His parents were Ukrainian Jews who immigrated from Kyiv city, Ukraine in 1903. The family later moved to New York City for better jobs. Stan worked hard in school receiving straight "A's" on average and finished 6th grade close to the top of his class. Stan's major interest was in musical instruments, and he felt a need to play every instrument in his sight. He played a number of instruments before his father bought him his first saxophone at the age of 13. Even though his father also got him a clarinet, Stan instantly fell in love with the saxophone and began practicing 8 hours a day. In 1941, he was accepted into the All City High School Orchestra of New York City. This gave Stan a chance to receive a private, free tutor from the New York Philharmonic, Simon Kovar - a bassoon player. He also began to spend more time playing the saxophone. He eventually dropped out of school in order to pursue his musical career, but was later sent back to the classroom by the school system’s truancy officers.
In 1943, he was accepted into Jack Teagarden's band, and because of his youth he became Teagarden's ward. Getz also played along with Nat King Cole and Lionel Hampton. After playing for Stan Kenton, Jimmy Dorsey, and Benny Goodman, Getz was a soloist with Woody Herman from 1947 to 1949 in 'The Second Herd' and he first gained wide attention as one of the band's saxophonists, who were known collectively as 'The Four Brothers', the others being Serge Chaloff, Zoot Sims and Herbie Steward. With Herman, he had a hit with "Early Autumn" and after Getz left 'The Second Herd' he was able to launch his solo career. He would be the leader on almost all of his recording sessions after 1950.
During the early '50s, Getz broke away from the Lester Young style to form his own musical identity and he was soon among the most popular of all jazzmen. He discovered Horace Silver in 1950 and used him in his quartet for several months. After touring Sweden in 1951, he formed an exciting quintet that co-featured guitarist Jimmy Raney; their interplay on up-tempo tunes and tonal blend on ballads was quite memorable. Getz's playing helped Johnny Smith have a hit in "Moonlight in Vermont," during 1953-1954 Bob Brookmeyer made his group a quintet and, despite some drug problems during the decade, Getz was a constant poll winner. After spending 1958-1960 in Europe, the tenorman returned to the U.S. and recorded his personal favorite album, Focus, with arranger Eddie Sauter's Orchestra.
Getz became a central figure in introducing bossa nova music to the U.S. audience. Teaming with guitarist Charlie Byrd, who had just returned from a U.S. State Department tour of Brazil, Getz recorded Jazz Samba in 1962 and it became a hit. The title track was an adaptation of Antonio Carlos Jobim's "One Note Samba". Getz won the Grammy for Best Jazz Performance of 1963 for "Desafinado". As a follow-up, Getz recorded Jazz Samba Encore! with one of the originators of bossa nova, Brazilian guitarist Luiz Bonfa.
He then recorded the album Getz/Gilberto with Tom Jobim, João Gilberto and his wife, Astrud Gilberto. Their "The Girl from Ipanema" won a Grammy Award. The piece became one of the most well-known latin jazz cuts of all time. Getz/Gilberto won two Grammys (Best Album and Best Single), besting The Beatles' A Hard Day's Night, a victory for Bossa Nova and Brazilian jazz. A live album, Getz/Gilberto Vol. 2, followed, as did Getz Au Go Go, a recording made live at the Cafe Au Go Go. Unfortunately, Getz' affair with Astrud Gilberto brought an end to his musical partnership with her and her husband and he began to move away from bossa-nova and back to cool jazz. Even while still working with the Gilbertos, he recorded Nobody Else But Me an album of straightforward jazz with a new quartet including vibraphonist Gary Burton, but Verve Records, wishing to continue building the Getz brand with bossa-nova, refused to release it. It eventually came out 30 years later, after Getz had died.
In 1972, Getz recorded in the fusion idiom with Chick Corea and Stanley Clarke. This group, without Getz, went on to become the famous Return to Forever, and many of the pieces including "La Fiesta" remained in their repertoire. In this period Getz experimented with an Echoplex on his saxophone, for which critics vilified him. He eventually discarded fusion and "electric jazz", returning to acoustic jazz, while at the same time gradually de-emphasizing the Bossa Nova, opting for more esoteric and less-mainstream jazz. He had a cameo in the movie The Exterminator (1980).
Towards the end of his life the now drug-free Getz had another creative peak with a group including the pianist Kenny Barron, whom Getz described as "my musical other half".
In 1986, he was inducted into the Down Beat Jazz Hall of Fame.
