As a solo musician and a member of The Police, Sting has received 17 Grammy Awards: he won Song of the Year for "Every Breath You Take", three Brit Awards, including Best British Male Artist in 1994 and Outstanding Contribution in 2002, a Golden Globe, an Emmy, and four nominations for the Academy Award for Best Original Song. In 2019, he received a BMI Award for "Every Breath You Take" becoming the most-played song in radio history. In 2002, Sting received the Ivor Novello Award for Lifetime Achievement from the British Academy of Songwriters, Composers and Authors and was also inducted into the Songwriters Hall of Fame. He was inducted into the Rock and Roll Hall of Fame as a member of The Police in 2003. In 2000, he received a star on the Hollywood Walk of Fame for recording. In 2003, Sting received a CBE from Elizabeth II at Buckingham Palace for services to music. He was made a Kennedy Center Honoree at the White House in 2014 and was awarded the Polar Music Prize in 2017.
With The Police, Sting became one of the world's best-selling music artists. Solo and with the Police combined, he has sold over 100 million records. In 2006, Paste ranked him 62nd of the 100 best living songwriters. He was 63rd of VH1's 100 greatest artists of rock, and 80th of Q magazine's 100 greatest musical stars of the 20th century. He has collaborated with other musicians on songs such as "Money for Nothing" with Dire Straits, "Rise & Fall" with Craig David, "All for Love" with Bryan Adams and Rod Stewart, "You Will Be My Ain True Love" with Alison Krauss, and introduced the North African music genre raï to Western audiences through the hit song "Desert Rose" with Cheb Mami. In 2018, he released the album 44/876, a collaboration with Jamaican musician Shaggy, which won the Grammy Award for Best Reggae Album in 2019.
Full Wikipedia article: https://en.wikipedia.org/wiki/Sting_(musician)
Studio albums
The Dream of the Blue Turtles (1985)
...Nothing Like the Sun (1987)
The Soul Cages (1991)
Ten Summoner's Tales (1993)
Mercury Falling (1996)
Brand New Day (1999)
Sacred Love (2003)
Songs from the Labyrinth (2006)
If on a Winter's Night... (2009)
Symphonicities (2010)
The Last Ship (2013)
57th & 9th (2016)
44/876 (2018) (with Shaggy)
My Songs (2019)
The Bridge (2021)
Children's Crusade
Sting Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Marching through countries they'd never seen
Virgins with rifles, a game of charades
All for a children's crusade
Pawns in the game are not victims of chance
Strewn on the fields of Belgium and France
Poppies for young men, death's bitter trade
All of those young lives betrayed
They're trapped on the wire and dying in waves
The flower of England face down in the mud
And stained in the blood of a whole generation
Corpulent generals safe behind lines
History's lessons drowned in red wine
Poppies for young men, death's bitter trade
All of those young lives betrayed
All for a children's crusade
The children of England would never be slaves
They're trapped on the wire and dying in waves
The flower of England face down in the mud
And stained in the blood of a whole generation
Midnight in Soho nineteen eighty four
Fixing in doorways, opium slaves
Poppies for young men, such bitter trade
All of those young lives betrayed
All for a children's crusade
The lyrics of Sting's song Children's Crusade revolve around the idea of young men being sent to fight a war they do not understand. The song takes us back to the events of World War I, where young soldiers from different countries march into unknown territories with rifles in their hands. These young men are likened to "virgins with rifles," indicating their lack of experience not only in war but in life in general. The term "children's crusade" is used here to emphasize the pointlessness of this war.
The lyrics paint a picture of young lives being lost on the battlefield, with generals who make decisions from a safe distance, not paying attention to the human cost of war. The reference to poppies in the lyrics is significant as they have become a symbol of remembrance for soldiers who lost their lives in battle. The chorus repeats the lines, "All for a children's crusade," which serves as a reminder that the price paid for this war was too high.
The final verse of the song switches to a modern-day situation in Soho in 1984, where opium addicts are compared to soldiers, indicating that the war is still being fought in a different form, with the innocent still being used as pawns.
