No Problems
T.Love Lyrics


Jump to: Overall Meaning ↴  Line by Line Meaning ↴

New york ain't been the same since I paralyzed the city
(Slow down son, you killin' 'em) courtesy of diddy
Courtesy of niggas that's packin the mac millies
And weezy on the island where a day feel like a milli
And you can just imagine his commissary's like a billi
Enough to have a skinhead blastin' Public Enemy
Arm & Hammer mixed with white powder
Stretch the money long thats why I call it white power
You see the whips out front they all ours
Got women in em they wheelin and all wildin
I rock G arms and so joe smiling
Seen tmac with dion like he was in coney island
Madison square is the new fresh fest
Niggas try to stunt try to terminate the X
Push me in the corner where I perform the best
Joe crack move packs thats the key to success (haa)

[Chorus]
Catch me in the streets aint a damn thing sweet
Its the belly of the beast aint nobody safe
Run up on you with the heat, my baby's gotta eat
And killas don't sleep
Nigga show me where the safe
Trust me you want them problems
Pull up on you with the treble and bass
And mop the whole place
Oh no it ain't safe
It ain't safe round these parts

Way before I sold you an LP
I was a giant in the hood passin rocks to LT
I watched fiends get a taste of the sample
The bass send em straight to Planet Rock, Luther Campbell
Light em up blow em out like candles
They scramblin backwards cunningham randall
I flipped the pie to an enterprise
So you stompers were hittin zippers so you could stash the dope inside
Five sixty my niggas yeah I did that
And never ever show a bitch where your crib's at
The next day we at your door, "where your kids at?"
And if they don't out the raw, nigga click clack
And this is so darkside
I swear a nigga get way more hate than apartheid
Just give me death row we can part ties
Apocalypto flow pull your heart live





[Chorus]

Overall Meaning

The lyrics of T.Love's song "No Problems" describe the dangerous and violent lifestyle of living in New York City. The opening line, "New York ain't been the same since I paralyzed the city," suggests that the singer is responsible for some kind of disruptive event, possibly a shooting or some other violent act. The next lines mention the rapper Diddy and other individuals who carry guns, creating an atmosphere of fear and danger.


The song also references drug dealing and the use of cocaine ("Arm & Hammer mixed with white powder"), as well as the pursuit of wealth and power. The singer brags about their expensive cars and the women who ride with them. They also mention other notable individuals, such as basketball player Tracy McGrady and musician Lil Wayne.


At the same time, the chorus of the song acknowledges the risks and dangers of this lifestyle. The singer suggests that they must do whatever it takes to protect themselves and their loved ones, even if that means resorting to violence. The repeated refrain of "It ain't safe round these parts" reinforces that message.


Overall, the lyrics of "No Problems" paint a vivid picture of the dangers and risks of living in a violent, drug-fueled, and power-hungry environment like New York City.


Line by Line Meaning

New york ain't been the same since I paralyzed the city
The singer asserts that New York underwent a drastic change since he significantly impacted its residents in some form or shape.


(Slow down son, you killin' 'em) courtesy of diddy
Diddy is credited with giving a piece of advice deemed necessary to delay the aforementioned speaker to give others a chance to recover.


Courtesy of niggas that's packin the mac millies
Other people who carry weapons, particularly Mac-10 submachine guns, eventually made the city unsafe.


And weezy on the island where a day feel like a milli
Lil Wayne is on Rikers Island and a day feels like forever there.


And you can just imagine his commissary's like a billi
Lil Wayne accumulated a massive amount of money from selling merchandise while in jail.


Enough to have a skinhead blastin' Public Enemy
Lil Wayne likely generated enough wealth to even have someone, like a skinhead, erratically and dangerously play a Public Enemy song.


Arm & Hammer mixed with white powder
The singer mixes baking soda with cocaine.


Stretch the money long thats why I call it white power
The artist describes how he can make his drug profits go further by using baking soda to stretch the cocaine, which is why he calls it white power.


You see the whips out front they all ours
The artist claims ownership of all the cars parked outside.


Got women in em they wheelin and all wildin
There are women in the cars outside, and they are driving recklessly and behaving wildly.


