T.Rex was a primary force in glam rock, thanks to the creative direction of guitarist/vocalist Marc Bolan (born Mark Feld). Bolan created a deliberately trashy form of rock and roll that was proud of its own disposability, which stood in contrast to the low-key whimsical poetry of the earlier duo. T.Rex's music borrowed the underlying sexuality of early rock & roll, adding dirty, simple grooves and fat distorted guitars, as well as an overarching folky/hippie spirituality that always came through the clearest on ballads. While most of his peers concentrated on making cohesive albums, Bolan kept the idea of a three-minute pop single alive in the early 1970s. In Britain, he became a superstar, sparking a period of "T.Rextacy" among the pop audience with a series of Top Ten hits, including four number one singles. Over in America, the group only had one major hit -- the Top Ten "Bang a Gong (Get It On)" -- before disappearing from the charts in 1973. T.Rex's popularity in the U.K. didn't begin to waver until 1975, and they retained a devoted following until Marc Bolan's death in 1977. Over the next three decades, Bolan has emerged as a cult figure and the music of T.Rex has proved quite influential on hard rock, punk, new wave, and alternative rock.
Following a career as a teenage model, Marc Bolan began performing music professionally in 1965, releasing his first single, "The Wizard," on Decca Records. Bolan joined the psychedelic folk-rock combo John's Children in 1967, appearing on three unsuccessful singles before the group disbanded later that year. Following the breakup, he formed the folk duo Tyrannosaurus Rex with percussionist Steve Peregrine Took. The duo landed a record deal with a subsidiary of EMI in February 1968, recording their debut album with producer Tony Visconti. "Debora," the group's first single, peaked at number 34 in May of that year, and their debut album, "My People Were Fair and Had Sky in Their Hair...But Now They're Content to Wear Stars on Their Brow", reached number 15 shortly afterward. The duo released their second album, "Prophets, Seers & Sages, the Angels of the Ages", in November of 1968.
By this time, Tyrannosaurus Rex was building a sizable underground following, which helped Bolan's book of poetry, The Warlock of Love, enter the British best-seller charts. In the summer of 1969, the duo released their third album, "Unicorn", as well as the single "King of the Rumbling Spires," the first Tyrannosaurus Rex song to feature an electric guitar. Following an unsuccessful American tour that fall, Took left or as is often stated by people close to the band, was sacked. He was replaced by Mickey Finn, previously linked to the band Haphash and the coloured coat.(There are a few more artists using the name Mickey Finn, though that is where the connection ends)! The new duo's first single did not chart, yet their first album, 1970's "A Beard of Stars", reached number 21.
The turning point in Bolan's career came in October of 1970, when he shortened the group's name to T.Rex and released "Ride a White Swan," a fuzz-drenched single driven by a rolling backbeat. "Ride a White Swan" became a major hit in the U.K., climbing all the way to number two. The band's next album, T.Rex, peaked at number 13 and stayed on the charts for six months. Encouraged by the results, Bolan expanded T.Rex to a full band, adding bassist Steve Currie and drummer Bill Legend (born Bill Fifield). The new lineup recorded "Hot Love," which spent six weeks at number one in early 1971. That summer, T.Rex released "Get It On" (retitled "Bang a Gong (Get It On)" in the U.S.), which became their second straight U.K. number one; the single would go on to be their biggest international hit, reaching number ten in the U.S. in 1972. "Electric Warrior", the first album recorded by the full band, was released in the fall of 1971; it was number one for six weeks in Britain and cracked America's Top 40.
By now, "T.Rextacy" was in full swing in England, as the band had captured the imaginations of both teenagers and the media with its sequined, heavily made-up appearance; the image of Marc Bolan in a top hat, feather boa, and platform shoes, performing "Get It On" on the BBC became as famous as his music. At the beginning of 1972, T.Rex signed with EMI, setting up a distribution deal for Bolan's own T.Rex Wax Co. record label. "Telegram Sam," the group's first EMI single, became their third number one single.
"Metal Guru" also hit number one, spending four weeks at the top of the chart. The Slider, released in the summer of 1972, shot to number one upon its release, allegedly selling 100,000 copies in four days; the album was also T.Rex's most successful American release, reaching number 17. Appearing in the spring of 1973, Tanx was another Top Five hit for T.Rex; the singles "20th Century Boy" and "The Groover" soon followed it to the upper ranks of the charts. However, those singles would prove to be the band's last two Top Ten hits. In the summer of 1973, rhythm guitarist Jack Green joined the band, as did three backup vocalists, including the American soul singer Gloria Jones; Jones would soon become Bolan's girlfriend. At the beginning of 1974, drummer Bill Legend left the group and was replaced by Davy Lutton, as Jones became the group's keyboardist.
In early 1974, the single "Teenage Dream" was the first record to be released under the name Marc Bolan and T.Rex. The following album, Zinc Alloy and the Hidden Riders of Tomorrow, was the last Bolan recorded with Tony Visconti. Throughout the year, T.Rex's popularity rapidly declined -- by the time "Zip Gun Boogie" was released in November, it could only reach number 41. Finn and Green left the group at the end of the year, while keyboardist Dino Dines joined. The decline of T.Rex's popularity was confirmed when 1975's Bolan's "Zip Gun" failed to chart. Bolan took the rest of the year off, returning in the spring of 1976 with "Futuristic Dragon", which peaked at number 50. Released in the summer of 1976, "I Love to Boogie," a disco-flavored three-chord thumper, became Bolan's last Top 20 hit.