Line by Line Meaning
Young men, soldiers, nineteen fourteen
This line alludes to the young soldiers who were sent to war in 1914, barely adults but expected to fight for their country.
Marching through countries they'd never seen
The soldiers were sent to foreign lands they had never seen before and had no connection to.
Virgins with rifles, a game of charades
The soldiers, untrained and inexperienced, were given rifles as if it were a game rather than the dangerous reality of war.
All for a children's crusade
This line suggests that the soldiers were merely pawns in a larger game that they did not fully understand or agree with. The 'children's crusade' was an allusion to the medieval crusades, where children were sent on a doomed mission.
Pawns in the game are not victims of chance
While the soldiers may have been seen as pawns in a larger game, they were not simply victims of circumstance or fate.
Strewn on the fields of Belgium and France
The soldiers lost their lives on the battlefields of Belgium and France, their sacrifices forgotten by those who sent them to war.
Poppies for young men, death's bitter trade
The image of poppies symbolizes the lives lost in war, with 'death's bitter trade' suggesting that war is a cruel and unforgiving reality.
All of those young lives betrayed
The young soldiers were betrayed by those who sent them to war and by a society that romanticized conflict.
The children of England would never be slaves
This line is a reference to the myth of English exceptionalism, suggesting that the soldiers were fighting for a noble cause.
They're trapped on the wire and dying in waves
The soldiers were trapped on the barbed wire of the trenches, unable to move forward and dying in large numbers.
The flower of England face down in the mud
This line suggests that the best and brightest of England were lost in battle, their potential and promise wasted in a futile conflict.
And stained in the blood of a whole generation
The bloodshed of World War I stained an entire generation of young people, leaving scars that would last for decades.
Corpulent generals safe behind lines
The generals who led the war effort were often overweight and comfortably situated behind the front lines.
History's lessons drowned in red wine
The lessons of history were ignored in the lead-up to World War I, with decision-makers more concerned with their own comforts and pleasures (represented by 'red wine').
Midnight in Soho nineteen eighty four
This line jumps forward in time to the year 1984 and the neighborhood of Soho in London, suggesting that echoes of the past still linger.
Fixing in doorways, opium slaves
The people in Soho are depicted as 'opium slaves,' addicted to a destructive lifestyle.
Poppies for young men, such bitter trade
The image of poppies is repeated, emphasizing the continued toll of war on young lives.
All of those young lives betrayed
The cycle of betrayal and loss continues, with young people once again being led to their deaths.
All for a children's crusade
The song concludes with the same line it began with, suggesting that the tragedy of war and the sacrifice of young lives continue without end.
Lyrics © Universal Music Publishing Group
Written by: GORDON SUMNER
Lyrics Licensed & Provided by LyricFind
A Basque folk carol, originally based on Angelus ad virginem, a 13th or 14th Century Latin carol,[2] it was collected by Charles Bordes and then paraphrased into English by Sabine Baring-Gould, who had spent a winter as a boy in the Basque country. The tu
on gabriels_message
Sting's song "Gabriel's Message" is a rendition of the biblical story of the Annunciation, where the angel Gabriel visits Mary to inform her that she is to be the mother of Jesus Christ. The lyrics describe Gabriel's appearance as he descends from heaven with his wings as white as snow and eyes as bright as flames. Upon seeing Mary, Gabriel greets her with the words "All hail, thou lowly maiden Mary, Most highly favored lady," referring to her as a blessed mother and foretelling that her son will be Emmanuel, as prophesized by seers.
Mary's response to Gabriel's message is one of humility and acceptance, as she meekly bows her head and says, "To me be as it pleaseth God," praising and magnifying His holy name. The lyrics are a beautiful interpretation of this pivotal moment in Christian history, showcasing the wonder and awe of Gabriel's visitation, and the steadfast faith and acceptance of Mary's response.
Tommy Wells
on Don't Walk Away - Sting & Youssou N'Dour
I liked the Wild Thornberry's TV series.
What's your favorite episode of the show?
Jesus Ledesma Rios
on Englishman in New York
Thats been good way to learn English, tahnk´s...
Kolektivo Azul
on Russians
Russians <3