His parents were Ukrainian Jews who immigrated from Kyiv city, Ukraine in 1903. The family later moved to New York City for better jobs. Stan worked hard in school receiving straight "A's" on average and finished 6th grade close to the top of his class. Stan's major interest was in musical instruments, and he felt a need to play every instrument in his sight. He played a number of instruments before his father bought him his first saxophone at the age of 13. Even though his father also got him a clarinet, Stan instantly fell in love with the saxophone and began practicing 8 hours a day. In 1941, he was accepted into the All City High School Orchestra of New York City. This gave Stan a chance to receive a private, free tutor from the New York Philharmonic, Simon Kovar - a bassoon player. He also began to spend more time playing the saxophone. He eventually dropped out of school in order to pursue his musical career, but was later sent back to the classroom by the school system’s truancy officers.
In 1943, he was accepted into Jack Teagarden's band, and because of his youth he became Teagarden's ward. Getz also played along with Nat King Cole and Lionel Hampton. After playing for Stan Kenton, Jimmy Dorsey, and Benny Goodman, Getz was a soloist with Woody Herman from 1947 to 1949 in 'The Second Herd' and he first gained wide attention as one of the band's saxophonists, who were known collectively as 'The Four Brothers', the others being Serge Chaloff, Zoot Sims and Herbie Steward. With Herman, he had a hit with "Early Autumn" and after Getz left 'The Second Herd' he was able to launch his solo career. He would be the leader on almost all of his recording sessions after 1950.
During the early '50s, Getz broke away from the Lester Young style to form his own musical identity and he was soon among the most popular of all jazzmen. He discovered Horace Silver in 1950 and used him in his quartet for several months. After touring Sweden in 1951, he formed an exciting quintet that co-featured guitarist Jimmy Raney; their interplay on up-tempo tunes and tonal blend on ballads was quite memorable. Getz's playing helped Johnny Smith have a hit in "Moonlight in Vermont," during 1953-1954 Bob Brookmeyer made his group a quintet and, despite some drug problems during the decade, Getz was a constant poll winner. After spending 1958-1960 in Europe, the tenorman returned to the U.S. and recorded his personal favorite album, Focus, with arranger Eddie Sauter's Orchestra.
Getz became a central figure in introducing bossa nova music to the U.S. audience. Teaming with guitarist Charlie Byrd, who had just returned from a U.S. State Department tour of Brazil, Getz recorded Jazz Samba in 1962 and it became a hit. The title track was an adaptation of Antonio Carlos Jobim's "One Note Samba". Getz won the Grammy for Best Jazz Performance of 1963 for "Desafinado". As a follow-up, Getz recorded Jazz Samba Encore! with one of the originators of bossa nova, Brazilian guitarist Luiz Bonfa.
He then recorded the album Getz/Gilberto with Tom Jobim, João Gilberto and his wife, Astrud Gilberto. Their "The Girl from Ipanema" won a Grammy Award. The piece became one of the most well-known latin jazz cuts of all time. Getz/Gilberto won two Grammys (Best Album and Best Single), besting The Beatles' A Hard Day's Night, a victory for Bossa Nova and Brazilian jazz. A live album, Getz/Gilberto Vol. 2, followed, as did Getz Au Go Go, a recording made live at the Cafe Au Go Go. Unfortunately, Getz' affair with Astrud Gilberto brought an end to his musical partnership with her and her husband and he began to move away from bossa-nova and back to cool jazz. Even while still working with the Gilbertos, he recorded Nobody Else But Me an album of straightforward jazz with a new quartet including vibraphonist Gary Burton, but Verve Records, wishing to continue building the Getz brand with bossa-nova, refused to release it. It eventually came out 30 years later, after Getz had died.
In 1972, Getz recorded in the fusion idiom with Chick Corea and Stanley Clarke. This group, without Getz, went on to become the famous Return to Forever, and many of the pieces including "La Fiesta" remained in their repertoire. In this period Getz experimented with an Echoplex on his saxophone, for which critics vilified him. He eventually discarded fusion and "electric jazz", returning to acoustic jazz, while at the same time gradually de-emphasizing the Bossa Nova, opting for more esoteric and less-mainstream jazz. He had a cameo in the movie The Exterminator (1980).
Towards the end of his life the now drug-free Getz had another creative peak with a group including the pianist Kenny Barron, whom Getz described as "my musical other half".
In 1986, he was inducted into the Down Beat Jazz Hall of Fame.
