Superdrag is an alternative rock/power pop band from Knoxville, Tennessee. … Read Full Bio ↴Superdrag is an alternative rock/power pop band from Knoxville, Tennessee. Inspired by melancholic indie rock and melodic punk, they're best known for their 1996 single "Sucked Out", a big hit off their critically praised album 'Regretfully Yours', which had a video clip broadcast regularly on MTV. Of all the bands with 'Buzz Bin' videos in the second half of the 90s (such as the Refreshments and Wax), Superdrag is the one of the few to tour consistently until their self-imposed hiatus in 2003, winning a cult following.
Superdrag formed in the early 90s when Knoxville guitar player Brandon Fisher began dating the cousin of John Davis. Davis, a bit younger than Fisher, began playing the drums in Brandon's band, called 'The Used' (posthumously renamed The Used to Be for a 2003 re-release) and not to be confused with the Utah-based emo band of the same name, along with Tom Pappas. Pappas was also Davis' senior by a couple of years.
After a relatively unsuccessful stint under that arrangement, a friend of the band named Don Coffey, Jr. overheard Davis play a few songs he had written on the guitar and began playing the drums to them. Soon after, Pappas switched from his guitarist role to become the band's bass player, Fisher resumed on the lead guitar, and Superdrag was born. The band released three vinyl singles and their first EP, titled 'The Fabulous 8 Track Sounds of Superdrag', surfaced in 1995.
After having one of their A-sides ("Señorita") on a CMJ comp, the group soon released their first proper full-length album, titled 'Regretfully Yours', in 1996 after attracting the attention of Elektra Records. Their first single, "Sucked Out", was played frequently on MTV and the radio, reaching the #17 spot on Billboard's Modern Rock Tracks chart. Yet it would be their only mainstream hit as time went on; as a result, they were soon saddled with the tag of being a 'one-hit-wonder'. The video clip to the single "Destination Ursa Major" on the same album was Superdrag's second and last video to make it to television.
'Regretfully Yours' had clearly tapped into something given its mainstream success, the album hitting #4 on Billboard's Heatseekers chart. The band, thus, picked up more financial support from Elektra to record their next album— on the condition that they write more radio hits a la "Sucked Out". The product was 1998's 'Head Trip in Every Key', a release that's to date their most radio-unfriendly album. Being chock full of orchestras, pianos, sitars, and organs, its combination of out-of-the-ordinary instrumentation matched well with its eclectic songwriting. It was co-produced (along with the band) by Jerry Finn, who would later be successful producing albums for Blink-182, Green Day, and other more radio-friendly artists.
Many fans have believed that the intent of the band was to go purposely against Elektra's will with the overall sound of the album. Davis himself has admitted that they were taking advantage of the money Elektra provided to them in order to create the best studio album they could regardless of the label's demands for radio hits, knowing that Superdrag would probably never have that kind of funding again. Only one song, "Do the Vampire," received even minimal radio play. As expected, Elektra Records subsequently cut most of the band's funding. Almost no touring was done in support of the album, and it remains unheard by many, though most die-hard fans consider it to be their greatest release.
Notably, a similar thing happened to their fellow label-mates Nada Surf, with whom they had toured in July 1996, after the release in 1998 of Nada Surf's second LP, 'The Proximity Effect'.
After hearing what Superdrag had in store for their next release (hearing it the band's request, as well), Elektra dropped the band from their label before they were even finished recording their third full-length album. Pappas left the band to pursue his own career (notably with his three-piece Flesh Vehicle) and also worked as a sideman in live performance with Bloodshot's Bobby Bare, Jr. The band itself moved back east to sign with Arena Rock Recording Co., the New York-based label that put out their "N.A. Kicker" 7" single before Elektra came into the picture (they had also earlier dealt with another indie label, Darla).
By 2000, Superdrag had taken on a new bassist, Sam Powers, and released their third full-length album. 'In the Valley of Dying Stars' was produced by long-time friend Nick Raskulinecz with help from Don Coffey, Jr., who was beginning to show a keen interest in life on the other side of the glass.
