Never widely popular amongst the general public, Suicide are highly influential: critic Wilson Neate argues that Suicide "would prove as influential as The Clash. Listening to their self-titled 1977 debut from the vantage point of late 2002, it's all so obvious: The synthpop, techno, and industrial dance sounds of the '80s and '90s, and now the new New Wave of electroclash, all gesture back to that foundational album. In a November 1970 flyer the band was the first ever to use the phrase "punk music" to advertise a concert. Suicide took their name from the title of a Ghost Rider comic book titled Satan Suicide, a favorite of Alan Vega. Rev's simple keyboard riffs, (initially played on a battered Farfisa organ combined with effects units, before changing to a synthesizer), were accompanied by primitive drum machines, providing a pulsing, minimalistic, electronic backdrop for Vega's murmuring and nervy vocals. They were the first band to use the term punk to describe themselves, which they had adopted from an article by Lester Bangs. Some of their earliest posters use the terms "punk music" and "punk music mass".
Suicide emerged alongside the early glam punk scene in New York, with a reputation for their confrontational live shows. Many of their early shows were at the Mercer Arts Center, alongside bands like the New York Dolls and Eric Emerson and the Magic Tramps. David Johansen once played harmonica with Suicide in an early show there. Vega and Rev both dressed like arty street thugs, and Vega was notorious for brandishing a length of motorcycle drive chain onstage. Vega once stated "We started getting booed as soon as we came onstage. Just from the way we looked they started giving us hell already. This sort of audience confrontation was inspired by Vega's witnessing of an Iggy and the Stooges concert at the New York State Pavilion in August 1969, which he later described as "great art". After the collapse of the Mercer Arts Center in 1973, Suicide played at Max's Kansas City and CBGB, often sharing the bill with emerging punk bands. Their first album was reissued with bonus material, including "23 Minutes Over Brussels", a recording of a Suicide concert that deteriorated into a riot.
Their first album, Suicide (1977), is regarded a classic. One critic writes: "'Che", "Ghost Rider"—these eerie, sturdy, proto-punk anthems rank among the most visionary, melodic experiments the rock realm has yet produced." Of note is the ten-minute "Frankie Teardrop", which tells the story of a poverty-stricken young factory worker, pushed to the edge. Critic Emerson Dameron writes that the song is "one of the most terrifying, riveting, absurd things I’ve ever heard. Nick Hornby in his book 31 Songs described "Frankie Teardrop" as something you would listen to "Only once".
Suicide's albums of the late 1970s and early 1980s are regarded as some of the most influential recordings of their time and helped shape the direction of indie rock, industrial music and dance music. Among others, Steve Albini (Shellac, Rapeman, Big Black), Panthére, Gang Gang Dance, The Jesus and Mary Chain, The Sisters of Mercy, She Wants Revenge, Henry Rollins, Joy Division/New Order, Soft Cell, Nick Cave, Cassandra Complex, Sigue Sigue Sputnik, Radiohead, Kap Bambino, Spacemen 3, Spiritualized, Angel Corpus Christi (covers of Dream Baby Dream and Cheree with Alan Vega guest vocals), Michael Gira, MGMT, Sonic Boom, Loop, The Fleshtones (both of whom have recorded cover versions of "Rocket USA"), Ric Ocasek of The Cars, Mi Ami, R.E.M. and The Kills have all listed Suicide as an influence. Bruce Springsteen was also influenced by the band, as evident by the song "State Trooper" from his album Nebraska. Furthermore, Springsteen also used a solo keyboard version of "Dream Baby Dream" to close the concerts on his 2005 Devils & Dust Tour.
In 1986, Alan Vega collaborated with Andrew Eldritch of The Sisters of Mercy on the 'Gift' album, released under the name of 'The Sisterhood'. Vega and Rev have both released solo albums, and Suicide released their first album in over a decade with 2002's American Supreme. Sales, however, were slow and critical reception was mixed.
In 2005, SAF Publishing put out Suicide No Compromise, a "docu-biography" by David Nobahkt, which featured extensive interviews with Vega and Rev as well as many of their contemporaries and famous fans.
In 2008, Blast First Petite released a monthly, limited edition series of 10" Vinyl EP's and downloads by major artists, honoring Alan Vega's 70th birthday. Among those paying tribute were Bruce Springsteen, Primal Scream, Peaches, Grinderman, Spiritualized, The Horrors, Sunn 0))+Pansonic, Julian Cope, Lydia Lunch, Vincent Gallo, LIARS, & The Klaxons. The label also released "Suicide: 1977-1978", a 6 CD box-set, the same year.
In September 2009, the group performed their debut LP live in its entirety as part of the All Tomorrow's Parties-curated Don't Look Back series.
In mid-2009, the band The Horrors released a cover of the song "Shadazz" as part of a tribute to Alan Vega and his work. They've performed it many times live, along with another Suicide song, "Ghost Rider". Later that year, Primal Scream and Miss Kittin covered the song "Diamonds, Fur Coat, Champagne" for a limited-edition 10-inch vinyl pressing. A total of 3,000 copies were pressed and released on March 30, 2009.
