T.Rex was a primary force in glam rock, thanks to the creative direction of guitarist/vocalist Marc Bolan (born Mark Feld). Bolan created a deliberately trashy form of rock and roll that was proud of its own disposability, which stood in contrast to the low-key whimsical poetry of the earlier duo. T.Rex's music borrowed the underlying sexuality of early rock & roll, adding dirty, simple grooves and fat distorted guitars, as well as an overarching folky/hippie spirituality that always came through the clearest on ballads. While most of his peers concentrated on making cohesive albums, Bolan kept the idea of a three-minute pop single alive in the early 1970s. In Britain, he became a superstar, sparking a period of "T.Rextacy" among the pop audience with a series of Top Ten hits, including four number one singles. Over in America, the group only had one major hit -- the Top Ten "Bang a Gong (Get It On)" -- before disappearing from the charts in 1973. T.Rex's popularity in the U.K. didn't begin to waver until 1975, and they retained a devoted following until Marc Bolan's death in 1977. Over the next three decades, Bolan has emerged as a cult figure and the music of T.Rex has proved quite influential on hard rock, punk, new wave, and alternative rock.
Following a career as a teenage model, Marc Bolan began performing music professionally in 1965, releasing his first single, "The Wizard," on Decca Records. Bolan joined the psychedelic folk-rock combo John's Children in 1967, appearing on three unsuccessful singles before the group disbanded later that year. Following the breakup, he formed the folk duo Tyrannosaurus Rex with percussionist Steve Peregrine Took. The duo landed a record deal with a subsidiary of EMI in February 1968, recording their debut album with producer Tony Visconti. "Debora," the group's first single, peaked at number 34 in May of that year, and their debut album, "My People Were Fair and Had Sky in Their Hair...But Now They're Content to Wear Stars on Their Brow", reached number 15 shortly afterward. The duo released their second album, "Prophets, Seers & Sages, the Angels of the Ages", in November of 1968.
By this time, Tyrannosaurus Rex was building a sizable underground following, which helped Bolan's book of poetry, The Warlock of Love, enter the British best-seller charts. In the summer of 1969, the duo released their third album, "Unicorn", as well as the single "King of the Rumbling Spires," the first Tyrannosaurus Rex song to feature an electric guitar. Following an unsuccessful American tour that fall, Took left or as is often stated by people close to the band, was sacked. He was replaced by Mickey Finn, previously linked to the band Haphash and the coloured coat.(There are a few more artists using the name Mickey Finn, though that is where the connection ends)! The new duo's first single did not chart, yet their first album, 1970's "A Beard of Stars", reached number 21.
The turning point in Bolan's career came in October of 1970, when he shortened the group's name to T.Rex and released "Ride a White Swan," a fuzz-drenched single driven by a rolling backbeat. "Ride a White Swan" became a major hit in the U.K., climbing all the way to number two. The band's next album, T.Rex, peaked at number 13 and stayed on the charts for six months. Encouraged by the results, Bolan expanded T.Rex to a full band, adding bassist Steve Currie and drummer Bill Legend (born Bill Fifield). The new lineup recorded "Hot Love," which spent six weeks at number one in early 1971. That summer, T.Rex released "Get It On" (retitled "Bang a Gong (Get It On)" in the U.S.), which became their second straight U.K. number one; the single would go on to be their biggest international hit, reaching number ten in the U.S. in 1972. "Electric Warrior", the first album recorded by the full band, was released in the fall of 1971; it was number one for six weeks in Britain and cracked America's Top 40.
By now, "T.Rextacy" was in full swing in England, as the band had captured the imaginations of both teenagers and the media with its sequined, heavily made-up appearance; the image of Marc Bolan in a top hat, feather boa, and platform shoes, performing "Get It On" on the BBC became as famous as his music. At the beginning of 1972, T.Rex signed with EMI, setting up a distribution deal for Bolan's own T.Rex Wax Co. record label. "Telegram Sam," the group's first EMI single, became their third number one single.