'In the Valley of Dying Stars', as shown by its title alone, is by far the most emotional and raw of all of their albums; also, musically, in stark contrast to Head Trip's diverse instrumentation, Dying Stars kept to the standard rock format: guitar, drums, bass. The emotional core of Dying Stars emanates from the death of Davis's grandfather (his namesake), to whom John had been very close and had admired dearly. Davis' feelings on the record industry also emerged in songs such as "Keep it Close to Me": "I want rock and roll, but I don't want to deal with the hassle. I know what I know, but I don't want to feel like an asshole." Though featuring melancholic lyrics, the album's energetic power pop sound won over many alternative music fans as well as several critics (with Allmusic's Josh Modell praising the "solid, terrific sounding album").
With the absence of a major label or producer to influence their sound (although Raskulinecz was originally committed to the project, he had just signed on to produce an album for Foo Fighters in Los Angeles), Superdrag continued to evolve at their own pace. The band's 2002 release, titled 'Last Call for Vitriol', once again redefined the band's sound. Some of the songs moved toward a heavier, more alternative sound, while others were of pure country-western influence. Brandon Fisher had left the band prior to the release of 'In the Valley of Dying Stars', and Mic Harrison had eventually taken his place, adding a much more western feel to the guitar style.
Davis had turned heavily to alcoholism in prior years and many of his songs were about that very topic. One night, before the release of their last album, while driving to his parents' house, Davis pulled his truck over to pray, feeling that he had finally hit rock-bottom. He described the experience as life-changing, as he stated he felt a definite answer to his prayer. He was able to get away from alcohol, but felt that Superdrag was a mouth-piece for the life he had left behind, and simply didn't feel his heart behind it anymore. Upon completion of touring for Last Call, the band disbanded, playing one last show for Boston's NEMO music industry conference at The Paradise Rock Club on September 5, 2003; the show was documented with a Clear Channel-produced 2-CD release titled "Instant Live: The Paradise."
Coffey has been pursuing a career in recording and producing, operating Independent Recorders in Knoxville, TN and organizing an annual multi-day rock festival titled Hottfest, "Donnie Hott" being an inner-circle nickname for the drummer. Powers joined Guided By Voices as a fill-in bassist for their final European tour, returning to his pre-Superdrag job at Sony Music Publishing in Nashville and starting a family; a solo album is in the works from Powers. Harrison remains in Knoxville as a solo artist, often playing live shows with Knoxville rockers The High Score and former bandmate Coffey in his backing band.
Davis released and toured a gospel-influenced, spiritually-centered album -- titled "John Davis" -- in 2005. His second solo album, “Arigato!” was released in 2007. He has also undertaken various work as a session musician, most notably with Allison Moorer, which led to European touring and an appearance on The Tonight Show With Jay Leno. He also plays guitar for The Astronaut Pushers, who released its debut album in 2005.
In April 2007, a collection of unlreleased Superdrag demos and rarities titled "Changin' Tires On The Road To Ruin" was realeased to complete their three album deal with Arena Rock Recording Co. It gained positive reviews in the press.
In July 2007, 6 Superdrag reunion shows were announced for October and November 2007, featuring the original lineup of Davis, Coffey, Brandon Fisher, and Tom Pappas. A new double-CD of early Superdrag recordings, “4-Track Rock!!! 1992-1995” and “The Complete ‘Bender’ Sessions,” is being sold exclusively at these shows.
On the 19th October, an interview with Davis was published in The Daily Times "It’s kind of like a double helix, and it’s a chain of thought I’ve dealt with in the past,” he said. “I’m a Christian man, and I guess maybe my point of view initially was, does that mean I can’t play Superdrag anymore? At first I thought the answer was yes, but there’s an inherent theological flaw in that — it means that God wasn’t sovereign until 2001. Now, we both know that’s not correct. He invented rock, and He invented our band, and He meant for us to meet and break up and reunite again. All of the dark times, that’s pre-ordained by God, too, and He’s sufficient enough to redeem even the darkest of dark times.
