(1) A dance … Read Full Bio ↴Streetlife is a name used by several different artists.
(1) A dance music side project of Wally Van Middendorp and Wim Dekker of the Minny Pops. They released two 12" singles on Factory Records, "Act On Instinct" in 1983 and "No More Silence" in 1985.
(2) Streetlife (Born Patrick Charles), also known as Street Life, is an African American hip-hop artist who is close associate of the Wu-Tang Clan, particularly with Method Man (whose Method Man Entertainment label has signed him) and is the closest Wu-affiliate to being an 11th Clan member, appearing on the last four group albums.
He was born in the Bronx then moved to Houston, Texas, but later moved to Staten Island where he grew up.
He made his debut with an appearance on Mr. Sandman from Meth's first album Tical, and was originally intended to appear on Ghostface Killah's Ironman on the track Box In Hand but the track was pulled from the album at the last minute (the track replacing it subsequently becoming known as "Box In Hand", it being too late to change the album packaging). The original version became known as "Box In Hand (Remix)."
Street went on to make two appearances on the Clan's second album Wu-Tang Forever and numerous appearances on Method Man's second album Tical 2000: Judgement Day in 1997 and 1998 respectively, after which he continued to make appearances on Clan albums and on the members' various solo projects.
His own debut album was originally intended to be released in the busy 1998–1999 period but, as was soon to become the norm for Wu-Tang releases, it was repeatedly delayed, eventually seeing release titled Street Education in 2005. Though Method Man only made three short appearances on the album, he was billed as the executive producer.
(3) Streetlife is a group of young musicians and artists whose musical backgrounds are as diverse as their own personalities. 'KEEP ON MOVIN', STREETLIFE's debut album, showcases 14 full length newly recorded club hits.
Street Education
Streetlife Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
[Intro: Method Man]
Yoooooooooo, sick ass niggaz
Sick ass bitches, all the welcome
Come on, come on, come on, come on
Yeah, come on, come on, come on
We don't need nooooooo, no cop patrol
[Streetlife]
I wish a nigga would, come through the hood, like Street won't
Jump out the woods, and snatch your goods
If you don't know by now, you should
Still actin' like you can't die tonight, you could
Still doubtin' the kid, like Street won't push back ya wig
Just for thinkin', it's not what it is
Shit, Shaolin, we back again, rap for yen
Streetlife, that nigga that'll tap your chin
Come get some, step to it, let's see
Where ya heart's at, let's do it
I hear you talkin', but take caution, before crossin'
The Street, before you end up layin' in a coffin
Don't sleep, you rap cats is physically weak
I don't care how much spins your records get in a week
Big Street, still beat you down with the heat
So umm, watch the words you speak, I roll deep
[Chorus: Streetlife (Method Man)]
This is Street Education, tune in
(Rule one, watch them niggaz close to you)
This is Street Education, tune in
(Rule two, make sure you do what you suppose to do)
This is Street Education, tune in
(Rule three, fuck the world, spit that shit)
This is Street Education, tune in
Adjust your radio station, let's begin
[Streetlife]
Who's playin' king of New York, y'all gangstas? Hold that thought
I'mma show you how we hold down the fort, I'm from a Shaolin resort
We don't ball, we catch bodies for sport
Put our high light on the news report
Muthafucka ya name, run up on you, and blast your frame
For that little piece of ice on your chain
Don't look at me strange -- like you don't know what this is
I know you feel the gun touchin' your rib, it's those Shaolin Kids
[Method Man]
And we ain't scared to death, or scared to live
Put twenty two shots in your crib
[Streetlife]
The Stat, we at it again, put another ten shot through ya Benz
Leave you rollin' through the block, on your rims
We ain't gots to pretend, me and you, we ain't gots to be friends
So when you 'em
[Method Man]
Be on needles and pins
[Streetlife]
This where the drama begins
I'm tellin' you pa, I'm out for revenge
Like a nigga tried to murder my kin, I won't bend
[Chorus]
[Outro: Method Man]
Adjust your radio station
Let's begin....
