His parents were Ukrainian Jews who immigrated from Kyiv city, Ukraine in 1903. The family later moved to New York City for better jobs. Stan worked hard in school receiving straight "A's" on average and finished 6th grade close to the top of his class. Stan's major interest was in musical instruments, and he felt a need to play every instrument in his sight. He played a number of instruments before his father bought him his first saxophone at the age of 13. Even though his father also got him a clarinet, Stan instantly fell in love with the saxophone and began practicing 8 hours a day. In 1941, he was accepted into the All City High School Orchestra of New York City. This gave Stan a chance to receive a private, free tutor from the New York Philharmonic, Simon Kovar - a bassoon player. He also began to spend more time playing the saxophone. He eventually dropped out of school in order to pursue his musical career, but was later sent back to the classroom by the school system’s truancy officers.
In 1943, he was accepted into Jack Teagarden's band, and because of his youth he became Teagarden's ward. Getz also played along with Nat King Cole and Lionel Hampton. After playing for Stan Kenton, Jimmy Dorsey, and Benny Goodman, Getz was a soloist with Woody Herman from 1947 to 1949 in 'The Second Herd' and he first gained wide attention as one of the band's saxophonists, who were known collectively as 'The Four Brothers', the others being Serge Chaloff, Zoot Sims and Herbie Steward. With Herman, he had a hit with "Early Autumn" and after Getz left 'The Second Herd' he was able to launch his solo career. He would be the leader on almost all of his recording sessions after 1950.
During the early '50s, Getz broke away from the Lester Young style to form his own musical identity and he was soon among the most popular of all jazzmen. He discovered Horace Silver in 1950 and used him in his quartet for several months. After touring Sweden in 1951, he formed an exciting quintet that co-featured guitarist Jimmy Raney; their interplay on up-tempo tunes and tonal blend on ballads was quite memorable. Getz's playing helped Johnny Smith have a hit in "Moonlight in Vermont," during 1953-1954 Bob Brookmeyer made his group a quintet and, despite some drug problems during the decade, Getz was a constant poll winner. After spending 1958-1960 in Europe, the tenorman returned to the U.S. and recorded his personal favorite album, Focus, with arranger Eddie Sauter's Orchestra.
Getz became a central figure in introducing bossa nova music to the U.S. audience. Teaming with guitarist Charlie Byrd, who had just returned from a U.S. State Department tour of Brazil, Getz recorded Jazz Samba in 1962 and it became a hit. The title track was an adaptation of Antonio Carlos Jobim's "One Note Samba". Getz won the Grammy for Best Jazz Performance of 1963 for "Desafinado". As a follow-up, Getz recorded Jazz Samba Encore! with one of the originators of bossa nova, Brazilian guitarist Luiz Bonfa.
He then recorded the album Getz/Gilberto with Tom Jobim, João Gilberto and his wife, Astrud Gilberto. Their "The Girl from Ipanema" won a Grammy Award. The piece became one of the most well-known latin jazz cuts of all time. Getz/Gilberto won two Grammys (Best Album and Best Single), besting The Beatles' A Hard Day's Night, a victory for Bossa Nova and Brazilian jazz. A live album, Getz/Gilberto Vol. 2, followed, as did Getz Au Go Go, a recording made live at the Cafe Au Go Go. Unfortunately, Getz' affair with Astrud Gilberto brought an end to his musical partnership with her and her husband and he began to move away from bossa-nova and back to cool jazz. Even while still working with the Gilbertos, he recorded Nobody Else But Me an album of straightforward jazz with a new quartet including vibraphonist Gary Burton, but Verve Records, wishing to continue building the Getz brand with bossa-nova, refused to release it. It eventually came out 30 years later, after Getz had died.
In 1972, Getz recorded in the fusion idiom with Chick Corea and Stanley Clarke. This group, without Getz, went on to become the famous Return to Forever, and many of the pieces including "La Fiesta" remained in their repertoire. In this period Getz experimented with an Echoplex on his saxophone, for which critics vilified him. He eventually discarded fusion and "electric jazz", returning to acoustic jazz, while at the same time gradually de-emphasizing the Bossa Nova, opting for more esoteric and less-mainstream jazz. He had a cameo in the movie The Exterminator (1980).
Towards the end of his life the now drug-free Getz had another creative peak with a group including the pianist Kenny Barron, whom Getz described as "my musical other half".
In 1986, he was inducted into the Down Beat Jazz Hall of Fame.
Getz married Beverly Byrne, a vocalist with the Gene Krupa band, on 7 November 1946; they had three children together: Steven, David, and Beverly (who married Michael McGovern).
Getz became involved with drugs and alcohol while a teenager. In 1954, he was arrested for attempting to rob a pharmacy to get a morphine fix. As he was being processed in the prison ward of Los Angeles County-USC Medical Center, Beverly gave birth to their third child one floor below.
Getz tried to escape his narcotics addiction by moving to Copenhagen. He married Swedish aristocrat Monica Silfverskiöld on 3 November 1956 and had two children with her: Pamela and Nicolas. In 1957 Swedish girlfriend Inga Torgnér gave birth to a son Peter. Stan divorced Monica in 1987.
Zoot Sims, who had known Getz since their time with Herman, once described him as 'a nice bunch of guys', as a consequence of the wide behavioural range of which Getz was capable. In the final stages of his life Getz was able to end his addictions.