“Basically, before I made the decision whether to do it or not, I called Don and just asked, ‘Do you want to play?’” Davis said. “It was a very short series of conversations, and in five minutes or less of talking to each of the guys, it was pretty much unanimous that everybody wanted to do something and move it forward. A lot of the things about the situation before had fallen by the wayside; factors that had precluded us from continuing to play in this lineup aren’t there anymore. And because we kept up good relationships with our management and our agent, the people that helped us to do our thing before were ready at a moment’s notice to start gauging what the interest would be.”
“We knew there was only one opportunity to do this, to bring it back from the dead, so to speak, and we wanted to get it right. Not just for our sakes, but for the people who are going to take the time and effort to come out and see us do it. We wanted to make it first and foremost something our fans would enjoy, and I’m really pleased that the response has been amazing. It’s been a completely positive experience."
In December 2007, two newly written songs on 4-Track were uploaded onto Superdrag's Official MySpace Page, "I Only Want A Place I Can Stay" and "Live And Breathe".
In January 2008, it was announced that along with the promise of more live shows later in the year (including a on April 11th in NYC), Superdrag will be going back into the recording studio in February to make their first new album with the original band line-up since 1998.
In March 2008, a couple of clips of Superdrag at Lake Fever Productions were uploaded onto YouTube, giving a preview of two new songs titled "Filthy & Afraid" and "Cheap Poltergeist", the latter featuring Tom Pappas on vocals and guitar. The clips can be found here and here.
The new album, Industry Giants, will be released by Superdrag Sound Laboratories on March 17, 2009.
Official Superdrag Website: http://www.superdrag.com
Official Superdrag MySpace Page: http://www.myspace.com/superdragofficial
Official Superdrag YouTube Page: http://www.youtube.com/superdragofficial
Superdrag formed in the early 90s when Knoxville guitar player Brandon Fisher began dating the cousin of John Davis. Davis, a bit younger than Fisher, began playing the drums in Brandon's band, called 'The Used' (posthumously renamed The Used to Be for a 2003 re-release) and not to be confused with the Utah-based emo band of the same name, along with Tom Pappas. Pappas was also Davis' senior by a couple of years.
After a relatively unsuccessful stint under that arrangement, a friend of the band named Don Coffey, Jr. overheard Davis play a few songs he had written on the guitar and began playing the drums to them. Soon after, Pappas switched from his guitarist role to become the band's bass player, Fisher resumed on the lead guitar, and Superdrag was born. The band released three vinyl singles and their first EP, titled 'The Fabulous 8 Track Sounds of Superdrag', surfaced in 1995.
After having one of their A-sides ("Señorita") on a CMJ comp, the group soon released their first proper full-length album, titled 'Regretfully Yours', in 1996 after attracting the attention of Elektra Records. Their first single, "Sucked Out", was played frequently on MTV and the radio, reaching the #17 spot on Billboard's Modern Rock Tracks chart. Yet it would be their only mainstream hit as time went on; as a result, they were soon saddled with the tag of being a 'one-hit-wonder'. The video clip to the single "Destination Ursa Major" on the same album was Superdrag's second and last video to make it to television.
'Regretfully Yours' had clearly tapped into something given its mainstream success, the album hitting #4 on Billboard's Heatseekers chart. The band, thus, picked up more financial support from Elektra to record their next album— on the condition that they write more radio hits a la "Sucked Out". The product was 1998's 'Head Trip in Every Key', a release that's to date their most radio-unfriendly album. Being chock full of orchestras, pianos, sitars, and organs, its combination of out-of-the-ordinary instrumentation matched well with its eclectic songwriting. It was co-produced (along with the band) by Jerry Finn, who would later be successful producing albums for Blink-182, Green Day, and other more radio-friendly artists.
