They began as a rock and roll freakbeat band called The Spectres. By 1967, with very little commercial success, they discovered psychedelia and changed their name to Traffic (later Traffic Jam, to avoid confusion with Steve Winwood's Traffic.) At this time the line-up also included organist Roy Lynes and drummer John Coghlan. Late in 1967 they recruited second guitarist Rick Parfitt and became The Status Quo, scoring Top 10 singles with Pictures Of Matchstick Men and Ice in The Sun. "Pictures of Matchstick Men" remains the only Top 40 hit single the group has ever charted in the United States. They have never achieved the same level of success there, that they have enjoyed in their home country.
After their second album Spare Parts they decided to change into a heavy boogie rock band. During the seventies they became one of the UK's leading rock bands, gaining a faithful following due to their excellent live gigs. They showed a great amount of energy during this decade and in the early 80s. They and are best known for songs from this era such as Paper Plane (1972), Caroline (1973), Down Down (1975), John Fogerty's Rockin' All Over The World (1977) and Whatever You Want (1979). Down Down topped the UK charts in January 1975 (their only British No. 1 single to date).
Lynes left in 1971, to be replaced initially by guest keyboard players on album, including Jimmy Horowitz and John Parker, and later on a more permanent basis on record and stage by ex-The Herd and Judas Jump member Andy Bown, though as he was contracted as a solo artist with EMI, he was not credited as a full-time member until 1982. Coghlan left in late 1981, to be replaced by Pete Kircher from 1960s band Honeybus. This short-lived lineup played its last gig in 1984 at the Milton Keynes Bowl, and reformed briefly to open the Live Aid charity event at Wembley in July 1985.
That year Rossi recorded and released two solo singles with longtime writing partner Bernie Frost. Parfitt was also working on a solo album which is still unreleased, although some tracks have been re-recorded by Status Quo and released as 'B' sides. Bass player John Edwards and drummer Jeff Rich, both ex-Judie Tzuke Band and Climax Blues Band, assisted Parfitt in the studio.
In the summer of 1985 Rossi, Parfitt and Bown, along with Edwards and Rich started work on a new album. Lancaster, who was living in Australia at the time, took out a legal injunction to stop the band using the Status Quo name on any records. The injunction was lifted after a court hearing in January 1986. Lancaster had had increasing musical differences with the group, notably during the sessions for the 1983 album Back to Back over two tracks which became hit singles for the group around that time. He had written Ol' Rag Blues, but was angered when the producers chose to release a version with Rossi singing lead vocal in preference to the one sung by himself, and he objected to Marguerita Time, which he thought unduly corny and too pop-oriented for them. He remained in Australia, forming a band called Party Boys, who had no success in Britain.
The commercially successful In The Army Now album was released in 1986, and the band continues to this day with the revised personnel. Rich left in 2000 and was replaced by Matthew Letley. Andrew Bown took a year off at the same time for family reasons and was replaced on stage by Paul Hirsh, formerly of Voyager.
According to Songfacts.com, Quo's 29th studio album, Quid Pro Quo, was released in a deluxe format exclusively at Tesco on 30 May 2011. The regular edition was released elsewhere a week later on 7th June. The LP debuted at #10 in the UK charts, the band's best chart placing for an original album since Don't Stop peaked at #2 in 1996.
Although Quo still release new material every few years, recent years have seen them release a series of greatest hits compilations and covers albums. One of the band's most recent original albums, Heavy Traffic, shows a return to classic form not seen since the late 1970s.
Status Quo have often been characterized, perhaps unfairly, as producing very simple songs, always in the same format: 4/4 rhythm, three chord structure. However, the recordings from their first decade demonstrate a diversity in musical style and complexity to rival most of the late 60s UK bands, and several of their singles and album tracks from later show considerable subtlety, not least the mainly acoustic 1979 single Living On An Island, and the 1980 album track, later a single, Rock'n'Roll, which is ironically one of the least rock'n'roll-like songs they have ever recorded.
They have a loyal group of fans in the United Kingdom, where they have enjoyed more hits than any other group in rock and roll history (over 60 as of mid-2005), as well as a big following in Europe, notably in The Netherlands.
In September 2005 a contestant on the long-running BBC television quiz programme Mastermind chose Status Quo as his specialist subject. That same year they took part in the long running ITV soap opera Coronation Street in a storyline which involved them being sued by the layabout Les Battersby.
In December 2005 it was announced that Parfitt was undergoing tests for throat cancer. All subsequent dates of the UK tour were cancelled as a result. However on 20th December it was further announced that the growths found in Parfitt's throat were benign and had been removed.
Quo have even been the subject of a Doctoral Thesis, purporting to demonstrate that their music composition skills could be favourably compared to the likes of the classical music composers, such as Beethoven!
In Autumn 2008 German techno legend Scooter released new single Jump that rock together with Status Quo.
