Early years
Prior to becoming Stiff Little Fingers, Jake Burns, vocals and guitar, Henry Cluney, guitar, Gordon Blair, bass, and Brian Faloon, drums, were playing in a rock music cover band, Highway Star, in Belfast. Upon the departure of Gordon Blair (who went on to play with another Belfast group, Rudi), Ali McMordie took over on bass. Cluney had by this time discovered punk, and introduced the rest of the band to it. They decided that Highway Star wasn't a punk enough name, and after a brief flirtation with the name "The Fast", decided to call themselves Stiff Little Fingers, after the Vibrators song of the same name.
It was while they were doing a gig at the Glenmachan Hotel that they met up with Gordon Ogilvie, who was a Marxist journalist with the Daily Express newspaper, invited along for the evening by Colin McClelland, another journalist, with whom Jake had been corresponding.
Ogilvie suggested they play material based upon their experience of the Troubles. McClelland arranged to get the band some recording time at a local radio station, and in the studio normally used to record jingles, they recorded "Suspect Device". The single was packaged in the form of a cassette, with a cover depicting a cassette bomb, apparently causing great hilarity in the group, when one record company phoned them and asked for another copy, as they'd thrown the first one in a bucket of water for fear that it was a real bomb.
A copy of the single was sent to John Peel. He played it repeatedly leading to a distribution deal through Rough Trade. The single was released on the band's own Rigid Digits label and sold over 30,000 copies. Peel would later do the same with the first single by another famous Northern Irish band, The Undertones. There were a number of well-publicised arguments between the two bands; the Undertones accused Stiff Little Fingers of sensationalising the Northern Ireland conflict, while they retorted that The Undertones ignored it.
The lyrics of many Stiff Little Fingers' songs concerning the troubles are extremely critical of the paramilitary organisations and governments involved, showing them to be exploititative of ordinary people (particularly the young) and all as bad as each other. Their second single, "Alternative Ulster", was originally intended to be given away free with the fanzine of the same name.
Inflammable Material
In the second half of 1978, they toured with the Tom Robinson Band, and in 1979, they released their first album, Inflammable Material. The band agreed a contract with Island Records, but it fell through, leaving the band to release the album on their own label. Despite the album's independent release, it reached number 14 in the UK Albums Chart and reached Silver status, selling over 50,000 copies. Inflammable Material was the first album distributed Rough Trade records, and the first independent album to chart in the UK. This inspired their move to London, which led to the departure of Brian Faloon and Colin McClelland (who along with Gordon Ogilvie had been joint manager of the band up until that point).
Jim Reilly became their drummer in time for the "Gotta Gettaway" single, and played in the Rock Against Racism tour.
Nobody's Heroes and Go for It
In mid-1979, Stiff Little Fingers signed their Rigid Digits label to Chrysalis Records, and in 1980 released their second album, Nobody's Heroes. 1981's Go for It followed. Soon after the Go for It tour, Jim Reilly left the band. His place was taken by Brian 'Dolphin' Taylor, who Jake remembered from Taylor's days with the Tom Robinson Band.
Breakup
Now Then...
In 1982 came a 4 song EP called £1.10 or Less and then their fourth studio album, Now Then... (although their fifth album, as they had released a live LP, Hanx, between Nobody's Heroes and Go for It). By this time they had diversified musically, and Now Then had an almost pop feel about it in places. This led some of their more hardcore fans to feel alienated, and in the face of low sales and concert attendances, they broke up in 1983, when Burns said: "Our last LP Now Then was to my mind the best album we have made. But it is also unfortunately the best I think we will ever make. So I have decided to call it a day." The band later revealed the original split had been somewhat acrimonious, with bandmembers apparently having fistfights rather than talking through their differences.
Reformation
They reformed in 1987; according to Burns, because they were "skint and wanted to make a bit of cash to get back to Ireland for Christmas". They released some live albums and did short tours towards the end of the 1980s, and by 1990 were thinking of reforming permanently.
Flags and Emblems
Ali McMordie decided he could not commit the time to tour full-time or record, and so left, being replaced by Bruce Foxton (previously bass guitarist in The Jam) in time to record 1991's Flags and Emblems. In Britain, the single from this album, "Beirut Moon", was withdrawn from sale on the first day of release, allegedly because it criticised the government for not acting to free hostage John McCarthy, who had been held in the Lebanon.
In 1993 Burns made what he described as one of the hardest decisions of his life and asked Henry Cluney to leave the band, and the trio of Jake Burns, Bruce Foxton and Dolphin Taylor continued for the next four years, joined on live shows by either Dave Sharp or Ian McCallum.
Get a Life
In 1994 they released Get a Life in the UK, releasing it in the U.S. in 1996. By the end of 1996 Taylor left due to family commitments. Burns called in Steve Grantley who had played drums for Jake Burns and the Big Wheel in the late 1980s.
Tinderbox - Guitar and Drum
The trio of Burns, Foxton and Grantley recorded 1997's Tinderbox album, with help from Ian McCallum who joined as a full time member for 1999's and best of all...Hope Street . This same line-up recorded 2003's Guitar and Drum.
Lineup change
On 18 January 2006, the following announcement appeared on the SLF Website. Bruce Foxton has announced that he is to leave Stiff Little Fingers with immediate effect. After 15 years of writing, recording and touring with SLF Bruce says it is time to move on and concentrate on other projects. "The situation is amicable" says Foxton. "I have enjoyed my time with Jake, Ian and Steve and will miss them. Naturally I wish them all continued success and hope to catch up with the boys during their spring tour."