Adjust your radio station
The song "Street Education" by Streetlife featuring Method Man is a classic hip-hop track that delves into the life on the streets and the code of conduct that comes with surviving in that environment. The intro by Method Man sets the tone for the song, stating that the sick people are welcome to listen, a reference to the harsh realities of street life. Streetlife raps about how he would jump out of the woods and snatch someone's goods if they come into his hood. He warns his listeners not to doubt him just because they don't know him, as he could make them lose their lives. Streetlife also tells rappers not to sleep on his physical strength, as he can beat them down with the heat.
The song's chorus tells the listeners that they are about to receive a lesson in street education. The rules include watching those close to you, doing what you're supposed to do, and speaking your mind no matter what the world thinks. The last verse by Method Man and Streetlife speaks about them being from a Shaolin resort where they catch bodies for sport, and they're not afraid to live or die. They put twenty-two shots in someone's crib and another ten through their Benz, showing that they don't have to pretend to be friends with anyone if they don't want to. The song ends with Method Man telling the listeners to adjust their radio stations to tune in.
Overall, "Street Education" is a powerful track that highlights the struggles and dangers of street life. The lyrics detail a world where survival of the fittest is the only rule and where strength and power are everything. The song warns the listeners that the streets can be unforgiving, and the only education that matters is the one on the streets.
Line by Line Meaning
I wish a nigga would, come through the hood, like Street won't
Streetlife warns anyone who dares to come through his hood that they will be in for trouble if they mess with him.
Jump out the woods, and snatch your goods
Streetlife threatens to jump out of the woods and take away someone's belongings if they are not careful.
If you don't know by now, you should
Streetlife expects everyone to know what he is capable of by now, and for them to be careful around him.
Still actin' like you can't die tonight, you could
Streetlife wants people to understand that nobody is invincible and they should take care not to mess with him as it could end badly.
Still doubtin' the kid, like Street won't push back ya wig
Streetlife is angered by those who doubt him, and threatens to retaliate by using violence against them.
Just for thinkin', it's not what it is
If someone thinks Streetlife won't lash out, he wants to remind them that they are wrong and he won't hesitate to retaliate.
Shit, Shaolin, we back again, rap for yen
Streetlife is proud to represent Shaolin and is ready to make more music to earn money from it.
Streetlife, that nigga that'll tap your chin
Streetlife is a dangerous person who will not hesitate to hit someone in the face if they disrespect him.
Come get some, step to it, let's see
Streetlife is challenging anyone who thinks they can handle him to come and try.
Where ya heart's at, let's do it
Streetlife wants to test people's bravery and see if they have the courage to stand up to him.
I hear you talkin', but take caution, before crossin'
Streetlife hears people talking behind his back, but they should be careful not to anger him or they will have to face the consequences.
The Street, before you end up layin' in a coffin
Streetlife is warning people not to mess with him because he is not afraid to kill them and send them to their final resting place.
Don't sleep, you rap cats is physically weak
Streetlife is trying to tell people in the rap game that they shouldn't underestimate him since he is physically strong.
I don't care how much spins your records get in a week
Streetlife says he doesn't care how popular someone's music is, it doesn't matter to him.
Big Street, still beat you down with the heat
Streetlife wants people to know that he may be big, but he is not afraid to fight and will use any means necessary to win.
So umm, watch the words you speak, I roll deep
Streetlife is warning people to choose their words carefully because he has a lot of people on his side and they will not hesitate to defend him.
This is Street Education, tune in
Streetlife's song is a lesson for listeners to learn from.
(Rule one, watch them niggaz close to you)
The first rule of Street Education is to be careful who you trust.
(Rule two, make sure you do what you suppose to do)
The second rule of Street Education is to always do what you are supposed to do, even if it is difficult.
(Rule three, fuck the world, spit that shit)
The third rule of Street Education is to be yourself and express your feelings, even if the world doesn't like it.