"Metal Guru" also hit number one, spending four weeks at the top of the chart. The Slider, released in the summer of 1972, shot to number one upon its release, allegedly selling 100,000 copies in four days; the album was also T.Rex's most successful American release, reaching number 17. Appearing in the spring of 1973, Tanx was another Top Five hit for T.Rex; the singles "20th Century Boy" and "The Groover" soon followed it to the upper ranks of the charts. However, those singles would prove to be the band's last two Top Ten hits. In the summer of 1973, rhythm guitarist Jack Green joined the band, as did three backup vocalists, including the American soul singer Gloria Jones; Jones would soon become Bolan's girlfriend. At the beginning of 1974, drummer Bill Legend left the group and was replaced by Davy Lutton, as Jones became the group's keyboardist.
In early 1974, the single "Teenage Dream" was the first record to be released under the name Marc Bolan and T.Rex. The following album, Zinc Alloy and the Hidden Riders of Tomorrow, was the last Bolan recorded with Tony Visconti. Throughout the year, T.Rex's popularity rapidly declined -- by the time "Zip Gun Boogie" was released in November, it could only reach number 41. Finn and Green left the group at the end of the year, while keyboardist Dino Dines joined. The decline of T.Rex's popularity was confirmed when 1975's Bolan's "Zip Gun" failed to chart. Bolan took the rest of the year off, returning in the spring of 1976 with "Futuristic Dragon", which peaked at number 50. Released in the summer of 1976, "I Love to Boogie," a disco-flavored three-chord thumper, became Bolan's last Top 20 hit.
Bolan released "Dandy in the Underworld" in the spring of 1977; it was a modest hit, peaking at number 26. While "The Soul of My Suit" reached number 42 on the charts, T.Rex's next two singles failed to chart. Sensing it was time for a change of direction, Bolan began expanding his horizons in August. In addition to contributing a weekly column for Record Mirror, he hosted his own variety television show, Marc. Featuring guest appearances by artists like David Bowie and Generation X, Marc helped restore Bolan's hip image. Signing with RCA Records, the guitarist formed a new band with bassist Herbie Flowers and drummer Tony Newman, yet he never was able to record with the group. While driving home from a London club with Bolan, Gloria Jones lost control of her car, smashing into a tree. Marc Bolan, riding in the passenger's seat of the car, was killed instantly.
While T.Rex's music was intended to be disposable, it has proven surprisingly influential over the years. Hard rock and heavy metal bands borrowed the group's image, as well as the pounding insistence of their guitars. Punk bands may have discarded the high heels, feather boas, and top hats, yet they adhered to the simple three-chord structures and pop aesthetics that made the band popular, as they still are today 30 years after Marc's death.
Carsmile Smith & The Old Ones
T. Rex Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Don't you know, that he's a good one?
don't cha, don't chat?
(2 X)
Bessie stood by the side of the grave
like a woman of love in her due
she hung her hands into another grief
for a man she never new
Don't you know, that he's the good one?
don't cha, don't chat?
(2 X)
Bessie stood by the side of the grave
like a woman of love in her due
she hung her hands into another grief
for a man she never new
(long horns part and guitar solo)
don't cha, don't cha?
(more guitar soloing)
don't cha, don't cha, don't cha, don't cha?
(more guitar soloing)
The lyrics to T. Rex's song "Carsmile Smith & The Old Ones" tell a story about a man named Carsmile Smith who is referred to as the "old one." The first part of the song repeats the phrase "Don't you know, that he's a good one?" which seems to suggest that despite Smith's age, he is still respected and admired by those around him. The second half of the song shifts focus to a woman named Bessie who is mourning at the gravesite of a man she never knew. The lyrics describe her as a "woman of love," which could suggest that she is mourning out of empathy for the man, or perhaps she is mourning for someone else that she loved who has also passed away. The song ends with an extended guitar solo and more repetitions of the phrase "Don't cha, don't cha?"
