T.Rex was a primary force in glam rock, thanks to the creative direction of guitarist/vocalist Marc Bolan (born Mark Feld). Bolan created a deliberately trashy form of rock and roll that was proud of its own disposability, which stood in contrast to the low-key whimsical poetry of the earlier duo. T.Rex's music borrowed the underlying sexuality of early rock & roll, adding dirty, simple grooves and fat distorted guitars, as well as an overarching folky/hippie spirituality that always came through the clearest on ballads. While most of his peers concentrated on making cohesive albums, Bolan kept the idea of a three-minute pop single alive in the early 1970s. In Britain, he became a superstar, sparking a period of "T.Rextacy" among the pop audience with a series of Top Ten hits, including four number one singles. Over in America, the group only had one major hit -- the Top Ten "Bang a Gong (Get It On)" -- before disappearing from the charts in 1973. T.Rex's popularity in the U.K. didn't begin to waver until 1975, and they retained a devoted following until Marc Bolan's death in 1977. Over the next three decades, Bolan has emerged as a cult figure and the music of T.Rex has proved quite influential on hard rock, punk, new wave, and alternative rock.
Following a career as a teenage model, Marc Bolan began performing music professionally in 1965, releasing his first single, "The Wizard," on Decca Records. Bolan joined the psychedelic folk-rock combo John's Children in 1967, appearing on three unsuccessful singles before the group disbanded later that year. Following the breakup, he formed the folk duo Tyrannosaurus Rex with percussionist Steve Peregrine Took. The duo landed a record deal with a subsidiary of EMI in February 1968, recording their debut album with producer Tony Visconti. "Debora," the group's first single, peaked at number 34 in May of that year, and their debut album, "My People Were Fair and Had Sky in Their Hair...But Now They're Content to Wear Stars on Their Brow", reached number 15 shortly afterward. The duo released their second album, "Prophets, Seers & Sages, the Angels of the Ages", in November of 1968.
By this time, Tyrannosaurus Rex was building a sizable underground following, which helped Bolan's book of poetry, The Warlock of Love, enter the British best-seller charts. In the summer of 1969, the duo released their third album, "Unicorn", as well as the single "King of the Rumbling Spires," the first Tyrannosaurus Rex song to feature an electric guitar. Following an unsuccessful American tour that fall, Took left or as is often stated by people close to the band, was sacked. He was replaced by Mickey Finn, previously linked to the band Haphash and the coloured coat.(There are a few more artists using the name Mickey Finn, though that is where the connection ends)! The new duo's first single did not chart, yet their first album, 1970's "A Beard of Stars", reached number 21.
The turning point in Bolan's career came in October of 1970, when he shortened the group's name to T.Rex and released "Ride a White Swan," a fuzz-drenched single driven by a rolling backbeat. "Ride a White Swan" became a major hit in the U.K., climbing all the way to number two. The band's next album, T.Rex, peaked at number 13 and stayed on the charts for six months. Encouraged by the results, Bolan expanded T.Rex to a full band, adding bassist Steve Currie and drummer Bill Legend (born Bill Fifield). The new lineup recorded "Hot Love," which spent six weeks at number one in early 1971. That summer, T.Rex released "Get It On" (retitled "Bang a Gong (Get It On)" in the U.S.), which became their second straight U.K. number one; the single would go on to be their biggest international hit, reaching number ten in the U.S. in 1972. "Electric Warrior", the first album recorded by the full band, was released in the fall of 1971; it was number one for six weeks in Britain and cracked America's Top 40.
By now, "T.Rextacy" was in full swing in England, as the band had captured the imaginations of both teenagers and the media with its sequined, heavily made-up appearance; the image of Marc Bolan in a top hat, feather boa, and platform shoes, performing "Get It On" on the BBC became as famous as his music. At the beginning of 1972, T.Rex signed with EMI, setting up a distribution deal for Bolan's own T.Rex Wax Co. record label. "Telegram Sam," the group's first EMI single, became their third number one single.
"Metal Guru" also hit number one, spending four weeks at the top of the chart. The Slider, released in the summer of 1972, shot to number one upon its release, allegedly selling 100,000 copies in four days; the album was also T.Rex's most successful American release, reaching number 17. Appearing in the spring of 1973, Tanx was another Top Five hit for T.Rex; the singles "20th Century Boy" and "The Groover" soon followed it to the upper ranks of the charts. However, those singles would prove to be the band's last two Top Ten hits. In the summer of 1973, rhythm guitarist Jack Green joined the band, as did three backup vocalists, including the American soul singer Gloria Jones; Jones would soon become Bolan's girlfriend. At the beginning of 1974, drummer Bill Legend left the group and was replaced by Davy Lutton, as Jones became the group's keyboardist.
In early 1974, the single "Teenage Dream" was the first record to be released under the name Marc Bolan and T.Rex. The following album, Zinc Alloy and the Hidden Riders of Tomorrow, was the last Bolan recorded with Tony Visconti. Throughout the year, T.Rex's popularity rapidly declined -- by the time "Zip Gun Boogie" was released in November, it could only reach number 41. Finn and Green left the group at the end of the year, while keyboardist Dino Dines joined. The decline of T.Rex's popularity was confirmed when 1975's Bolan's "Zip Gun" failed to chart. Bolan took the rest of the year off, returning in the spring of 1976 with "Futuristic Dragon", which peaked at number 50. Released in the summer of 1976, "I Love to Boogie," a disco-flavored three-chord thumper, became Bolan's last Top 20 hit.
