For generations of great American songwriters, the music and the message have been inextricably linked. Word and deed are one in the same, and the only thing more moving than the rousing call to action is the evocative melody that transports the words like a shell casing. These are fire-breathing poets of justice who sing about ordinary people in extraordinary ways, and can turn the world inside out with three chords and the truth. These are the tenets by which STATE RADIO’s Chad Stokes Urmston, Chuck Fay, and Mike “Mad Dog” Najarian are driven, and they once again flex that strength and sense of purpose on their third album, LET IT GO. But this is no soapbox symposium.
“It’s the only way I know how to do it,” says singer/guitarist Stokes about the band’s impassioned social consciousness. “It’s the only way State Radio has done it. This has always been an organic, grassroots thing. It’s about trying to be true to what we do.”
Like Rage Against The Machine and System Of A Down before them, State Radio roll up their sleeves as they practice what they preach, whether it’s riding bikes to gigs to support Bikes Not Bombs, hosting food drives in conjunction with Rock For A Remedy, or playing shows to raise money for the Learning Center for the Deaf. How’s Your News?, a film project created by Stokes while working at a camp for adults with disabilities, where the campers are the reporters, was just a way for Stokes and company to flip the standard interview format on its head with a different viewpoint before it was picked up by Trey Parker and Matt Stone for a run on HBO and MTV.
Action is hardly a new concept for all the members of State Radio. Before the band, Mad Dog volunteered as mentor with Big Brothers Big Sisters, while Fay was and continues to be a powerful voice for Instant Runoff Voting and comprehensive election reform across the country. On tour, State Radio has joined with Amnesty International to expose the injustices and improprieties of the legal system by protesting the death penalty for Georgia’s Troy Davis. They’ve worked to minimize wildfire danger by removing invasive plants from areas in California, and have partnered with Oxfam America to organize home run derbies and 5K road races to raise money and awareness to help protect women against violence in Sudan. Most bands have touring schedules. State Radio have an Action Calendar.
During their sold out, 25-city tour this past February, the band performed service projects in every town they visited, from serving lunch at a homeless shelter in Houston to building a community garden at an inner city elementary school in Washington, D.C. Calling All Crows (callingallcrows.org), the group’s platform for social action started by Stokes and State Radio tour manager Sybil Gallagher, is committed to continuing the group’s socio-political dialogue once the music ends and the lights come up. In less than a year, State Radio and their fans have amassed over 1,800 hours of community service through projects that have local, national, and global impact.
“There are times when there’s a service project every morning at 9am—and we’d had a late night the night before—where it’s like, ‘Are we a service group that plays music, or are we a band that does service projects?’” Stokes laughs. “There’s a balance between the two things because they feed each other. I want to experience the stuff I’m writing about.”
That same mindset held true for Stokes’ previous band, the roots rock outfit Dispatch, who formed while Stokes was a student at Middlebury College in Vermont. Though the group disbanded in 2002, they’ve reunited three times, the most notable being a three-night, sold out run at Madison Square Garden in 2007 to raise funds and awareness for poverty-stricken Zimbabwe. It marked the first time in history an unsigned band had headlined the Garden, let alone sold it out.
“It was a progression,” says Stokes’ of the shift from Dispatch to State Radio, who formed in 2002. “I think had Dispatch stayed together, all these State Radio songs would have been Dispatch songs.”
State Radio’s first album, Us Against The Crown, introduced listeners to the band’s raw, pop-punk sound. Tracks like “Mr. Larkin” and “Black Cab Motorcade” had all the boundless energy of a vigorous protest, while “Right Me Up,” a personal account of a friend with a disability, showcased Stokes’ reggae harmonies.
Their second album, Year Of The Crow, was recorded in the UK and produced by Tchad Blake (Peter Gabriel, Pearl Jam, Soul Coughing). Featuring songs like “Sudan,” “Guantanamo,” and “Gang Of Thieves,” the album pushed the group’s socio-political motivations even further into the forefront. It also broadened their sonic palette with bigger guitars (“CIA”) and more diverse instrumentation (“The Story Of Benjamin Darling, Part 1”). But the bridge between both records has always been Stokes’ transcendental storytelling, which continues to mature and evolve on Let It Go.
The album kicks off with “Mansin Humanity,” a gripping song about the Armenian genocide, then slides into “Calling All Crows,” a one-drop groove that calls the band’s legion of fans to attention as Stokes beckons, “It’s gonna be a showdown, said the rebel to the revolutionary, come with me!” Elsewhere, State Radio invoke the spirit of the Clash on “Doctor Ron The Actor” and “Knights Of Bostonia,” a raise-yer-pints anthem to the band’s hometown. (After all, Stokes did meet Mad Dog while he was drumming on a bucket outside of the home of the Red Sox Fenway Park.) Another track, “Held Up By The Wires,” mixes classic Boston references and Civil War tales with nods to Jack London’s “The Road,” sailing pioneer Irving Johnson, and Stokes’ own time spent in Zimbabwe. The track has been in the band’s repertoire since the early days, but it wasn’t until now that it found it’s way onto an album, a fact Stokes attributes to the way in which Let It Go was recorded.
While touring Year Of The Crow, State Radio enlisted Tchad Blake’s assistant, Dom Monks, as their front-of-house engineer; a critical position for a band with such a large live audience. When it came time to seek out producers for Let It Go, Monks threw his hat in the ring. He also suggested that the band record the songs in the same manner as they were performed: live off the floor, with all the instruments buzzing and howling at once.
“He has a great ear and he’s worked with the best guy,” says Stokes of his producer and friend. “He knew all our songs and he did an amazing job.”