I rock G arms and so joe smiling
The singer wears G-unit clothing and Joe is pleased about it.


Seen tmac with dion like he was in coney island
The artist experienced an occasion where Tracy McGrady and some other individual were together in a location that reminded him of Coney Island.


Madison square is the new fresh fest
Madison Square is now similar to the Freshfest Tour, a seminal hip-hop tour that took place in the 1980s.


Niggas try to stunt try to terminate the X
Individuals attempt to challenge the singer or his crew and they come to regret it.


Push me in the corner where I perform the best
The singer asserts that he is at his best when he is backed into a corner and facing adversity.


Joe crack move packs thats the key to success (haa)
Joe Crack's ability to distribute drugs is the reason for his success, according to the artist.


Catch me in the streets aint a damn thing sweet
The artist is often in the streets where things are not necessarily pleasant.


Its the belly of the beast aint nobody safe
The streets are dangerous places where no one is exempt from risk.


Run up on you with the heat, my baby's gotta eat
The singer may resort to using weapons to acquire money or resources to support his child.


And killas don't sleep
Murderers and other dangerous individuals are constantly on the alert.


Nigga show me where the safe
The artist expresses his desire to find and take whatever valuables may be hidden away.


Trust me you want them problems
The artist warns others that they may not be prepared for the dangers and risks that he and his associates bring with them.


Pull up on you with the treble and bass
The singer may use music or sound as a weapon or intimidation tactic.


And mop the whole place
If any issues arise, the artist warns that he and his associates may leave no survivors.


Oh no it ain't safe
The singer asserts that the area, and its inhabitants, are not safe.


It ain't safe round these parts
The singer makes it clear that the location is dangerous and risky.


Way before I sold you an LP
Before the singer released an album to the public, he had already acquired some level of notoriety.


I was a giant in the hood passin rocks to LT
The artist was a very successful drug dealer in the area, even operating in the same time and place as legendary football player Lawrence Taylor.


I watched fiends get a taste of the sample
The artist observed druggies experiment with the drugs that he sold.


The bass send em straight to Planet Rock, Luther Campbell
The power and intensity of the music caused people to feel high or buzzed, similar to the sensations created by drugs, including ones that Luther Campbell released.


Light em up blow em out like candles
The singer and his associates may threaten or attack others and extinguish their lives like they would a candle.


They scramblin backwards cunningham randall
Others try to quickly escape or flee from the artist and his associates in a disorganized way, resembling scramble or chaos, similar to how Randall Cunningham might move.


I flipped the pie to an enterprise
The artist turned his drug trade into a business enterprise.


So you stompers were hittin zippers so you could stash the dope inside
People who would step on, or dilute, drugs were forced to use bags with zippers to conceal them better by the artist's enterprise.


Five sixty my niggas yeah I did that
The singer committed a crime related to 560, which potentially refers to his associates' apartment number or an apartment he broke into.


And never ever show a bitch where your crib's at
The artist warns men never to disclose to women they are not fully aware of where they live.


The next day we at your door, 'where your kids at?'
The singer suggests that he is willing to use violence or intimation to force others to reveal the location of their children.


And if they don't out the raw, nigga click clack
If they refuse to reveal certain information or cooperate with the singer, he or his associates may resort to using weapons.


And this is so darkside
The singer acknowledges that his behavior and actions are very negative and unpleasant.


I swear a nigga get way more hate than apartheid
The artist claims that he receives a lot more animosity and hatred than the apartheid regime in South Africa.


Just give me death row we can part ties
The artist suggests that they nullify their present relationship and that he be committed to being headed to prison.


Apocalypto flow pull your heart live
The singer's manner of rapping is intense and impactful such that it can make hearts race or skip a beat, similar to the movie 'Apocalypto.'




Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC, REACH MUSIC PUBLISHING, Kobalt Music Publishing Ltd., Warner Chappell Music, Inc.
Written by: JOSEPH CARTAGENA, RICHARD BUTLER, WILLIAM DRAYTON, JONATHAN RIDENHOUR, CARL DOUGLAS, NORMAN ROGERS, ELIJAH MOLINA

Lyrics Licensed & Provided by LyricFind
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