On 1 February 2016, it was officially announced that Status Quo, in addition to the spring and summer dates already scheduled, would tour Europe starting in October. The final dates would take place in the UK towards the end of the year, after which the group would retire from playing 'electric' tours.
On 28 October 2016, Rick Parfitt permanently retired from live performances after suffering a heart attack earlier the same year. On 24 December 2017, he died in hospital in Marbella, Spain as a result of severe infection, after suffering an injury to his shoulder. Parfitt's funeral was held at Woking Crematorium on 19 January 2017. Irish guitarist Richie Malone, who had substituted for Parfitt during some 2016 live shows, took his place on rhythm guitar.
Price of Love
Status Quo Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
You drink all you can but you won't forget her
You talk too much, you laugh too loud
You see her face in every crowd
That's the price of love, the price of love
The debt you pay with tears and pain
The price of love, the price of love
Kiss one girl, you kiss another
You kiss themall but you won't recover
You're dancing slow, you're dancing fast
You're happy now but that won't last
That's the price of love, the price of love
The debt you pay with tears and pain
The price of love, the price of love
Costs you more when you're to blame
That's the price of love, the price of love
The debt you pay with tears and pain
The price of love, the price of love
Costs you more when you're to blame
That's the price of love, the price of love
The debt you pay with tears and pain
The price of love, the price of love
Costs you more when you're to blame
Wine is sweet and gin is bitter
You drink all you can but you won't forget her
The lyrics to "Price of Love" by Status Quo are a reflection on the emotional toll that love can have on a person. The first verse highlights how alcohol can be used as a coping mechanism to try and forget about someone, but despite the attempts, the memories and emotions remain. The chorus repeats the phrase "the price of love" multiple times, emphasizing the concept that love inevitably comes with a cost. The debt that one pays for love is measured in tears and pain, and the price increases when one is at fault. The second verse describes the temporary happiness that one can experience while dancing and laughing, but how the memory of the person they love ultimately lingers and overshadows any joy.
The song's message is one of heartbreak and the difficulty of truly moving on from someone who has a deep impact on your life. It acknowledges the fact that love can be all-consuming and that the cost of it is not just financial, but emotional. The use of repetition in the chorus drives home the idea that the price of love is something that cannot be easily overlooked or ignored.
Line by Line Meaning
Wine is sweet and gin is bitter
Alcohol can provide fleeting pleasure but cannot erase the memory of lost love
You drink all you can but you won't forget her
Trying to drown out the pain with alcohol will not make you forget the person you love
You kiss one girl, you kiss another
Hopping from one person to another cannot replace the love lost
You kiss them all but you won't recover
No amount of kissing or meaningless intimacy can mend a broken heart
That's the price of love, the price of love
The emotional cost of loving and losing someone
The debt you pay with tears and pain
The heartache and suffering one endures after losing someone they love
Costs you more when you're to blame
The pain is amplified when you hold yourself responsible for the loss
You're dancing slow, you're dancing fast
The fleeting moments of happiness and escape from heartache
You're happy now but that won't last
Happiness is temporarary and does not make up for the pain of loss
You talk too much, you laugh too loud
The superficial distractions one tries to use to mask the pain
You see her face in every crowd
No matter how many people are around you, you cannot escape the memory of the person you lost
That's the price of love, that's the price of love
The cost of loving and losing is always the same
That's the price of love
The emotional toll of lost love
That's the price of love
The price of having truly loved and losing them
That's the price of love
The cost of opening your heart up to someone and having it broken
That's the price of love
The emotional burden of loving and losing that cannot be avoided
Lyrics © BMG Rights Management, Sony/ATV Music Publishing LLC
Written by: Donald Everly, Phil Everly
Lyrics Licensed & Provided by LyricFind
John Haines
Brilliant. Also, some folks have mentioned both the old Golden Hour LP and the Spare Parts CD; get Spare Parts. The Golden Hour was truly a bodge job, common at the time. Inexpensive re-copying / re-recording, resulting in the band seeming to be half a mile away in the local park.
John Robertson
Still good on a decent hi fi
Walter L.
I've from the USA,and I heard this version on a (Canadian pressing) " Golden Hour " LP !!!!!!!
John Robertson
good album
Dario Western
Sounds like they'd been listening to Jimi Hendrix when recording this version. Sounds a lot better when done fast. Andrew Ridgeley did a pretty good cover of it on his album "Son Of Albert" in 1990, but sadly it was slagged to shit by critics.
Daniel Bayer
That whole record had some pretty good tunes on it. It was too hard rock for his previous Wham! audience though, and rock fans had already written him off.
Nick Farr
I wanna get 'Spare Parts' ( this ain't on it- but it's from the same sessions- like Jumping Jack Flash /Beggars Banquet)
Svein Sigurd Gismarvik
Cool as quo❤
PopTin
R I P Phil.
Tschunasun
This one the best version, Hugh