Get With You
Stereos Lyrics

Yeah alright now
The singer affirms his enthusiasm to proceed with his plan.

Yeah come on let me get with you
The singer expresses his desire to be with the addressee.

Girl all them other boys wont do a thing like me
The singer compares himself to other men and asserts his uniqueness.

I can hold it down better and you'll see
The artist claims to be able to take care of the addressee.

That I'ma treat you better then them other boys would
The artist pledges to be a better partner than anyone else.

And I'ma take you places that no other boy could
The singer promises to offer the addressee exceptional experiences.

I kinda like how you move it girl
The singer expresses his appreciation for the addressee's dancing.

So come on move it next to me if you want to
The artist invites the addressee to be close to him.

And when you shaking it you rock my world
The artist emphasizes the impact of the addressee's dancing on him.

I got my eye on you
The artist discloses his interest in the addressee.

So if you let me get with you
The singer reiterates his desire to be with the addressee, subject to her consent.

Anything you want to
The artist assures the addressee of his readiness to accommodate her needs.

I'ma put it on you
The singer uses slang to indicate his intention to satisfy the addressee sexually.

Get with you
The singer repeats his invitation to be with the addressee.

Girl I got you if you got me
The singer implies that he is willing to reciprocate the addressee's feelings.

Well when I showed up you were all I see
The artist reveals that the addressee caught his attention immediately.

Yeah dancing on the table of the v i p
The artist describes the addressee's exuberant behavior in a club setting.

I told myself that I was gonna get you shorty
The singer narrates his decision to pursue the addressee.

Anything you got
The singer suggests that he is willing to accept anything from the addressee.

Come on and lay it on me
The artist uses an idiomatic expression to encourage the addressee to express herself freely.

Yo I'ma get you girl
The artist restates his desire to be with the addressee.

Go head and get you girl
The artist uses an ambiguous phrase that may mean either 'go ahead and pursue your goals' or 'allow me to have you'.

You got me swinging for the fences I ain't miss it girl
The singer asserts that he made a bold move to be with the addressee and succeeded.

Now lets get physical
The artist hints at the possibility of engaging in sexual activity.

Make it official whoa
The singer suggests that they commit to each other sincerely.

Year round mistletoe
The singer uses an image of a Christmas tradition to express his desire to keep the romantic mood all year long.

You know Ill be kissin' yo
The singer pledges to show physical affection to the addressee.

And when the sun is gone
The artist implies enjoying intimate moments with the addressee in the evening or at night.

We can get it on
The artist uses a euphemism to refer to sexual activity.

Make a player transform like a mega tron
The singer refers to himself as a 'player', a term often used to describe a seductive or promiscuous man, and paints a hyperbolic image of his transformation in the presence of the addressee.

So cancel all your plans
The singer encourages the addressee to spend time with him instead of doing other things.

Ill be the camera man
The artist uses photographic imagery to indicate his intention to capture meaningful moments with the addressee.

You can be a movie star
The artist implies that the addressee could enjoy being in the spotlight with him.

And I will be your biggest fan
The artist commits to being supportive and impressed by the addressee.

I know I've only just met you girl
The singer admits his limited knowledge about the addressee.

But I know that I can see myself beside you
The artist expresses his confidence that he and the addressee can develop a romantic relationship.

And now I gotta make it real with you baby
The singer asserts that he intends to make their romantic relationship concrete.

Yeah yeah
The singer accentuates his excitement.

Oh
The singer uses an interjection to convey a sudden emotion, possibly surprise or awe.

Yeah come on let me get with you
The artist repeats his invitation to be with the addressee.

Alright
The artist conveys his confirmation or agreement.