History
In 1997, McColgan left Dropkick Murphys "to pursue a lifelong dream of becoming a firefighter for the Boston Fire Department." In 2002, McColgan decided he could no longer stay away from music and formed Street Dogs. They first recorded a seven song-demo, which feature McColgan along with his former Dropkick Murphys bandmate Jeff Erna on drums, Rob Guidotti on guitar and Bill Close on bass.[1] They signed with CrossCheck Records in 2003,[2] with Michelle Paulhus now on bass. By the time they started recording their first album, they yet again had someone else on bass, this time Johnny Rioux. Savin Hill (which was produced by former The Mighty Mighty Bosstones member Nate Albert[3] and featured guest appearances by Al Barr and Ken Casey from Dropkick Murphys) was a success and resulted in a supporting tour with Celtic punk band Flogging Molly.
The band underwent a complete shuffle in 2004 when McColgan took a leave of absence from his firefighting career to devote time to recording and promoting their second album Back to the World.The Street Dogs at this time enlisted Marcus Hollar on lead guitar, and expanded the range of their sound with the addition of rhythm guitarist Tobe Bean III. The drummer's spot was filled by Joe Sirois, formerly of The Mighty Mighty Bosstones.
Their second release, Back to the World, proved to be even more of a success for the band. It was hailed critically in the United States, Europe and Japan and opened the doors to touring with Social Distortion, Tiger Army, Bad Religion, Millencolin (in Europe), The Bouncing Souls (US And Japan) and The Briefs. The band also toured on the Vans Warped Tour in the summer of 2005 and embarked on their first headlining tours in the US and Europe.
2006 saw more shows, both headlining and opening for the likes of Rancid,[4] The Adolescents[5] and The Bouncing Souls.[6] Also in 2006, released their third album, Fading American Dream. It was recorded earlier in the year with producer Ted Hutt (Flogging Molly, Madcap, The Bouncing Souls).
While on tour opening for Flogging Molly on February 27, 2007 show at the Sokol Auditorium in Omaha, NE, bass player Johnny Rioux collapsed on stage due to an apparent seizure. McColgan stopped the show and called for paramedics. At the start of the Flogging Molly set, lead singer Dave King dedicated the show to Johnny and announced that he was all right and would be well enough to play the next night in St. Louis. Following that tour, more dates came headlining as well as European shows.
In February 2008, it was announced that the Street Dogs signed on to Hellcat Records. Their fourth album, State of Grace, for Hellcat, which they started recording in early February 2008, once again with Ted Hutt[7] was released on July 8, 2008.[8]
At recent shows, Street Dogs have been promoting Oxfam America, a humanitarian organization fighting poverty and hunger. McColgan spoke to the crowd mid-set at the Bamboozle Festival in New Jersey in May 2008 about the organization while wearing an Oxfam T-shirt. In support of State of Grace, the band toured at the Vans Warped Tour 2008 as a main stage act. Following their Warped tour stint, the group set out on their successful fall State Of Grace headlining tour and then went to Europe for the European Eastpak Antidote tour.
The band released their fifth album, Street Dogs, on August 31, 2010[9] on Hellcat Records.
On February 21, 2011, the band performed at an acoustic show with Tom Morello, Tim McIlrath, Wayne Kramer, and Ike Reilly in Madison, WI in support of the ongoing protests against Gov. Scott Walker's proposed Budget Repair Bill.
In March 2011, the Street Dogs announced a five-week stint on the 2011 Vans Warped Tour, from June 24 until July 30. This would be their third time on the tour, after 2005 and 2008. After the Warped Tour, the band planned a European festival tour in August, and then Australia and Japan in October.
The band embarked on the nine date Sham Rock-N-Roll Festival in September 2011 where they were the co-headlining act for the Dropkick Murphys. Other than appearances on various Warped Tour lineups, this was the first time McColgan toured with his former band since quitting thirteen years earlier. McColgan would even join the Dropkick Murphys onstage for performances of such songs as "Barroom Hero" and "Far Away Coast" from the Do or Die album.[10]
In an interview with AMP, Johnny Rioux was asked about a new album from the street dogs. Rioux said, "We want to do a labor standard solo record with Mike, release the large number of B-sides with the records they were recorded for, mix our live in Boston DVD and record, prepare for our first trip to Australia, return to Japan, get back into some Celtic festivals, and just be happy and grateful people are still loyal after almost 10 years."
