T.Rex was a primary force in glam rock, thanks to the creative direction of guitarist/vocalist Marc Bolan (born Mark Feld). Bolan created a deliberately trashy form of rock and roll that was proud of its own disposability, which stood in contrast to the low-key whimsical poetry of the earlier duo. T.Rex's music borrowed the underlying sexuality of early rock & roll, adding dirty, simple grooves and fat distorted guitars, as well as an overarching folky/hippie spirituality that always came through the clearest on ballads. While most of his peers concentrated on making cohesive albums, Bolan kept the idea of a three-minute pop single alive in the early 1970s. In Britain, he became a superstar, sparking a period of "T.Rextacy" among the pop audience with a series of Top Ten hits, including four number one singles. Over in America, the group only had one major hit -- the Top Ten "Bang a Gong (Get It On)" -- before disappearing from the charts in 1973. T.Rex's popularity in the U.K. didn't begin to waver until 1975, and they retained a devoted following until Marc Bolan's death in 1977. Over the next three decades, Bolan has emerged as a cult figure and the music of T.Rex has proved quite influential on hard rock, punk, new wave, and alternative rock.
Following a career as a teenage model, Marc Bolan began performing music professionally in 1965, releasing his first single, "The Wizard," on Decca Records. Bolan joined the psychedelic folk-rock combo John's Children in 1967, appearing on three unsuccessful singles before the group disbanded later that year. Following the breakup, he formed the folk duo Tyrannosaurus Rex with percussionist Steve Peregrine Took. The duo landed a record deal with a subsidiary of EMI in February 1968, recording their debut album with producer Tony Visconti. "Debora," the group's first single, peaked at number 34 in May of that year, and their debut album, "My People Were Fair and Had Sky in Their Hair...But Now They're Content to Wear Stars on Their Brow", reached number 15 shortly afterward. The duo released their second album, "Prophets, Seers & Sages, the Angels of the Ages", in November of 1968.
By this time, Tyrannosaurus Rex was building a sizable underground following, which helped Bolan's book of poetry, The Warlock of Love, enter the British best-seller charts. In the summer of 1969, the duo released their third album, "Unicorn", as well as the single "King of the Rumbling Spires," the first Tyrannosaurus Rex song to feature an electric guitar. Following an unsuccessful American tour that fall, Took left or as is often stated by people close to the band, was sacked. He was replaced by Mickey Finn, previously linked to the band Haphash and the coloured coat.(There are a few more artists using the name Mickey Finn, though that is where the connection ends)! The new duo's first single did not chart, yet their first album, 1970's "A Beard of Stars", reached number 21.
The turning point in Bolan's career came in October of 1970, when he shortened the group's name to T.Rex and released "Ride a White Swan," a fuzz-drenched single driven by a rolling backbeat. "Ride a White Swan" became a major hit in the U.K., climbing all the way to number two. The band's next album, T.Rex, peaked at number 13 and stayed on the charts for six months. Encouraged by the results, Bolan expanded T.Rex to a full band, adding bassist Steve Currie and drummer Bill Legend (born Bill Fifield). The new lineup recorded "Hot Love," which spent six weeks at number one in early 1971. That summer, T.Rex released "Get It On" (retitled "Bang a Gong (Get It On)" in the U.S.), which became their second straight U.K. number one; the single would go on to be their biggest international hit, reaching number ten in the U.S. in 1972. "Electric Warrior", the first album recorded by the full band, was released in the fall of 1971; it was number one for six weeks in Britain and cracked America's Top 40.
By now, "T.Rextacy" was in full swing in England, as the band had captured the imaginations of both teenagers and the media with its sequined, heavily made-up appearance; the image of Marc Bolan in a top hat, feather boa, and platform shoes, performing "Get It On" on the BBC became as famous as his music. At the beginning of 1972, T.Rex signed with EMI, setting up a distribution deal for Bolan's own T.Rex Wax Co. record label. "Telegram Sam," the group's first EMI single, became their third number one single.
"Metal Guru" also hit number one, spending four weeks at the top of the chart. The Slider, released in the summer of 1972, shot to number one upon its release, allegedly selling 100,000 copies in four days; the album was also T.Rex's most successful American release, reaching number 17. Appearing in the spring of 1973, Tanx was another Top Five hit for T.Rex; the singles "20th Century Boy" and "The Groover" soon followed it to the upper ranks of the charts. However, those singles would prove to be the band's last two Top Ten hits. In the summer of 1973, rhythm guitarist Jack Green joined the band, as did three backup vocalists, including the American soul singer Gloria Jones; Jones would soon become Bolan's girlfriend. At the beginning of 1974, drummer Bill Legend left the group and was replaced by Davy Lutton, as Jones became the group's keyboardist.
