Stevie Ray had been in numerous bands before joining blues rock combo Stevie Ray Vaughan and Double Trouble in the late 1970's.
Stevie Ray Vaughan and Double Trouble's debut album was released in 1983. The critically acclaimed Texas Flood (1983) featured the top-20 hit Pride and Joy and sold well in both blues and rock circles.
Stevie Ray Vaughan died August 27th, 1990 when his helicopter crashed into the Alpine Valley ski hill. He was on his way back from playing a guest appearance at an Eric Clapton concert at Alpine Valley Music Theatre in East Troy, Wisconsin.
Adult life and career
Vaughan's first recording band was called Paul Ray and the Cobras. They played at clubs and bars in Austin during the mid-1970s, and released one single.[2] Vaughan later recorded two other singles under the band name The Cobras.[3] Stevie left the Cobras, leaving Denny Freeman still in his role of original lead guitarist, and formed Triple Threat in late 1975, which included bassist Jackie Newhouse, drummer Chris Layton, vocalist Lou Ann Barton, and sax player Johnny Reno. Barton left the band in 1978 to pursue a solo career, followed by Reno in 1979. The three remaining members started performing under the name Double Trouble, inspired by an Otis Rush song of the same name. Vaughan became the band's lead singer.
Tommy Shannon, the bass player on Johnny Winter's early albums, replaced Newhouse in 1981. A popular Austin act, Vaughan soon attracted the attention of musicians David Bowie and Jackson Browne. Both Browne and Bowie first caught Vaughan at the 1982 Montreux Jazz Festival, where some members of the audience booed the band because they disliked Double Trouble's hard blues sound; the crowd response was quite different when they were subsequently invited to headline "Blues Night" at the festival in 1985.
In November, 1982, Vaughan recorded in Jackson Browne's studio in downtown Los Angeles. The recordings were brought to the attention of A&R man John Hammond and became Double Trouble's critically acclaimed first album, Texas Flood (1983), produced by Hammond; it featured the Top 20 hit "Pride and Joy" and sold 500,000 copies, earning the band a gold record. The album was nominated for a Grammy Award, and its song "Rude Mood" was nominated for "Best Rock Instrumental". Vaughan won three categories in Guitar Player's readers poll: "Best New Talent", "Best Blues Album", and "Best Electric Blues Guitarist". He became the second guitarist to win three Guitar Player awards in one year (the first is Jeff Beck). Vaughan won the "Best Electric Blues Guitarist" award every year until 1991.
Also in 1983 Bowie featured Vaughan on his 1983 album Let's Dance.[4] Vaughan was asked to go on tour with Bowie, but declined so he could continue to play with Double Trouble. Reportedly, Vaughan, who was still driving a delivery truck to support himself, was furious when he saw Bowie pantomiming over Vaughan's guitar solo in the video for "Let's Dance".
The band's next album, Couldn't Stand the Weather, was recorded in January 1984. During mid-1984 Vaughan and Double Trouble made numerous TV appearances, performing on Rockpalast, MuchMusic, and Solid Gold.
During the Grammy Awards of 1984, Vaughan and George Thorogood presented Chuck Berry with a lifetime achievement award. "Voodoo Child (Slight Return)" from Couldn't Stand The Weather was nominated for "Best Rock Instrumental Performance".
The band played Carnegie Hall in New York City on October 4, 1984. The show featured one Double Trouble set, and a second with guests Dr. John on keyboards, George Rains on drums, Jimmie Vaughan on guitar, Roomful of Blues Horns, and singer Angela Strehli. The group rehearsed in September 1984 at the Caravan of Dreams in Fort Worth, Texas.
In November, Vaughan won two W.C. Handy National Blues Awards: "Entertainer of the Year" and "Blues Instrumentalist of the Year". It was the first time a white person won either award. During this time, he also began recording with one of his earliest idols, blues-rock guitar pioneer Lonnie Mack, to produce the album Strike Like Lightning on the Alligator label.
In late January 1985, the band went on a six-night Japanese tour with various interviews and performances. In March, the band started to produce their third album Soul to Soul. Reese Wynans, a former keyboardist with Captain Beyond and Delbert McClinton's band, was added to the band not long after. The album's production lasted for two months. On April 10 Vaughan played "The Star Spangled Banner" for opening day of the National League baseball season at the Houston Astrodome (supposedly he didn't get a good audience response from that crowd; he did, at least, get to meet former New York Yankee great Mickey Mantle afterwards). Soul to Soul was released on September 30, 1985; Vaughan received his fifth Grammy nomination: "Best Rock Instrumental Performance" for one of its songs, "Say What!".
In the following months of 1986, Vaughan and Double Trouble went on tour in New Zealand. It was around this time that he met Janna Lapidus, a touring model in New Zealand.