Many fans have believed that the intent of the band was to go purposely against Elektra's will with the overall sound of the album. Davis himself has admitted that they were taking advantage of the money Elektra provided to them in order to create the best studio album they could regardless of the label's demands for radio hits, knowing that Superdrag would probably never have that kind of funding again. Only one song, "Do the Vampire," received even minimal radio play. As expected, Elektra Records subsequently cut most of the band's funding. Almost no touring was done in support of the album, and it remains unheard by many, though most die-hard fans consider it to be their greatest release.
Notably, a similar thing happened to their fellow label-mates Nada Surf, with whom they had toured in July 1996, after the release in 1998 of Nada Surf's second LP, 'The Proximity Effect'.
After hearing what Superdrag had in store for their next release (hearing it the band's request, as well), Elektra dropped the band from their label before they were even finished recording their third full-length album. Pappas left the band to pursue his own career (notably with his three-piece Flesh Vehicle) and also worked as a sideman in live performance with Bloodshot's Bobby Bare, Jr. The band itself moved back east to sign with Arena Rock Recording Co., the New York-based label that put out their "N.A. Kicker" 7" single before Elektra came into the picture (they had also earlier dealt with another indie label, Darla).
By 2000, Superdrag had taken on a new bassist, Sam Powers, and released their third full-length album. 'In the Valley of Dying Stars' was produced by long-time friend Nick Raskulinecz with help from Don Coffey, Jr., who was beginning to show a keen interest in life on the other side of the glass.
'In the Valley of Dying Stars', as shown by its title alone, is by far the most emotional and raw of all of their albums; also, musically, in stark contrast to Head Trip's diverse instrumentation, Dying Stars kept to the standard rock format: guitar, drums, bass. The emotional core of Dying Stars emanates from the death of Davis's grandfather (his namesake), to whom John had been very close and had admired dearly. Davis' feelings on the record industry also emerged in songs such as "Keep it Close to Me": "I want rock and roll, but I don't want to deal with the hassle. I know what I know, but I don't want to feel like an asshole." Though featuring melancholic lyrics, the album's energetic power pop sound won over many alternative music fans as well as several critics (with Allmusic's Josh Modell praising the "solid, terrific sounding album").
With the absence of a major label or producer to influence their sound (although Raskulinecz was originally committed to the project, he had just signed on to produce an album for Foo Fighters in Los Angeles), Superdrag continued to evolve at their own pace. The band's 2002 release, titled 'Last Call for Vitriol', once again redefined the band's sound. Some of the songs moved toward a heavier, more alternative sound, while others were of pure country-western influence. Brandon Fisher had left the band prior to the release of 'In the Valley of Dying Stars', and Mic Harrison had eventually taken his place, adding a much more western feel to the guitar style.
Davis had turned heavily to alcoholism in prior years and many of his songs were about that very topic. One night, before the release of their last album, while driving to his parents' house, Davis pulled his truck over to pray, feeling that he had finally hit rock-bottom. He described the experience as life-changing, as he stated he felt a definite answer to his prayer. He was able to get away from alcohol, but felt that Superdrag was a mouth-piece for the life he had left behind, and simply didn't feel his heart behind it anymore. Upon completion of touring for Last Call, the band disbanded, playing one last show for Boston's NEMO music industry conference at The Paradise Rock Club on September 5, 2003; the show was documented with a Clear Channel-produced 2-CD release titled "Instant Live: The Paradise."
Coffey has been pursuing a career in recording and producing, operating Independent Recorders in Knoxville, TN and organizing an annual multi-day rock festival titled Hottfest, "Donnie Hott" being an inner-circle nickname for the drummer. Powers joined Guided By Voices as a fill-in bassist for their final European tour, returning to his pre-Superdrag job at Sony Music Publishing in Nashville and starting a family; a solo album is in the works from Powers. Harrison remains in Knoxville as a solo artist, often playing live shows with Knoxville rockers The High Score and former bandmate Coffey in his backing band.
Davis released and toured a gospel-influenced, spiritually-centered album -- titled "John Davis" -- in 2005. His second solo album, “Arigato!” was released in 2007. He has also undertaken various work as a session musician, most notably with Allison Moorer, which led to European touring and an appearance on The Tonight Show With Jay Leno. He also plays guitar for The Astronaut Pushers, who released its debut album in 2005.