In early 1974, the single "Teenage Dream" was the first record to be released under the name Marc Bolan and T.Rex. The following album, Zinc Alloy and the Hidden Riders of Tomorrow, was the last Bolan recorded with Tony Visconti. Throughout the year, T.Rex's popularity rapidly declined -- by the time "Zip Gun Boogie" was released in November, it could only reach number 41. Finn and Green left the group at the end of the year, while keyboardist Dino Dines joined. The decline of T.Rex's popularity was confirmed when 1975's Bolan's "Zip Gun" failed to chart. Bolan took the rest of the year off, returning in the spring of 1976 with "Futuristic Dragon", which peaked at number 50. Released in the summer of 1976, "I Love to Boogie," a disco-flavored three-chord thumper, became Bolan's last Top 20 hit.
Bolan released "Dandy in the Underworld" in the spring of 1977; it was a modest hit, peaking at number 26. While "The Soul of My Suit" reached number 42 on the charts, T.Rex's next two singles failed to chart. Sensing it was time for a change of direction, Bolan began expanding his horizons in August. In addition to contributing a weekly column for Record Mirror, he hosted his own variety television show, Marc. Featuring guest appearances by artists like David Bowie and Generation X, Marc helped restore Bolan's hip image. Signing with RCA Records, the guitarist formed a new band with bassist Herbie Flowers and drummer Tony Newman, yet he never was able to record with the group. While driving home from a London club with Bolan, Gloria Jones lost control of her car, smashing into a tree. Marc Bolan, riding in the passenger's seat of the car, was killed instantly.
While T.Rex's music was intended to be disposable, it has proven surprisingly influential over the years. Hard rock and heavy metal bands borrowed the group's image, as well as the pounding insistence of their guitars. Punk bands may have discarded the high heels, feather boas, and top hats, yet they adhered to the simple three-chord structures and pop aesthetics that made the band popular, as they still are today 30 years after Marc's death.
Desdemona
T. Rex Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
You're the daughter of a man
He may be rich he's in a ditch
He does not understand
Just how to move or rock and roll
To the conventions of the young
Desdemona, Desdemona
Desdemona, Desdemona
Lift up your skirt and fly
Just because my friend and I
Got a jute joint by the Seine
Does not mean I'm past fourteen
And cannot play the game
I'm glad I split and got a pad
On Boulevard Rue Fourteen
Desdemona, Desdemona
Desdemona Desdemona
Desdemona, Desdemona
Lift Up your skirt and fly
Just because Toulouse Lautrec
Painted some chick in the rude
Doesn't give you the right
To steal my night
And leave me naked in the nude
Well just because the touch of your hand
Can turn me on just like a stick
Desdemona, Desdemona
Desdemona Desdemona
Desdemona, Desdemona
Lift up your skirt and speak
The lyrics of T. Rex's song "Desdemona" may seem straightforward, with its focus on a girl named Desdemona, but upon closer examination, it becomes clear that there is a deeper meaning to the words. The first verse sets the tone, with the singer addressing Desdemona as the daughter of a man who is "rich" but "does not understand" how to move or rock and roll to the conventions of the young. In other words, the song is a critique of the older generation and their inability to understand or appreciate the music and culture of the young.
The chorus repeats Desdemona's name several times, as if calling her out for her behavior. The next two verses focus on the singer's own experiences, as he talks about a jute joint (a type of club) by the Seine where he and his friend hang out, and his own living arrangements on Boulevard Rue Fourteen. The mentions of Toulouse Lautrec and a naked woman suggest that Desdemona may be using her sexuality to get what she wants, and that the singer is not happy about it.
Overall, "Desdemona" is a song about the generation gap and the way that older people often do not understand or appreciate the music and culture of the young. It is also a commentary on the use of sex as a tool for manipulation, and the frustration that can result from feeling used or taken advantage of.
Line by Line Meaning
Desdemona just because
I know your name but that doesn't automatically mean anything about you
You're the daughter of a man
You are someone's child, with a father who has his own life and priorities
He may be rich he's in a ditch
Even if your father has wealth, he may not be living the most fulfilling life
He does not understand just how to move or rock and roll
Your father may be stuck in old ways and generations, unable to keep up with modern modes of expression
To the conventions of the young
Your father's generation has different values and ways of living than younger people
Lift up your skirt and fly
Take risks and be free, regardless of what others may say or think
Just because my friend and I got a jute joint by the Seine
I have had new experiences with my friend in a new place, and that has changed me
Does not mean I'm past fourteen and cannot play the game
I'm not childish or inexperienced, even though I may have been before
I'm glad I split and got a pad on Boulevard Rue Fourteen
I'm happy I left my old life and have found a new place to live
Just because Toulouse Lautrec painted some chick in the rude doesn't give you the right
Just because someone else has done something rebellious or shocking doesn't mean you can steal my night and leave me vulnerable
To steal my night and leave me naked in the nude
You can't take away what I believe is mine, and make me feel exposed and vulnerable
Well just because the touch of your hand can turn me on just like a stick
I'm entranced by you and excited by what you do, but that doesn't mean you can take advantage of me
Lift up your skirt and speak
Be open about your feelings and intentions, and communicate with honesty
Lyrics © O/B/O APRA AMCOS
Written by: MARC BOLAN
Lyrics Licensed & Provided by LyricFind