T-Rock (Anthony Washington), born 26 March 1981, is a rapper hailing from the st… Read Full Bio ↴T-Rock (Anthony Washington), born 26 March 1981, is a rapper hailing from the streets of College Park, GA on the south side of Atlanta. After his debut album titled 'Throw Your Neighborhood Up' circulated heavily through the streets of College Park. The album eventually found its way to Three 6 Mafia affiliate MC Mack. After an impromptu meeting was set up between T-Rock, DJ Paul, and Juicy J, T-Rock was signed to his first major recording deal at only 17 years old.

T-Rock immediately moved to Memphis and began recording. His clever lyricism and tongue-twisting style immediately endeared T-Rock to fans all over the south. Widely regarded as one of the best lyricists to ever grace a Three 6 Mafia track, his appearances were partly responsible for the platinum successes of two albums and the sale of hundreds of thousands of other albums.

After a series of disagreements between he and his label, T-Rock decided to leave the Hypnotized Minds imprint he was signed to and embark on an independent career. Hooking up with his hometown crew Area 51, T-Rock went on to release several underground classics that have sold over 100,000 copies with barely any promotion or radio play. T-Rock has worked with a multitude of artists that include Too Short, Pastor Troy, Lil' Scrappy, Bo Hagon, Gangsta Boo, Lil Weavah, Max Minelli,Kingpin Skinny Pimp, Gangsta Pat, Al Kapone, Young Buck, Macboney & AK (of P$C) and Bizzy Bone just to name a few major names.

2006 was a great year for T-Rock and his fans as it saw the release of 'The Kush'. The album features production from M.A.J. of Xplosive Productions, DJ Cree, and T-Rock himself. Guest appearances include Max Minelli, P. Dukes of Countree Noise, and his Area 51 family. "This will be my most complete album to date," states the fiery emcee, "I've grown a lot and I believe its gonna show on this album." To say the south is waiting for this release would be an understatement.

I'm In It
T-Rock Lyrics

Jump to: Overall Meaning ↴ Line by Line Meaning ↴

I don't care if Monday's blue
Tuesday's grey and Wednesday too
Thursday, I don't care about you
It's Friday, I'm in love
Monday you can fall apart
Tuesday, Wednesday break my heart
Oh, Thursday doesn't even start
It's Friday, I'm in love

Saturday, wait
And Sunday always comes too late
But Friday, never hesitate
I don't care if Monday's black
Tuesday, Wednesday, heart attack
Thursday, never looking back
It's Friday, I'm in love
Monday you can hold your head
Tuesday, Wednesday, stay in bed
Or Thursday watch the walls instead
It's Friday, I'm in love
Saturday, wait
And Sunday always comes too late
But Friday, never hesitate
Dressed up to the eyes
It's a wonderful surprise
To see your shoes and your spirits rise
Throw out your frown
And just smile at the sound
Sleek as a shriek, spinning 'round and 'round
Always take a big bite
It's such a gorgeous sight
To see you eat in the middle of the night
You can never get enough
Enough of this stuff
It's Friday, I'm in love
I don't care if Monday's blue
Tuesday's grey and Wednesday too
Thursday, I don't care about you
It's Friday, I'm in love
Monday you can fall apart
Tuesday, Wednesday, break my heart
Thursday doesn't even start
It's Friday, I'm in love
Do-do, do-do, do-do, do

Do-do, do-do, do-do, do
(Oh, oh, whoa, whoa)

Overall Meaning

The lyrics to T-Rock's song "I'm In It" are a reimagining of the classic song "Friday I'm In Love" by The Cure. The singer is expressing their excitement for Friday, the end of the work/school week, and the start of the weekend. The first verse establishes that the singer doesn't care about any other days of the week and anticipates Friday's arrival. The second verse continues this sentiment but asserts that Monday through Thursday are not only irrelevant but potentially negative, ending with the declaration "It's Friday, I'm in love."

The chorus repeats the phrase "Friday, I'm in love" and emphasizes how Saturdays and Sundays don't compare to the excitement of Friday. The third verse gives more specific details about the singer's Friday plans, such as dressing up and going out, and encourages others to embrace the weekend and be happy. The final verse repeats the first two verses, solidifying the singer's infatuation with Fridays.

Overall, the song is a celebration of the end of the work/school week and the joy that comes with the weekend. It's a reminder to appreciate and savor moments of happiness.

Line by Line Meaning

I don't care if Monday's blue
I don't care if the week starts off bad

Tuesday's grey and Wednesday too
Tuesday and Wednesday are also bad

Thursday, I don't care about you
Thursday is not important to me

It's Friday, I'm in love
Friday is the best day and I'm happy

Monday you can fall apart
If Monday is bad, let it be bad

Tuesday, Wednesday break my heart
Even the middle of the week can be rough

Oh, Thursday doesn't even start
Thursday doesn't even matter

Saturday, wait
Saturday is still to come

And Sunday always comes too late
Sunday is too far away from Friday

But Friday, never hesitate
Friday is always a great day

I don't care if Monday's black
Even if Monday is really bad

Tuesday, Wednesday, heart attack
Middle of the week can be tough

Thursday, never looking back
Thursday is not important to me

Dressed up to the eyes
I'm looking my best

It's a wonderful surprise
It's great to feel happy

To see your shoes and your spirits rise
Seeing someone else happy can make me happy

Throw out your frown
Forget about being sad

And just smile at the sound
Be happy and enjoy the moment

Sleek as a shriek, spinning 'round and 'round
Feeling happy and confident

Always take a big bite
Enjoying life to the fullest

It's such a gorgeous sight
It's great to see someone else happy

To see you eat in the middle of the night
Enjoying food and life at any time

You can never get enough
You can never be too happy

Enough of this stuff
It's great to enjoy life

Do-do, do-do, do-do, do
Musical interlude

(Oh, oh, whoa, whoa)
Musical interlude

Lyrics © Universal Music Publishing Group
Written by: Boris Williams, Porl Thompson, Perry Bamonte, Robert James Smith, Simon Johnathon Gallup

Lyrics Licensed & Provided by LyricFind

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