Getz married Beverly Byrne, a vocalist with the Gene Krupa band, on 7 November 1946; they had three children together: Steven, David, and Beverly (who married Michael McGovern).
Getz became involved with drugs and alcohol while a teenager. In 1954, he was arrested for attempting to rob a pharmacy to get a morphine fix. As he was being processed in the prison ward of Los Angeles County-USC Medical Center, Beverly gave birth to their third child one floor below.
Getz tried to escape his narcotics addiction by moving to Copenhagen. He married Swedish aristocrat Monica Silfverskiöld on 3 November 1956 and had two children with her: Pamela and Nicolas. In 1957 Swedish girlfriend Inga Torgnér gave birth to a son Peter. Stan divorced Monica in 1987.
Zoot Sims, who had known Getz since their time with Herman, once described him as 'a nice bunch of guys', as a consequence of the wide behavioural range of which Getz was capable. In the final stages of his life Getz was able to end his addictions.
Getz died of liver cancer in 1991. His body was cremated and the ashes scattered at sea, off the coast of Malibu, California.
In 1998 the 'Stan Getz Media Center and Library' at the Berklee College of Music was dedicated through a donation from the Herb Alpert Foundation.
The Look of Love
Stan Getz Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Is in your eyes
A look your smile can't
disguise
The look of love
Is saying so much more than
Just words could every say
Well it takes my breath away
[Chorus]
I can hardly wait to hold you
Feel my arms around you
How long I have waited
Waited just to love you
Now that I have found you
You've got the look of love
It's on your face
A look that time can't erase
Baby be mine, tonight
Let this be just the start of
So many nights like this
Let's take a lovers vow
And seal it with a kiss
[Chorus]
Don't ever go
Don't ever go
I love you so
The look of love
Let this be just the start of
So many nights like this
Let's take a lover's vow
And baby we'll seal it with a kiss
[Chorus]
The Look of Love by Stan Getz is a song that is about the overwhelming feeling of love and the excitement that comes with finding the person you have been waiting for. The lyrics speak about the power that love has over someone when they look into the eyes of their significant other. The opening lines, “The look of love is in your eyes, a look your smile can't disguise,” signifies the fact that someone being in love can’t hide their feelings, as they are written all over their face. The look of love is so intense that it speaks louder than any words could ever say, which is mentioned in the second verse, “The look of love is saying so much more than just words could ever say, and what my heart has heard well it takes my breath away.”
The chorus of the song is about the eagerness to express one's love physically, “I can hardly wait to hold you, feel my arms around you, how long I have waited, waited just to love you, now that I have found you.” The final verse of the song is a plea for the person not to leave, “Don't ever go, don't ever go, I love you so, the look of love.”
Overall, this song portrays the emotion and feeling of being in love in a beautiful and poetic way that resonates with many people who experience love.
Line by Line Meaning
The look of love
The expression of love through body language
Is in your eyes
It is found in the gaze of your eyes
A look your smile can't disguise
Even though you may attempt to mask it with a smile, the look of love is still visible
Is saying so much more than
It communicates far beyond
Just words could ever say
Words are insufficient to describe the depth of the emotions conveyed
And what my heart has heard
What my heart has perceived
Well, it takes my breath away
It leaves me speechless
I can hardly wait to hold you
I am eager to embrace you
Feel my arms around you
Sensations of holding you in an embrace
How long I have waited
I have been patient for too long
Waited just to love you
I have been waiting merely to express my love for you
Now that I have found you
I am relieved that I have finally discovered you
You've got the look of love
I recognize the expression of love on your face
It's on your face
The expression of love is visible from your facial features
A look that time can't erase
The passage of time does not diminish the love that is expressed
Baby be mine, tonight
Be with me intimately tonight
Let this be just the start of
May this be merely the beginning of
So many nights like this
Many nights such as this one
Let's take a lovers vow
Let us commit to our love
And seal it with a kiss
And solidify our love with a kiss
Don't ever go
Please never leave
I love you so
I am deeply in love with you
The look of love
The expression of love
Let this be just the start of
May this be merely the beginning of
So many nights like this
Many nights such as this one
Let's take a lover's vow
Let us commit to our love
And baby we'll seal it with a kiss
And we shall solidify our love with a kiss
Lyrics © Sony/ATV Music Publishing LLC
Written by: BURT BACHARACH, BURT F BACHARACH, HAL DAVID
Lyrics Licensed & Provided by LyricFind