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[Intro: Ryu]
Yeah...
Uh huh
So seductive

[Chorus: Tak & Demigodz]
[50 Cent]
I'll take you to the candy shop
I'll let you lick the lollipop
Go 'head girl, don't you stop
Keep goin 'til you hit the spot (whoa)
[Olivia]
I'll take you to the candy shop
Boy one taste of what I got
I'll have you spending all you got
Keep going 'til you hit the spot (whoa)

[Verse 1: 50 Cent]
You can have it your way, how do you want it
You gon' back that thing up or should I push up on it
Temperature risin, okay let's go to the next level
Dance floor jam packed, hot as a tea kettle
I'll break it down for you now, baby it's simple
If you be a nympho, I'll be a nypmho
In the hotel or in the back of the rental,
On the beach or in the park, it's whatever you into
Got the magic stick, I'm the love doctor
Have your friends teasin' you 'bout how sprung I gotcha
Wanna show me how you work it baby, no problem
Get on top then get to bouncing round like a low rider
I'm a seasoned vet when it come to this shit
After you work up a sweat you can play with the stick
I'm tryin to explain baby the best way I can
I melt in your mouth girl, not in your hands (ha ha)

[Chorus: 50 Cent & Olivia]
[50 Cent]
I'll take you to the candy shop
I'll let you lick the lollipop
Go 'head girl, don't you stop
Keep goin 'til you hit the spot (whoa)
[Olivia]
I'll take you to the candy shop
With one taste of what I got
I'll have you spending all you got
Keep going 'til you hit the spot (whoa)

[Bridge: 50 Cent & Olivia]
Girl what we do (what we do)
And where we do (and where we do)
The things we do (things we do)
Are just between me and you (oh yeah)

[Verse 2: 50 Cent]
Give it to me baby, nice and slow
Climb on top, ride like you in the rodeo
You ain't never heard a sound like this before
'Cause I ain't never put it down like this
Soon as I come through the door she get to pullin' on my zipper
It's like it's a race who can get undressed quicker
Isn't it ironic how erotic it is to watch her in thongs
Had me thinking 'bout that ass after I'm gone
I touch the right spot at the right time
Lights on or lights off, she like it from behind
So seductive, you should see the way she winds
Her hips in slow-mo on the floor when we grind
As long as she ain't stoppin, homie I ain't stoppin'
Drippin' wet with sweat man it's on and popping
All my champagne campaign, bottle after bottle it's on
And we gon' sip til every bubble in the bottle is gone

[Chorus: 50 Cent & Olivia]
[50 Cent]
I'll take you to the candy shop
I'll let you lick the lollipop
Go 'head girl, don't you stop
Keep goin 'til you hit the spot (whoa)
[Olivia]
I'll take you to the candy shop
Boy one taste of what I got
I'll have you spending all you got
Keep going 'til you hit the spot (whoa)

[Chorus: 50 Cent & Olivia]
[50 Cent]
I'll take you to the candy shop
I'll let you lick the lollipop
Go 'head girl, don't you stop
Keep goin 'til you hit the spot (whoa)
[Olivia]
I'll take you to the candy shop
Boy one taste of what I got




I'll have you spending all you got
Keep going 'til you hit the spot (whoa)

Overall Meaning

It appears as though these lyrics are from 50 Cent's song "Candy Shop," featuring Olivia. The song is a classic example of a sexually explicit rap song, with explicit descriptions of sexual acts and desires. The chorus of the song revolves around a candy shop, and the idea of giving pleasure, "I'll take you to the candy shop, I'll let you lick the lollipop." 50 Cent brags about his sexual prowess and his ability to please a woman, saying "Got the magic stick, I'm the love doctor." He goes on to describe his desire for the woman, "Give it to me baby, nice and slow, climb on top, ride like you're in the rodeo." This song speaks to the idea of male dominance and control over women's sexuality. It objectifies women and puts them in a submissive position, where they are instructed to please the man.


Overall, this song is a classic example of sexually explicit rap music, where the focus is on male pleasure and control in the bedroom. It continues to be a popular song today, despite criticism for its sexist lyrics and representation of women.


Line by Line Meaning

Yeah...
Ryu is simply making a sound to start off the song.


Uh huh
Ryu is showing agreement with something that hasn't been said yet.


So seductive
Ryu is describing a person or object (presumably the candy shop) as being very alluring.


I'll take you to the candy shop
The singer is offering to take someone to a place that is very enticing and desirable (presumably a metaphor for a sexual experience).


I'll let you lick the lollipop
The singer is suggesting that the other person will have a chance to experience pleasure in a sexual manner.


Go 'head girl, don't you stop
The singer is encouraging the other person to continue doing whatever they're doing that is likely pleasurable for both parties.


Keep goin 'til you hit the spot (whoa)
The singer is encouraging the other person to continue their actions until they reach the point of climax or pleasure.


Boy one taste of what I got
The female singer is suggesting that the other person will be hooked after only experiencing a small portion of what she has to offer (presumably sexually).


