T.Rex was a primary force in glam rock, thanks to the creative direction of guitarist/vocalist Marc Bolan (born Mark Feld). Bolan created a deliberately trashy form of rock and roll that was proud of its own disposability, which stood in contrast to the low-key whimsical poetry of the earlier duo. T.Rex's music borrowed the underlying sexuality of early rock & roll, adding dirty, simple grooves and fat distorted guitars, as well as an overarching folky/hippie spirituality that always came through the clearest on ballads. While most of his peers concentrated on making cohesive albums, Bolan kept the idea of a three-minute pop single alive in the early 1970s. In Britain, he became a superstar, sparking a period of "T.Rextacy" among the pop audience with a series of Top Ten hits, including four number one singles. Over in America, the group only had one major hit -- the Top Ten "Bang a Gong (Get It On)" -- before disappearing from the charts in 1973. T.Rex's popularity in the U.K. didn't begin to waver until 1975, and they retained a devoted following until Marc Bolan's death in 1977. Over the next three decades, Bolan has emerged as a cult figure and the music of T.Rex has proved quite influential on hard rock, punk, new wave, and alternative rock.
Following a career as a teenage model, Marc Bolan began performing music professionally in 1965, releasing his first single, "The Wizard," on Decca Records. Bolan joined the psychedelic folk-rock combo John's Children in 1967, appearing on three unsuccessful singles before the group disbanded later that year. Following the breakup, he formed the folk duo Tyrannosaurus Rex with percussionist Steve Peregrine Took. The duo landed a record deal with a subsidiary of EMI in February 1968, recording their debut album with producer Tony Visconti. "Debora," the group's first single, peaked at number 34 in May of that year, and their debut album, "My People Were Fair and Had Sky in Their Hair...But Now They're Content to Wear Stars on Their Brow", reached number 15 shortly afterward. The duo released their second album, "Prophets, Seers & Sages, the Angels of the Ages", in November of 1968.
By this time, Tyrannosaurus Rex was building a sizable underground following, which helped Bolan's book of poetry, The Warlock of Love, enter the British best-seller charts. In the summer of 1969, the duo released their third album, "Unicorn", as well as the single "King of the Rumbling Spires," the first Tyrannosaurus Rex song to feature an electric guitar. Following an unsuccessful American tour that fall, Took left or as is often stated by people close to the band, was sacked. He was replaced by Mickey Finn, previously linked to the band Haphash and the coloured coat.(There are a few more artists using the name Mickey Finn, though that is where the connection ends)! The new duo's first single did not chart, yet their first album, 1970's "A Beard of Stars", reached number 21.
The turning point in Bolan's career came in October of 1970, when he shortened the group's name to T.Rex and released "Ride a White Swan," a fuzz-drenched single driven by a rolling backbeat. "Ride a White Swan" became a major hit in the U.K., climbing all the way to number two. The band's next album, T.Rex, peaked at number 13 and stayed on the charts for six months. Encouraged by the results, Bolan expanded T.Rex to a full band, adding bassist Steve Currie and drummer Bill Legend (born Bill Fifield). The new lineup recorded "Hot Love," which spent six weeks at number one in early 1971. That summer, T.Rex released "Get It On" (retitled "Bang a Gong (Get It On)" in the U.S.), which became their second straight U.K. number one; the single would go on to be their biggest international hit, reaching number ten in the U.S. in 1972. "Electric Warrior", the first album recorded by the full band, was released in the fall of 1971; it was number one for six weeks in Britain and cracked America's Top 40.
By now, "T.Rextacy" was in full swing in England, as the band had captured the imaginations of both teenagers and the media with its sequined, heavily made-up appearance; the image of Marc Bolan in a top hat, feather boa, and platform shoes, performing "Get It On" on the BBC became as famous as his music. At the beginning of 1972, T.Rex signed with EMI, setting up a distribution deal for Bolan's own T.Rex Wax Co. record label. "Telegram Sam," the group's first EMI single, became their third number one single.
"Metal Guru" also hit number one, spending four weeks at the top of the chart. The Slider, released in the summer of 1972, shot to number one upon its release, allegedly selling 100,000 copies in four days; the album was also T.Rex's most successful American release, reaching number 17. Appearing in the spring of 1973, Tanx was another Top Five hit for T.Rex; the singles "20th Century Boy" and "The Groover" soon followed it to the upper ranks of the charts. However, those singles would prove to be the band's last two Top Ten hits. In the summer of 1973, rhythm guitarist Jack Green joined the band, as did three backup vocalists, including the American soul singer Gloria Jones; Jones would soon become Bolan's girlfriend. At the beginning of 1974, drummer Bill Legend left the group and was replaced by Davy Lutton, as Jones became the group's keyboardist.
In early 1974, the single "Teenage Dream" was the first record to be released under the name Marc Bolan and T.Rex. The following album, Zinc Alloy and the Hidden Riders of Tomorrow, was the last Bolan recorded with Tony Visconti. Throughout the year, T.Rex's popularity rapidly declined -- by the time "Zip Gun Boogie" was released in November, it could only reach number 41. Finn and Green left the group at the end of the year, while keyboardist Dino Dines joined. The decline of T.Rex's popularity was confirmed when 1975's Bolan's "Zip Gun" failed to chart. Bolan took the rest of the year off, returning in the spring of 1976 with "Futuristic Dragon", which peaked at number 50. Released in the summer of 1976, "I Love to Boogie," a disco-flavored three-chord thumper, became Bolan's last Top 20 hit.
