Living in San Francisco in the 1960s, he performed in a musical production called Women of the Blues, then joined a short-lived group of transvestite performance artists called The Cockettes in the early 70's (famed transvestite Divine was a member of the group as well). Sylvester can be seen in The Cockettes' outrageous short film Tricia's Wedding, lampooning the wedding of President Nixon's daughter Tricia, and in an eponymous 2002 documentary about the group.
In 1972, Sylvester supplied two cuts to Lights Out San Francisco, an album complied by the KSAN radio station and released on the Blue Thumb label. In 1973, Sylvester & his Hot Band released two rock-oriented albums on Blue Thumb (their self-titled debut was also known as "Scratch My Flower," due to a gardenia-shaped scratch-and-sniff sticker adhered to the cover). Signed a solo act to Fantasy Records in 1977, and working with the production talents of legendary Motown producer Harvey Fuqua. Sylvester later alleged that Fuqua cheated him out of millions of dollars.
Sylvester soon met his frequent collaborator Patrick Cowley. Cowley's synthesizer and Sylvester's voice proved to be a magical combination, and pushed Sylvester's sound in an increasingly dance-oriented direction; his second solo album - Step II (1978) - unleashed two disco classics: "You Make Me Feel (Mighty Real)," and "Dance (Disco Heat)." By this time both his live shows and recordings also recognizably featured the back-up vocals of Two Tons O' Fun: future Weather Girls Martha Wash and Izora Rhodes. 1979 brought three Billboard awards and an appearance in the movie, The Rose, starring Bette Midler.
Moving to Megatone Records in 1982, Sylvester quickly landed a Hi-NRG classic with "Do You Wanna Funk." He was close friends with other Megatone artists Linda Imperial and Jeanie Tracy. Sylvester was also very close to the legendary Patti LaBelle.
Later pressure from the label to "butch up" his image would result in him attending meetings in full-on drag. A drag photo shoot, which he staged and presented to label heads as a gag (calling it his "new album cover") would later grace the cover of Immortal after Sylvester died; it was the label's way of paying tribute to his spirit. In 1985, one of his dreams came true as he was summoned to sing back-up for Aretha Franklin on her Who's Zoomin' Who comeback album. His sole Warner Bros. album was Mutual Attraction in 1986; a single from the album, "Someone Like You," featured original cover art by Keith Haring.
Sylvester died of complications from AIDS on December 16, 1988. His good friend Jeanie Tracy took care of Sylvester during his last days.
In the late 1990's, performance artist Djola Branner (co-founder of the highly influential Pomo Afro Homos troupe) created his acclaimed solo piece and CD Mighty Real around the life of Sylvester.
On September 20, 2004 Sylvester's anthem record, You Make Me Feel (Mighty Real), was inducted into the Dance Music Hall of Fame. A year later, on September 19, 2005, Sylvester himself was inducted into the Dance Music Hall of Fame for his achievement as an artist.
In 2005, a biography written by Joshua Gamson and titled The Fabulous Sylvester: The Legend, The music, The 70s in San Francisco was published.
2. Sylvester (Sylvester Larsen , born 1973) is a danish artist, who has released 4 albums. He is the son of Kim Larsen. See www.sylvesterlarsen.dk
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Sylvester Lyrics
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Party a Lil Dub] by Sylvester – cover art
Dance (Disco Heat)
Sylvester
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02Tipsong by Sylvester – cover art
Tipsong
Sylvester
03Doin′ It For The Real Thing by Sylvester – cover art
Doin' It For The Real Thing
Sylvester
04Do You Wanna Funk?
Do You Wanna Funk? (Radio Edit)
Sylvester
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05Here Is My Love by Sylvester – cover art
Here Is My Love
Sylvester
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Sylvester
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07Dance (Disco Heat) [Louie Vega
Re-Touch Main Mix] by Sylvester – cover art
Dance (Disco Heat) [Louie Vega Re-Touch Main Mix]
Sylvester
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08Dance by Sylvester – cover art
Dance
Sylvester
09I Don't Wanna Think About It by Sylvester – cover art
I Don′t Wanna Think About It
Sylvester
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10Blue Uganda by Marteria, Maeckes,
Lady Slyke, Bris Jean, Abramz & Sylvester – cover art
Blue Uganda
Marteria, Maeckes, Sylvester
11Ooo Baby Baby by Sylvester – cover art
Ooo Baby Baby
Sylvester
12Be With You by Sylvester – cover art
Be With You
Sylvester
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13Hard Up by Sylvester – cover art
Hard Up
Sylvester
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14Can′t Stop Dancing by Sylvester – cover art
Can't Stop Dancing
Sylvester
15Lovin′ Is Really My Game by Sylvester – cover art
Lovin' Is Really My Game
Sylvester
Living for the City is a powerful song by Sylvester that delves into the struggles and oppression of black Americans in the city. The song begins with a stark introduction that describes the journey of a young country boy moving to the city in search of a better life. The upbeat tempo of the song bounces along with the narrative, as Sylvester sings about the harsh realities and challenges that the boy faces. The lyrics discuss everything from poverty, racism, police brutality, and the drug epidemic that plagued inner-city communities. The chorus acts almost as a battle cry, urging listeners to stand up against the injustices of society and demand change.