Two-thirds of the album were recorded at Q-Division in Boston, while the remaining parts were tracked at the famous Long View Farm Studio, the preferred practice space of the Rolling Stones before all their US tours, and a location that houses just as much livestock as it does vintage pre-amps. The rustic setting provided the perfect atmosphere with which to coalesce the band’s trademark live energy, while recording straight to tape with limited tracks allowed them to be more succinct with the musical message they wanted to convey.
“We’ll take the long way around, we gather on the wall on the wrong side of town. We’ll surprise them all,” sings Stokes on “Evolution.” After years of social action and political awareness—not to mention playing in front of thousands upon thousands of fans with very little support by the mainstream—the 33-year-old Stokes knows a thing or two about how to serve up lighting in a bottle. Sometimes quiet persistence is the best way. Like when he and 15 other peers spent 28 days walking a headstone 433 miles from Sherborn, Massachusetts to Arlington National Cemetery to honor unknown civilians killed in war. (Alas, they were stopped at the bridge and not allowed to enter.) But after you’ve done the backstroke in the Lincoln Memorial Reflecting Pool and shaken hands with the Prime Minister of Zimbabwe, what do you do next?
“I think the dream would be to jump freights to each city,” says Stokes of their upcoming tour to support Let It Go. “Going out to the Democratic National Convention last year, my brother and I jumped freights from Massachusetts to Denver, then from Denver to California, opening up for Rage in the middle there.”
And have someone drive the gear?
“Or just get back line everywhere we go,” Stokes smiles, “and hit the rails that night.”
State Radio’s Let It Go is out September 29, 2009.
Democracy in Kind
State Radio Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
fell from half mast
now
half covering a red shoe
Half asked, if they were us,
what would we do
let Washington conspire
You know the company men wait for you
in their lair
But a moment is callin
callin us all
as your one time supporters
hang from media walls
and outside the gate
fate is closing in
you can turn us down
but you can't deny the din
from the farm lands to the townships
the masses are classes
war cries rise with every hour that passes
they trampled the voice of the past thats ceasing us
go ahead and load the magazines
cause them bullets are treasonous
(quiet)
your leader is going to speak now
everyone turn off your mind
(quiet)
your listenin to a raid on the state of your
democracy in kind
but a moment is callin
callin us all
as your one time supporters
hang from media walls
and outside the gate
fate is closin in
you can turn us down
but you can't deny the din
from the farm lands to the townships
the masses are classes
war cries rise with every hour that passes
you trampled voice of the past thats ceasing us
go ahead and load the magazine
cus them bullets are treasonous
(quiet)
your leader is goin to speak now
everyone turn off your mind
(quiet)
you're listenin to a raid on the state of your
democracy in kind (3x)
a democracy in
hey for ya
hey for ya
hey for ya
hey it's another
hey for ya
hey for ya
hey for ya
(quiet)
your leader is going to speak now
everyone turn off your mind
(quiet)
your listenin to a raid on the state of your
a democracy in kind
The song "Democracy in Kind" by State Radio paints a picture of an America in crisis. The opening verses describe a flag at half-mast, with a human (presumably a military service member) in white and blue lying nearby, their red shoe partially covered by the flag. The singer wonders how America would respond to such a tragedy. The news media is called upon to report on the event and urge Washington to take action, but the "company men" who control the government are waiting in the wings.
The chorus speaks to the idea that a moment of crisis is upon America and calls upon everyone to take notice. There are calls to arms from the "farm lands to the townships," with the masses starting to rise up against the wealthy and powerful elite. The government responds with violence, loading magazines and turning on the very people it's supposed to protect. The final verses repeat the call to listen to the upcoming speech from the leader, but it's clear that this is a ruse. The true state of America's democracy is in shambles and it is up to the people to take action.
Overall, the song is a call to arms for the American people to wake up and take notice of the state of their democracy. It speaks to a sense of urgency and desperation that is felt by many in America today.
Line by Line Meaning
There's a human in white and blue
fell from half mast
now
half covering a red shoe
A person wearing white and blue fell from a flagpole halfway and now their body covers half of a red shoe.
Half asked, if they were us,
what would we do
It is uncertain what actions we would take if we were in the same situation as the person who fell.
Mister news man send your wire
let Washington conspire
You know the company men wait for you
in their lair
The news reporter should spread the message to Washington and allow them to conspire. The corrupt people in power are waiting for the news to pursue their own interests.
But a moment is callin
callin us all
as your one time supporters
hang from media walls
and outside the gate
fate is closing in
you can turn us down
but you can't deny the din
This is a moment that calls for all of us because our once loyal supporters are being persecuted by the media. Outside, danger is approaching, and although we may be censored, we can't deny the growing sound of the people's revolt.
from the farm lands to the townships
the masses are classes
war cries rise with every hour that passes
they trampled the voice of the past thats ceasing us
go ahead and load the magazines
cause them bullets are treasonous
From rural areas to cities, the masses are one united class. With each passing hour, there are more and more cries for war. The people in power have suppressed and silenced our history, but if they turn to violence, it will be considered an act of treason.
(quiet)
your leader is going to speak now
everyone turn off your mind
(quiet)
your listenin to a raid on the state of your
democracy in kind
The leader is about to address the public, so quiet down and listen. The message being conveyed is exposing the real state of our democracy.
a democracy in
hey for ya
hey for ya
hey for ya
hey it's another
hey for ya
hey for ya
hey for ya
(quiet)
your leader is going to speak now
everyone turn off your mind
(quiet)
your listenin to a raid on the state of your
a democracy in kind
This is a democracy, and we need to fight to protect it. Hey, everyone, we all need to do our part to preserve this democracy. Regardless of the situation, our leader is about to speak, so we need to focus on their message. Once again, the message is about the state of our democracy.
Contributed by Camilla M. Suggest a correction in the comments below.