In mid-1986, the band was considering ideas of a new album, particularly a live album. Shows were set up at the Austin Opera House and at the Dallas Starfest. Audiences saw Vaughan struggle through these shows, as some of the original recordings were filled with technical difficulties.
On August 27, 1986, the Vaughan brothers' father, Big Jim, passed away of heart failure. A funeral was arranged two days later. The boys rushed home to comfort their mother, yet had little time to mourn. After the funeral was finished, a jet rushed Vaughan to Montreal, Quebec, where he played the "Labatt Blues Fest" (in Quebec, so named for their flagship beer "Labatt Blue"), known elsewhere as the "Miller Beer Festival" in Jarry Park.
The recordings in both Dallas and Austin, as well as the Montreux Jazz Festival, were edited and later released on Live Alive in November 1986.
Studio Albums:
Texas Flood (1983)
Couldn't Stand the Weather (1984)
Soul to Soul (1985)
In Step (1989)
Family Style (with Brother Jimmie Vaughan as "The Vaughan Brothers", 1990)
The Sky Is Crying (posthumous release) (1991)
Official live audio releases:
In the Beginning (Live, recorded 1980)
In Session (Live, with Albert King, recorded 1983)
Live at Carnegie Hall (Live, recorded 1984)
Live Alive (Live, recorded 1986)
Live At Montreux 1982 & 1985' (Live, recorded 1982 & 1985)
Wolfgang's Vault releases: http://www.wolfgangsvault.com/stevie-ray-vaughan
Compilations:
Greatest Hits (1995)
The Essential Stevie Ray Vaughan and Double Trouble (1995)
The Real Deal: Greatest Hits Volume 2 (1999)
Blues at Sunrise (2000)
SRV (box set, with early recordings, rarities, hits, and live material) (2000)
Long Way from Home
Stevie Ray Vaughan Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Look all around me everywhere
Well it doesn't really matter
Which way i want to go
'Cause the night is a fallin'
And I'm a long long way from home
I am a long long way from home, yes i am
Listen to this... listen to that
People tryin' to tell me
Where it's at
But it really doesn't matter
I hear it all the time
And I'm standing at the crossroads
'bout to move on down the line
About to move on down the line
Well I've been over here... been over there
Friends all around me everywhere
But it really doesn't matter
Which way i want to go
I'm a million miles from nowhere
And that's a long long way from home
And that's a long long way from home
Yeah a million miles from nowhere
And that's a long long way from home
And that's a long long way from home
The lyrics to Stevie Ray Vaughan's song "Long Way From Home" paint a picture of a person feeling lost and unsure of their place in the world. The song opens with the singer looking around at his surroundings, but it becomes clear that he doesn't know which way he wants to go. He's lost and disconnected from his home and the people around him. The night is falling, which adds a sense of darkness and uncertainty to the situation.
The chorus of the song emphasizes just how far away the singer is from home. He repeats the line "I am a long long way from home" twice, conveying a deep sense of longing and belonging. Despite being surrounded by people, the singer still feels isolated and disconnected. He's listening to the advice of others, but ultimately knows he needs to make his own decisions and find his own way.
The final verse brings the song full circle, with the singer reflecting on his travels and experiences. He's been to many places and made many friends, but ultimately still feels lost. He's a "million miles from nowhere" and doesn't know how to find his way home. The lyrics of "Long Way From Home" capture a sense of restlessness and yearning for connection that many people can relate to.
Line by Line Meaning
Look over here....look over there
I'm searching for something in every possible direction
Look all around me everywhere
I'm visually scanning my entire environment
Well it doesn't really matter
Which way I want to go
I'm directionless and unsure of where to go
'Cause the night is a fallin'
And I'm a long long way from home
I am a long long way from home, yes I am
I'm far from home and it's becoming dark, which adds to my feeling of loneliness and disorientation
Listen to this... listen to that
People tryin' to tell me
Where it's at
But it really doesn't matter
Everyone has their own opinions and advice, but ultimately it's up to me to figure things out on my own
I hear it all the time
And I'm standing at the crossroads
'bout to move on down the line
About to move on down the line
I'm surrounded by various options and decisions and I need to make a choice and move forward
Well I've been over here... been over there
Friends all around me everywhere
But it really doesn't matter
Which way I want to go
I've explored different places and have people who care about me, but I still feel lost
I'm a million miles from nowhere
And that's a long long way from home
And that's a long long way from home
I'm not only far from home, but I'm also feeling disconnected from everything and everyone around me
Yeah a million miles from nowhere
And that's a long long way from home
And that's a long long way from home
I'm emphasizing how far I feel from everything and everyone
Lyrics © Wixen Music Publishing, RESERVOIR MEDIA MANAGEMENT INC
Written by: DOYLE BRAMHALL, STEVIE RAY VAUGHAN
Lyrics Licensed & Provided by LyricFind