1. T is a performance … Read Full Bio ↴There are five artists going by the name "T":
1. T is a performance name of Thomas Thielen, a german progressive rock musician. Thomas Thielen (AKA “t”) was born and is based in Germay. Initially a keyboard player, he soon jumped to bass and eventually guitar after he joined his first band in his teens. He was a member of a German band called Scythe in the ’90s, and when it disbanded he eventually began doing solo albums and adopted the “t” moniker. In his leisure time, t works as a teacher (latin / english) and a teacher for teachers (educational psychology). He is also a father (to Sophia, born 2010), a husband (married to the famous photographer and writer Katia Tangian), a dedicated, yet mediocre football player, and an aficionado of literature and cinema.
Discography: (regular albums);
t - Naive (2001)
t - Voices (2006)
t - Anti-Matter Poetry (2010)
t - Psychoanorexia (2013)
t - Fragmentropy (2015)
t - Epistrophobia (2016)
T has always been making music. he has always been writing music, as well. given the opportunity to learn to play the piano from earliest childhood on, he decided to learn the guitar as well at the age of 12. because of the girls, of course. when a few friends of his, long-time guitar hero lothar hilgers (14), newly-designed singer peter niederpruem (15), bass-player-to-be stefan hilgers (14) and drummer stefan wagner (15) decided to line up as a band, t joined as keyboarder and rhythm guitarist. however, due to musical differences this line-up of "The Rubbish" was - though critically acclaimed as hell (by almost all the girls of the 9a AND 9b!) - only short-lived. that is nicer than saying it right: t was opted out because of his tendency to be too, quote, "productive, creative and constructive" at rehearsals. he sure was a pain in the ass, back then.
at the age of 14 he decided to enter his first real band "backyard", formed by frederik schlenk, marius boeffgen and yours truely. to get in, he simply lied and said that he, of course, was a bass player as well. though the other boys were 18 already at that time, they decided to invite him for some rehearsals, because in the eifel there were no bass players whatsoever at that time that met their needs. t managed to get his mother to get him a bass guitar until the next day (which he still fondly plays, an aria 4string with great cure-like power), and then got the job, not least because of a lack of alternatives.
backyard, as a bluesrock band, taught him a lot about gigs, the feeling of music and dynamics, improvisation and, as simple as it may sound, listening. but the sound structure and musical simplicity of the material they played (mostly albeit idiosyncratic cover versions of classics like cocaine or white room or red house...) were not after his tastes.
so, in 1992, at the age of 16, he started looking for musicians who shared his vision of something he didn't then know was called artrock: powds con fusion, a first version of the later prog heroes scythe, came into being, featuring udo gerhards on keyboards, marius boeffgen on drums, stephan kloep on keyboards and saxophone, alexandra simon on flute, t on guitars and vocals, uli michels and later udo hargarten on bass (and quite often on vocals, the mists of time vary in their whispers). the musical world was, once more, saved, revolutionized, shirred, staken, got a new hairstyle - and answered these effort with loads of nothing but a frown, really.
so powds con fusion was abandoned, or better: distilled into scythe featuring martin walter on drums, ingo roden on bass, udo gerhards on keyboards and t as guitar player and lead vocalist. scythe then got the interest of the crowds (which, when talking about artrock, means about 10-30 people) and subsequently a record deal with galileo records. one album was produced: divorced land (1999). produced is a big word for the process, really, as it was recorded in a primary school with very few microphones, mixed without one single compressor at hand and only one reverb to be used, and mastered in a rush by someone not very much interested (understandably, if you consider the quality of the final mixes). the sound quality is, let's say, worth a remix one day, all the more so as the album got good reviews and was said to display the talents of one of the next big prog bands of the world, century etc. however, scythe split up shortly afterwards for musical differences not so much as for private reasons: their jobs called the members simply to far apart to go on musicing together.
t was then left alone with new material, and decided to go for the big egomania: a solo project. with a little luck he managed to persuade galileo records to put it out, and the result, naive, was subsequently, as they say, critically acclaimed. it took him 4 years to shake off the self-consciousness and pressure this put upon our little musician, but then voices followed, which was applauded even more, to the very confusion of the author.
now, when we talk about solo albums here, we *really* talk about doing everything practically alone. apart from some help in the mixing, t is control freak and artist in one go and extremely bad at delegating. so, it might not be too surprising to see that it took him 4 years again to get anti-matter poetry, his third solo album, out. having become better at sound engineering, t now mixed the whole thing by himself, as well. this is also true for the next piece of work, psychoanorexia (2012).
funnily enough, he is still being referred to as "the ex-frontman of the german progband scythe" and understands a bit better how frustrating it must have been for, say, fish for all these years.
in his leisure time, t works as a teacher (latin / english) and a teacher for teachers (educational psychology) and is also a father (sophia, born 2010), a husband (married to the famous photographer and writer katia tangian, and still doesn't know why she doesn't realize her mistake), a dedicated, yet mediocre football player and quite a lot into literature and cinema.