Sylvester’s emotive and charged vocals add an extra layer of depth and pain to the lyrics. He is telling a story, but it is also evident that he is passionate about the message he is conveying. Through the narrative, the listener can feel the frustration, anger, and distress of the singer as he confronts the injustices that have been imposed upon him. The song ends on a hopeful note, as the singer finds a way to overcome the obstacles and oppression and make a better life for himself.
Line by Line Meaning
A boy is born in hard time Mississippi
The song begins by describing a boy who was born in a difficult time in Mississippi.
Surrounded by four walls that ain't so pretty
The boy grows up in a place with four unattractive walls enclosing him.
His parents give him love and affection
Despite their hardships, the boy's parents show him love and care.
To keep him strong moving in the right direction
They try to guide him towards a positive path in life.
Living just enough, just enough for the city
However, the boy's family can only provide the bare minimum for survival and living in the city.
His father works some days for fourteen hours
The boy's father has to work long, exhausting hours on some days to make a living.
And you can bet he barely makes a dollar
Despite his hard work, the father probably earns very little money.
His mother goes to scrub the floors for many
The boy's mother has to do menial labor like cleaning floors for other people to earn money.
And you best believe she hardly gets a penny
Even though she works hard, the mother probably does not receive fair payment for her labor.
Living just enough, just enough for the city
The family is barely scraping by and can only afford to live in the city with the basics.
His sister's black but she is sho 'nuff pretty
The boy has a sister who is black, but beautiful.
Her skirt is short but Lord her legs are sturdy
She may dress in a revealing way, but she is a strong, confident person despite any prejudices against her appearance.
To walk to school she's got to get up early
The sister has to wake up very early to walk to school, likely due to living in a difficult area for commuting.
Her clothes are old but never are they dirty
Even though her clothes may not be the newest, she takes care to present herself cleanly.
Living just enough, just enough for the city
The family as a whole can only afford to live with enough to get by in the city.
Her brother's smart he's got more sense than many
The boy himself may be smart and intelligent beyond many of his peers.
His patience's long but soon he won't have any
He may have the patience to endure his situation now, but it may not last.
To find a job is like a haystack needle
Finding employment in the area they live in is near impossible.
'Cause where he lives they don't use colored people
The boy is in an area with a lot of discrimination against people of color and they are not given equal opportunities.
Living just enough, just enough for the city
The family cannot afford to leave the city and may be stuck in their difficult situation for a while.
Living just enough, just enough for the city
The repeated chorus emphasizes how the family can only survive in the city with the minimum necessities.
His hair is long, his feet are hard and gritty
The boy's physical appearance reflects his difficult lifestyle.
He spends his life walking the streets of New York City
Despite adversity, the boy walks around the city as he tries to survive.
He's almost dead from breathing in air pollution
Living in the city has wreaked havoc on the boy's health due to constantly inhaling polluted air.
He tried to vote but to him there's no solution
The boy may try to vote to make a change, but may find that there are no practical solutions to the problems he faces.
Living just enough, just enough for the city
The chorus repeats again to emphasize the theme of just surviving with the bare minimum.
I hope you hear inside my voice of sorrow
The song is a call to recognize the struggles that people in impoverished areas face every day.
And that it motivates you to make a better tomorrow
The message of the song is to inspire listeners to take action and work towards creating a better future for those living in similar harsh conditions.
This place is cruel no where could be much colder
The current living conditions of the boy and his family feel cruel and oppressive to them.
If we don't change the world will soon be over
The song's message is reinforced by warning that if the world doesn't become more aware of the struggles of poverty, the consequences could be dire.
Living just enough, just enough for the city
The song ends with a repetition of the chorus, driving home the message of the song.
Writer(s): James Sylvester
Contributed by Adeline V. Suggest a correction in the comments below.
@Cuntstantine
A banger for my cardio playlist 🔥💃 AWESOME 🔥❤️🔥
@marceloeduardoluiz
bons tempos da Disco...
@ryminsta
damn good roller .
Get on DOOOWWWNÑNN
@pianetaterra7976
💖💥⚡♥️💎⭐