The lyrics to "Carsmile Smith & The Old Ones" are somewhat cryptic, but seem to be exploring themes of respect for one's elders, grief, and the mysteries of love and loss. The use of the phrase "old one" to describe Carsmile Smith could be interpreted as a commentary on ageism, with the song suggesting that even though Smith is older, he still deserves to be respected and appreciated. The inclusion of Bessie's mourning also adds a layer of sadness to the song, suggesting that loss is a universal experience that we all must face at some point in our lives.
Line by Line Meaning
Carsmile Smith, he's the old one
Introducing Carsmile Smith, referring to him as an old individual.
Don't you know, that he's a good one?
Asking the listener if they are aware that Carsmile Smith is a good person.
don't cha, don't chat?
Asking the listener to confirm their agreement or acknowledgement of Carsmile Smith's goodness.
Bessie stood by the side of the grave
Describing Bessie's location as being next to a grave.
like a woman of love in her due
Comparing Bessie's demeanor to that of a loving woman in mourning.
she hung her hands into another grief
Describing Bessie's actions of experiencing more sadness and pain as a result of being near the grave.
for a man she never new
Revealing that Bessie's grief is for a man she never had a chance to know.
Carsmile Smith, he's the old one
Repeating the introduction of Carsmile Smith.
Don't you know, that he's the good one?
Repeating the inquiry about Carsmile Smith's goodness.
don't cha, don't chat?
Repeating the request for the listener's confirmation.
(long horns part and guitar solo)
Instrumental break with horns and guitar solo.
don't cha, don't cha?
Repeating the request for the listener's agreement.
(more guitar soloing)
Continuation of the instrumental break with more guitar soloing.
don't cha, don't cha, don't cha, don't cha?
Repeating the request for the listener's agreement multiple times.
(more guitar soloing)
Continuation of the instrumental break with more guitar soloing.
Lyrics © SPIRIT MUSIC GROUP
Written by: MARC BOLAN
Lyrics Licensed & Provided by LyricFind
cats raptor231
Lyrics-
Carsmile Smith, he's the old one
Don't you know, that he's a good one?
don't cha, don't chat?
(2 X)
Bessie stood by the side of the grave
like a woman of love in her due
she hung her hands into another grief
for a man she never new
Carsmile Smith, he's the old one
Don't you know, that he's the good one?
don't cha, don't chat?
(2 X)
Bessie stood by the side of the grave
like a woman of love in her due
she hung her hands…
Aznageel
I always felt this song was only half done, but I'm no Marc Bolan so what do I know? I still love it.
Andrew Morton
Bolan was putting himself under so much pressure by the time he made Tanx and Zinc Alloy that he wasn’t working on new songs in the way he used to. Look at You Gotta Jive To Stay Alive and Spanish Midnight. Both could have been developed to full songs instead just stick them together.,
It was the same with Shock Rock on Tanx. Great riff and unique sounding vocals on the chorus (Bolan and Visconti). It could have been a great song heralding the end of glam rock. Instead we learned that Marc’s little baby was his girl. A great missed opportunity.
Ultimate it was Bolan’s success and the pressure it brought which led to his downfall. Still my favourite rock star of all time.
Jake Walsh
Exceptionally good track...
cats raptor231
Lyrics-
Carsmile Smith, he's the old one
Don't you know, that he's a good one?
don't cha, don't chat?
(2 X)
Bessie stood by the side of the grave
like a woman of love in her due
she hung her hands into another grief
for a man she never new
Carsmile Smith, he's the old one
Don't you know, that he's the good one?
don't cha, don't chat?
(2 X)
Bessie stood by the side of the grave
like a woman of love in her due
she hung her hands…
Richard Diddler
Bessie stood by the side of the grave like a woman in love Will do.
She hung her hands into a Knot of grief for a man she never knew.
👍
Ian Collinson
Thanks Richard for correct Lyrics xxx
Sweet Emotion
Quality
WolfM80
My album of Zinc has totally different versions of these songs!?!! Is there another one?
Andrew Morton
Have you got “Change” The alternative Zinc Alloy?
Sweet Emotion
I think there’s an early take x