T.Rex was a primary force in glam rock, thanks to the creative direction of guitarist/vocalist Marc Bolan (born Mark Feld). Bolan created a deliberately trashy form of rock and roll that was proud of its own disposability, which stood in contrast to the low-key whimsical poetry of the earlier duo. T.Rex's music borrowed the underlying sexuality of early rock & roll, adding dirty, simple grooves and fat distorted guitars, as well as an overarching folky/hippie spirituality that always came through the clearest on ballads. While most of his peers concentrated on making cohesive albums, Bolan kept the idea of a three-minute pop single alive in the early 1970s. In Britain, he became a superstar, sparking a period of "T.Rextacy" among the pop audience with a series of Top Ten hits, including four number one singles. Over in America, the group only had one major hit -- the Top Ten "Bang a Gong (Get It On)" -- before disappearing from the charts in 1973. T.Rex's popularity in the U.K. didn't begin to waver until 1975, and they retained a devoted following until Marc Bolan's death in 1977. Over the next three decades, Bolan has emerged as a cult figure and the music of T.Rex has proved quite influential on hard rock, punk, new wave, and alternative rock.
Following a career as a teenage model, Marc Bolan began performing music professionally in 1965, releasing his first single, "The Wizard," on Decca Records. Bolan joined the psychedelic folk-rock combo John's Children in 1967, appearing on three unsuccessful singles before the group disbanded later that year. Following the breakup, he formed the folk duo Tyrannosaurus Rex with percussionist Steve Peregrine Took. The duo landed a record deal with a subsidiary of EMI in February 1968, recording their debut album with producer Tony Visconti. "Debora," the group's first single, peaked at number 34 in May of that year, and their debut album, "My People Were Fair and Had Sky in Their Hair...But Now They're Content to Wear Stars on Their Brow", reached number 15 shortly afterward. The duo released their second album, "Prophets, Seers & Sages, the Angels of the Ages", in November of 1968.
By this time, Tyrannosaurus Rex was building a sizable underground following, which helped Bolan's book of poetry, The Warlock of Love, enter the British best-seller charts. In the summer of 1969, the duo released their third album, "Unicorn", as well as the single "King of the Rumbling Spires," the first Tyrannosaurus Rex song to feature an electric guitar. Following an unsuccessful American tour that fall, Took left or as is often stated by people close to the band, was sacked. He was replaced by Mickey Finn, previously linked to the band Haphash and the coloured coat.(There are a few more artists using the name Mickey Finn, though that is where the connection ends)! The new duo's first single did not chart, yet their first album, 1970's "A Beard of Stars", reached number 21.
The turning point in Bolan's career came in October of 1970, when he shortened the group's name to T.Rex and released "Ride a White Swan," a fuzz-drenched single driven by a rolling backbeat. "Ride a White Swan" became a major hit in the U.K., climbing all the way to number two. The band's next album, T.Rex, peaked at number 13 and stayed on the charts for six months. Encouraged by the results, Bolan expanded T.Rex to a full band, adding bassist Steve Currie and drummer Bill Legend (born Bill Fifield). The new lineup recorded "Hot Love," which spent six weeks at number one in early 1971. That summer, T.Rex released "Get It On" (retitled "Bang a Gong (Get It On)" in the U.S.), which became their second straight U.K. number one; the single would go on to be their biggest international hit, reaching number ten in the U.S. in 1972. "Electric Warrior", the first album recorded by the full band, was released in the fall of 1971; it was number one for six weeks in Britain and cracked America's Top 40.
By now, "T.Rextacy" was in full swing in England, as the band had captured the imaginations of both teenagers and the media with its sequined, heavily made-up appearance; the image of Marc Bolan in a top hat, feather boa, and platform shoes, performing "Get It On" on the BBC became as famous as his music. At the beginning of 1972, T.Rex signed with EMI, setting up a distribution deal for Bolan's own T.Rex Wax Co. record label. "Telegram Sam," the group's first EMI single, became their third number one single.
"Metal Guru" also hit number one, spending four weeks at the top of the chart. The Slider, released in the summer of 1972, shot to number one upon its release, allegedly selling 100,000 copies in four days; the album was also T.Rex's most successful American release, reaching number 17. Appearing in the spring of 1973, Tanx was another Top Five hit for T.Rex; the singles "20th Century Boy" and "The Groover" soon followed it to the upper ranks of the charts. However, those singles would prove to be the band's last two Top Ten hits. In the summer of 1973, rhythm guitarist Jack Green joined the band, as did three backup vocalists, including the American soul singer Gloria Jones; Jones would soon become Bolan's girlfriend. At the beginning of 1974, drummer Bill Legend left the group and was replaced by Davy Lutton, as Jones became the group's keyboardist.