Bolan released "Dandy in the Underworld" in the spring of 1977; it was a modest hit, peaking at number 26. While "The Soul of My Suit" reached number 42 on the charts, T.Rex's next two singles failed to chart. Sensing it was time for a change of direction, Bolan began expanding his horizons in August. In addition to contributing a weekly column for Record Mirror, he hosted his own variety television show, Marc. Featuring guest appearances by artists like David Bowie and Generation X, Marc helped restore Bolan's hip image. Signing with RCA Records, the guitarist formed a new band with bassist Herbie Flowers and drummer Tony Newman, yet he never was able to record with the group. While driving home from a London club with Bolan, Gloria Jones lost control of her car, smashing into a tree. Marc Bolan, riding in the passenger's seat of the car, was killed instantly.
While T.Rex's music was intended to be disposable, it has proven surprisingly influential over the years. Hard rock and heavy metal bands borrowed the group's image, as well as the pounding insistence of their guitars. Punk bands may have discarded the high heels, feather boas, and top hats, yet they adhered to the simple three-chord structures and pop aesthetics that made the band popular, as they still are today 30 years after Marc's death.
Girl
T. Rex Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
And I'm not sure if we should slow it down (slow down)
And I'm ashamed of the way that I've appeared
But I promise I'm not gonna let you down (don't let me down)
By the way, I don't know how to be in love
I'm not afraid, I'm a slave right away
And I'm here for good
And I'm glad I'm not alone anymore
Is this too good to be true?
Can't you see I'm just a fool?
But if you have a couple hours, call me tonight
I guess I'm falling in the same way
'Cause I know after dark I will want you here (I'll be there)
I'm just like you, boy
We have so much to lose or the best to come
And by the way, it's a way that I haven't felt before
I have to say, that I feel like I've never been so sure
And there's not a day that I won't be yours
And I'm glad I'm not alone anymore
Is this too good to be true?
Can't you see I'm just a fool?
Because I need to know, I need to know
You're all I need (Won't you stay? Won't you stay?)
You're all I see (Won't you stay? Won't you stay?)
Can't you see, all I need, never take that away from me
The lyrics to T. Rex's song "Girl" describe someone who has fallen in love and is willing to do anything to keep their partner. The singer mentions that they are not experienced with being in love, but they are willing to learn and commit themselves wholly to the relationship. They are ashamed of how they may have appeared in the past, but promise to not let their partner down. The singer also acknowledges that they are falling in love in the same way as their partner, and they have a lot to lose or gain in this relationship.
The chorus of the song emphasizes the singer's devotion to their partner, stating that there will not be a day where they are not theirs. They express gratitude for no longer feeling alone and question if their happiness is too good to be true. The song ends with the singer pleading for their partner to stay with them, as they are all they need and want.
Overall, the lyrics convey a message of strong love and commitment, with the singer admitting their uncertainties but expressing their devotion nonetheless.
Line by Line Meaning
I guess you got me where you want me, girl
I feel like you have me under your spell and I don't mind it.
And I'm not sure if we should slow it down (slow down)
I don't know if we should take things slower.
And I'm ashamed of the way I've appeared
I'm embarrassed about how I've presented myself to you.
But I promise I'm not gonna let you down (don't let me down)
I'm committed to not disappointing you.
By the way, I don't know how to be in love
I have no experience with love and relationships.
I'm not afraid, I'm a slave right away
Despite my lack of experience, I'm willing to fully commit to you.
And I'm here for good
I am serious about staying with you long-term.
And there's not a day that I won't be yours
I will be devoted to you every day.
And I'm glad I'm not alone anymore
I'm happy to have you in my life and not feel lonely.
Is this too good to be true?
I can hardly believe how perfect things seem between us.
Can't you see I'm just a fool?
I'm willing to risk everything for you, even if it means looking foolish.
But if you have a couple hours, call me tonight
I want to spend as much time as possible with you, even if it's just a few hours talking on the phone.
I guess I'm falling in the same way
I'm realizing that I'm starting to develop feelings for you too.
'Cause I know after dark I will want you here (I'll be there)
I know that as the night goes on, I will only want to be with you more.
I'm just like you, boy
I have similar feelings to you, and we connect in a special way.
We have so much to lose or the best to come
We have a lot to risk in this relationship, but we also have the potential for great happiness.
And by the way, it's a way that I haven't felt before
This is a new kind of feeling for me, and it's exciting.
I have to say, that I feel like I've never been so sure
Despite my lack of experience, I'm sure that I want to be with you.
You're all I need (Won't you stay? Won't you stay?)
You are the most important thing to me, and I don't want you to leave me.
You're all I see (Won't you stay? Won't you stay?)
I am completely focused on you, and I need you to stay with me.
Can't you see, all I need, never take that away from me
Please don't take away the love that I have for you, it's all I need.
Lyrics © Universal Music Publishing Group
Written by: ALEXANDER JAMES O'CONNOR
Lyrics Licensed & Provided by LyricFind