Adjust your radio station, let's begin
Method Man and Streetlife want listeners to tune in to their song and be ready to learn from it.
Who's playin' king of New York, y'all gangstas? Hold that thought
Streetlife questions who is really the king of New York and tells other gangsters not to consider themselves untouchable.
I'mma show you how we hold down the fort, I'm from a Shaolin resort
Streetlife is proud of his roots and is willing to show others how strong they can be.
We don't ball, we catch bodies for sport
Streetlife and his associates are not interested in playing sports, they are interested in killing people as a form of entertainment.
Put our high light on the news report
Streetlife's murders will be shown on the television news to demonstrate his power.
Muthafucka ya name, run up on you, and blast your frame
Streetlife will kill anyone who tries to cross him, even if they are famous.
For that little piece of ice on your chain
Streetlife doesn't care what people have, he will take it if he wants it.
Don't look at me strange -- like you don't know what this is
Streetlife is fed up with people acting surprised when he does something violent, as they should know what he is capable of.
I know you feel the gun touchin' your rib, it's those Shaolin Kids
Streetlife wants his victims to know that they are being killed by him and his associates, the Shaolin Kids.
And we ain't scared to death, or scared to live
Method Man is proud of how strong he and his companions are.
Put twenty two shots in your crib
Method Man is willing to use extreme violence to kill his enemies.
The Stat, we at it again, put another ten shot through ya Benz
Method Man and his companions have already killed in the past, and are willing to do it again.
Leave you rollin' through the block, on your rims
Method Man wants to humiliate his victims by leaving them dead in the street with their car still rolling.
We ain't gots to pretend, me and you, we ain't gots to be friends
Streetlife doesn't care about being friends with others, as he has his own goals.
So when you 'em
Streetlife is telling people not to try to act friendly with him, as he doesn't want to be friends.
Be on needles and pins
Streetlife's violent reputation makes people nervous and anxious around him.
This where the drama begins
Streetlife is ready to cause chaos and violence, starting now.
I'm tellin' you pa, I'm out for revenge
Streetlife is seeking revenge on those who have wronged him in the past.
Like a nigga tried to murder my kin, I won't bend
Streetlife is angry at someone who has tried to hurt his family and is willing to seek revenge no matter the cost.
Adjust your radio station
Method Man and Streetlife want people to make sure their radio is tuned in to their song.
Contributed by Keira E. Suggest a correction in the comments below.
@trentyates418
This joint is a monster. I remember my pop banging this LP.
@BOMBERMCRealRap
This is REAL RAP.
@andresalzmann8760
the beat is burning my head awsome!!
@MattyStevensonBishop
Maybe you already knew but I meant "MADE" as in defined, was a crucial factor, etc. Not as in produced/made the beat. I def strongly agree with you about comparing MC's. For the most part there is no "better" with this shit. Especially when you're talking about classics, I don't even believe anyone can really say one thing is better than another altogether. Like Abbey Road vs Rubber Soul I was more just talking about the respect/love they get and how they're considered by fans.
@mella621
I'M GLAD YOU'RE NEVER TOO OLD TO LEARN! WHOOP-WHOOP!!!
@ericbrooks1924
Streetlife is that dude. His flow is sick plus he got barz
@MattyStevensonBishop
And Streetlife MADE those songs. He's like Nate Dogg. He makes a few important appearances on key songs on key albums.
@thecheesburgler
Street life is a good rapper, almost on level with Meth, I think he should have been more popular.
@MattyStevensonBishop
Look at his shit on "Sweet Love" and even "Suspect Chin Muzik" - those aren't standard shit being remade over and over. They're two of Meth's best songs since Tical - and overall, too. Had he been one of the original 9 members, or even featured as much as Cappa, he'd be considered on the level of atleast U-God, MK and prolly even Capp. I admit this shit right here is not breaking no ground, but it's decent
@RevolutionFromBelow
Lot of people are tired of the same hood-tales over and over again, I think.