritage.
"Green Chri$tma$" also foreshadowed his musical review on LP Stan Freberg Presents: The United States Of America, Volume 1: The Early Years (1961) in that both combined dialog and song in a musical-like style. Stan Freberg Presents: The United States of America, Volume 2: The Middle Years was planned for a release during America's Bicentennial in 1976 but did not emerge until 1996.
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Generaledger
I get more laughs in three minutes and thirty four seconds listening to Stan Freberg then I get listening to Will Ferrell for 2 hours.
Farlon Fudpucker
Exactamundo! I love Stan! What creativity, inventiveness, and wit, 3 qualities lacking in Mr. Ferrell's trite humor.
Ernold Braun
This song is a riot. One of my all time favorites.
RIC HAYES
Heard this my whole life my dad love it exposed it to me i had a Great Dad R.I.P
Walter Wheeler
Thank you for posting this record. It was good to listen to it again.
wackney hick
Stan the man - wonderful energy and fun
BrianMChampion
The greatest record ever made
Frank Sanchez
RIP Mr. Freberg...
Harry Schaefer
This is on my vinyl record"A Child's Garden of Freburg", which also has "St. George and the Dragonet", the Banana Boat Song" and others:https://www.youtube.com/watch?v=oUdFLyNCeI4
robbk1
This is even funnier than The Crew Cuts' version, and has a better sax.