Getz died of liver cancer in 1991. His body was cremated and the ashes scattered at sea, off the coast of Malibu, California.
In 1998 the 'Stan Getz Media Center and Library' at the Berklee College of Music was dedicated through a donation from the Herb Alpert Foundation.
Spring Is Here
Stan Getz Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Spring is here! Why isn't the waltz entrancing?
No desire, no ambition leads me
Maybe it's because nobody needs me
Spring is here! Why doesn't the breeze delight me?
Stars appear, why doesn't the night invite me?
Maybe it's because nobody loves me
Spring is here I hear
Spring is here! Why doesn't my heart go dancing?
Spring is here! Why isn't the waltz entrancing?
No desire, no ambition leads me
Maybe it's because nobody needs me
Spring is here! Why doesn't the breeze delight me?
Stars appear, why doesn't the night invite me?
Maybe it's because nobody loves me
Spring is here I hear
In Stan Getz's song, "Spring Is Here," the lyrics express the feeling of the arrival of spring and the joyous mood it brings. However, the singer of the song seems to be experiencing a sense of melancholy, as portrayed in the lyrics, "Spring is here! Why doesn't my heart go dancing?" Despite the arrival of spring, the singer seems to lack excitement and happiness as they find no reason to feel joy.
The lyrics further express the lack of motivation and ambition, as the singer states, "No desire, no ambition leads me, maybe it's because nobody needs me." The singer seems to feel unimportant and unwanted, causing them to lack the enthusiasm for life. The arrival of spring and the beauty it brings cannot seem to fill the void that the singer feels inside.
The chorus repeats the same lyrics, adding to the sense of repetition, as if the singer is stuck in a continuous cycle of emptiness. The use of rhetorical questions encourages the listener to think deeper about the meaning behind the song and the underlying message that it conveys.
Overall, "Spring Is Here" explores the contrast between the beauty of spring and the inner turmoil that some individuals may feel, highlighting the importance of human connection and the impact it has on our emotions.
Line by Line Meaning
Spring is here! Why doesn't my heart go dancing?
Although spring has arrived, I am not happy and my heart is not filled with joy.
Spring is here! Why isn't the waltz entrancing?
Even though the waltz is playing, it does not give me any pleasure.
No desire, no ambition leads me
I feel uninspired and have no motivation.
Maybe it's because nobody needs me
I am feeling lonely, and think that nobody cares about me.
Spring is here! Why doesn't the breeze delight me?
Even though the spring wind is blowing, it does not bring me any happiness.
Stars appear, why doesn't the night invite me?
Even though the sky is filled with stars, it does not make me feel welcomed.
Maybe it's because nobody loves me
The reason for my unhappiness is probably because I feel unloved.
Spring is here I hear
I can hear spring arriving, but I do not feel its warmth and joy.
Lyrics © Warner Chappell Music, Inc.
Written by: HANS SPIALEK, RICHARD RODGERS
Lyrics Licensed & Provided by LyricFind
@mistermister6686
Tracks:
1 How About You 00:00
2 You're Blasé 10:03
3 Easy Living 15:35
4 Sweet Lorraine 22:23
5 Old Devil Moon 27:57
6 I'm Old Fashioned 38:13
7 Spring Is Here 44:50
Credits:
Stan Getz - tenor saxophone
Lou Levy - piano
Monty Budwig - bass
Victor Lewis - drums
Recorded at Keystone Korner, San Francisco, CA, May 1981
@mistermister6686
Tracks:
1 How About You 00:00
2 You're Blasé 10:03
3 Easy Living 15:35
4 Sweet Lorraine 22:23
5 Old Devil Moon 27:57
6 I'm Old Fashioned 38:13
7 Spring Is Here 44:50
Credits:
Stan Getz - tenor saxophone
Lou Levy - piano
Monty Budwig - bass
Victor Lewis - drums
Recorded at Keystone Korner, San Francisco, CA, May 1981
@enricosenno7767
My beloved Stan
@nora1172
👌Excellent just what I need today: Spring! 😁
@riccardoquagliarella
When commander Schettino meets jazz
@ronaldunkel2681
“Cool jazz” from the West Coast at the iconic SF - Keystone Korner - jazz club! Stan in a very free-blowing mood. Great album, and sense the ambiance from the crowd folks. Dig this beauty, toodeloo’s & Cheers!
@elipkau
Nice record!
@joseovalles3413
El siempre original, versátil, inigualable de todos los tiempos. Cuantos gratos, nostálgicos e inolvidables momentazos de juventud vienen a mí, al escucharte tan fresco como ayer en ésta reluciente primavera. Alguien dijo: "Carlos Gardel canta cada día más bonito..." Y lo mismo podríamos decir "Stan Getz sopla y resopla cada vez con más belleza y maestría todas aquellas melódicas e insuperables tonadas...que nos dejaste para seguir soñando y deleitándonos...que tu sensaxonalisimo instrumento nunca deje de vibrar y brillar en nuestras memorias...
@henias7403
So beautifully said, my sentiments exactly. I was fortunate to see him play in a very small bar in Toronto ,47 years ago, what a treat.
@joseovalles3413
Lo sabemos, para vivirlo hay que sentirlo y para sentirlo hay que vivirlo, la música inmortal nos resplandece en el alma...
@KBMars
Must have been the 25th anniversary concert of Stan and Lou's "East of the sun - the West Coast sessions", one of the prime recordings of Stan and jazz in general, as they play tunes from those recording dates