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2. Tasha (T) Reid is a Korean-African American R&B singer and rapper born in Portland, Texas on May 31, 1981 to an African American father and a Korean mother. She was a core member of the Korean hip hop and R&B group Uptown, starting out when she was only 16 years old. She later formed Tashannie, a hip-hop and R&B duo in 1999 where she was the primary vocalist. In 2001, she started a solo career under the moniker T. Reid, who speaks Korean and English fluently, is one of the most influential rappers in Korea as well as the most influential female. After settling a dispute with her former record company, World Music, Reid's new album, Yoon Mi Rae (윤미래), was released in February 2007. The album title is T's Korean name.
3. T is solo project by a French man, Thomas Walter, on the label Herzfeld. His first album is called "b category film" second one "T" released in 2005 is eponymous. Third lp "Bau" October 2007. T also plays the drums for the band Loyola. His music is a mix of acoustic tunes sometimes mixed with electronic beats. http://www.hrzfld.com/
4. The vocalist of hardcore punk band Product of Waste has also released hip hop tracks under the name T.
5. /T is a Japanese electronic doujin music arranger.
6. Spanish experimental trio led by Tres.
The Dark
T Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
Every note is dying
Silence is refining
Every thought in his heart
Still the fates are weaving
Every note that's bleeding
As he sits there seething
Alone in the dark
Alone in the...
But in the night
The darkness breathes
If he wills it to be
Before his eyes
The music dies
But he will always hear me
He sits alone
The cards are shown
As he embraces the dark
The only sound
That he will hear
Is there in his heart
Someone is whispering softly to me
Shadows of things that no one can see
They are there for you if you want them to be
You want them to be
You want them to...
But in the night
The darkness breathes
If he wills it to be
Before his eyes
The music dies
But he will always hear me
He sits alone
The cards are shown
As he embraces the dark
The only sound
That he will hear
Is there in his heart
The lyrics to T's song "The Dark" present a dark and introspective perspective on the power of music to shape and reflect the emotions of those who create and consume it. The opening verse describes a feeling of contentment in the darkness, as every note seems to fade away and leave behind a sense of quiet refinement. However, the darker implications of this mood quickly emerge as the singer describes the fates weaving and bleeding notes, suggesting a deeper sense of frustration or pain behind the creation of music. The image of the singer sitting alone and seething in the dark reinforces this sense of isolation and alienation, as if the only true companionship they can find is in their own music.
The second verse introduces a new layer of complexity to the song's emotions, as the singer suggests that the darkness itself has its own power and will, breathing and dying alongside the music. This creates a sense of symbiosis between the creator and the darkness, suggesting that the very act of creating music is bound up with the emotions and environment in which it is made. The chorus reiterates this connection, emphasising that the singer will always hear the music, even as it fades away before his eyes. The bridge introduces a new presence in the song, as someone whispers softly to the singer, encouraging them to embrace the shadows and hidden depths of their own music. The song ends on this ambiguous note, leaving the listener to ponder the nature of creativity and darkness together.
In summary, "The Dark" by T is a song that explores the relationship between darkness, music and emotion, presenting a haunting and introspective mood that resonates with the listener. The singer's isolation and frustration in the first verse gives way to a more complex and symbiotic relationship with the darkness and the music they create, ending with a tantalising invitation to explore the shadows of one's own art.
Line by Line Meaning
Feel the darkness smiling
The darkness brings joy and pleasure to him.
Every note is dying
Each melody or tune he plays is getting weaker and weaker.
Silence is refining
His mind is becoming more and more clear as he sits in silence.
Every thought in his heart
All the ideas and emotions that he feels within his soul.
Still the fates are weaving
The future is predetermined and he cannot change it.
Every note that's bleeding
The music that he is creating is causing pain and suffering.
As he sits there seething
He is filled with anger and resentment as he sits in the darkness.
All alone in the dark
He is completely by himself with no one else around.
But in the night
However, during the darkness of the night.
The darkness breathes
The darkness becomes a living entity that he can feel and sense.
If he wills it to be
If he desires it to be so.
Before his eyes
Right in front of him.
The music dies
The sound of the music fades away into nothingness.
But he will always hear me
He will always remember the words and thoughts spoken by someone or something.
He sits alone
He remains isolated and lonely.
The cards are shown
The future is becoming clearer and is being revealed to him.
As he embraces the dark
He willingly accepts and welcomes the darkness that surrounds him.
The only sound
The singular thing he can hear.
That he will hear
What he is listening for.
Is there in his heart
What he can only perceive within his deepest feelings and emotions.
Someone is whispering softly to me
There is a presence or voice present that he can barely hear.
Shadows of things that no one can see
There are things present which cannot be perceived or understood.
They are there for you if you want them to be
If he desires, they can become a reality for him.
You want them to be
If he chooses them to exist.
You want them to...
The possibility of creating or having something imagined or desired to manifest.
Lyrics © Warner/Chappell Music, Inc.
Written by: Arthur Hamilton
Lyrics Licensed & Provided by LyricFind
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