On November 26, 2012, McColgan wrote on the band's Facebook account that starting January 1, 2013, Street Dogs would be taking a break from recording and touring, but he assured fans that the band was not breaking up.[11] Later that day, Tobe Bean announced that he would no longer be a touring member of Street Dogs, but he will "always be a Street Dog".[12] In February 2013, it was announced that McColgan and Rioux would form a side project with original Dropkick Murphys member Rick Barton called FM359. In March, it was announced their break from touring would be ending in July when they tour Europe.[13] In March, McColgan mentioned that the band would exclusively work with the Pirates Press Records label in the future, and they planned to release a 7-inch single, a live album, and a DVD. He also mentioned that the band was hoping to get Lenny Lashley from Darkbuster to replace Bean on guitar, and on April 9 the Street Dogs Facebook page announced that Lashley had officially joined the group. They also announced their next single, "Crooked Drunken Sons", a song named after their annual tour, which will be released on Record Store Day 2013. Another single, "Rustbelt Nation", followed a month later.[14] Later in the year, Hollar was replaced by Matt Pruitt (Have Nots).
Members Mike McColgan, Johnny Rioux and Pete Sosa started a side project called FM359 with former Dropkick Murphys guitarist Rick Barton, Street Dogs collaborator Hugh Morrison and Halston Luna. The group, which has an Americana sound, released their debut album Truth, Love and Liberty in January 2014. In April, on Record Store Day 2014, they released a split EP with Noi!se.
On June 22, 2018, the band released their sixth album, the first in eight years, Stand For Something Or Die For Nothing. McColgan said of the album, " "The dumbing down of America is a reason to write songs in 2018. The theme is wake the fuck up and the working class needs to unite across all colors, creeds, nationalities, genders and realize that we are being pitted against each other by snake oil salesmen and autocrats."[15]
On February 13, 2020, via the band's Facebook page, McColgan and Rioux announced the group was disbanding after 17 years. The final round of shows was expected to include a small St. Patrick's Day tour with Flogging Molly and Mad Caddies as well as two headlining shows, one in Long Beach, CA on March 16, and their final show to be announced in their hometown of Boston, MA. However on March 12, the band announced the cancellation of the Long Beach show alongside Flogging Molly's cancellation of their tour due to the COVID-19 pandemic.[16][17]
Former members
Mike McColgan – lead vocals (2002–2020)
Johnny Rioux – bass (2003–2020)
Pete Sosa – drums (2012–2020)
Matt Pruitt – lead guitar (2013–2020)
Lenny Lashley – rhythm guitar (2013–2020)
Jeff Erna – drums (2002–2004)
Rob Guidotti – guitars (2002–2004)
Bill Close – bass (2002)
Michelle Paulhus – bass (2002–2003)
Marcus Hollar – lead guitar (2004–2013)
Joe Sirois – drums (2004–2007)
Tobe Bean III – guitars (2005–2012)
Paul Rucker – drums (2007–2012)
Hands Down
Street Dogs Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Hitting her makes you feel like a man
It's a sick and twisted brutal game
Won't stay silent to this abusive shame
Can't justify raising those hands
Don't raise your hands
[Chorus]
She's out of control
But there is no excuse for this
No way to quantify the toll
It's not right to hit her, to instill fear
Or keep her down... Hands down!
Got to talk it out peacefully, kill that siren sound
Cause this is it
All night shouting rips through quiet
Sense escalation inevitable fight
Next you hear pleas for pity
Then you eye that phone intently
Make that 911 call to the city
[Chorus]
It's not right to hit her, to instill fear
Or keep her down... Hands down!
Got to talk it out peacefuly, kill that siren sound
Cause this is it... Hands down!
