Stanley Black (14 June 1913 – 27 November 2002) was an English bandleader, … Read Full Bio ↴Stanley Black (14 June 1913 – 27 November 2002) was an English bandleader, composer, conductor, arranger and pianist. He wrote and arranged many film scores and recorded prolifically for the Decca label (including London and Phase 4). Beginning with jazz collaborations with American musicians such as Coleman Hawkins and Benny Carter during the 1930s, he moved into arranging and recording in the Latin American music style and also won awards for his classical conducting.

Black was born as Solomon Schwartz on 14 June 1913 in Whitechapel, England. His parents were Polish and Romanian Jews. He began piano lessons at the age of seven. He was aged only 12 when his first composition was broadcast on BBC Radio and continued his early success by winning a Melody Maker arranging competition aged 15.

In the early 1930s he was employed as a jazz player and composer and had worked with Howard Jacobs, Joe Orlando, Lew Stone, Maurice Winnick and Teddy Joyce by the time he joined Harry Roy in 1936. He had also broadcast and recorded with several American musicians, including jazz saxophonist Coleman Hawkins, who had first heard Black on late night radio shows with Lew Stone's band. When the two eventually met in London, the reviewer Edgar Jackson suggested they record together, and a notable collaboration is a duet version of Honeysuckle Rose.

During World War II, Black joined the Royal Air Force, and became involved in managing the entertainment of servicemen based at Wolverhampton. In 1944 he was appointed conductor of the BBC Dance Orchestra, and remained in the job for almost nine years, broadcasting as many as six nights a week.

By this time he had also begun recording under his own name for Decca. Now well involved with the film industry, he went on to compose, arrange and direct music for about 200 more films, notably after being appointed music director at Elstree Studios in 1958. He was also principal conductor of the Associated British Picture Corporation Orchestra and musical director composer of that organisation from 1958-1963.

Stanley Black's radio work kept him in contact with a large listening audience through his incidental music for shows such as Much Binding in the Marsh and the first two series of The Goon Show. He later presented his own programmes on radio and television, including Black Magic and The Marvellous World of Stanley Black.

In the early 1950s he regularly topped the Melody Maker lists of the most-heard musicians on radio. He was chosen to be included on Decca's first release of long-playing records in the UK in June 1950. This enabled him to continue his conducting, arranging and performing and resulted in a large number of albums. He was particularly popular in United States, as evidenced by his inclusion in the Billboard best-sellers lists.

During his life, he conducted many of Britain's major orchestras, and until the 1990s he was still directing regular broadcast sessions at the BBC studios, despite the onset of deafness in later life.

Stanley Black is remembered for writing numerous scores for radio, television and cinema, including the theme-tune for The Goon Show.

Other films he composed scores for include Laughter in Paradise (1951), The Naked Truth (1957), Blood of the Vampire (1958), Too Many Crooks (1958), The Long and the Short and the Tall (1961), West 11 (1963), The System (1964), Crossplot (1969), and the Cliff Richard musicals The Young Ones (1961) and his orchestral backing for Richard's follow up, Summer Holiday (1962), which won him an Ivor Novello Award. His work also became familiar to millions of cinema audiences as a consequence of his theme tune and music library for Pathé News, written in 1960.

He also recorded many classical works, including collections of Tchaikovsky and George Gershwin. In 1965 he won a Gramophone Award for his version of Rimsky-Korsakov's Capriccio Espagnol. In addition, he arranged and conducted many commercially successful albums on LP and later CD like Tropical Moonlight, Cuban Moonlight, Black Magic, and series of Film Spectacular and Broadway Spectacular for Decca Records.

'S Wonderful
Stanley Black Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

Don't mind telling you, in my humble fash
That you thrill me through, with a tender pash,
When you said you care, 'magine my emoshe
I swore then and there, permanent devoshe,

You made all other men seem blah
Just you alone filled me with ahhhhhhhh......
's wonderful, 's marvellous

You should care for me!

's awful nice, 's paradise,
's what I love to see.
You've made my life so glamorous,
You can't blame me for feeling amorous!

Oh 's wonderful, 's marvellous,
That you should care for me!
's magnificque, 's what I seek
You should care for me.

's elegant, 's what I want,
's what I love to see.
My dear, it's four leaved clover time,
From now on my heart's working overtime,

's exceptional, 's no bagatelle,
That you should care for...

That you should care for...
That you should care for me...

Overall Meaning

The lyrics of 'S Wonderful by Stanley Black is an expression of the singer's feelings towards the person he loves. He describes his emotions as tender and thrilling, and how his devotion for that person is permanent. The singer feels that the person has made his life glamorous, and he cannot help but feel amorous towards them. He believes that she is the only one who makes him feel this way and that her care for him is what he seeks.

The song generally speaks of how meeting the right person can make life seem wonderful and marvellous, and how it feels to be loved and cared for. The lyrics describe the singer's gratitude towards the person he loves for making his life elegant, glamorous, and exceptional.

Line by Line Meaning

Don't mind telling you, in my humble fash
I don't mind admitting to you, in my own modest way

That you thrill me through, with a tender pash,
You excite me completely, with a gentle kiss

When you said you care, 'magine my emoshe
When you told me you care, imagine my emotions

I swore then and there, permanent devoshe,
I promised then and there, a permanent devotion

You made all other men seem blah
You made all other men seem insignificant

Just you alone filled me with ahhhhhhhh......
Only you filled me completely

's wonderful, 's marvellous
It's amazing, it's fantastic

You should care for me!
You should love me!

's awful nice, 's paradise,
It's incredibly pleasant, it's like paradise

's what I love to see.
It's what I enjoy seeing

You've made my life so glamorous,
You've made my life so attractive