In April 2007, a collection of unlreleased Superdrag demos and rarities titled "Changin' Tires On The Road To Ruin" was realeased to complete their three album deal with Arena Rock Recording Co. It gained positive reviews in the press.
In July 2007, 6 Superdrag reunion shows were announced for October and November 2007, featuring the original lineup of Davis, Coffey, Brandon Fisher, and Tom Pappas. A new double-CD of early Superdrag recordings, “4-Track Rock!!! 1992-1995” and “The Complete ‘Bender’ Sessions,” is being sold exclusively at these shows.
On the 19th October, an interview with Davis was published in The Daily Times "It’s kind of like a double helix, and it’s a chain of thought I’ve dealt with in the past,” he said. “I’m a Christian man, and I guess maybe my point of view initially was, does that mean I can’t play Superdrag anymore? At first I thought the answer was yes, but there’s an inherent theological flaw in that — it means that God wasn’t sovereign until 2001. Now, we both know that’s not correct. He invented rock, and He invented our band, and He meant for us to meet and break up and reunite again. All of the dark times, that’s pre-ordained by God, too, and He’s sufficient enough to redeem even the darkest of dark times.
“Basically, before I made the decision whether to do it or not, I called Don and just asked, ‘Do you want to play?’” Davis said. “It was a very short series of conversations, and in five minutes or less of talking to each of the guys, it was pretty much unanimous that everybody wanted to do something and move it forward. A lot of the things about the situation before had fallen by the wayside; factors that had precluded us from continuing to play in this lineup aren’t there anymore. And because we kept up good relationships with our management and our agent, the people that helped us to do our thing before were ready at a moment’s notice to start gauging what the interest would be.”
“We knew there was only one opportunity to do this, to bring it back from the dead, so to speak, and we wanted to get it right. Not just for our sakes, but for the people who are going to take the time and effort to come out and see us do it. We wanted to make it first and foremost something our fans would enjoy, and I’m really pleased that the response has been amazing. It’s been a completely positive experience."
In December 2007, two newly written songs on 4-Track were uploaded onto Superdrag's Official MySpace Page, "I Only Want A Place I Can Stay" and "Live And Breathe".
In January 2008, it was announced that along with the promise of more live shows later in the year (including a on April 11th in NYC), Superdrag will be going back into the recording studio in February to make their first new album with the original band line-up since 1998.
In March 2008, a couple of clips of Superdrag at Lake Fever Productions were uploaded onto YouTube, giving a preview of two new songs titled "Filthy & Afraid" and "Cheap Poltergeist", the latter featuring Tom Pappas on vocals and guitar. The clips can be found here and here.
The new album, Industry Giants, will be released by Superdrag Sound Laboratories on March 17, 2009.
Official Superdrag Website: http://www.superdrag.com
Official Superdrag MySpace Page: http://www.myspace.com/superdragofficial
Official Superdrag YouTube Page: http://www.youtube.com/superdragofficial
Lighting the Way
Superdrag Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
i've been lighting the way
with bridges burning low, now.
i've been wasting the days
like living's going out of style, now.
i've been up every night,
walking down the highway.
if i can make things right,
i'm gonna do it my way.
send it straight to you.
like you put a price on everything you do.
like a song that ain't worth singing.
i've been hiding away,
waiting for disaster.
i regret the delay,
i wish i could've healed up faster.
i've been up every night,
walking down the highway.
if i can make things right,
i'm gonna do it my way.
send it straight to you
. like you put a price on everything you do.
like a song that ain't worth singing.
a thought that ain't worth thinking.
i've gotta find something worth bringing back to you.
send it straight to you.
like you put a price on everything you do.
like a song that ain't worth singing.
a thought that ain't worth singing.
i've gotta find something worth bringing back to you.
to you.
if i can make things right, i'm gonna do it my way.