I'll have you spending all you got
The female singer is suggesting that the other person will be willing to spend their resources (presumably money) on her after experiencing her pleasures.


You can have it your way, how do you want it
The male singer is suggesting that the other person can have control in how they experience their encounter with him, and asks for instructions.


You gon' back that thing up or should I push up on it
The male singer is suggesting two different methods of starting the encounter depending on the other person's preference.


Temperature risin, okay let's go to the next level
The male singer is indicating that the encounter is heating up and it's time to move forward to a more intimate stage.


Dance floor jam packed, hot as a tea kettle
The male singer is describing a scene of intimacy that is very crowded and hot (presumably a metaphor for the sexual encounter).


I'll break it down for you now, baby it's simple
The male singer is indicating that he will explain how to proceed in the encounter and that it's an easy process.


If you be a nympho, I'll be a nypmho
The male singer is suggesting that he will match the other person's level of sexual interests.


In the hotel or in the back of the rental,
The male singer is suggesting two different locations where the encounter could take place.


On the beach or in the park, it's whatever you into
The male singer is suggesting that the encounter could take place in multiple locations depending on the other person's preferences.


Got the magic stick, I'm the love doctor
The male singer is indicating that he has the ability to bring pleasure (presumably through sexual means) and refers to himself as a doctor of love.


Have your friends teasin' you 'bout how sprung I gotcha
The male singer is indicating that the other person will become infatuated with him and their friends will have playful jabs about it.


Wanna show me how you work it baby, no problem
The male singer is indicating that he will be willing to learn how to pleasure the other person (presumably sexually) and is encouraging them to show him how.


Get on top then get to bouncing round like a low rider
The male singer is describing a sexual act in which the other person is on top and bouncing in a motion similar to a low-rider car.


I'm a seasoned vet when it come to this shit
The male singer is describing himself as experienced in sexual matters.


After you work up a sweat you can play with the stick
The male singer is indicating that after physical exertion, there will be a chance to experience pleasure (presumably referring to his penis).


I'm tryin to explain baby the best way I can
The male singer is indicating that he wants to clarify something important to the other person and is doing his best to do so.


I melt in your mouth girl, not in your hands (ha ha)
The male singer is referring to a popular candy slogan but is applying it to himself, indicating that he is likely to bring pleasure (presumably sexually) but won't make a mess.


Girl what we do (what we do)
The male singer is asking the other person what they should do next sexual encounter.


And where we do (and where we do)
The male singer is asking the other person where they should have the sexual experience.


The things we do (things we do)
The male singer is referring to sexual acts that will take place during the encounter.


Are just between me and you (oh yeah)
The male singer is indicating that the encounter will remain private between himself and the other person.


Give it to me baby, nice and slow
The male singer is asking the other person to proceed slowly in a sexual manner.


Climb on top, ride like you in the rodeo
The male singer is suggesting a sexual act in which the other person is on top and performing hip movements similar to those in a rodeo.


You ain't never heard a sound like this before
The male singer is indicating that the sexual encounter will be unique and unlike anything the other person has experienced before.


'Cause I ain't never put it down like this
The male singer is indicating that he has never performed this act before in this particular way.


Soon as I come through the door she get to pullin' on my zipper
The male singer is describing how the other person will eagerly initiate the sexual encounter as soon as he arrives.


It's like it's a race who can get undressed quicker
The male singer is describing how the other person is quickly removing their clothes (presumably in a competitive manner).


Isn't it ironic how erotic it is to watch her in thongs
The male singer is pointing out the paradoxical nature of how arousing it is to see someone wearing very little clothing.


Had me thinking 'bout that ass after I'm gone
The male singer is indicating that the visual memory of the other person's body (specifically their posterior) will stay with him after the encounter is over.


I touch the right spot at the right time
The male singer is indicating that he has a keen sense of knowing how to bring pleasure (presumably sexually) to the other person at the right moment.


Lights on or lights off, she like it from behind
The male singer is suggesting that the other person enjoys a particular sexual position regardless of the lighting situation.


So seductive, you should see the way she winds
The male singer is describing the other person's movements as being very attractive and flirtatious.


Her hips in slow-mo on the floor when we grind
The male singer is describing a sexual act in which the other person is energetically grinding their hips against the male singer on the floor.


As long as she ain't stoppin, homie I ain't stoppin'
The male singer is indicating that the encounter will continue for as long as the other person is willing to participate.


Drippin' wet with sweat man it's on and popping
The male singer is indicating that the sexual encounter is heating up and becoming very pleasurable (presumably referring to the other person becoming aroused).


All my champagne campaign, bottle after bottle it's on
The male singer is describing an extravagant party atmosphere (that could be a metaphor for the sexual encounter) where champagne is being consumed liberally.


And we gon' sip til every bubble in the bottle is gone
The male singer is using a metaphor to indicate that the sexual encounter will go on until it's completely finished or climax has been reached.




Contributed by Kennedy H. Suggest a correction in the comments below.
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