Getz married Beverly Byrne, a vocalist with the Gene Krupa band, on 7 November 1946; they had three children together: Steven, David, and Beverly (who married Michael McGovern).
Getz became involved with drugs and alcohol while a teenager. In 1954, he was arrested for attempting to rob a pharmacy to get a morphine fix. As he was being processed in the prison ward of Los Angeles County-USC Medical Center, Beverly gave birth to their third child one floor below.
Getz tried to escape his narcotics addiction by moving to Copenhagen. He married Swedish aristocrat Monica Silfverskiöld on 3 November 1956 and had two children with her: Pamela and Nicolas. In 1957 Swedish girlfriend Inga Torgnér gave birth to a son Peter. Stan divorced Monica in 1987.
Zoot Sims, who had known Getz since their time with Herman, once described him as 'a nice bunch of guys', as a consequence of the wide behavioural range of which Getz was capable. In the final stages of his life Getz was able to end his addictions.
Getz died of liver cancer in 1991. His body was cremated and the ashes scattered at sea, off the coast of Malibu, California.
In 1998 the 'Stan Getz Media Center and Library' at the Berklee College of Music was dedicated through a donation from the Herb Alpert Foundation.
Moon Light in Vermont
Stan Getz Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Falling leaves a sycamore
Moonlight in Vermont
Gentle finger waves
Ski trails down a mountain side
Snowlight in Vermont
As they travel each bend in the road
And when people meet, in this romantic setting
They're so hypnotized be the lovely...
Evening summer breeze
Sweet warblings of the meadowlark
Moonlight in Vermont
The lyrics to Moonlight In Vermont by Stan Getz describe the natural beauty of Vermont at different times of the year. The opening lines, "Pennies in a stream" and "Falling leaves a sycamore," evoke the image of a peaceful, serene countryside setting where even small details like a stream or falling leaves can bring joy. Later, the lyrics mention ski trails down a mountainside and a sweet summer breeze, highlighting how Vermont has something to offer in every season. The Moonlight in Vermont becomes the unifying image throughout the piece, as it creates a sense of tranquility and awe that unites all of the different elements. The description of "Telegraph cables, how they sing down the highway" adds a touch of modernity, but the song ultimately pays tribute to the rustic coziness of Vermont's natural landscape.
Line by Line Meaning
Pennies in a stream
Small but precious things flowing in a continuous direction
Falling leaves a sycamore
Autumn has arrived, symbolized by leaves falling from a sycamore tree
Moonlight in Vermont
The peaceful ambiance of the Vermont's moonlight
Gentle finger waves
A calm wave movement in a peaceful environment
Ski trails down a mountain side
Ski tracks created by people descending down the mountain
Snowlight in Vermont
The peaceful and calm feeling of the snow-covered environment in Vermont
Telegraph cables, how they sing down the highway
The melodic sound created by the telegraph cables on the highway
As they travel each bend in the road
The telegraph cables continue to make their sweet melody through every twist and turn of the highway
And when people meet, in this romantic setting
A romantic atmosphere in which people meet and find themselves mesmerized
They're so hypnotized by the lovely...
The experience of being so mesmerized by the surroundings, that you're swept away by the loveliness of it all
Evening summer breeze
A gentle summer breeze during the evening hours
Sweet warblings of the meadowlark
The pleasing and delightful sounds of the meadowlark bird
Moonlight in Vermont
The peaceful ambiance of the Vermont's moonlight
Lyrics © Warner/Chappell Music, Inc.
Written by: John M. Blackburn, Karl Suessdorf
Lyrics Licensed & Provided by LyricFind
Jinji Willingham
My Dad, George Devens, is playing percussion on this record. He'll be 89yo (this August) and I've been backtracking to locate some of the sessions he recorded on.
finicky zeppole
that's so cool!
Phillip Payne
Bravo to your father. I salute him. Your dad and this group are playing real music. Thank him.
Seno R
This is awesome! Let us know if you find things!
HelloooThere
Good
PantsBeOnTheGround
Kool my 80yr old neighbor played percussion on Bob Marley's albums in Jamaica
Judi Edwards
No words can describe what this music does to my soul. It fills in the holes that are there and makes me whole again.
Rozlin313
You need the love of God in your life to fill those voids. Then you'd have this awesome music and Jesus. As a musician and a believer, I am a witness to this. 🥰🙏🏽
ra15899550
AGREED, NO DOUBT!!
Théo Goldberg
One of the very finest jazz musicians there ever were