if i can make things right, i'm gonna do it my way.
if i can make things right.
if i can make things right.
if i can make things right.
if i can make things right.
if i can make things right.
if i can make things right.
if i can make things right.
with bridges burning low, now.
i've been wasting the days
like living's going out of style, now.
i've been up every night,
walking down the highway.
if i can make things right,
i'm gonna do it my way.
send it straight to you.
like you put a price on everything you do.
like a song that ain't worth singing.
i've been hiding away,
waiting for disaster.
i regret the delay,
i wish i could've healed up faster.
i've been up every night,
walking down the highway.
if i can make things right,
i'm gonna do it my way.
send it straight to you
. like you put a price on everything you do.
like a song that ain't worth singing.
a thought that ain't worth thinking.
i've gotta find something worth bringing back to you.
send it straight to you.
like you put a price on everything you do.
like a song that ain't worth singing.
a thought that ain't worth singing.
i've gotta find something worth bringing back to you.
to you.
if i can make things right, i'm gonna do it my way.
if i can make things right, i'm gonna do it my way.
if i can make things right.
if i can make things right.
if i can make things right.
if i can make things right.
if i can make things right.
if i can make things right.
if i can make things right.
The song "Lighting the Way" by Superdrag tells a story of regret, a longing for redemption, and the desire to make amends. The first verse talks about the emotional and physical exhaustion of holding bridges, and the feeling that the days are slipping away. The chorus, "send it straight to you, like you put a price on everything you do, like a song that ain't worth singing," expresses that feeling of worthlessness and the idea that the singer is willing to put in the effort to make things right, even when others may not see the value in it.
In the second verse, the singer admits to hiding away and succumbing to disaster, but the regret only highlights the desire to make amends. The repetition of "if I can make things right, I'm gonna do it my way" reinforces the idea of taking responsibility for one's actions and the determination that comes with it. Throughout the song, the singer is walking down the highway, which symbolizes the journey towards redemption.
The song's lyrics, combined with the upbeat, guitar-heavy melody, evoke a sense of resilience and perseverance. In the end, the singer wants to find something worth bringing back to the person they are trying to make amends with. The song's message is universal and can apply to anyone who has ever felt regret or had to make amends for their actions.
Line by Line Meaning
i've been lighting the way
with bridges burning low, now.
I have been leading the way with a self-destructive mentality.
i've been wasting the days
like living's going out of style, now.
I have been living recklessly without regard for the future.
i've been up every night,
walking down the highway.
I have been restless, constantly seeking a way to fix my mistakes.
if i can make things right,
i'm gonna do it my way.
I will fix my past mistakes on my own terms and through my own methods.
send it straight to you.
like you put a price on everything you do.
I will fix my mistakes and send them directly to those I have wronged, regardless of the perceived worth of my actions.
like a song that ain't worth singing.
I have made poor decisions in the past that have not been of value to anyone.
i've been hiding away,
waiting for disaster.
I have isolated myself and allowed negative events to passively occur.
i regret the delay,
i wish i could've healed up faster.
I wish I had acted quicker to fix my mistakes and prevent harm to myself and others.
a thought that ain't worth thinking.
I have had negative or unhelpful thoughts that have not contributed to my personal growth or success.
i've gotta find something worth bringing back to you.
I am actively searching for a way to make amends or do something meaningful for those I have wronged.
if i can make things right, i'm gonna do it my way.
I am asserting my independence and personal responsibility in fixing my mistakes.
if i can make things right.
I recognize that I have made mistakes and am committed to correcting them.
Lyrics © WORDS & MUSIC A DIV OF BIG DEAL MUSIC LLC
Written by: JOHN DAVIS
Lyrics Licensed & Provided by LyricFind
To comment on or correct specific content, highlight it
More Genres
No Artists Found
More Artists
Load All
No Albums Found
More Albums
Load All
No Tracks Found
Genre not found
Artist not found
Album not found
Search results not found
Song not found
Ryma Juliana
on Amphetamine
He take drug after his girl fuck up with relation..