Guts & Griffith
Sticky M.A. Lyrics

Yeah (Sticky M.A), yeah, yeah
Introduction and affirmation of the artist's identity

Auh-uh-uh (wow, wow, wow, wow)
Exclamation conveying amazement or surprise

Yeah, ya no quiero tu amor más, no, no me guio por normas, no
The artist no longer wants the love of the subject and doesn't conform to societal norms

No me fío ya de ni Dios, en avión el teléfono
The artist doesn't trust anyone, not even God, and takes extreme measures to communicate privately

Uno más uno no son dos, hay gente que vale más
The artist recognizes that not everything is as simple as it seems and that some people are more valuable than others

Yo valgo más que el oro, tú menos que circonitas (yeah, yeah, yeah)
The artist values themselves highly, while belittling the subject

A veces pesa mi espada
The burden of the artist's struggles weigh on them

Pero se me ilumina mi corazón verde y ya no pesa nada (wow, wow)
The artist is inspired by hope and feels uplifted

Yeah, noto tu alma como rara
The artist senses that the subject's soul is strange or off

No me inspiras confianza, ya no quiero verte má' la cara
The artist doesn't trust the subject and doesn't want to see them anymore

To's los míos 'tán muy Prada
The artist's crew is all about luxury and high-end brands like Prada

Encima viene de Vivienne, ahora ya me creo que es Nana (yeah, yeah)
The artist believes that something is legitimate or worthy because it comes from a certain brand, in this case Vivienne Westwood

Yo dulce, tú muy salada
The artist sees themselves as sweet and likable, while the subject is salty or unlikable

Yo hierba, tú eres escama, tú puta, yo puta cara
The artist compares themself to a beneficial plant, while the subject is compared to a nuisance or parasite, and calls themselves a 'pretty face' while calling the subject a 'prostitute'

Si vuelvo no es por ti, mama, ni mucho menos por fama
The artist clarifies that they are not returning to the subject for the sake of the relationship or fame

No quiero verte a la cara, tu sonrisa muy forzada (yeah, yeah, yeah)
The artist doesn't want to face the subject, believing their smile is fake

En mi camisa puñaladas, le doy deprisa, con ganas
The artist has gone through many trials, and now takes swift and eager action towards life

Me follo a esta vida guarra y que le jodan al mañana (yeah-yeah-yeah-yeah)
The artist is living their life freely and doesn't care about the future

Solo me estabas corrompiendo
The subject was a negative influence on the artist

Mis soldados tras la lucha están muriendo
Those fighting alongside the artist in their personal struggles are falling

Tengo sueño, tus caricias son veneno
The artist is tired and doesn't find the subject's caresses pleasurable

Juro que te quiero lejos, cada vez estoy más ciego (yeah)
The artist is sure that they want the subject gone and feels increasingly blinded by their control

Cuando te echo de menos solo tomo un cuarto-to
The artist copes with missing the subject by drinking 25%-proof alcohol

Quiero estar despierto por si yo recaigo
The artist wants to stay alert to avoid falling back into old habits or vices

Nada me va bien cuando estoy por aquí
The artist experiences negative effects when they are close to the subject

Me siento Guts con la espada, quiero ir por ti (yeah)
The artist feels powerful and inspired like the character Guts from Berserk and wants to take down the subject

Apártate, eres un Serafín
The artist wants the subject to step aside, comparing them to a Biblical angel

Vivo en mi mundo con mi perra, coño, ya soy Finn
The artist lives in their own world with their own dog, much like the character Finn from Adventure Time

Que no me tome el pelo, coño, no soy Mr Bean
The artist demands respect and doesn't want to be treated like a fool or comedic character

Bang-bang, poom-poom y le pongo fin
The artist will put an end to the subject's influence with force if necessary

Ya no quiero tu amor más, no, no me guio por normas, no
Reiteration that the artist doesn't want the subject's love and doesn't conform to societal norms

No me fío ya de ni Dios, en avión el teléfono
The artist still doesn't trust anyone, not even God, and takes extreme measures to communicate privately

Uno más uno no son dos, hay gente que vale más
Reiteration that not everything is as simple as it seems and that some people are more valuable than others

Yo valgo más que el oro, tú menos que las circonitas
Reiteration that the artist values themselves highly, while belittling the subject as even less valuable than before