It's not right to hit her, to instill fear
Or keep her down... Hands down!
Got to talk it out peacefully, kill that siren sound
Cause this is it
[Chorus]
She needs a say as well
Her voice not a hindrance
Talking with her beats shouting abuse
Step up and be a man
Her fair treatment is the plan
Deescalation is the right choice
[Chorus]
It's not right to hit her, to instill fear
Or keep her down... Hands down!
Got to talk it out peacefuly, kill that siren sound
Cause this is it... Hands down!
It's not right to hit her, to instill fear
Or keep her down... Hands down!
Got to talk it out peacefully, kill that siren sound
Cause this is it
The song "Hands Down" by Street Dogs, discusses the topic of domestic abuse and the need to talk peacefully to deescalate any arguments. The lyrics describe the sick and twisted game of control and power that some people use to assert dominance over their partners. The lyrics also state that hitting someone in order to feel manly is not justified, and there is no excuse for domestic violence. The singer emphasizes the need to talk things out and deescalate the situation peacefully. The song speaks directly to the abuser, urging them to stop and take responsibility, be a man and treat their partner fairly.
Throughout the lyrics, the singer shows his support towards the victim of domestic violence, emphasizing that they should have a say, and their voice is not a hindrance. They should be able to talk instead of being shouted at or hit. The song encourages the listener to make the right choice and calls for the deescalation of abusive relationships.
In conclusion, "Hands Down" by Street Dogs is a powerful song that condemns domestic violence and the use of physical force to control someone. The lyrics encourage peaceful dialogue and communication between partners.
Line by Line Meaning
All about control, that's the plan
The intention is to exert power and control over the victim.
Hitting her makes you feel like a man
Using violence against a woman is not a sign of masculinity.
It's a sick and twisted brutal game
Abusing a woman is not a game, it is a harmful and twisted behavior.
Won't stay silent to this abusive shame
It is important to speak out against abusive behavior and not remain silent.
Can't justify raising those hands
There is no excuse or justification for using physical violence against a woman.
Don't raise your hands
The song urges men not to resort to using physical violence in any situation.
And you say she had it coming
Blaming the victim for the abuse is not justified.
She's out of control
Justifying abuse by claiming the victim is out of control is not acceptable.
But there is no excuse for this
There is no reason that can ever justify using violence against a woman.
No way to quantify the toll
The harm caused by violence against a woman cannot be measured.
It's not right to hit her, to instill fear
Violence or abuse of any kind can never be justified.
Or keep her down... Hands down!
The song urges men to refrain from physically or emotionally suppressing a woman.
Got to talk it out peacefully, kill that siren sound
Violence is not the answer, communication and peaceful discussion is necessary to resolve conflicts.
Cause this is it
This is a decisive moment when men need to make the right choice between violence and respect.
All night shouting rips through quiet
Verbal abuse can be just as devastating and harmful as physical abuse.
Sense escalation inevitable fight
If conflicts are left unresolved, they can escalate to physical violence.
Next you hear pleas for pity
The victim may plead for help or compassion during an abusive situation.
Then you eye that phone intently
The song urges men to take action and call for help in abusive situations.
Make that 911 call to the city
Calling for help is essential when a woman is being abused or in danger.
She needs a say as well
Women deserve to have a voice and be heard in any situation.
Her voice not a hindrance
The song emphasizes that women's voices should not be seen as a problem or obstacle to be overcome.
Talking with her beats shouting abuse
Communication and dialogue are essential to resolve conflicts and build healthy relationships.
Step up and be a man
Being a real man means respecting and treating women with love, compassion, and dignity.
Her fair treatment is the plan
Treating women with fairness and respect is the right way to build healthy relationships and communities.
Deescalation is the right choice
Deescalating the situation is always the best choice in abusive situations.
Lyrics © Kobalt Music Publishing Ltd.
Written by: Joe Sirois, Johnny Rioux, Marcus Hollar, Mike McColgan, Nate Albert
Lyrics Licensed & Provided by LyricFind