Bolan released "Dandy in the Underworld" in the spring of 1977; it was a modest hit, peaking at number 26. While "The Soul of My Suit" reached number 42 on the charts, T.Rex's next two singles failed to chart. Sensing it was time for a change of direction, Bolan began expanding his horizons in August. In addition to contributing a weekly column for Record Mirror, he hosted his own variety television show, Marc. Featuring guest appearances by artists like David Bowie and Generation X, Marc helped restore Bolan's hip image. Signing with RCA Records, the guitarist formed a new band with bassist Herbie Flowers and drummer Tony Newman, yet he never was able to record with the group. While driving home from a London club with Bolan, Gloria Jones lost control of her car, smashing into a tree. Marc Bolan, riding in the passenger's seat of the car, was killed instantly.
While T.Rex's music was intended to be disposable, it has proven surprisingly influential over the years. Hard rock and heavy metal bands borrowed the group's image, as well as the pounding insistence of their guitars. Punk bands may have discarded the high heels, feather boas, and top hats, yet they adhered to the simple three-chord structures and pop aesthetics that made the band popular, as they still are today 30 years after Marc's death.
Oh Baby
T. Rex Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Oh baby baby, oh baby baby
Ahh, I want you for my woman
Oh baby baby, oh baby baby, oh
Well I saw a girl yesterday
Thought my life that she was my wife
Once in my life
Well I saw a girl yesterday
Once in my life
And I'm singing
Oh baby baby, oh baby baby
Oh baby baby, Ahhh
I want you for my woman
Oh baby baby, Oh baby baby, yeah
Well I saw a girl yesterday
Thought my life that she was my wife
Once in my life
The lyrics to T. Rex's "Oh Baby" are relatively straightforward and revolve around a central theme: the singer's desire for a woman who he saw yesterday and thought could be his wife. The repetition of "oh baby" conveys the intensity of his emotional longing and the urgency of his desire. The first verse sets the stage for the rest of the song, with the chorus expressing the singer's desire for the woman and the repetition of the phrase "oh baby baby" conveying a sense of longing and intensity. The second verse repeats the same sentiment, with the singer saying that he saw the girl yesterday and thought she was his wife.
There is a sense of desperation in the lyrics, as the singer seems almost obsessed with the woman he saw. The repetition of the phrase "once in my life" suggests that he feels that this is a rare opportunity to find love, and he doesn't want to let it slip away. The use of the word "woman" instead of "girl" suggests that the singer is looking for a mature, serious relationship, rather than a casual fling.
Overall, "Oh Baby" is a straightforward, simple love song that captures the intensity and urgency of romantic desire.
Line by Line Meaning
Oh baby, ooh, oh baby, oh baby baby
Expressing affection and attraction towards a significant other.
Oh baby baby, oh baby baby
Repeating the expression of affection and attraction towards a significant other.
Ahh, I want you for my woman
Desire to be in a committed relationship with the significant other.
Oh baby baby, oh baby baby, oh
Continuing to express affection and attraction towards a significant other.
Well I saw a girl yesterday
Encountering a woman and showing interest in her.
Thought my life that she was my wife
Feeling a strong emotional connection to the woman and imagining a future together.
Once in my life
Recognizing that this connection is rare and special.
Oh baby baby, oh baby baby
Repeating the expression of affection and attraction towards a significant other.
Oh baby baby, Ahhh
Expressing excitement and enthusiasm towards the significant other.
I want you for my woman
Desire to be in a committed relationship with the significant other.
Oh baby baby, Oh baby baby, yeah
Continuing to express affection and attraction towards a significant other.
Well I saw a girl yesterday
Encountering a woman and showing interest in her.
Thought my life that she was my wife
Feeling a strong emotional connection to the woman and imagining a future together.
Once in my life
Recognizing that this connection is rare and special.
Contributed by Cole C. Suggest a correction in the comments below.
@1stMistyMist1
Yet another lovely song from Marc, thank you for your upload !
@mardonespaiva8551
Marc bolan ums dos melhores frotman de todos os tempo...
@MarieRChild
Thank you so much trexmarcbolan ! I know and love the version with Tony and thank to you, I know now with our Marc ! ♥
@lhaaiah2707
well done ! rock on !
@Pauleyh2
December 22 1969 recorded at Trident. Studios. The With Tony on Vocals was two days later. And the single was issued on Bell January 10,1970
@trexmarcbolan
Hi Bro we got lucky little snow and it is so nice out today it all just about melted take care
@trexmarcbolan
Hi Maria Thank you for stopping by - hope all is good marc
@trexmarcbolan
Hello TANX for stopping by
@trexmarcbolan
hello marie thanks for stopping by
@MarieRChild
Great to have the Marc's version (and I love Tony's too) ♥