Bolan released "Dandy in the Underworld" in the spring of 1977; it was a modest hit, peaking at number 26. While "The Soul of My Suit" reached number 42 on the charts, T.Rex's next two singles failed to chart. Sensing it was time for a change of direction, Bolan began expanding his horizons in August. In addition to contributing a weekly column for Record Mirror, he hosted his own variety television show, Marc. Featuring guest appearances by artists like David Bowie and Generation X, Marc helped restore Bolan's hip image. Signing with RCA Records, the guitarist formed a new band with bassist Herbie Flowers and drummer Tony Newman, yet he never was able to record with the group. While driving home from a London club with Bolan, Gloria Jones lost control of her car, smashing into a tree. Marc Bolan, riding in the passenger's seat of the car, was killed instantly.
While T.Rex's music was intended to be disposable, it has proven surprisingly influential over the years. Hard rock and heavy metal bands borrowed the group's image, as well as the pounding insistence of their guitars. Punk bands may have discarded the high heels, feather boas, and top hats, yet they adhered to the simple three-chord structures and pop aesthetics that made the band popular, as they still are today 30 years after Marc's death.
Truck On
T. Rex Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Oh Tyke baby
You're a slender living lady
You're dynamite
You're a jeep mouth dancer
You're a right on dancer
You got gangster's legs
Like a song I truck on
I'm a jive brain bender I'm everyone
Got electric deep in me
I'm a space age cowboy
Ride dinosaurs
Like a song I truck on
Oh Tyke baby
You're a palamino baby
'Cos you move along
People put you down
'Cos you're too low on the ground
They can't hurt though
'Cos you're cosmic
The song "Truck On" by T. Rex is one of the band's most iconic tracks. The lyrics refer to a lady named Tyke who is described as a slender and living dynamite. She is said to have gangster's legs and is a right-on dancer. The singer compares himself to a jive brain bender and a space age cowboy who rides dinosaurs. Together, they truck on like a song. Tyke is also described as a palomino baby who moves along, but some people put her down because she is too low on the ground. However, she is referred to as cosmic, which suggests that she is otherworldly and beyond the reach of criticism.
One possible interpretation of the lyrics is that they celebrate people who are unapologetically themselves and live life on their own terms. Tyke and the singer are both described as unique individuals who are not afraid to stand out and be different. The reference to riding dinosaurs and being a space age cowboy suggests a rejection of conventional norms and a desire to explore new frontiers. Overall, "Truck On" is a song that encourages listeners to embrace their individuality and not be weighed down by the opinions of others.
Line by Line Meaning
Truck on Truck on Truck on Truck on Tyke
Keep moving forward, Tyke
Oh Tyke baby
Addressing Tyke affectionately
You're a slender living lady
You're an elegant and lively woman
You're dynamite
You're incredibly explosive
You're a jeep mouth dancer
You move effortlessly like a dancer
You're a right on dancer
You dance in a way that's perfectly in sync with the music
You got gangster's legs
Your legs are strong and powerful
Like a song I truck on
I carry on moving like a song
You're a silver-stud fender
You're someone who shines and stands out from the crowd
I'm a jive brain bender I'm everyone
I'm an unpredictable and unique person
Got electric deep in me
I have a lot of energy inside me
I'm a space age cowboy
I'm an adventurer who isn't afraid to explore new frontiers
Ride dinosaurs
Take risks and make bold moves
Like a song I truck on
Continue moving like a song
Oh Tyke baby
Still addressing Tyke fondly
You're a palomino baby
You're unique and majestic
'Cos you move along
Because you keep progressing forward
People put you down
Others try to bring you down
'Cos you're too low on the ground
Because you're underestimated
They can't hurt though
Their words can't harm you
'Cos you're cosmic
Because you're out of this world
Lyrics © SPIRIT MUSIC GROUP
Written by: MARC BOLAN
Lyrics Licensed & Provided by LyricFind
@Holcroft1969
I haven't heard Marc for a long time now and he is still just as good as ever.
@Joseph-vl7ik
Another awesome t.rex some
Everything they did was brilliant.
Don't think they ever had a bad song.
@soundartcoalition
one of my fave T.Rex singles the guitars are great!
@rogerhoward7498
One of the Truly Great later T.Rex Singles.
The Cello part in this track is also Bloody Brilliant.
The Cello part rocks just as much as the rock guitars do.
Some of the greatest string part arrangements that had ever graced a T-Rex single are to be found on this song, not just great in arrangement but also how the strings were recorded.
@delflord
I actually LOVE this track..great lyrics and a punchy rythmn!..rock on Marc! Delf n Kaz x
@SuperOniu
LOVE IT ...ROCK ON AND ALL THE BEST FROM ROMANIA
@andytrex
It may not be Marc's best but you've got to love lyrics like "With my silver studded Fender, I'm a child brain bender"! Only TV promotional appearance was a tea time slot on Lift Off With Ayshea on ITV with Mickey Finn on drums as Bill Legend had just left the band.The B-side (as ever) was another quality song "Sitting Here". Great photos. Thanks for posting.
@andytrex
Sadly no, T.Rex didn't promote Truck On on TOTP. Lift Off was the only appearance. At the time Marc Bolan could only be in the UK for so many days a year to avoid paying UK tax at 99% of earnings (unbelievable but true!). The photos inside the Zinc Alloy cover of Marc with shorter hair standing with Jack Green on guitar are from the Lift Off show. The last TOTP appearance of the classic line up was for The Groover in June 1973 which has been lost by the BBC.
@stephengoulding1595
Great track
@Tourkat37
Very Kool track. Has great lines ...'Ride dinosaurs.....gangsters legs.....cause you're cosmic.' Drums sound good, the weird egyptian-esque effect, a good vibe, and a lot of Marc 'YEAHS!'