1. T is a performance … Read Full Bio ↴There are five artists going by the name "T":
1. T is a performance name of Thomas Thielen, a german progressive rock musician. Thomas Thielen (AKA “t”) was born and is based in Germay. Initially a keyboard player, he soon jumped to bass and eventually guitar after he joined his first band in his teens. He was a member of a German band called Scythe in the ’90s, and when it disbanded he eventually began doing solo albums and adopted the “t” moniker. In his leisure time, t works as a teacher (latin / english) and a teacher for teachers (educational psychology). He is also a father (to Sophia, born 2010), a husband (married to the famous photographer and writer Katia Tangian), a dedicated, yet mediocre football player, and an aficionado of literature and cinema.
Discography: (regular albums);
t - Naive (2001)
t - Voices (2006)
t - Anti-Matter Poetry (2010)
t - Psychoanorexia (2013)
t - Fragmentropy (2015)
t - Epistrophobia (2016)
T has always been making music. he has always been writing music, as well. given the opportunity to learn to play the piano from earliest childhood on, he decided to learn the guitar as well at the age of 12. because of the girls, of course. when a few friends of his, long-time guitar hero lothar hilgers (14), newly-designed singer peter niederpruem (15), bass-player-to-be stefan hilgers (14) and drummer stefan wagner (15) decided to line up as a band, t joined as keyboarder and rhythm guitarist. however, due to musical differences this line-up of "The Rubbish" was - though critically acclaimed as hell (by almost all the girls of the 9a AND 9b!) - only short-lived. that is nicer than saying it right: t was opted out because of his tendency to be too, quote, "productive, creative and constructive" at rehearsals. he sure was a pain in the ass, back then.
at the age of 14 he decided to enter his first real band "backyard", formed by frederik schlenk, marius boeffgen and yours truely. to get in, he simply lied and said that he, of course, was a bass player as well. though the other boys were 18 already at that time, they decided to invite him for some rehearsals, because in the eifel there were no bass players whatsoever at that time that met their needs. t managed to get his mother to get him a bass guitar until the next day (which he still fondly plays, an aria 4string with great cure-like power), and then got the job, not least because of a lack of alternatives.
backyard, as a bluesrock band, taught him a lot about gigs, the feeling of music and dynamics, improvisation and, as simple as it may sound, listening. but the sound structure and musical simplicity of the material they played (mostly albeit idiosyncratic cover versions of classics like cocaine or white room or red house...) were not after his tastes.
so, in 1992, at the age of 16, he started looking for musicians who shared his vision of something he didn't then know was called artrock: powds con fusion, a first version of the later prog heroes scythe, came into being, featuring udo gerhards on keyboards, marius boeffgen on drums, stephan kloep on keyboards and saxophone, alexandra simon on flute, t on guitars and vocals, uli michels and later udo hargarten on bass (and quite often on vocals, the mists of time vary in their whispers). the musical world was, once more, saved, revolutionized, shirred, staken, got a new hairstyle - and answered these effort with loads of nothing but a frown, really.
so powds con fusion was abandoned, or better: distilled into scythe featuring martin walter on drums, ingo roden on bass, udo gerhards on keyboards and t as guitar player and lead vocalist. scythe then got the interest of the crowds (which, when talking about artrock, means about 10-30 people) and subsequently a record deal with galileo records. one album was produced: divorced land (1999). produced is a big word for the process, really, as it was recorded in a primary school with very few microphones, mixed without one single compressor at hand and only one reverb to be used, and mastered in a rush by someone not very much interested (understandably, if you consider the quality of the final mixes). the sound quality is, let's say, worth a remix one day, all the more so as the album got good reviews and was said to display the talents of one of the next big prog bands of the world, century etc. however, scythe split up shortly afterwards for musical differences not so much as for private reasons: their jobs called the members simply to far apart to go on musicing together.