"Ghost Rider" was recently featured in a sixth season episode of HBO's Entourage. "Ghost Rider" is featured in movies Finisterrae and Attenberg. The riff from "Ghost Rider" was sampled extensively in M.I.A.'s single, "Born Free", released in April 2010.
"Ghostrider" was covered by the garage punk band The Gories and released on the Cheapo Crypt Sampler No. 2.
In May 2010 the band performed the entire first album live at two London concerts, double billed with Iggy & The Stooges performing Raw Power.
In April 2012, Neneh Cherry released a cover of the song "Dream Baby Dream" which will appear on her album, The Cherry Thing.
Vocalist Alan Vega passed away on July 16, 2016 at the age of 78.
There are other artists with this name:
2) A death metal band from Turkey, who pioneered the Turkish death metal scene.
3) A darkstep DJ from Russia. 4)
A grunge / hardcore band from Milevsko, Czech Republic. 5) A Croatian rapper.
2) Suicide is a band from Ankara, Turkey, considered to be the pioneers of the Turkish death metal scene. Suicide was founded by guitarist Erkan Tatoglu and his friends in 1989. Their first concert was at Talip Cinema in Ankara in 1991, where the band played to an audience of approximately 1300 people. After many changes in the line up, Erkan moved to vocals and Hakan Kuscu joined the band as the lead guitarist in 1994. Esad Erbil joined in 1995 as the bass guitar player. The band's current line up was completed after Caglar Yurut joined them in 2003. In Turkey, the band took stage in more than 50 concerts mostly in Ankara, Eskisehir, Istanbul, Bursa, Izmir, Kayseri and Mersin. The band, also known as the "Death Metal Titans" in Turkey have released an EP called "Spiritual Mess" (2000), a split CD containing the "Spiritual Mess" EP and an album called "One of Your Neighbours" (2004). The debut album "One of Your Neighbours" contains 15 years of experience in 14 songs, that devastate the trends in today's death metal while combining the pieces from old school death metal to technical and brutal death.
3) Suicide is a darkstep / DnB DJ from the Russian Federation. Official Myspace: http://www.myspace.com/suicidespb
Cheree
Suicide Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Oh, baby
Oh, baby
I love you
Cheree, Cheree
My comic book fantasy
Oh, I love you
Cheree, Cheree
Shut the door, baby
Oh, I love you
Oh, come play with me
Oh, baby
Oh, baby
I love you
I love you, baby
Oh, I love you
Cheree, Cheree
Cheree, Cheree
My black leather lady
I love you
Oh, I love you
The lyrics to Suicide's song Cheree seem to be a declaration of love or infatuation to an elusive and enigmatic figure referred to as Cheree. The repetition of her name throughout the song shows an obsession and desire for her. The lyrics also suggest a sense of playfulness and seduction between the two individuals as seen in the lines "Shut the door, baby/Oh, come play with me."
The use of the phrase "My comic book fantasy" could suggest that Cheree represents an idealized or fictional figure, perhaps someone the singer has created in his mind. Additionally, the description of her as "My black leather lady" adds to her mysterious and sexualized allure.
Overall, Suicide's song Cheree captures the intense emotions and fantasy-like infatuation that can come with falling in love or intensely desiring someone.
Line by Line Meaning
Cheree, Cheree
Addressing the person named Cheree with affection and emphasis
Oh, baby
Expressing a deep and intimate connection with the person
Oh, baby
Repeating the previous line to reinforce the feeling of closeness
I love you
Declaring an intense emotional attachment to the person
Cheree, Cheree
Repeating the first line to maintain the focus on the person called Cheree
My comic book fantasy
Portraying the person as a perfect and idealized character taken from imagination
Oh, I love you
Reinforcing the affection for the person with greater intensity
Oh, baby
Using the same words as earlier for further emphasis
Cheree, Cheree
Echoing earlier lines to express the deep attraction towards the person
Shut the door, baby
Asking the person to isolate themselves from the outside world to be with the artist
Oh, I love you
Reiterating the strong emotional connection with the person
Oh, come play with me
Encouraging the person to indulge in intimate activities with the artist
Oh, baby
Repeatedly calling out to the person to signify eagerness to be with them
Oh, baby
Reinforcing the same feelings once again
I love you
Repeating the same words to emphasize the intense feelings towards the person
I love you, baby
Using more endearments and addressing the person by name to express the depth of affection
Oh, I love you
Concluding the song with the repeated declaration of strong emotional attachment
Cheree, Cheree
Repeating the song title and thus the focus on the person named Cheree
Cheree, Cheree
Concluding the song with a final echoing of the first line
My black leather lady
Using imagery to describe the person as edgy and enticing
Lyrics © BMG Rights Management, Warner Chappell Music, Inc.
Written by: ALAN VEGA, MARTIN REVERBY
Lyrics Licensed & Provided by LyricFind
@Vonstromberg
Remember this from the '70's - Its gorgeous!.....the riff of this song is both evocative of another, older era and still timeless.
@lou3946
This reminds me of my cousin whom I may never see again. She always had a special gleam in her eye. I hope she is well wherever she is now.
@therealslimshady4555
This and sigue sigue spunick Atari baby BRILLIANT ❤
@smittyjonesthethird
I really like the accompanying video.