In early 1974, the single "Teenage Dream" was the first record to be released under the name Marc Bolan and T.Rex. The following album, Zinc Alloy and the Hidden Riders of Tomorrow, was the last Bolan recorded with Tony Visconti. Throughout the year, T.Rex's popularity rapidly declined -- by the time "Zip Gun Boogie" was released in November, it could only reach number 41. Finn and Green left the group at the end of the year, while keyboardist Dino Dines joined. The decline of T.Rex's popularity was confirmed when 1975's Bolan's "Zip Gun" failed to chart. Bolan took the rest of the year off, returning in the spring of 1976 with "Futuristic Dragon", which peaked at number 50. Released in the summer of 1976, "I Love to Boogie," a disco-flavored three-chord thumper, became Bolan's last Top 20 hit.
Bolan released "Dandy in the Underworld" in the spring of 1977; it was a modest hit, peaking at number 26. While "The Soul of My Suit" reached number 42 on the charts, T.Rex's next two singles failed to chart. Sensing it was time for a change of direction, Bolan began expanding his horizons in August. In addition to contributing a weekly column for Record Mirror, he hosted his own variety television show, Marc. Featuring guest appearances by artists like David Bowie and Generation X, Marc helped restore Bolan's hip image. Signing with RCA Records, the guitarist formed a new band with bassist Herbie Flowers and drummer Tony Newman, yet he never was able to record with the group. While driving home from a London club with Bolan, Gloria Jones lost control of her car, smashing into a tree. Marc Bolan, riding in the passenger's seat of the car, was killed instantly.
While T.Rex's music was intended to be disposable, it has proven surprisingly influential over the years. Hard rock and heavy metal bands borrowed the group's image, as well as the pounding insistence of their guitars. Punk bands may have discarded the high heels, feather boas, and top hats, yet they adhered to the simple three-chord structures and pop aesthetics that made the band popular, as they still are today 30 years after Marc's death.
Broken-Hearted Blues
T. Rex Lyrics
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And I call it the broken-hearted blues
The air on that night was tempered like a knife
And the people wore the face masks of a clown
Don he was long, mis-shapen and forlorn
And his woman ran away without a smile
Days of the earth are unbroken changeless turf
But the faces of the men are something else
But baby now he's a toothless baggy man
When the hills of the sun
Make you feel that you are young
Get good now and face your face into the wind
This is a song that I wrote when I was young
And I called it the Broken Hearted Blues
The lyrics to T. Rex's song Broken-Hearted Blues are full of melancholy and nostalgia for a time long past. The songwriter reflects on his youth and the pain of lost love, captured in the title of the song. The description of the night is particularly evocative, with the air feeling like a knife and the people wearing face-masks like clowns. Don is introduced as a long, misshapen, and forlorn figure whose woman has left him without a smile. This imagery paints a picture of a bleak and hopeless world, where love and joy are few and far between.
The second verse speaks to the passage of time and the changes that come with it. The days of the earth remain unchanged, but the faces of the men have become something else entirely. The singer's memories of youthful energy and sexual desire have faded, replaced by the reality of aging and decay. The final lines offer a glimmer of hope, urging the listener to "face your face into the wind" and confront life's challenges head-on. Overall, Broken-Hearted Blues is a haunting and poignant reflection on the fleeting nature of love and the human condition.
Line by Line Meaning
This is a song that I wrote when I was young
I wrote this song when I was young and feeling heartbroken.
And I call it the broken-hearted blues
I named it the broken-hearted blues because it expresses the sadness I feel.
The air on that night was tempered like a knife
The atmosphere of that night was very tense and unsettling.
And the people wore the face-masks of a clown
People were hiding their true emotions behind fake smiles and laughter.
Don - he was long, misshapen and forlorn
Don was tall, awkward and full of despair.
And his woman ran away without a smile
His partner left him without any sign of affection or happiness.
Days of the earth are unbroken, changeless turf
The passing of time doesn't affect the earth's surface, but people's emotions and lives keep changing.
But the faces of the men are something else
However, people's facial expressions reveal the hardships and struggles of their lives.
In the wind, as a boy, was a spacious sexual toy
When I was younger, I enjoyed the freedom of expressing myself sexually.
But, baby, now he's a toothless baggy man
But now, I feel old, weak and unattractive.
When the hills of the sun make you feel that you are young...
When you see the sun rising over the hills, it can make you feel youthful and alive.
Get good now, and face your face into the wind
Therefore, it's time to improve oneself and face life's challenges with resilience and determination.
This is a song that I wrote when I was young
Once again, this is a song I created when I was feeling heartbroken and lost.
And I called it the broken-hearted blues
And the title of the song reflects the sadness and pain that I was experiencing at that time.
Lyrics © SPIRIT MUSIC GROUP
Written by: MARC BOLAN
Lyrics Licensed & Provided by LyricFind