t was then left alone with new material, and decided to go for the big egomania: a solo project. with a little luck he managed to persuade galileo records to put it out, and the result, naive, was subsequently, as they say, critically acclaimed. it took him 4 years to shake off the self-consciousness and pressure this put upon our little musician, but then voices followed, which was applauded even more, to the very confusion of the author.
now, when we talk about solo albums here, we *really* talk about doing everything practically alone. apart from some help in the mixing, t is control freak and artist in one go and extremely bad at delegating. so, it might not be too surprising to see that it took him 4 years again to get anti-matter poetry, his third solo album, out. having become better at sound engineering, t now mixed the whole thing by himself, as well. this is also true for the next piece of work, psychoanorexia (2012).
funnily enough, he is still being referred to as "the ex-frontman of the german progband scythe" and understands a bit better how frustrating it must have been for, say, fish for all these years.
in his leisure time, t works as a teacher (latin / english) and a teacher for teachers (educational psychology) and is also a father (sophia, born 2010), a husband (married to the famous photographer and writer katia tangian, and still doesn't know why she doesn't realize her mistake), a dedicated, yet mediocre football player and quite a lot into literature and cinema.
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2. Tasha (T) Reid is a Korean-African American R&B singer and rapper born in Portland, Texas on May 31, 1981 to an African American father and a Korean mother. She was a core member of the Korean hip hop and R&B group Uptown, starting out when she was only 16 years old. She later formed Tashannie, a hip-hop and R&B duo in 1999 where she was the primary vocalist. In 2001, she started a solo career under the moniker T. Reid, who speaks Korean and English fluently, is one of the most influential rappers in Korea as well as the most influential female. After settling a dispute with her former record company, World Music, Reid's new album, Yoon Mi Rae (윤미래), was released in February 2007. The album title is T's Korean name.
3. T is solo project by a French man, Thomas Walter, on the label Herzfeld. His first album is called "b category film" second one "T" released in 2005 is eponymous. Third lp "Bau" October 2007. T also plays the drums for the band Loyola. His music is a mix of acoustic tunes sometimes mixed with electronic beats. http://www.hrzfld.com/
4. The vocalist of hardcore punk band Product of Waste has also released hip hop tracks under the name T.
5. /T is a Japanese electronic doujin music arranger.
6. Spanish experimental trio led by Tres.
Victim
T Lyrics
Jump to: Overall Meaning ↴ Line by Line Meaning ↴
I've been dying to let you win
It's all I wanna be
So won't you take if from me
I wonder
But the less I get the more I give
It's all I wanna be
So won't you take if from me
I want your eyes
I want your eyes on me
I want your eyes
I want your eyes on me
I want your eyes
I want your eyes to see
I want someone to notice me
I wanna be the only victim
I wanna be the only victim
No regrets, even if it's all I get
It's all I wanna be
So won't you take it from me
It still hurts
It's never easy to forget
Do I wanna be
What you never asked me
I want your eyes
I want your eyes on me
I want your eyes
I want your eyes on me
I want your eyes
I want your eyes to see
I want you to notice me
I wanna be the only victim
I wanna be the only victim
I'm right here
I'm right here
I'm right here [Repeat: x7]
So come and get me!
So come and get me!
I wanna be the only victim [Repeat: x4]
In Trapt's song Victim, the singer expresses their desire to be noticed and seen by someone they admire. The chorus "I want your eyes on me, I want someone to notice me" describes this longing. The use of the word "victim" in the title and throughout the song suggests that the singer feels powerless in this situation, as if they are at the mercy of the person they are trying to impress. This is reinforced in the repeated line "I wanna be the only victim."
The verses of the song contain some contradictory statements. The first verse begins with the singer saying "Let me play, I've been dying to let you win." This could be interpreted as the singer wanting to impress the person they admire by allowing them to "win" or be in control. However, the singer then says "But the less I get the more I give," which suggests that they are already giving too much without receiving anything in return. The second verse continues with the theme of sacrifice, as the singer says "No regrets, even if it's all I get." The final lines of the song, "So come and get me!" further emphasize the singer's eagerness to please and be noticed.