Obviously, we as well wish Bruce every success in everything he goes on to do in the future. He has been a fantastic asset to the band and we'll miss him as well.
Jake, Steve, Ian.
On 23 January 2006, it was announced that original bass guitarist Ali McMordie was to rejoin the band for the duration of their upcoming March tour. The tour was a success, with many fans writing into SLF's message board saying how much they enjoyed it, and how fired up the band seemed to be. After much discussion regarding the status of McMordie within the band after the tour, on 21 April 2006, Burns posted the following on the message board.
"For the time being Mr. McMordie is happy to continue as long as his busy schedule allows. It may be that occasionally we have to bring on a "substitute", if he is up to his eyes and we need to do something, but hopefully we can avoid that.
Cheers,
Jake."
New album
On 9 March 2007, Jake Burns announced that Stiff Little Fingers would be recording a new album which would hopefully be completed by the end of 2007. They have previewed a track from the new album, "Liars Club", at live concerts. The track is named after a bar Jake drove past on his way home whilst listening to a press report about Tony Blair, George W. Bush and the Iraq War. As of February 2009, the new album is still unreleased. This is mainly due to the fact that Burns had more or less completed writing, when he decided on a change of direction, and scrapped most of the songs.
Closed Groove
Stiff Little Fingers Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Now nostalgia is past it's prime
History's a thing of the past
Being first just cannot last
Beep-beep I'm an answering machine
I mean to say, I say what I mean
Beep-beep, I've got very strong views
My one single fault is modesty
I'm changing my views consistently
Amnesia's something I try to forget
Who can't kick gambling, want to bet?
Beep-beep I'm an answering machine
I mean to say, I say what I mean
Beep-beep, I've got very strong views
Plug in any loop tape you choose
The case for racism is black and white
If you want world peace you've got to fight
Must do what you're told to be free
Think what you like, if you agree with me
Beep-beep I'm an answering machine
I mean to say, I say what I mean
Beep-beep, I've got very strong views
Plug in any loop tape you choose
Speak whenever you hear this tone
Speak whenever you hear this tone
Speak whenever you hear this tone
Speak whenever you hear this tone
Speak whenever you hear this tone
Speak whenever you hear this tone
Scream whenever you hear this tone
Scream whenever you hear this tone
Scream whenever you hear this tone
Scream whenever you hear this tone
Scream whenever you hear this tone
Scream whenever you hear this tone
Scream whenever you hear this tone
Scream whenever you hear this tone
Scream whenever you hear this tone
Scream whenever you hear this tone
Scream whenever you hear this tone
Scream whenever you hear this tone
The lyrics to “Closed Groove” by Stiff Little Fingers tackle the theme of change occurring in society. The opening lyrics of the song, “Punctuality, waste of time, Now nostalgia is past its prime, History's a thing of the past, Being first just cannot last” suggest that the traditional values of importance, such as punctuality and nostalgia, are becoming outdated. The song seems to critique the nature of modern-day communication as well, with the line “Beep-beep I'm an answering machine, I mean to say, I say what I mean.” These lines may suggest the idea that rather than having genuine conversations, people have become more impersonal in their communication, with a preference for sending messages without being more direct in their approach.
The last verse of the song seems to touch on the subjects of racism and social control, ending the song with the lines “The case for racism is black and white, If you want world peace you've got to fight, Must do what you're told to be free, Think what you like, if you agree with me.” These lines seem to convey the message that the notion of peace, freedom and social justice still require some degree of struggle and conflict in order for people to achieve that outcome. The final lines of the song then request the listener to “Speak whenever you hear this tone” – an invitation to express oneself freely, regardless of the context or situation.
Line by Line Meaning
Punctuality, waste of time
Being punctual is not necessary or important.
Now nostalgia is past it's prime
Nostalgia is no longer relevant or useful.
History's a thing of the past
History is not important in the present.
Being first just cannot last
Being the first is temporary and has no lasting value.
Beep-beep I'm an answering machine
I am like an answering machine, ready to speak my mind.
I mean to say, I say what I mean
I am clear and direct in what I say.
Beep-beep, I've got very strong views
I am opinionated and passionate about my beliefs.
Plug in any loop tape you choose
My opinions are unchanging and repetitive, like a loop tape.
My one single fault is modesty
My only flaw is that I am modest about my abilities or opinions.
I'm changing my views consistently
I am open to changing my opinions or beliefs as I learn more.
Amnesia's something I try to forget
I try to forget things that I have forgotten due to amnesia.
Who can't kick gambling, want to bet?
Can anyone resist the urge to gamble? I doubt it.
The case for racism is black and white
There is no valid argument for racism.
If you want world peace you've got to fight
To achieve world peace, one must stand up and fight for what is right.
Must do what you're told to be free
Sometimes, following orders is necessary to achieve freedom.
Think what you like, if you agree with me
You are free to think for yourself, as long as you agree with my beliefs.
Speak whenever you hear this tone
Express yourself whenever you have the chance to do so.
Scream whenever you hear this tone
Express yourself loudly and passionately whenever you have the chance to do so.
Lyrics © BMG Rights Management
Written by: JAKE BURNS, GORDON ARCHER OGILVIE
Lyrics Licensed & Provided by LyricFind