Overall, the lyrics of Victim convey a sense of desperation and longing. The singer is willing to put themselves in a vulnerable position in order to be seen and appreciated by the person they admire. However, the repeated use of the word "victim" suggests that this desire may not be healthy or sustainable.
Line by Line Meaning
Let me play
I want to be the one in control and take the risk to make you notice me.
I've been dying to let you win
I want to appear weak and give you power over me to draw your focus in my direction.
It's all I wanna be
Being a victim is the identity I seek because I believe it will set me apart and give me attention.
So won't you take it from me
I want you to take advantage of me, to use me and hurt me in order to fulfil my role as the victim.
I wonder
I am curious if you will notice me and play the role I want you to.
But the less I get the more I give
Even though I am not getting the desired attention, I give more of myself to entice you to notice me.
I want your eyes
I desire your attention and focus on me.
I want your eyes on me
I want to be the center of your attention and hope that you see me as someone special.
I want your eyes to see
I want you to see me, to acknowledge my existence and my struggle.
I want someone to notice me
I crave recognition and validation from someone.
I wanna be the only victim
I want to be the center of your attention as the victim, as I believe it will help establish my unique identity.
No regrets, even if it's all I got
I am willing to do or sacrifice anything in order to be recognized, even if it means being hurt.
It still hurts
Even though I constantly subject myself to being the victim, it still causes me pain.
It's never easy to forget
The pain of being the victim is not easily forgotten as it mars my identity.
Do I wanna be, what you never asked me
I have formed this identity of victim even though you never asked me to be the victim.
I'm right here
I am present and waiting for you to see me and my struggles.
So come and get me!
I want you to take the time and effort to truly understand me and my struggles.
I wanna be the only victim
I want to be the sole focus of your attention as the victim.
Lyrics © Sony/ATV Music Publishing LLC, Warner/Chappell Music, Inc.
Written by: CHRIS BROWN, PETER CHARELL, AARON MONTGOMERY, SIMON ORMANDY
Lyrics Licensed & Provided by LyricFind
hatchi lulu
2 groupes énorme qui se rencontre,sa donne juste un son de fou.Je kiff trop.Trop envie de vs voir en live.Vs déchiré les mec.
Néo Agnesina
Mille merci à vous ! J'ai reçu votre album que j'avais précommandé et c'est avec grande joie que je découvre de nouveaux titres ! Et super l'affiche ONE LOVE de Triste époque dédicassée ! JE VOUS AIME DUBINC
Mika Boyer
Aie aie aie !!! Du song de dingue , énorme musique comme toujours , vivement que l'album sorte j'ai trop hâte d'écouter ça fond partout !! Bravo à vous
Morgane Michelier
Wow! Impressionnant! Je suis sous le charme. Dub Inc et Naâman... ça donne un très bon son! Continuez comme ça, vous envoyez du lourd! BIG UP!
Techno Will Never Die
Fantastic riddim and absolutely cool vocals. So much character going on there...
sebatec Group＆Co
wonderful music . i don't speak french . but the language barrier are over the grove. amazing
Dub inc
😊 🙏
Thomas NOBLET
Une vraie prouesse artistique que peu de chanteurs peuvent atteindre ... un Nâaman survolté et du Dub Inc comme on aime 🤗 . Continuer sur votre lancé y a rien a jeter , juste se taire et apprécier . Respect aux artistes
Alex Bova
Rien a dire ,ce son te prend au tripes,continuer comme ça ....👍Big up
Thomas Damiens
ohhhhhh mon dieu je valide , 2 groupes de ouf je les surkiff indépendamment mais alors réuni bouhhh 👌👌👌 merci à vous les gars continuez à nous faire rêver, s'évader le temps d'un bon son 😉